Offering insight into the creative processes of a contemporary composer, Tinman presents 150 vignettes from author David Cope's life. Some of the notable individuals discussed in this innovative biography are John Cage, Karlheinz Stockhausen, Pierre Boulez, Aaron Copland, Warren Zevon, Carl Sagan, Frank Drake, Douglas Hofstadter, Arthur Knight, Danny Glover, Steven Spielberg, George Lucas, Dorothy Freeman, Arthur C. Clarke, Isaac Asimov, and Philip Jos Farmer. Tinman offers a fond music journey including two encounters with Bach, Rachmaninoff's classic "Prelude in C-sharp minor," Beethoven's Fifth Symphony, Pierre Boulez, and the sadness of Igor Stravinsky's death. The title, borrowed from L. Frank Baum's book The Wizard of Oz, is an aphorism affectionately attached to Cope in the late 1990s. The reference reflects the many attitudes about his work with his computer music program, Experiments in Musical Intelligence; critics felt the results of this program lack heart. Though Tinman covers many other aspects of Cope's life-from his love of the cello, to his days as a graduate student at the University of Southern California, and to his work as a composer, author, and teacher-the main theme centers on his search for self-identity.
Mammals first evolved at about the same time as dinosaurs, and their story is perhaps the more fascinating of the two—in part because it is also our own story. In this literate and entertaining book, eminent naturalist David Rains Wallace brings the saga of ancient mammals to a general audience for the first time. Using artist Rudolph Zallinger's majestic The Age of Mammals mural at the Peabody Museum as a frame for his narrative, Wallace deftly moves over varied terrain—drawing from history, science, evolutionary theory, and art history—to present a lively account of fossil discoveries and an overview of what those discoveries have revealed about early mammals and their evolution. In these pages we encounter towering mammoths, tiny horses, giant-clawed ground sloths, whales with legs, uintatheres, zhelestids, and other exotic extinct creatures as well as the scientists who discovered and wondered about their remains. We meet such memorable figures as Georges Cuvier, Richard Owen, Edward D. Cope, George Gaylord Simpson, and Stephen Jay Gould and learn of their heated disputes, from Cuvier's and Owen's fights with early evolutionists to present controversies over the Late Cretaceous mass extinction. Wallace's own lifelong interest in evolution is reflected in the book's evocative and engaging style and in the personal experiences he expertly weaves into the tale, providing an altogether expansive perspective on what Darwin described as the "grandeur" of evolution.
Decadent Culture in the United States traces the development of the decadent movement in America from its beginnings in the 1890s to its brief revival in the 1920s. During the fin de siècle, many Americans felt the nation had entered a period of decline since the frontier had ended and the country's "manifest destiny" seemed to be fulfilled. Decadence—the cultural response to national decline and individual degeneracy so familiar in nineteenth-century Europe—was thus taken up by groups of artists and writers in major American cities such as New York, Boston, Chicago, and San Francisco. Noting that the capitalist, commercial context of America provided possibilities for the entrance of decadence into popular culture to a degree that simply did not occur in Europe, David Weir argues that American-style decadence was driven by a dual impulse: away from popular culture for ideological reasons, yet toward popular culture for economic reasons. By going against the grain of dominant social and cultural trends, American writers produced a native variant of Continental Decadence that eventually dissipated "upward" into the rising leisure class and "downward" into popular, commercial culture.
Wallace explores in exciting detail the rivalry between the paleontologists Edward Drinker Cope and Onthniel Charles Marsh--19th-century America's major scientific feud. Cope and Marsh independently discovered hundreds of dinosaur fossils on the high plains when the Indian wars were in full swing.
Introduces undergraduates to the key debates regarding space and culture and the key theoretical arguments which guide cultural geographical work. This book addresses the impact, significance, and characteristics of the 'cultural turn' in contemporary geography. It focuses on the development of the cultural geography subdiscipline and on what has made it a peculiar and unique realm of study. It demonstrates the importance of culture in the development of debates in other subdisciplines within geography and beyond. In line with these previous themes, the significance of space in the production of cultural values and expressions is also developed. Along with its timely examination of the health of the cultural geographical subdiscipline, this book is to be valued for its analysis of the impact of cultural theory on studies elsewhere in geography and of ideas of space and spatiality elsewhere in the social sciences.
When Sir Ernest Shackleton's dreams of crossing Antarctica foundered with his expedition ship Endurance in the ice of the Weddell Sea in October 1915, he could only wonder what had become of his support party on the other side of the continent." "This book tells that story. The task of the Ross Sea component of the expedition was to lay the all-important depots in support of the traverse party to be led by Shackleton." "The party was dogged from the outset by lack of finance and inadequate preparation, and matters were severely compounded when, in May 1915, their ship Aurora was carried away from its winter moorings." "This left ten men stranded and without proper equipment and supplies. At great personal hardship and cost, they laid the depots across the Ross Ice Shelf to Mt. Hope. Three men were to die during this courageous and perilous endeavour." "Aurora, refitted in New Zealand, eventually sailed south amidst considerable controversy, to rescue the seven survivors. Polar Castaways provides the first in-depth account of the Ross Sea party, the drift of Aurora and the relief expedition under the command of polar veteran Captain J.K. Davis."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Leading paleontologist David Archibald explores the rich history of visual metaphors for biological order from ancient times to the present and their influence on human beingsÕ perception of their place in nature. Specifically, Archibald focuses on ladders and trees, and the first appearance of trees to represent seasonal life cycles. Their use in ancient Roman decorations and genealogies was then appropriated by the early Christian Church to represent biblical genealogies. The late eighteenth century saw the idea of a tree reappropriated to visualize relationships in the natural world, sometimes with a creationist view, but in some instances suggesting evolution. Charles DarwinÕs On the Origin of Species (1859) exorcised the exclusively creationist view of the Òtree of life.Ó His ideas sparked an explosion of trees, mostly by younger acolytes in Europe. Although DarwinÕs influence waned in the early twentieth century, by midcentury his ideas held sway once again in time for another and even greater explosion of tree building, generated by the development of new theories on how to assemble trees, the birth of powerful computing, and the emergence of molecular technology. Throughout his far-reaching study, and with the use of many figures, Archibald connects the evolution of Òtree of lifeÓ iconography to our changing perception of the world and ourselves, offering uncommon insight into how we went from standing on the top rung of the biological ladder to embodying just one tiny twig on the tree of life.
The thrilling tale of America’s early paleontologists and the discovery of the first T. Rex fossil, now adapted for young readers. From the dust of the Gilded Age Bone Wars, two vastly different men emerge to fill the empty halls of New York’s struggling American Museum of Natural History: socialite Henry Fairfield Osborn and intrepid fossil hunter Barnum Brown. When Brown unearths the first Tyrannosaurus Rex fossils, Osborn sees a path to save his museum from irrelevancy. As the public turns out in droves to cower before this bone-chilling giant of the past and wonder at the mysteries of its disappearance, Brown and Osborn turn dinosaurs into a beloved part of culture. In this vivid and engaging young readers adaptation, New York Times best-selling author David K. Randall journeys from prehistory to present day, from remote Patagonia to the unforgiving Badlands of the American West to the penthouses of Manhattan. The Monster’s Bones reveals how a monster of a bygone era ignited a new understanding of our planet and our place within it.
The ideal textbook for non-science majors, this lively and engaging introduction encourages students to ask questions, assess data critically and think like a scientist. Building on the success of the previous editions, Dinosaurs has been reorganised and extensively rewritten in response to instructor and student feedback. It continues to make science accessible and relevant through its clear explanations and extensive illustrations. Updated to reflect recent fossil discoveries and to include new taxa, the text guides students through the dinosaur groups, emphasising scientific concepts rather than presenting endless facts. It is grounded in the common language of modern evolutionary biology - phylogenetic systematics - so that students examine dinosaurs as professional paleontologists do. The key emerging theme of feathered dinosaurs, and the many implications of feathers, have been integrated throughout the book, highlighted by the inclusion of stunning new photographs in this beautifully illustrated text, now in full colour throughout.
Compiled by scholars with unrivalled knowledge of the sources, this dictionary provides biographies of all musicians and instrument makers employed by the English court from 1485-1714. A number of the musicians featured here have never previously received a dictionary entry. Coverage of these minor figures helps to flesh out the picture of musical life in the court in a way which individual studies of more major composers cannot. In addition to basic biographical details, entries feature information on: appointments; probate material; family background; heraldry; signatures and holograph documents; subscriptions to books; bibliographic references. A finding-list of variant names, details of the succession of court places assumed by musicians and an index of subjects and place names completes this comprehensive reference work.
The Steelers Experience is an illustrated history of the Pittsburgh Steelers NFL franchise. Featuring every key player from every era, the book chronicles the highs and lows of every season, and features stories, statistics, and highlights old and new"--
Charcoal Foundry, the first book in the "Metal Working Shop From Scrap Series", gives you plans for building a metal melting furnace and instructions on basic pattern making and molding. All the information needed to set up a foundry in your work shop can be found in this book. Simply stated, if you can build a sand castle or make a mud pie, you can make a sand mold to produce castings for your metal shop projects. The main ingredient in these projects is scrap aluminum and pot metal. The only tools you need to get started are ordinary home shop hand tools, many of which are probably already in your possession. Much of the remainder is found as salvage or cast-off and little expense need be involved. The charcoal foundry is simple to build and operate and the initial cost is so low that it can be in the reach of nearly anyone. And the fundamentals of pattern-making and molding are easily understood and mastered. Once you have built the charcoal foundry and the metal lathe in book 2, there is little beyond your reach by way of shop equipment. Build as large or small as you wish and you are your own parts supply company. If you already have some machine shop equipment, you will find that adding a foundry to your shop greatly expands your capacity. Being able to produce your own castings for accessories and equipment is a great advantage. Design your own, make a copy or follow a plan. It's easy when you're in control and can produce your own castings.
Described as "a writer in the tradition of Henry David Thoreau, John Muir, and other self-educated seers" by the San Francisco Chronicle, David Rains Wallace turns his attention in this new book to another distinctive corner of California—its desert, the driest and hottest environment in North America. Drawing from his frequent forays to Death Valley, Red Rock Canyon, Kelso Dunes, and other locales, Wallace illuminates the desert’s intriguing flora and fauna as he explores a controversial, unresolved scientific debate about the origin and evolution of its unusual ecosystems. Eminent scientists and scholars appear throughout these pages, including maverick paleobiologist Daniel Axelrod, botanist Ledyard Stebbins, and naturalists Edmund Jaeger and Joseph Wood Krutch. Weaving together ecology, geology, natural history, and mythology in his characteristically eloquent voice, Wallace reveals that there is more to this starkly beautiful landscape than meets the eye.
Continuing the insights into the creative processes of contemporary composer David Cope, Tinman Too presents another 150 vignettes from the author's life begun in his previous book Tinman. Some of the notable individuals discussed in this innovative autobiography are Alfred Hitchcock, Buckminster Fuller, Benoit Mandelbrot, Vincent Price, Jerry Lewis, and Philip José Farmer. Tinman Too offers a fond music journey including encounters with William Schuman, Max Mathews, Lejaren Hiller, John Adams, Donald Erb, Mort Subotnick, Walter Piston, Karel Husa, and Witold Lutoslawski. The title, borrowed from L. Frank Baum's book The Wizard of Oz, is an aphorism affectionately attached to Cope in the late 1990s. The reference reflects the many attitudes about his work with his computer music program, Experiments in Musical Intelligence; critics felt the results of this program lack heart. Though Tinman Too covers many other aspects of Cope's life-from his love of the cello, to his days as a graduate student at the University of Southern California, and to his work as a composer, author, and teacher-the main theme centers on his search for self-identity.
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