When heiress Elizabeth Harrison escapes from a slave ship where she had been held captive, surfman Jack Light rescues her from the Atlantic. But LeFrank, captain of the ship from which Elizabeth escaped, is determined to sell her as a and take control of her fortune, forcing Jack to protect her.
“A stunningly detailed history . . . from sexy socialite double agents to ‘kill switches’ implanted offshore in the computer chips for our electric grid” (R. James Woolsey, former director of Central Intelligence). For decades, while America obsessed over Soviet spies, China quietly penetrated the highest levels of government. Now, for the first time, based on numerous interviews with key insiders at the FBI and CIA as well as with Chinese agents and people close to them, David Wise tells the full story of China’s many victories and defeats in its American spy wars. Two key cases interweave throughout: Katrina Leung, code-named Parlor Maid, worked for the FBI for years even after she became a secret double agent for China, aided by love affairs with both of her FBI handlers. Here, too, is the inside story of the case, code-named Tiger Trap, of a key Chinese-American scientist suspected of stealing nuclear weapons secrets. These two cases led to many others, involving famous names from Wen Ho Lee to Richard Nixon, stunning national security leaks, sophisticated cyberspying, and a West Coast spy ring whose members were sentenced in 2010. As concerns swirl about US-China relations and the challenges faced by our intelligence community, Tiger Trap provides an important overview from “America’s premier writer on espionage” (The Washington Post Book World). “Wise’s conclusion is sobering—China’s spying on America is ongoing, current, and shows no signs of diminishing—and his book is a fascinating history of Chinese espionage.” —Publishers Weekly “A fact-filled inside account, with sources named and no one spared.” —Seymour M. Hersh
A monumental work of research and analysis, this is a history of the Vietnam War in a single province of the Mekong Delta over the period 1930-1975. More precisely, it is a study of the Vietnamese dimension of the "Vietnam War, " focusing on the revolutionary movement that became popularly known as the "Viet Cong." There are several distinctive features to this study: (1) it provides an explanation for the paradox of why the revolutionary movement was so successful during the war, but unable to meet the challenges of postwar developments; (2) it challenges the dominant theme of contemporary political analysis which assumes that people are "rational" actors responding to events with careful calculations of self-interest; (3) it closely examines province-level documentation that casts light on a number of important historical controversies about the war. No other history of the Vietnam War has drawn on such a depth of documentation, especially firsthand accounts that allow the Vietnamese participants to spea directly to us.
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell and Kristin Thompson's Film Art has been the best-selling and most widely respected introduction to the analysis of cinema. Taking a skills-centered approach supported by examples from many periods and countries, the authors help students develop a core set of analytical skills that will enrich their understanding of any film, in any genre. In-depth examples deepen students’ appreciation for how creative choices by filmmakers affect what viewers experience and how they respond. Film Art is generously illustrated with more than 1,000 frame enlargements taken directly from completed films, providing concrete illustrations of key concepts.
These seven imaginative short theatre pieces by one of America's most inventive and highly regarded playwrights range widely in content, mood and style. The plays offer a stimulating challenge in terms of selecting, arranging, and mounting the diverse com
The Drenai stronghold had fallen. Now blood-hungry Nadir hordes spread desolation and despair across all the lands... ...even tiny Gothir, where slavers seized a young girl while the villagers looked the other way--all but the peasant boy Kiall. His unlikely rescue attempt would lead across the savage steppes and on through the Halls of Hell. The youth would face ferocious beasts, deadly warriors, and demons of the dark; he would emerge a man--or not emerge at all. But Kiall would not face these dangers alone. Heroes out of legend joined his quest: Chareos the Blademaster, Beltzer the Axeman, and the bowmen Finn and Maggrig. And one among their company hid a secret that could free the world of Nadir domination. That one was the Nadir Bane, the hope of the Drenai. That one was the Earl of Bronze. Thus did a search for a stolen slave girl become a quest that would shake the very world.
As a fledgling republic, the United States implemented a series of trading outposts to engage indigenous peoples and to expand American interests west of the Appalachian Mountains. Under the authority of the executive branch, this Indian factory system was designed to strengthen economic ties between Indian nations and the United States, while eliminating competition from unscrupulous fur traders. In this detailed history of the Indian factory system, David Andrew Nichols demonstrates how Native Americans and U.S. government authorities sought to exert their power in the trading posts by using them as sites for commerce, political maneuvering, and diplomatic action. Using the factory system as a lens through which to study the material, political, and economic lives of Indian peoples, Nichols also sheds new light on the complexities of trade and diplomacy between whites and Native Americans. Though the system ultimately disintegrated following the War of 1812 and the Panic of 1819, Nichols shows that these factories nonetheless served as important centers of economic and political authority for an expanding inland empire.
First published in 2002. An in-depth study of land reform in one Chinese village, the authors were accepted as comrades in Party life and studies in post-war rural China.
In this cogent and insightful reading of China’s twentieth-century political culture, David Strand argues that the Chinese Revolution of 1911 engendered a new political life—one that began to free men and women from the inequality and hierarchy that formed the spine of China’s social and cultural order. Chinese citizens confronted their leaders and each other face-to-face in a stance familiar to republics worldwide. This shift in political posture was accompanied by considerable trepidation as well as excitement. Profiling three prominent political actors of the time—suffragist Tang Qunying, diplomat Lu Zhengxiang, and revolutionary Sun Yatsen—Strand demonstrates how a sea change in political performance left leaders dependent on popular support and citizens enmeshed in a political process productive of both authority and dissent.
Los Angeles has nourished a dazzling array of independent cinemas: avant-garde and art cinema, ethnic and industrial films, pornography, documentaries, and many other far-flung corners of film culture. This glorious panoramic history of film production outside the commercial studio system reconfigures Los Angeles, rather than New York, as the true center of avant-garde cinema in the United States. As he brilliantly delineates the cultural perimeter of the film business from the earliest days of cinema to the contemporary scene, David James argues that avant-garde and minority filmmaking in Los Angeles has in fact been the prototypical attempt to create emancipatory and progressive culture. Drawing from urban history and geography, local news reporting, and a wide range of film criticism, James gives astute analyzes of scores of films—many of which are to found only in archives. He also looks at some of the most innovative moments in Hollywood, revealing the full extent of the cross-fertilization the occurred between the studio system and films created outside it. Throughout, he demonstrates that Los Angeles has been in the aesthetic and social vanguard in all cinematic periods—from the Socialist cinemas of the early teens and 1930s; to the personal cinemas of psychic self-investigation in the 1940s; to attempts in the 1960s to revitalize the industry with the counterculture’s utopian visions; and to the 1970s, when African Americans, Asian Americans, Latinos, women, gays, and lesbians worked to create cinemas of their own. James takes us up to the 1990s and beyond to explore new forms of art cinema that are now transforming the representation of Southern California’s geography.
In this groundbreaking work, author David Scott Diffrient explores largely understudied facets of cinematic horror, from the various odors permeating classic and contemporary films to the wetness, sliminess, and stickiness of these productions, which, he argues, practically scream out for a tactile mode of textural analysis as much as they call for more traditional forms of textual analysis. Dating back to Carol Clover’s and Linda Williams’s pioneering work on horror cinema, film scholars have long conceptualized this once-disreputable category of cultural production as a “body genre.” However, despite the growing recognition that horror serves important biological and social functions in our lives, scholars have only scratched the surface of this genre with regard to its affective, corporeal, and sensorial appeals. Diffrient anatomizes horror films in much the same way that a mad scientist might handle the body, separating and recombining constitutive parts into a new analytical whole. Further, he challenges the tendency of scholars to privilege human over nonhuman beings and calls into question ableist assumptions about the centrality to horror films of sight and sound to the near exclusion of other forms of sense experience. In addition to examining the role that animals—living or dead, real or fake—play in human-centered fictions, this volume asks what it means for audiences to consume motion pictures in which actors, stunt performers, and other creative personnel have put their own bodies and lives at risk for our amusement. Historically grounded and theoretically expansive, Body Genre: Anatomy of the Horror Film moves the study of cinematic horror into previously unchartered waters and breathes life into a subject that, not coincidentally, is intimately connected to breathing as our most cherished dividing line between life and death.
An extensive guide to more than 300 dog breeds, with detailed entries featuring high-quality photography and precise text. The clearest and sharpest recognition guide to more than 300 dog breeds from around the world. Authoritative text, crystal-clear photography, and a systematic approach make this the most comprehensive and concise pocket guide to dogs of the world. Packed with more than 1,000 full-color photographs of over 300 dog breeds, this handy reference book is designed to cut through the process of identification and help you to recognize a breed quickly and easily. Expertly written and thoroughly vetted, each entry combines a precise description with annotated photographs to highlight the characteristics and distinguishing features of each breed, while bands provide at-a-glance facts for quick reference. The introduction traces the evolution of the domestic dog, explains the difference between pedigrees and non-pedigrees, looks at how breeds are classified, and examines their characteristics in detail. Designed to delight and inform dog lovers of all ages – new owners, established enthusiasts, and envious admirers eager to tell terriers apart – the DK Handbook: Dogs offers a quick, easy way to hone your knowledge of hounds.
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