The notorious Opium-Eater returns in the sensational climax to David Morrell's acclaimed Victorian mystery trilogy. 1855. The railway has irrevocably altered English society, effectively changing geography and fueling the industrial revolution by shortening distances between cities: a whole day's journey can now be covered in a matter of hours. People marvel at their new freedom. But train travel brings new dangers as well, with England's first death by train recorded on the very first day of railway operations in 1830. Twenty-five years later, England's first train murder occurs, paralyzing London with the unthinkable when a gentleman is stabbed to death in a safely locked first-class passenger compartment. In the next compartment, the brilliant opium-eater Thomas De Quincey and his quick-witted daughter, Emily, discover the homicide in a most gruesome manner. Key witnesses and also resourceful sleuths, they join forces with their allies in Scotland Yard, Detective Ryan and his partner-in-training, Becker, to pursue the killer back into the fogbound streets of London, where other baffling murders occur. Ultimately, De Quincey must confront two ruthless adversaries: this terrifying enemy, and his own opium addiction which endangers his life and his tormented soul. Ruler of the Night is a riveting blend of fact and fiction which, like master storyteller David Morrell's previous De Quincey novels, "evokes Victorian London with such finesse that you'll hear the hooves clattering on cobblestones, the racket of dustmen, and the shrill calls of vendors" (Entertainment Weekly).
They found the flying officer hanging in his hut another man who couldnt take the relentless pressure of flying operations, it seemed, although his fellow officers hadnt liked him much anyway. Besides, what was one more death among the thousands dying on the Western Front???Except that this mans family had connections to Field Marshal Kitchener and no one wanted him distracted on the eve of the big push on the Somme. ??So Investigator Miller is sent to the squadron to tie up the loose ends, to tidy the incident away. For some reason they think he is well-equipped for that sort of thing.??Only it is all Miller can do to keep himself alive, flying daily over the enemy lines. And then he finds the suicide isnt quite as straightforward as it is supposed to be. Particularly when a second man turns up dead, purportedly shot with his own pistol...??Set against the backdrop of the Great War and infused with a sense of intrigue and high drama, this is a novel of unsettling force. With a keen eye for detail, Oldman evokes the brutality of mud splattered battlefields and aerial combat, bringing the reader right up close to the action. As events spiral and the war continues to impact upon the investigation, peril and suspense combine to create a real sense of unease and urgency, leading towards an unexpected and fascinating conclusion.??As seen on www.historicalnovels.info
In this revisionary study of the poetry of Coleridge, Wordsworth and their friends during the 'revolutionary decade' David Fairer questions the accepted literary history of the period and the critical vocabulary we use to discuss it. The book examines why, at a time of radical upheaval when continuities of all kinds (personal, political, social, and cultural) were being challenged, this group of poets explored themes of inheritance, retrospect, revisiting, and recovery. Organising Poetry charts their struggles to find meaning not through vision and symbol but from connection and dialogue. By placing these poets in the context of an eighteenth-century 'organic' tradition, Fairer moves the emphasis away from the language of idealist 'Romantic' theory towards an empirical stress on how identities are developed and sustained through time. Locke's concept of personal identity as a continued organisation 'partaking of one common life' offered not only a model for a reformed British constitution but a way of thinking about the self, art and friendship, which these poets found valuable. The key term, therefore, is not 'unity' but 'integrity'. In this context of a need to sustain and organise diversity and give it meaning, the book offers original readings of some well known poems of the 1790s, including Wordsworth's 'Tintern Abbey' and 'The Ruined Cottage', and Coleridge's conversation poems 'The Eolian Harp', 'This Lime-Tree Bower', and 'Frost at Midnight'. Organising Poetry represents an important contribution to current critical debates about the nature of poetic creativity during this period and the need to recognise its more communal and collaborative aspects.
Poets of labouring class origin were published in Britain in the 18th and 19th centuries. Some were popular and important in their day but few are available today. This is a collection of some of those poems from the 18th century.
In early 1882, before young Oscar Wilde embarked on his lecture tour across America, he posed for publicity photos taken by a famously eccentric New York photographer named Napoleon Sarony. Few would guess that one of those photographs would become the subject of the Supreme Court case that challenged copyright protection for all photography—a constitutional question that asked how a machine-made image could possibly be a work of human creativity. Who Invented Oscar Wilde? is a story about the nature of authorship and the “convenient fiction” we call copyright. While a seemingly obscure topic, copyright has been a hotly contested issue almost since the day the internet became publicly accessible. The presumed obsolescence of authorial rights in this age of abundant access has fueled a debate that reaches far beyond the question of compensation for authors of works. Much of the literature on the subject is either highly academic, highly critical of copyright, or both. With a light and balanced touch, David Newhoff makes a case for intellectual property law, tracing the concept of authorship from copyright’s ancient beginnings to its adoption in American culture to its eventual confrontation with photography and its relevance in the digital age. Newhoff tells a little-known story that will appeal to a broad spectrum of interests while making an argument that copyright is an essential ingredient to upholding the principles on which liberal democracy is founded.
In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.
This reappraisal of the role of genre in Romanticism explores the generic innovations that drove the Romantic 'revolution in literature'. Also examined is the movement's fascination with archaic forms such as the ballad, the sonnet, and the epic, the revival of which made Romanticism a 'retro' as well as a revolutionary movement.
Featuring Contributions by: Deanna Baran, Mark Mower, Thomas A. Turley, Will Murray, Brenda Seabrooke, Tim Gambrell, Thomas A. Burns, Jr., Amy Thomas, David Marcum, Jeffrey A. Lockwood, John Lawrence, Martin Daley, Dick Gillman, Liz Hedgecock, Paul Hiscock, Mike Hogan, Stephen Herczeg, and Roger Riccard, and forewords by Nancy Holder, Roger Johnson, Steve Emecz, and David Marcum “Somewhere in the vaults of the bank of Cox and Co., at Charing Cross, there is a travel-worn and battered tin dispatch box with my name, John H. Watson, M.D., Late Indian Army, painted upon the lid. It is crammed with papers, nearly all of which are records of cases to illustrate the curious problems which Mr. Sherlock Holmes had at various times to examine...” – Dr. John H. Watson So wrote Dr. Watson in “The Problem of Thor Bridge” – and ever since, Sherlockians have been bringing us new adventures from this legendary tin dispatch box. While Watson's original First Literary Agent only edited the pitifully few sixty stories that make up the original Canon, there have since been literally thousands of traditional adventures about the true Sherlock Holmes – and there will never be enough! In 2015, The MX Book of New Sherlock Holmes Stories burst upon the scene, featuring adventures set within the correct time period, and written by many of today's leading Sherlockian authors from around the world. Those first three volumes were overwhelmingly received, and there were soon calls for additional collections. Since then, their popularity has only continued to grow. In Fall 2016, the series presented its first “themed” collection – Part V: Christmas Adventures – containing 30 new adventures that proved to be extremely and enduringly popular. With that in mind, we now revisit that season, with 57 more Christmas Adventures, ranging from a consequential case that occurred when Holmes was still a teenager, to another in the late 1920’s when Holmes – in retirement – was still at the top of his game. The fifty-seven stories in these three companion volumes are a thrilling mix of mysteries, whatever the season. Some are directly involved with Christmas, while others occur during and in around that season. These represent some of the finest new Holmesian storytelling to be found by the best pasticheurs, and once again they honor the man described by Watson as “the best and wisest . . . whom I have ever known.” 57 new traditional Holmes adventures in three simultaneously published volumes The game is afoot! All royalties from this collection are being donated by the writers for the benefit of the preservation of Undershaw, one of the former homes of Sir Arthur Conan Doyle.
Looks at what it was really like in the first cafes, as coffee drinking became more popular. This book also deals with such questions as: what else did the shops sell? How did coffee shop life influence politics, the media and everyday life? We have all seen the hilarious depiction of Mrs Miggins' coffee shop in 'Blackadder', but what was it really like in the first cafes, as coffee drinking became more popular?
General William Howe was the commander-in-chief of the British forces during the early campaigns of the American Revolutionary War (1775-1783). Howe evoked passionate reactions in the people he worked with – his men loved him, his second-in-command detested him, his enemies feared him, his political masters despaired of him. There was even a plot to murder him, in which British officers as well as Americans were implicated. Howe's story includes intrigue, romance and betrayal, played out on the battlefields of North America and concluding in a courtroom at the House of Commons, where Howe defended his decisions with his reputation and possibly his life on the line. The inquiry, complete with witness testimonies and savage debate between the bitterly divided factions of the British Parliament, gives Howe's story the flavour of a courtroom drama. Using extensive research and recent archival discoveries, this book tells the thrilling story of the man who always seemed to be on the verge of winning the American Revolutionary War for Britain, only to repeatedly fail to deliver the final blow.
“A well-organized and concise introduction to the war’s major battles” (The Journal of America’s Military Past). Winner of the Gold Star Book Award for History from the Military Writers Society of America This is the first comprehensive account of every engagement of the Revolution, a war that began with a brief skirmish at Lexington Green on April 19, 1775, and concluded on the battlefield at the Siege of Yorktown in October 1781. In between were six long years of bitter fighting on land and at sea. The wide variety of combats blanketed the North American continent from Canada to the Southern colonies, from the winding coastal lowlands to the Appalachian Mountains, and from the North Atlantic to the Caribbean. Every entry begins with introductory details including the date of the battle, its location, commanders, opposing forces, terrain, weather, and time of day. The detailed body of each entry offers both a Colonial and a British perspective of the unfolding military situation, a detailed and unbiased account of what actually transpired, a discussion of numbers and losses, an assessment of the consequences of the battle, and suggestions for further reading. Many of the entries are supported and enriched by original maps and photos.
The complex and hard-fought movement for political freedom in India coincided with the rise of a wealthy capitalist class of Indian industrialists who had profited under British rule. By 1947, these prominent businessmen had forged a partnership with the socialist-led Indian National Congress, and supported Jawaharlal Nehru's implementation of a centrally-planned economy. In this political history of modern India, David Lockwood traces the roots of this capitalist class, concentrated in Bombay, Calcutta and the west Bengal coal mining region, and examines British economic policy in the nineteenth century. Indian capitalists, such as J.R.D Tata of Tata Steel, established powerful relationships with domestic governments throughout the period, holding indigenous industrial conferences and supporting the swadeshi movement which aimed to promote Indian-manufactured goods. The Indian Bourgeoisie is a unique and important contribution to the lively debate on the role of India's capitalists during the Raj and throughout the early years of independence.
An accessibly-written survey of the origins and growth of the discipline of medievalism studies. The field known as "medievalism studies" concerns the life of the Middle Ages after the Middle Ages. Originating some thirty years ago, it examines reinventions and reworkings of the medieval from the Reformation to postmodernity, from Bale and Leland to HBO's Game of Thrones. But what exactly is it? An offshoot of medieval studies? A version of reception studies? Or a new form of cultural studies? Can such a diverse field claim coherence? Should it be housed in departments of English, or History, or should it always be interdisciplinary? In responding to such questions, the author traces the history of medievalism from its earliest appearances in the sixteenth century to the present day, across a range of examples drawn from the spheres of literature, art, architecture, music and more. He identifies two major modes, the grotesque and the romantic, and focuses on key phases of the development of medievalism in Europe: the Reformation, the late eighteenth century, and above all the period between 1815 and 1850, which, he argues, represents the zenith of medievalist cultural production. He also contends that the 1840s were medievalism's one moment of canonicity in several European cultures at once. After that, medievalism became a minority form, rarely marked with cultural prestige, though always pervasive and influential. Medievalism: a Critical History scrutinises several key categories - space, time, and selfhood - and traces the impact of medievalism on each. It will be the essential guide to a complex and still evolving field of inquiry. David Matthews is Professor of Medieval and Medievalism Studies at the University of Manchester.
The Routledge Anthology of Poets on Poets collects together writings by all the major poetic figures from Chaucer to Yeats demonstrating their vivid responses to each other, ranging from elegiac eulogy to burlesque and satire. The anthology is arranged in two sections. Part One contains poets' writings on the nature, qualities and purpose of poetry Part Two is a chronological collection of poets' writings on their peers, with an individual entry for each poet. Each extract is presented in modernized spelling and punctuation, and is carefully annotated to provide full explanations of unfamiliar phrases and references. The index has been fully revised for this paperback edition. The Routledge Anthology of Poets on Poets will be stimulating and enjoyable for anyone interested in the history of English poetry, but will also be an invaluable collection of primary source material for students and their teachers.
DIVDefinitive study of strange symbolism Blake used to attack political tyranny of his time. "For our sense of Blake in his own times we are indebted to David Erdman more than anyone else."—Times Literary Supplement. Third revised edition. 32 black-and-white illus. /div
William Hazlitt is viewed by many as one of the most distinguished of the non-fiction prose writers to emerge from the Romantic period. This nine-volume edition collects all his major works in complete form.
1776, Brave Companions, The Great Bridge, John Adams, The Johnstown Flood, Mornings on Horseback, Path Between the Seas, Truman, The Course of Human Events
1776, Brave Companions, The Great Bridge, John Adams, The Johnstown Flood, Mornings on Horseback, Path Between the Seas, Truman, The Course of Human Events
Perfect for David McCullough fans and history lovers alike, this ebook boxed set features all of his bestselling titles, from 1776 to Mornings on Horseback. This ebook box set includes all of David McCullough’s bestselling titles: 1776 is the riveting story of George Washington, the men who marched with him, and their British foes in the momentous year of American independence. Brave Companions contains profiles of the exceptional men and women who shaped history, among them Alexander von Humboldt, Harriet Beecher Stowe, and Charles and Anne Lindbergh. The Great Bridge is the remarkable, enthralling story of the planning and construction of the Brooklyn Bridge, which linked two great cities and epitomized American optimism, skill, and determination. John Adams is the magisterial, Pulitzer Prize–winning biography of the independent, irascible Yankee patriot, one of our nation’s founders and most important figures, who became our second president. The Johnstown Flood is the classic history of an American tragedy that became a scandal in the age of the Robber Barons, the preventable flood that destroyed a town and killed 2,000 people. Mornings on Horseback is the brilliant National Book Award–winning biography of young Theodore Roosevelt’s metamorphosis from sickly child to a vigorous, intense man poised to become a national hero and then president. Path Between the Seas is the epic National Book Award–winning history of the heroic successes, tragic failures, and astonishing engineering and medical feats that made the Panama Canal possible. Truman is the Pulitzer Prize–winning biography of Harry Truman, the complex and courageous man who rose from modest origins to make momentous decisions as president, from dropping the atomic bomb to going to war in Korea. A special bonus is included: The Course of Human Events. In this Jefferson Lecture in the Humanities, David McCullough draws on his personal experience as a historian to acknowledge the crucial importance of writing in history’s enduring impact and influence, and he affirms the significance of history in teaching us about human nature through the ages.
What drives people to crave fame and celebrity? How does fame affect people psychologically? These issues are frequently discussed by the media but up till now psychologists have shied away from an academic away from an academic investigation of the phenomenon of fame. In this lively, eclectic book David Giles examines fame and celebrity from a variety of perspectives. He argues that fame should be seen as a process rather than a state of being, and that 'celebrity' has largely emerged through the technological developments of the last 150 years. Part of our problem in dealing with celebrities, and the problem celebrities have dealing with the public, is that the social conditions produced by the explosion in mass communications have irrevocably altered the way we live. However we know little about many of the phenomena these conditions have produced - such as the 'parasocial interaction' between television viewers and media characters, and the quasi-religious activity of 'fans'. Perhaps the biggest single dilemma for celebrities is the fact that the vehicle that creates fame for them - the media - is also their tormentor. To address these questions, David Giles draws on research from psychology, sociology, media and communications studies, history and anthropology - as well as his own experiences as a music journalist in the 1980s. He argues that the history of fame is inextricably linked to the emergence of the individual self as a central theme of Western culture, and considers how the desire for authenticity, as well as individual privacy, have created anxieties for celebrities which are best understood in their historical and cultural context.
Beggars, Cheats and Forgers is made up of new research into a neglected area of British history: the stories of historical scams, cheats and forgeries. Former Director of Technology at the National Archives, David Thomas has delved into the archives to uncover unusual tales, from Tudor identity theft to the Spanish Prisoner letter scam of the eighteenth and nineteenth centuries. This book provides an fresh take on criminal history and the roots of identity theft, email scams and pyramid schemes still employed by criminals today.As featured in Hertfordshire Life Magazine, Wiltshire Times, Bradway Bugle and My Croxley News.
From New York Times bestselling author David McCullough, a special ebook boxed set features books that study key points of American history. The David McCullough Great Moments in History ebook box set includes the following McCullough classics: 1776 is the riveting story of George Washington, the men who marched with him, and their British foes in the momentous year of American independence. The Johnstown Flood is the classic history of an American tragedy that became a scandal in the age of the Robber Barons, the preventable flood that destroyed a town and killed 2,000 people. Path Between the Seas is the epic National Book Award–winning history of the heroic successes, tragic failures, and astonishing engineering and medical feats that made the Panama Canal possible. The Great Bridge is the remarkable, enthralling story of the planning and construction of the Brooklyn Bridge, which linked two great cities and epitomized American optimism, skill, and determination. A special bonus is included: The Course of Human Events. In this Jefferson Lecture in the Humanities, David McCullough draws on his personal experience as a historian to acknowledge the crucial importance of writing in history’s enduring impact and influence, and he affirms the significance of history in teaching us about human nature through the ages.
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
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