Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship between print and oral tradition and the different methodological approaches to ballad and song editing. Organized chronologically, Victorian Songhunters sketches the history of English song collecting from its beginnings in the mid-seventeenth century; focuses on the work of important individual collectors and editors, such as William Chappell, Francis J. Child, and John Broadwood; examines the growth of regional collecting in various counties throughout England; and demonstrates the considerable efforts of two important Victorian institutions, the Percy Society and its successor, the Ballad Society. The appendixes contain discussions on interpreting songs, an assessment of relevant secondary sources, and a bibliography and alphabetical song list. Author E. David Gregory provides a solid foundation for the scholarly study of balladry and folksong, and makes a significant contribution to our understanding of Victorian intellectual and cultural life.
Cricket, law and the meaning of life ... In a readable, informed and absorbing discussion of cricket’s defining controversies – bodyline, chucking, ball-tampering, sledging, walking and the use of technology, among many others – David Fraser explores the ambiguities of law and social order in cricket. Cricket and the Law charts the interrelationship between cricket and legal theory – between the law of the game and the law of our lives – and demonstrates how cricket’s cultural conventions can escape the confines of the game to carry far broader social meanings. This engaging study will be enjoyed by lawyers, students of culture and cricket lovers everywhere.
Conductors John Yaffé and David Daniels have created a one-stop sourcebook for orchestras, opera companies, conductors, and librarians who research and/or prepare programs of vocal excerpts—such as solos, ensembles, and choruses—for concert performance. In this book, readers will find detailed information on a vast repertoire of vocal pieces commonly extracted from operas, operettas, musicals, and oratorios—more than 1,750 excerpts from 450 parent works. Modeled on Daniels’ Orchestral Music, Arias, Ensembles, & Choruses includes basic historical details about each parent work as well as extract titles, subtitles, voice types, keys, durations, locations in the original work (with page numbers in both full scores and piano-vocal scores), and exact instrumentation. It also lists the publishers that make available the orchestral materials for just the excerpt being programmed, independent of the full parent work. Until now, conductors and orchestra librarians commonly had to first leaf through full scores, searching for one elusive three-minute aria after another, only to then consult multiple publishers' catalogues to compile crucial information on all the excerpts proposed for a concert or recording. This book constitutes a single source for finding that information. In many cases, the individual entries include valuable insider information on common performance practice, including start- and stop-points, transpositions, and conventional cuts. Searching for repertoire is made easy with the detailed title index and appendixes devoted to ensemble excerpts, all categorized by personnel (e.g., duets, trios, quartets, quintets, sextets, choruses) and language (Czech, English, French, German, Italian, Latin, Russian). This book is the ideal tool for the working conductor and orchestral librarian, as well as music program directors at colleges and conservatories, opera companies, and symphony orchestras. As of October 2015, a new printing of this book has occurred to correct errors in the index. A PDF version of the new index is available to previous purchasers of the volume. Please contact Rowman & Littlefield's music editor for assistance.
In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.
The economic influence of central banks has received ever more attention given their centrality during the financial crises that led to the Great Recession, strains in the European Union, and the challenges to the Euro. The Oxford Handbook of the Economics of Central Banking reflects the state of the art in the theory and practice and covers a wide range of topics that will provide insight to students, scholars, and practitioners. As an up to date reference of the current and potential challenges faced by central banks in the conduct of monetary policy and in the search for the maintenance of financial system stability, this Oxford Handbook covers a wide range of essential issues. The first section provides insights into central bank governance, the differing degrees of central bank independence, and the internal dynamics of their decision making. The next section focuses on questions of whether central banks can ameliorate fiscal burdens, various strategies to affect monetary policy, and how the global financial crisis affected the relationship between the traditional focus on inflation targeting and unconventional policy instruments such as quantitative easing (QE), foreign exchange market interventions, negative interest rates, and forward guidance. The next two sections turn to central bank communications and management of expectations and then mechanisms of policy transmission. The fifth part explores the challenges of recent developments in the economy and debates about the roles central banks should play, focusing on micro- and macro-prudential arguments. The implications of recent developments for policy modeling are covered in the last section. The breadth and depth enhances understanding of the challenges and opportunities facing central banks.
Classic American Popular Song: The Second Half-Century, 1950-2000 addresses the question: What happened to American popular song after 1950? There are numerous books available on the so-called Golden Age of popular song, but none that follow the development of popular song styles in the second half of the 20th century. While 1950 is seen as the end of an era, the tap of popular song creation hardly ran dry after that date. Many of the classic songwriters continued to work through the following decades: Porter was active until 1958; Rodgers until the later 1970s; Arlen until 1976. Some of the greatest lyricists of the classic era continued to do outstanding and successful work: Johnny Mercer and Dorothy Fields, for example, continued to produce lyrics through the early '70s. These works could be explained as simply the Golden Age's last stand, a refusal of major figures to give in to a new reality. But then, how can we explain the outstanding careers of Frank Loesser, Cy Coleman, Jerry Herman, Jerry Bock and Sheldon Harnick, Fred Kander and John Ebb, Jule Styne, Alan Jay Lerner and Frederick Loewe, and several other major figures? Where did Stephen Sondheim come from? For anyone interested in the development of American popular song -- and its survival -- this book will make fascinating reading.
No one feels the heat of an Ashes battle more than the captains of England and Australia. The weight of national expectation, and more than 120 years of history, is on their shoulders from the moment they walk out to toss a coin and start a Test match that is like no other. The Captains' Tales offers a unique insight into the minds of a generation of captains from two great nations, who share with the reader what it feels like to call the shots in Test cricket's greatest cauldron. From Mike Brearley's cajoling of Ian Botham during the famous summer of 1981 to Ricky Ponting's revenge mission of 2006-07, each Ashes captain from the last quarter-century reveals what made him tick, his vision of where he wanted to take his team and how he handled key characters within the dressing-room. The author, former Kent captain David Fulton, delves behind the scenes for clues about how these sporting generals constructed their battle plans and uses his own experience to determine their strengths and weaknesses as leaders of men. The Captains' Tales will strike a chord not just with cricket lovers but with sporting captains of all abilities and readers who seek a greater insight into the broader issues of management and leadership.
For nearly a century, New York's famous "Tin Pan Alley" was the center of popular music publishing in this country. It was where songwriting became a profession, and songs were made-to-order for the biggest stars. Selling popular music to a mass audience from coast-to-coast involved the greatest entertainment media of the day, from minstrelsy to Broadway, to vaudeville, dance palaces, radio, and motion pictures. Successful songwriting became an art, with a host of men and women becoming famous by writing famous songs.
This is a manifesto for a more active, compassionate, and socially engaged Buddhism—one grounded in the Buddha's original intention. The New Buddhism asserts that Buddha was a radical critic of society, and that his vision of a new social order transcended racial and economic divisions. Brazier takes a new look at many aspects of Buddhism and reinterprets them in light of the Buddha's social aims. Western and Eastern visions of enlightenment are juxtaposed, and the author draws a line between 'extinction Buddhism' and 'liberation Buddhism'—the former seeks to release the individual from the world, while the latter seeks to perfect the world by freeing it from the forces of greed, hatred, and delusion. The New Buddhism states clearly and boldly that Buddhism should be—and originally was—about engagement with the world. This illuminating guide brings Buddhism to the West and into contemporary life in an accessible and thought-provoking way. It shows that for genuine renewal, Buddhism must be about more than contemplation and personal growth but also about the practice of truth, and having compassion for all.
What if the 1587 Lost Colony of Roanoke was not lost? What if the survivors left Roanoke Island, North Carolina and found their way to Georgia? That is the scenario scholars contemplated when a series of engraved stones were found in the 1930's. The first, found near the Chowan River in North Carolina, claimed that Eleanor Dare and a few other settlers had made their way inland after an Indian attack wiped out the rest of the colony. Among the dead were Eleanor's daughter, Virginia Dare, the first English child born in North America, and Eleanor's husband Ananias. The remaining Dare Stones, more than forty in number, told a fantastic tale of how Eleanor and the survivors made their way overland, first to South Carolina, and then to Georgia. If true, North Carolina stood to lose one of its most cherished historical legends. Author David La Vere weaves the story of the Dare Stones with that of the Lost Colony of Roanoke in a tale that will fire your imagination and give you pause at the same time. In this true story that shook the world during the 1930s and early 1940s, the question on everyone's mind was: Had the greatest American mystery - the Lost Colony - finally been solved?
#1 NEW YORK TIMES BESTSELLER • David Brooks challenges us to rebalance the scales between the focus on external success—“résumé virtues”—and our core principles. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE ECONOMIST With the wisdom, humor, curiosity, and sharp insights that have brought millions of readers to his New York Times column and his previous bestsellers, David Brooks has consistently illuminated our daily lives in surprising and original ways. In The Social Animal, he explored the neuroscience of human connection and how we can flourish together. Now, in The Road to Character, he focuses on the deeper values that should inform our lives. Looking to some of the world’s greatest thinkers and inspiring leaders, Brooks explores how, through internal struggle and a sense of their own limitations, they have built a strong inner character. Labor activist Frances Perkins understood the need to suppress parts of herself so that she could be an instrument in a larger cause. Dwight Eisenhower organized his life not around impulsive self-expression but considered self-restraint. Dorothy Day, a devout Catholic convert and champion of the poor, learned as a young woman the vocabulary of simplicity and surrender. Civil rights pioneers A. Philip Randolph and Bayard Rustin learned reticence and the logic of self-discipline, the need to distrust oneself even while waging a noble crusade. Blending psychology, politics, spirituality, and confessional, The Road to Character provides an opportunity for us to rethink our priorities, and strive to build rich inner lives marked by humility and moral depth. “Joy,” David Brooks writes, “is a byproduct experienced by people who are aiming for something else. But it comes.” Praise for The Road to Character “A hyper-readable, lucid, often richly detailed human story.”—The New York Times Book Review “This profound and eloquent book is written with moral urgency and philosophical elegance.”—Andrew Solomon, author of Far from the Tree and The Noonday Demon “A powerful, haunting book that works its way beneath your skin.”—The Guardian “Original and eye-opening . . . Brooks is a normative version of Malcolm Gladwell, culling from a wide array of scientists and thinkers to weave an idea bigger than the sum of its parts.”—USA Today
In 1938 Canada’s navy comprised a handful of ships and barely 1000 personnel with no ship-building industry to speak of. By 1945, Canada’s Navy included 775 vessels and 90,000 personnel. Historians consider the growth and participation of the Royal Canadian Navy in the Battle of the Atlantic and other campaigns as nothing short of remarkable. Little is known of the comparable growth in the shipbuilding industry and its provision of ships of many types to not only the Canadian Navy but the Royal Navy and the United States Navy as well. David Shirlaw’s book is an effort to address that shortfall in the nation's history.
Graphic designers will enrich their understanding of American type design and type designers with this unique and extensive reference. The fascinating history of type in America is chronicled through the typefaces and biographies of sixty-two of the most influential type designers, including Linn Boyd Benton, Morris Fuller Benton, and Darius Wells, and through the description and history of nine American type foundries. Complete with samples of 334 different typefaces, and 700 black-and-white illustrations, this eye-popping reference reveals the expansive contribution America has made to the world of type design.
The spotlight is on the timelessness of Cole Porter classics, presented here with wonderfully fresh arrangements and a contemporary twist. Over fifty of his songs are woven into an entertainment that feels as much like a book musical as a revue. By turns wry, irreverent, romantic, touching and hilarious, this is a post modern Cole Porter evening unlike any other.
Part VIII - Eliminate the Impossible: 1892-1905 features contributions by: Deana Baran, Tim Symonds, Sandor Jay Sonnen, Ben Cardall, Andrew Lane, Michael Mallory, Wendy C. Fries, Aaron Smith, Arthur Hall, Robert Perret, Nick Cardillo, Paul D. Gilbert, Cindy Dye, Tracy Revels, Derrick Belanger, William Meikle, Marcia Wilson, David Friend, Roger Riccard, Craig Janacek, Jeremy Branton Holstein, Will Murray, David Ruffle, Daniel McGachey, and David Marcum, with a poem by Christopher James, and forewords by David Marcum, Lee Child, Rand Lee, Michael Cox, and Melissa Farnham. In 2015, The MX Book of New Sherlock Holmes Stories burst upon the scene, featuring adventures set within the correct time period, and written by many of today’s leading Sherlockian authors from around the world. Those first three volumes were overwhelmingly received, and there were soon calls for additional collections. Since then, their popularity has only continued to grow, with six volumes already released, and now two more, Eliminate the Impossible, featuring tales of Holmes’s encounters with seemingly impossible events - ghosts and hauntings, curses and mythical beasts, and more. In “The Sussex Vampire”, Holmes tells Watson: “This agency stands flat-footed upon the ground, and there it must remain. The world is big enough for us. No ghosts need apply.” In each of the stories presented in this massive two-volume collection, Holmes approaches the varied problems with one of his favorite maxims firmly in place: “. . . . when you have eliminated the impossible whatever remains, however improbable, must be the truth . . . .” But what, exactly, is the truth? 2017 is the 130th anniversary of the publication of A Study in Scarlet, the first recorded adventure of Sherlock Holmes and Dr. John H. Watson. What an amazing journey it’s been! In addition to the pitifully few sixty tales originally presented in The Canon, published between 1887 and 1927, there have been literally thousands of additional Holmes adventures in the form of books, short stories, radio and television episodes, movies, manuscripts, comics, and fan fiction. And yet, for those who are true friends and admirers of the Master Detective of Baker Street, where it is always 1895 (or a few decades on either side of that!) these stories are not enough. Give us more! The forty-eight stories in these two companion volumes represent some of the finest new Holmesian storytelling to be found, and honor the man described by Watson as “the best and wisest . . . whom I have ever known.”
The idea for publishing these books on the mechanism of action and on the biosynthesis of antibiotics was born of frustration in our attempts to keep abreast of the literature. Gone were the years when we were able to keep a biblio graphy on antibiotics and feel confident that we could find everything that was being published on this subject. These fields of investigation were moving for ward so rapidly and were encompassing so wide a range of specialized areas in microbiology and chemistry that it was almost impossible to keep abreast of developments. In our naivete and enthusiasm, however, we were unaware that we were toying with an idea that might enmesh us, that we were creating an entity with a life of its own, that we were letting loose a Golom who instead of being our servant would be our master. That we set up ideals for these books is obvious; they would be current guides to developments and information in the areas of mechanism of action and bio synthesis of antibiotics. For almost every subject, we wished to enlist the aid of an investigator who himself had played a part in determining the nature of the phenomena that were being discussed. One concept for the books was that they include only antibiotics for which a definitive, well-documented mechanism of action or biosynthetic pathway was known.
Among pivotal historical moments in the United States, the civil rights movement stands out. In Where the Sacred and Secular Harmonize: Birmingham Mass Meeting Rhetoric and the Prophetic Legacy of the Civil Rights Movement, David G. Holmes offers an original rhetorical analysis of six speeches delivered during the 1963 civil rights campaign in Birmingham, Alabama. Holmes frames his analysis within the biblical concept of prophecy. However, he stresses the idea of prophecy as sociopolitical forth-telling, rather than mystical foretelling. Based on his own transcriptions from rare recordings, Holmes examines how these orations, which clergy and laypeople delivered, address enduring themes such as the role of religion and politics, black leadership and black activism, and the political and popular legacies of the civil rights movement. Drawing upon American history, politics, hermeneutics, homiletics, and rhetoric, Holmes's discussion ranges from civil rights prophets to contemporary politicians, including Martin Luther King Jr. and Barack Obama. Where the Sacred and Secular Harmonize illustrates how the Birmingham mass meeting oratory of 1963 represented a quality of democratic discourse desperately needed today.
Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
From the Civil War to the turn of the century, this is the true-life story of the original Coast Guard and one crew of African-American heroes who fought storms and saved lives off America's southeastern coast. 31 halftones.
This book situates the film-maker Patrick Keiller alongside the writers W.G. Sebald and Iain Sinclair as the three leading voices in 'English psychogeography', offering new insights to key works including London, The Rings of Saturn, and Lights Out for the Territory. Excavating social and political contexts while also providing plentiful close analysis, it examines the cultivation of a distinctive 'affective' mode or sensibility especially attuned to the cultural anxieties of the twentieth century's closing decades. Landscape and Subjectivity explores motifs including essayism, the reconciliation of creativity with market forces, and the foregrounding of an often agonised or melancholic. It asks whether the work can, collectively, be seen to constitute a 'critical theory of contemporary space' and suggests that Keiller, Sebald, and Sinclair's contributions represent a highly significant moment in English culture's engagement with landscape, environment, and itself. The book's analyses are fuelled by archival and topographical research and are responsive to various interdisciplinary contexts, including the tradition of the 'English Journey', the set of ideas associated with the 'spatial turn', critical theory, the so-called 'heritage debate', and more recent theorisation of the 'anthropocene'.
Lion in Winter is the gripping tale of the Great Britain ice hockey team's fluctuating fortunes, from being the first European Champions in 1910 through to the nadir 0f 1981, when a drop to the bottom of the world rankings resulted in a self-imposed exile from international competition. Detailing the pinnacle of international achievement with victory at the 1936 Winter Olympics, it chronicles a roller-coaster record from underdogs to bulldogs - and back again - several times. No other champion ice hockey nation has scaled the heights and plumbed the depths like the British. A definitive work of record, it is researched and written by two of the game's foremost historians and features the only complete GB Player register ever published, complemented by a wide variety of rare illustrations.
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