Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past. Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the "barbaric" Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals, and foreigners. The Athenians, in contrast, were compared to mythic protagonists representing the excellence and triumph of Hellenic culture. Castriota's study is innovative in emphasizing the ethical implication of mythic precedents, which required substantial alterations to render them more effective as archetypes for the defense of Greek culture against a foreign, morally inferior enemy. The book looks in new ways at how the patrons and planners sought to manipulate viewer response through the selective presentation or repackaging of mythic traditions.
A comparison of the cultural and political/institutional dimensions of war's impact on Greece during the Peloponnesian War, and the United States and the two Koreas, North and South, during the Korean War. It demonstrates the many underlying similarities between the two wars.
Using material remains, as well as the evidence of contemporary Greek history, rhetoric, and poetry, David Castriota interprets the Athenian monuments as vehicles of an official ideology intended to celebrate and justify the present in terms of the past. Castriota focuses on the strategy of ethical antithesis that asserted Greek moral superiority over the "barbaric" Persians, whose invasion had been repelled a generation earlier. He examines how, in major public programs of painting and sculpture, the leading artists of the period recast the Persians in the guise of wild and impious mythic antagonists to associate them with the ethical flaws or weaknesses commonly ascribed to women, animals, and foreigners. The Athenians, in contrast, were compared to mythic protagonists representing the excellence and triumph of Hellenic culture. Castriota's study is innovative in emphasizing the ethical implication of mythic precedents, which required substantial alterations to render them more effective as archetypes for the defense of Greek culture against a foreign, morally inferior enemy. The book looks in new ways at how the patrons and planners sought to manipulate viewer response through the selective presentation or repackaging of mythic traditions.
The Persian War was one of the most significant events in ancient history. It halted Persia's westward expansion, inspired the Golden Age of Greece, and propelled Athens to the heights of power. From the end of the war almost to the end of antiquity, the Greeks and later the Romans recalled the battles and heroes of this war with unabated zeal. The resulting monuments and narratives have long been used to reconstruct the history of the war itself, but they have only recently begun to be used to explore how the conflict was remembered over time. States of Memory focuses on the initial recollection of the war in the classical period down to the Lamian War (480-322 BCE). Drawing together recent work on memory theory and a wide range of ancient evidence, Yates argues that the Greek memory of the war was deeply divided from the outset. Despite the panhellenic scope of the conflict, the Greeks very rarely recalled the war as Greeks. Instead they presented themselves as members of their respective city-states. What emerged was a tangled web of idiosyncratic stories about the Persian War that competed with each other fiercely throughout the classical period. It was not until Philip of Macedonia and Alexander the Great dealt a devastating blow to the very notion of the independent city-state at the battle of Chaeronea that anything like a unified memory of the Persian War came to dominate the tradition.
Maltese Siblings Nico and Maria are suddenly wrenched apart when young Nico is abducted by slavers. Some unforeseen path leads him to the court of Suleiman the Magnificent, Sultan of the Ottomans. Maria, stranded alone in Malta, joins a group of Jews – forced by their Christian rulers to renounce their faith. French aristocrat Christien deVries yearns to prove himself as a surgeon in the Order of St. John, to which he was pledged as an infant but joined only as a result of a life-altering oath. When conflict between the Ottoman Empire and the Christian alliance, resulting in the Siege of Malta, Maria, Nico and Christien will be forced together, in a sequence of events that may decide the victor... A sweeping historical epic set against the backdrop of the desperate conflict between Christian Europe and the Islamic Ottoman Empire, The Sword and the Scimitar is a triumph, perfect for fans of Simon Scarrow, Christian Cameron and Bernard Cornwell
An original and wide-ranging study of the Greek lyric poet Bacchylides, exploring his engagement with poetic tradition and evaluating the complex relationship of the poetry to its multiple contexts of performance.
Nationalism has given the world a genre of poetry bright with ideals of justice, freedom and the brotherhood of man, but also, at times, burning with humiliation and grievance, hatred and lust for revenge, driving human kind, as the Austrian poet Grillparzer put it, ‘From humanity via nationality to bestiality’. National Poetry, Empires and War considers national poetry, and its glorification of war, from ancient to modern times, in a series of historical, social and political perspectives. Starting with the Hebrew Bible and Homer and moving through the Crusades and examples of subsequent empires, this book has much on pre-modern national poetry but focuses chiefly on post-1789 poetry which emerged from the weakening and collapse of empires, as the idealistic liberalism of nationalism in the age of Byron, Whitman, D’Annunzio, Yeats, Bialik, and Kipling was replaced by darker purposes culminating in World War I and the rise of fascism. Many national poets are the subject of countless critical and biographical studies, but this book aims to give a panoramic view of national poetry as a whole. It will be of great interest to any scholars of nationalism, Jewish Studies, history, comparative literature, and general cultural studies.
In the attempts to unify divided peoples on the basis of a shared past, both historical and mythical, this book illumines aspects of cultural nationalism common since the Middle Ages. As an edited work, the Bible includes texts mostly depicting long-gone historical eras extending over several centuries. Following on from Aberbach’s previous work National Poetry, Empires, and War, this book argues that works of this nature – notably the Mujo-Halil songs in Albania, the Irish stories of Cuchulain, the songs of the Nibelungen in Germany, or the Finnish legends collected in The Kalevala – have an ancient precedent in the Hebrew Bible (to which national literatures often allude and refer), a subject largely neglected in biblical studies. The self-critical element in the Hebrew Bible, common in later national literature, is examined as the basis of later anti-Semitism, as the Bible was not confined to Jews but was adopted in translation by many other national groups. With several dozen original translations from the Hebrew, this book highlights how the Bible influenced and was distorted by later national cultures. Written without jargon, this book is intended for the general reader, but is also an important contribution to the study of the Bible, nationalism, and Jewish history.
From the acclaimed author of Empires of Sand comes a mesmerizing new adventure that Jean Auel cites as “crowded with events that both forecast and mirror the conflicts of today.” Sweeping from the drawing rooms of Paris to the palace of Suleiman the Magnificent to the dark hold of a slave ship racing across the sea, here is a dazzling story of love and valor, innocence and identity, an epic novel of the clash of civilizations on a barren island where the future was forged. The Mediterranean, the sixteenth century: Lying squarely in the midst of the vital sea lanes between the Christian West and the Ottoman Empire in the East, and ruled by the ancient Order of the Knights of St. John, Malta will become the stage upon which the fate of the world turns. For one of its sons, the hand of violence strikes swiftly, when young Nicolo Borg is seized by Barbary slavers and launched on a remarkable journey to the court of the supreme ruler of the Muslim world. Renamed Asha, plotting his escape even as he swears allegiance to the god of his masters and is schooled in the arts of culture and war, the innocent boy will be transformed into one of the Sultan’s deadliest commanders. For Nico’s beloved sister, Maria, his loss fires her hatred for the knights who did nothing to save him and her dreams of escape from her stifling home. As the headstrong girl grows into a fierce beauty, she will capture the attention of one man in particular, Christien de Vries, a surgeon-knight torn between duty and desire, caught up in Malta’s frantic preparations against the coming Ottoman storm. Around Nico and Maria are men and women who will share their destinies: Dragut Raïs, a brilliant corsair, arch-rival of the knights…Giulio Salvago, a priest in full flight from his carnal nature…Alisa, a young beauty hidden away in a harem…Jean de La Valette, the master knight who is Malta’s only hope for survival. As the mighty Ottoman fleet bears down on the tiny island, as Nico Borg makes his way back to his homeland at the helm of a warship, Ironfire moves inexorably to a shattering climax where all will face ultimate justice in the murderous cauldron of siege warfare. Brilliantly capturing the crosscurrents of a storied age, Ironfire is historical fiction in the grand tradition, a stirring realization of a pivotal moment in time that irrevocably shaped the world we inhabit today.
In what sense does Matthew's Gospel reflect the colonial situation in which the community found itself after the fall of Jerusalem and the subsequent humiliation of Jews across the Roman Empire? To what extent was Matthew seeking to oppose Rome's claims to authority and sovereignty over the whole world, to set up alternative systems of power and society, to forge new senses of identity? If Matthew's community felt itself to be living on the margins of society, where did it see the centre as lying? In Judaism or in Rome? And how did Matthew's approach to such problems compare with that of Jews who were not followers of Jesus Christ and with that of others, Jews and Gentiles, who were followers? This is volume 276 in the Journal for the Study of the New Testament Supplement series and is also part of the Early Christianity in Context series.
It has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.
Nicolae Iorga's A History of Romania: Land, People, Civilization is an intimate portrait of a land and its people written by its greatest historian. Much like Herodotus in antiquity, Iorga can be considered "the father of history" for his country. Like a true artist, he paints a portrait of Romania, bringing to life the complex history of this fascinating land. Iorga skillfully weaves together history, art, architecture, language, literature, and culture to give the reader an understanding of the fabric of Romanian society. The author presents the history of the Romanian lands from ancient times until the end of World War I, reflecting on the great personalities and events that shaped the nation, while examining the various threads that bind it together. The book includes a list of rulers, a bibliography, an index, and numerous illustrations. It includes a foreword by David Prodan, another great personality of Romanian historiography, discussing Iorga's contributions to Romanian scholarship. Nicolae Iorga's A History of Romania is essential reading for anyone interested in the story of this fascinating land.
Ethnic values changed as Imperial Rome expanded, challenging ethnocentric values in Rome itself, as well as in Greece and Judea. Rhetorically, Roman, Greek, and Judean writers who eulogized their cities all claimed they would receive foreigners. Further, Greco-Roman narratives of urban tensions between rich and poor, proud and humble, promoted reconciliation and fellowship between social classes. Luke wrote Acts in this ethnic, economic, political context, narrating Jesus as a founder who changed laws to encourage receiving foreigners, which promoted civic, missionary growth and legitimated interests of the poor and humble. David L. Balch relates Roman art to early Christianity and introduces famous, pre-Roman Corinthian artists. He shows women visually represented as priests, compares Dionysian and Corinthian charismatic speech and argues that larger assemblies of the earliest, Pauline believers “sat” (1 Cor 14.30) in taverns. Also, the author demonstrates that the image of a pregnant woman in Revelation 12 subverts imperial claims to the divine origin of the emperor, before finally suggesting that visual representations by Roman domestic artists of “a category of women who upset expected forms of conduct” (Bergmann) encouraged early Christian women like Thecla, Perpetua and Felicitas to move beyond gender stereotypes of being victims. Balch concludes with two book reviews, one of Nicolas Wiater's book on the Greek biographer and historian Dionysius, who was a model for both Josephus and Luke-Acts, the second of a book by Frederick Brenk on Hellenistic philosophy and mystery religion in relation to earliest Christianity."--
This study analyzes how the structure of ancient Greek comedy betrays and responds to cultural tensions in the society of the classical city-state. Individual chapters treat Aristophanic and Menandrean comedies.
“Rolf shows that raising the minimum wage to $15 is both just and necessary, lest the American dream of middle class prosperity turn into a nightmare” (David Cay Johnston, Pulitzer Prize–winning journalist). Combining history, economics, and commonsense political wisdom, The Fight for $15 makes a deeply informed case for a national fifteen-dollars-an-hour minimum wage as the only practical solution to reversing America’s decades-long slide toward becoming a low-wage nation. Drawing both on new scholarship and on his extensive practical experiences organizing workers and grappling with inequality across the United States, David Rolf, president of SEIU 775—which waged the successful Seattle campaign for a fifteen dollar minimum wage—offers an accessible explanation of “middle out” economics, an emerging popular economic theory that suggests that the origins of prosperity in capitalist economies lie with workers and consumers, not investors and employers. A blueprint for a different and hopeful American future, The Fight for $15 offers concrete tools, ideas, and inspiration for anyone interested in real change in our lifetimes. “The author’s plainspoken approach and stellar scholarship illuminate in-depth discussions about the deliberate policy decisions that began to decimate the middle class at the start of the 1980s as well as the insidious new ways in which big business continues to attack American workers today via stagnant wages, rampant subcontracting, unpredictable scheduling, and other detrimental practices associated with the so-called ‘share economy.’” —Kirkus Reviews “David Rolf has become the most successful advocate for raising wages in the twenty-first century.” —Andy Stern, senior fellow at Columbia University’s Richard Paul Richman Center for Business, Law, and Public Policy
Born in the impoverished barrios of Buenos Aires during the late 19th Century, the tango has become one of the most important music and dance forms of our time. Tangos for Accordion presents a distinctive collection of predominantly Argentinian tangos arranged for solo piano accordion. The book’s introduction includes a brief history of the tango and an explanation of tango rhythms. Preparatory exercises explore the differences between various rhythms (habanera, marcato, etc) and how to perform them on the accordion. Includes many of the best-known tangos, such as La Cumparsita, Caminito, El Choclo, El Marne, Catamarca, La Paloma, and many more. Includes chords symbols for accompanying instruments. For intermediate to advanced players.
Ikonographie lässt viele Rückschlüsse auf eine Gesellschaft zu. Die Ikonographie der Philister hilft, die sozialen, ethnischen, religiösen und ideologischen Aspekte dieser Kultur besser zu verstehen. Die Philister entwickelten während der Eisenzeit (ca. 1200-600 v.Chr.) eine distinguierte Kultur. David Ben-Shlomo präsentiert und diskutiert den Bestand der ikonographischen Darstellungen der Philisterkultur (Tonmalereien, Statuen, Eisenschnitzereien, Glyptik u.a.). Der figürliche Stil und der Symbolismus spiegelt sowohl die Rückbindung der Philisterkultur an die ägäische Heimat als auch den laufenden Prozess der Interaktion mit den lokalen Gastkulturen in der südlichen Levante eindrücklich wider. Die Ikonographie liefert so ein bedeutendes Zeugnis, das die sozialen, ethnischen, religiösen und ideologischen Aspekte der Philister und ihrer Nachbarn im östlichen Mittelmeerraum besser zu verstehen hilft.
This volume explores the nature of power - the power of kings, emperors and popes - through the places that these rulers created or developed, including palaces, cities, landscapes, holy places, inauguration sites and burial places. Ranging across all of Europe from the 1st to the 16th centuries, David Rollason examines how these places conveyed messages of power and what those messages were.
Electromagnetic Boundary Problems introduces the formulation and solution of Maxwell's equations describing electromagnetism. Based on a one-semester graduate-level course taught by the authors, the text covers material parameters, equivalence principles, field and source (stream) potentials, and uniqueness, as well as:Provides analytical solutions
In fifteenth-century Eastern Europe, Vlad III of Wallachia conducted a reign of terror. He had citizens impaled by the thousands. People were butchered on his merest whim. In his realm, and beyond it, men and women lived in dread of the Impaler Prince. And this Prince revelled in the horror he inspired. He was a sadist, seen by some as a being of unequalled depravity, even as the Devil’s own spawn. But Vlad was also a man who had the qualities of a great leader: strength, courage, intelligence and commitment to an ideal. He was a crusader against the infidel who considered himself a true warrior of Christ. Here, his story is told by four men whose lives overlapped with his; men who were influenced by him to the point of obsession. But it is also told by Vlad himself. The inner thoughts of the butcher of Wallachia are exposed. And there is much more to this sinister figure than many would have imagined.
This is NOT just another retelling of the Fall of Constantinople, though it does include a very fine account of that momentous event. It is the history of a quite extraordinary century, one which began when a tiny of force of Ottoman Turkish warriors was invited by the Christian Byzantine Emperor to cross the Dardanelles from Asia into Europe to assist him in one of the civil wars which were tearing the fast-declining Byzantine Empire apart.One hundred and eight years later the Byzantine capital of Constantinople fell to what was by then a hugely powerful and expanding empire of the Islamic Ottoman Turks, whose rulers came to see themselves as the natural and legitimate heirs of their Byzantine and indeed Roman predecessors. The book sets the scene, explains the background and tells the story, both military, political, cultural and personal, of the winners and the losers, plus those 'outsiders' who were increasingly being drawn into the dramatic story of the rise of the Ottoman Empire.
The second edition of this comprehensive textbook for students of Neuropsychology gives a thorough overview of the complex relationship between brain and behaviour. With an excellent blend of clinical, experimental and theoretical coverage, it draws on the latest research findings from neuroscience, cognitive neuroscience, neurochemistry, clinical neuropsychology and neuropsychology to provide students with new insights in this fast moving field. The book is organised around the main neuropsychological disorders in the areas of perception, executive dysfunction, attention, memory, cerebral asymmetry, language, emotion and consciousness. There is a clear emphasis on bridging the gap between theory and practice with links throughout to clinical issues of both assessment and rehabilitation to build a clear understanding of the application of the theoretical issues. The final section in each chapter illustrates the importance of a more systematic approach to intervention, which takes into account theoretical views of recovery from brain damage. New to this edition: A new chapter format that includes a "basic topic" section, which contains up-to-date essential knowledge of the topic and a "further topics" section for a more advanced treatment of the area. A new section on neuroscientific approaches to rehabilitation in each chapter to make links between scientific knowledge and clinical treatment. A brand new chapter on consciousness A new full colour layout with increased pedagogical features, including key terms, section summaries, ‘study questions’ and improved presentation of figures and brain diagrams A companion website including related weblinks, guidance on answering the ‘study questions’, and flashcards. This book will be invaluable for undergraduate students in Neuropsychology and students who wish to take the subject further to the various clinical fields.
A badly needed addition to public and military libraries and to the shelves of every military writer … a definitive job." — Army Times Megiddo, Thermopylae, Waterloo, Stalingrad, Vietnam … nothing has dominated man's attention, challenged his energy, produced more heroes — and destruction — than war. This monumental one-volume work traces the long history of that uniquely human activity in vivid, accurate accounts of over 1,500 crucial military conflicts, Spanning more than 3,400 years, it encompasses a panorama of warfare so complete that no single volume like it exists. All the essential details of every major battle in recorded history on land and at sea — from the first battle of Megiddo in 1479 B. C. to Grenada in 1984 — are covered. For added convenience, this work lists the engagements in alphabetical order, from "Aachen," the first entry, to "Zutphen," the last. You'll find painstakingly researched, objectively written descriptions of the Persia-Greek conflicts of the fifth century B. C., Roman Empire wars, Napoleonic Wars, the American Civil War, World Wars I and II, and many more. Also included are penetrating analyses of the roles played by commanders of genius — Alexander, Julius Caesar, Hannibal, Napoleon, Genghis Khan, Tamerlane, Khalid ibn al-Walid, and other momentous figures. Updating this already comprehensive resource, a new Appendix deals with more recent conflicts: the Vietnam War, the Yom Kippur War, the Soviet occupation of Afghanistan, the Iran-Iraq War, the Falkland Islands clash, the Israeli invasion of Lebanon, and the U. S. invasion of Grenada. Each entry includes states, strategic situations, military leaders, troop numbers, tactics, casualties and military/political consequences of the battles. In addition, you'll find cross references at the end of each entry, 99 battle maps and a comprehensive index containing titles and alliances and treaties, famous quotations, slogans, catch phrases … even battle cries. An Encyclopedia of Battles is an entire library of military history in one convenient space-saving volume. Students, historians, writers, military buffs … anyone interested in the subject will find this inexpensive paperbound edition an indispensable reference and a fascinating study of the world's military past.
In this book, the author draws on two original sources, on a Greek biographer, historian, and rhetorician, Dionysius of Halicarnassus, as well as on Pompeian domestic art and architecture. Generally, NT scholars read texts, but Greeks and ancient Romans loved beauty. The walls and floors of their houses were decorated with thousands of colorful frescoes and mosaics, art that two millennia later is still on display in Pompeii. Christians lived and worshipped in those typical houses; relating the art to NT texts generates many intriguing new questions! What stories/myths did Greeks and Romans see every day? What were their sports, and how violent were they? Many NT scholars know as much or more Latin than they do Greek, and they therefore cite the Latin historian Livy rather than the Greek Dionysius, who wrote a century before the first Christian historian, Luke. Dionysius' rhetoric expressed values shared across cultures, by Greeks, Romans, and Jews (e.g., by the historian--and rhetorician--Josephus), some values that Luke also shares. Dionysius makes clear that cities and ethnic groups had to praise how they treated emigrant foreigners, questions handled differently by Josephus and by Luke. This enables new interpretations of Jesus' inaugural speech in Luke 4 and of Peter's second Pentecost speech in Acts 10.
A team of archaeologists digging in present day Romania uncover a mass execution ground. They have unexpectedly also unearthed the executioner himself, Prince Vlad Dracula! The King of the Undead has been waiting for hundreds of years to resurrect himself in a bid for world domination. In the meantime he forces Doctors Peter Ralston, and Louise Johnston to transcribe his awesome memoirs. In this book, penned by his own dead hand, Dracula describes his monstrous birth, life and rise to power and finally the dark forces which caused him to become the world' most powerful vampire! He describes a world of evil rituals and necromancy that is beyond the rules and laws that govern mankind. He is an inhuman monster who lusts after only immortality and power! This is the Dracula that Bram Stoker shocked the world with! Once again, Dracula has risen from his grave to cast a shadow of evil over the world.
Molluscs comprise the second largest phylum of animals (after arthropods), occurring in virtually all habitats. Some are commercially important, a few are pests and some carry diseases, while many non-marine molluscs are threatened by human impacts which have resulted in more extinctions than all tetrapod vertebrates combined. This book and its companion volume provide the first comprehensive account of the Mollusca in decades. Illustrated with hundreds of colour figures, it reviews molluscan biology, genomics, anatomy, physiology, fossil history, phylogeny and classification. This volume includes general chapters drawn from extensive and diverse literature on the anatomy and physiology of their structure, movement, reproduction, feeding, digestion, excretion, respiration, nervous system and sense organs. Other chapters review the natural history (including ecology) of molluscs, their interactions with humans, and assess research on the group. Key features of both volumes: up to date treatment with an extensive bibliography; thoroughly examines the current understanding of molluscan anatomy, physiology and development; reviews fossil history and phylogenetics; overviews ecology and economic values; and summarises research activity and suggests future directions for investigation. Winston F Ponder was a Principal Research Scientist at The Australian Museum in Sydney where he is currently a Research Fellow. He has published extensively over the last 55 years on the systematics, evolution, biology and conservation of marine and freshwater molluscs, as well as supervised post graduate students and run university courses. David R. Lindberg is former Chair of the Department of Integrative Biology, Director of the Museum of Paleontology, and Chair of the Berkeley Natural History Museums, all at the University of California. He has conducted research on the evolutionary history of marine organisms and their habitats on the rocky shores of the Pacific Rim for more than 40 years. The numerous elegant and interpretive illustrations were produced by Juliet Ponder.
In the new edition of this successful and authoritative book, the thalassaemias are reviewed in detail with respect to their clinical features, cellular pathology, molecular genetics, prevention and treatment. It is aimed at specialists in haematology in the laboratory or clinical setting, particularly in areas where thalassaemia is common either in the native population or in immigrant communities. The fourth edition has been both updated and re-organized. Three new chapters have been added on the link between alpha-thalassaemia and mental retardation, on avoidance and population control and on global epidemiology. Considerable emphasis is placed on molecular pathology reflecting the huge burst of information to have come out of this field in the last few years.
Now in its third edition, The Brain and Behavior continues on its mission to present a simplified and accessible introduction to behavioral neuroanatomy. Human behavior is a direct reflection of the anatomy of the central nervous system, and it is the goal of the behavioral neuroscientist to uncover its neuroanatomical basis. Much of the new content in this edition reflects advances in functional magnetic resonance imaging. The text is presented in a highly structured and organized format to help the reader distinguish between issues of anatomical, behavioral and physiological relevance. Simplified and clear diagrams are provided throughout the chapters to illustrate key points. Case examples are explored to set the neuroanatomy in the context of clinical experience. This will be essential reading for behavioral clinicians including psychiatrists, neuropsychiatrists, neurologists, psychologists and clinical neuroscientists.
Drs. David Kennedy and Peter Hwang bring together the expertise of a who's who of rhinology specialists in Rhinology: Diseases of the Nose, Sinuses, and Skull Base, a major reference covering current knowledge on the pathogenesis as well as the medical and surgical management of sinonasal and skull base disorders. It offers in-depth coverage of all key topics in the subspecialty of rhinology, ranging from rhinosinusitis to endoscopic skull base reconstruction and more. Key Features: A substantial section on surgical methods for treating skull base disorders, including endoscopic skull base surgery A DVD containing 21 professionally produced videos, narrated by Dr. Kennedy, and showing various contributors demonstrating the key pearls and pitfalls of surgical techniques discussed in the book One hundred detailed color illustrations by medical artist Christine Gralapp, along with over 600 photos and x-rays Comprehensive coverage of sinonasal anatomy and physiology, as well as the medical and surgical aspects of sinonasal disease and skull base tumors This multimedia reference is the definitive go-to guide for rhinology residents as well as a comprehensive reference for practicing otolaryngologists and neurosurgeons who wish to expand their surgical expertise, develop a broader armamentarium of techniques, and successfully manage their patients with sinonasal and skull base disorders.
Currently, Internet and virtual reality communication is essentially audio-visual. The next important breakthrough of the Internet will be the communication and sharing of smell and taste experiences digitally. Audio-visual stimuli are frequency based, and they can be easily digitized and actuated. On the other hand, taste and smell stimuli are based on chemical molecules, therefore, they are not easy to digitize or actuate. To solve this problem, we are required to discover new digital actuation technologies for taste and smell. The authors of this book have experimented on developing digital actuation devices for several years. This book will provide a complete overview of the importance of digitizing taste and smell, prior works, proposed technologies by the authors, other state of the art research, advantages and limitations of the proposed methods, and future applications. We expect digital taste and smell technologies will revolutionize the field of multisensory augmented reality and open up new interaction possibilities in different disciplines such as Human Computer Interaction, Communication, and Augmented and Virtual Reality.
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