A New York Times bestseller! “Beautifully crafted and fun to read.” —Louis Galambos, The Wall Street Journal “Nasaw’s research is extraordinary.” —San Francisco Chronicle “Make no mistake: David Nasaw has produced the most thorough, accurate and authoritative biography of Carnegie to date.” —Salon.com The definitive account of the life of Andrew Carnegie Celebrated historian David Nasaw, whom The New York Times Book Review has called "a meticulous researcher and a cool analyst," brings new life to the story of one of America's most famous and successful businessmen and philanthropists—in what will prove to be the biography of the season. Born of modest origins in Scotland in 1835, Andrew Carnegie is best known as the founder of Carnegie Steel. His rags to riches story has never been told as dramatically and vividly as in Nasaw's new biography. Carnegie, the son of an impoverished linen weaver, moved to Pittsburgh at the age of thirteen. The embodiment of the American dream, he pulled himself up from bobbin boy in a cotton factory to become the richest man in the world. He spent the rest of his life giving away the fortune he had accumulated and crusading for international peace. For all that he accomplished and came to represent to the American public—a wildly successful businessman and capitalist, a self-educated writer, peace activist, philanthropist, man of letters, lover of culture, and unabashed enthusiast for American democracy and capitalism—Carnegie has remained, to this day, an enigma. Nasaw explains how Carnegie made his early fortune and what prompted him to give it all away, how he was drawn into the campaign first against American involvement in the Spanish-American War and then for international peace, and how he used his friendships with presidents and prime ministers to try to pull the world back from the brink of disaster. With a trove of new material—unpublished chapters of Carnegie's Autobiography; personal letters between Carnegie and his future wife, Louise, and other family members; his prenuptial agreement; diaries of family and close friends; his applications for citizenship; his extensive correspondence with Henry Clay Frick; and dozens of private letters to and from presidents Grant, Cleveland, McKinley, Roosevelt, and British prime ministers Gladstone and Balfour, as well as friends Herbert Spencer, Matthew Arnold, and Mark Twain—Nasaw brilliantly plumbs the core of this fascinating and complex man, deftly placing his life in cultural and political context as only a master storyteller can.
Julius Caesar is possibly the play that opened The Globe theatre. Certainly it was one of the first to be performed there, using the acting resources of the company and the new stage space with dramatic confidence. The first of Shakespeare's mature tragedies, Julius Caesar is also stirring history. The great political debates between Republic and Empire, democracy and dictatorship, mob rule and tyranny are as applicable today as they were in Elizabethan England, and to the Romans themselves in 44 BC. Highlights of this Handbook include: - A commentary at the heart of the book which guides the reader through the play as it unfolds moment by moment in performance, with special attention to the theatrical choices facing actors and directors. - An account of the play's sources and its cultural context. - Analysis of influential performances on stage and screen, and of changes in the play's critical reception. Lively and stimulating, this invaluable guide offers a unique investigation of the theatrical life of one of Shakespeare's great tragedies.
The Duchess of Malfi is generally regarded as John Webster's finest play, a masterpiece of tragic depth and emotional complexity. The conflict between private love and public political behaviour for a passionate but circumscribed woman is as theatrically pertinent now as when first performed. This timely Handbook: - Examines the play's sources and its cultural context - Offers a detailed theatrical commentary that aids visualisation of the underlying dynamics and structure of the play in performance, and explores performance possibilities - Analyses influential productions on stage and screen, from when it was first performed by the actors of Shakespeare's theatre company, the King's Men, to the present day - Presents key critical debates and assessments of The Duchess of Malfi
This is the third and final volume of the Cambridge edition of the works of John Webster. It contains the final complete play in the edition, the City comedy Anything for a Quiet Life, as well as Webster's spectacular Lord Mayor's pageant Monuments of Honour and his Induction and additions to John Marston's The Malcontent. Webster's non-dramatic work is also included: the deeply felt verse elegy to Prince Henry entitled A Monumental Column, his various shorter poems, including verses for the engraving of The Progeny of ... Prince James, and the thirty-two New Characters added to the sixth edition of Sir Thomas Overbury's Characters. This Cambridge critical edition preserves the original spelling of all the plays, poetry and prose, and incorporates the most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays, and new critical methods and textual theory.
This is the second volume in the Cambridge edition of the works of John Webster, containing The Devil's Law-Case, A Cure for a Cuckold, and Appius and Virginia. This critical edition preserves the original spelling; incorporates t he most recent editorial scholarship, including valuable information on Webster's share in the collaborative plays; and employs new critical methods and textual theory. In particular, the edition integrates theatrical aspects of the plays with their bibliographical and literary features in a way not previously attempted in a scholarly edition of a Jacobean dramatist.
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