Karpstein Was Hiding is a great, dark, mythical journey. The pain of a people is written across the soul of one man. It is a haunting fusion of modern Magic Realism and the detailed story telling of ancient Jewish Mysticism.
Beginning in the mid-1940s, the bleak, brooding mood of film noir began seeping into that most optimistic of film genres, the western. Story lines took on a darker tone and western films adopted classic noir elements of moral ambiguity, complex anti-heroes and explicit violence. The noir western helped set the standard for the darker science fiction, action and superhero films of today, as well as for acclaimed TV series such as HBO's Deadwood and AMC's Breaking Bad. This book covers the stylistic shift in westerns in mid-20th century Hollywood, offering close readings of the first noir westerns, along with revealing portraits of the eccentric and talented directors who brought the films to life.
Segaki is the story of two men, a woman, a dog, and a handful of snails. It is a very simple story. But like most simple stories, it is also a parable... It is the third volume of three novels concerned with various aspects of the religious experience... Segaki deals with [the] getting of wisdom, or insight, and deals with it, moreover, entirely in terms of Zen... Zen cannot be explained. It can only be embodied, and in that form, shown to people who will not see it unless they were accustomed to seeing it there anyway.' David Stacton, 1957 'I am enormously impressed by this... I haven't read such an electrifying work in ages. [Stacton] sounds not only like a magnificent poet but an initiate as well. And he seems to know Japan (the everlasting one) better than most Japanese...' Henry Miller (in a letter of October 1959)
This rhetorical study of the persuasive practice of English Puritan preachers and writers demonstrates how they appeal to both reason and imagination in order to persuade their hearers and readers towards conversion, assurance of salvation and godly living. Examining works from a diverse range of preacher-writers such as William Perkins, Richard Sibbes, Richard Baxter and John Bunyan, this book maps out continuities and contrasts in the theory and practice of persuasion. Tracing the emergence of Puritan allegory as an alternative, imaginative mode of rhetoric, it sheds new light on the paradoxical question of how allegories such as John Bunyan's The Pilgrim's Progress came to be among the most significant contributions of Puritanism to the English literary canon, despite the suspicions of allegory and imagination that were endemic in Puritan culture. Concluding with reflections on how Milton deploys similar strategies to persuade his readers towards his idiosyncratic brand of godly faith, this book makes an original contribution to current scholarly conversations around the textual culture of Puritanism, the history of rhetoric, and the rhetorical character of theology.
This volume proposes emendations in Euripides'"Heraclidae, Hippolytus, Andromache, Hecuba, Supplices, Electra, Heracles," and "Troades," the plays of the author's Loeb Euripides, Volumes Two and Three, and also discusses passages where translation is in doubt.
On A Balcony is devoted to the 14th century [B.C.] and the Pharaoh Ikhnaton, his sister-wife Nefertiti, the sculptor Tutmose, and the rivalry his religion of Aton brought to Egypt and its then current cult of Amon... presenting Ikhnaton's imposition of a new religion upon those who look on him as a god.' Kirkus Review'A fascinating study in royal neuroticism.' John Davenport, Observer 'A weird, subtle and compelling novel.' Time & Tide'What is important about Mr Stacton is his originality. We cannot guess how his book is going to develop. We cannot trace influences on his writing or fit him into any preconceived literary scheme...There is a self-confidence about his writing that has no trace of vanity.' Times Literary Supplement.
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.
This book is a comprehensive guide to Therapeutic Assessment (TA) with adults, showing how to collaboratively engage clients in psychological testing to help them achieve major and long-lasting change. This guide clearly lays out each step of TA with adults, including its rationale and detailed instructions on how to handle a range of clinical situations. Additionally, in part one, the authors fully describe the development of TA, its theoretical bases, and the most up-to-date research on the model. In the second part of the book, the authors describe the structure and techniques of TA, and illustrate each step with transcripts from a clinical case. Further clinical illustrations help the reader understand how to conduct a TA with different types of clients, including those from culturally diverse backgrounds. This book is essential for all clinicians, therapists and trainees working with adult clients; along with students in assessment courses.
Armor and weaponry were central to Islamic culture not only as a means of conquest and the spread of the faith, but also as symbols of status, wealth, and power. The finest arms were made by master craftsmen working with the leading designers, goldsmiths, and jewelers, whose work transformed utilitarian military equipment into courtly works of art. This book reveals the diversity and artistic quality of one of the most important and encyclopedic collections of its kind in the West. The Metropolitan Museum's holdings span ten centuries and include representative pieces from almost every Islamic culture from Spain to the Caucasus. The collection includes rare early works, among them the oldest documented Islamic sword, and is rich in helmets and body armor, decorated with calligraphy and arabesques, that were worn in Iran and Anatolia in the late fifteenth century. Other masterpieces include a jeweled short sword (yatagan) with a blade of "watered" steel that comes from the court of Süleyman the Magnificent, a seventeenth-century gold-inlaid armor associated with Shah Jahan, and two gold-inlaid flintlock firearms belonging to the guard of Tipu Sultan of Mysore. Presenting 126 objects, each handsomely photographed and richly documented with a detailed description and discussion of its technical, historical, and artistic importance, this overview of the Met's holdings is supplemented by an introductory essay on the formation of the collection, and appendixes on iconography and on Turkman-style armor.
David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as 'the most exciting male ballet dancer in the Western world,' presents an intimate journey through his artistic life up to the moment he returns to the stage after a devastating injury almost cost him his career. While rich in detail ballet fans will adore, this is a book that anyone interested in a life of creativity will love. Hallberg reflects on themes like inspiration, ego, self-doubt, 'the artistic calling', and perfectionism as he takes readers into daily classes, rigorous rehearsals, and triumphant performances, searching for new inspiration and interpretations of ballet's greatest roles. He reveals the vicious bullying he endured as a child, the ambition he had to tame as a new member of American Ballet Theatre, and the reasons behind his headline-grabbing decision to be the first American to join the top ranks of the Bolshoi Ballet. Then, as Hallberg circled the globe performing at the peak of his abilities, he suffered a crippling injury that led to two surgeries, an agonizing retreat from ballet, and the decision to commit to a radical rebuilding of his body and technique that resulted in his miraculous return to the stage as a new artist and a new man. Combining his impressive powers of observation and memory with emotional honesty and artistic insight, David Hallberg has written a thrilling dance memoir and an intimate portrait of an artist in all his vulnerability, passion, and wisdom."--Dust jacket flap.
“Reveals much of what history has tended to gloss over . . . should be a must read for all who have an interest in this operation” (Airborne Quarterly). After Normandy, the most spectacular Allied offensive of World War II was Operation Market Garden, which planned to join three divisions of paratroopers dropped behind German lines with massive armored columns breaking through the front. The object was to seize a crossing over the Rhine to outflank the heartland of the Third Reich and force a quick end to the war. The operation utterly failed, of course, as the 1st British Airborne was practically wiped out, the American 82nd and 101st Airborne Divisions became tied down in vicious combat for months, and the vaunted armored columns were foiled at every turn by improvisational German defenses. Some have called the battle “Hitler’s last victory.” In this work, many years in the making, David Bennett puts forward a balanced and comprehensive account of the British, American, Polish, Canadian, and German actions, as well as the strategic background of the operation, in a way not yet done. He shows, for example, that rather than a bridgehead over the Rhine, Montgomery’s ultimate aim was to flank the Ruhr industrial area from the north. The book also deals as never before with the key role of all three Corps of British Second Army, not just Brian Horrocks’ central XXX Corps. For the first time, we learn the dramatic untold story of how a single company of Canadian engineers achieved the evacuation of 1st Airborne’s survivors back across the Rhine when all other efforts had failed. Also revealed is the scandal of how Polish Gen. Sosabowski was treated by the British military authorities, and how the operation would have failed at the outset but for the brilliant soldiery of the two American airborne divisions. Respectfully nodding to A Bridge Too Far and other excellent works on Market Garden, the author has interviewed survivors, walked the ground, and performed prodigious archival research to increase our understanding of the battle, from the actions of the lowliest soldier to the highest commander, Allied and German.
A social history of West Germany's Bundesgrenzschutz (BGS, Federal Border Police) that complicates the telling of the country's history as a straightforward success story. The 2020 murder of George Floyd by Minneapolis police officers shows that police violence is still a problem in Western democracies. Floyd's murder prompted some critics to hail the German police as a model of democratic policing that should be emulated. After 1945, Germany's police forces had supposedly shed the militarization and authoritarian impulses still prevalent in other nations' forces. These uncritical appraisals, however, deserve closer analysis. This book is a social history of West Germany's Bundesgrenzschutz (BGS), a federal border guard established in 1951 that became re-unified Germany's first national police force. It argues that the BGS revived authoritarian traditions of militarized policing and kept them alive long into the postwar era even though the country was supposedly consigning these problematic legacies to its past. The BGS was staffed and led by Wehrmacht and SS veterans until the late 1970s, and while West Germany was democratizing, BGS commanders were still planning to fight wars and were teaching its officers "street fighting" tactics. While the end outcome was positive, the study contributes to the growing body of recent research that complicates the writing of the Federal Republic's history as a "success story." Dealing explicitly with post-fascist West Germany's struggle to establish a democratic police force, the book enters a conversation with studies concerned with democratization, security, and Germany's effort to overcome its Nazi past. DAVID M. LIVINGSTONE holds a PhD in History from the University of California-San Diego. He is retired as Chief of Police of Simi Valley, California and is an adjunct professor at California Lutheran University"--
Yes, it was a crusade. But just what was it the people out there feared and hated so much? Not surely the candidate. He was a decent man. Or was that it?' With Tom Fool (1962) David Stacton concluded a triptych of novels drawn from the history of America. For this final panel he turned his eye on politics. The titular protagonist is a fictional rendering of Wendell Wilkie, unlikely Republican challenger to Franklin D. Roosevelt in the presidential election of 1940. As 'Tom Fool' endures an epic campaigning tour of thirty-one states - assisted (or dogged) by his political advisor 'Sideboard' and husband-and-wife PR consultants the Pattersons - he finds himself uncomfortably reminded that America, in its vastness and contradictions, is more than one country, and a unique conundrum to one who would be President.
Christopher's house stood out on its cliff like stages of lunar madness. It was the night of the first storm, not of winter, but of that week before winter which is the last warning to all creatures to dig themselves in...' Christopher Barocco is a self-made man of considerable means who decrees the building of a house in his image, to be carved out of a wild and treacherous Californian hillside in the Sierra Nevada valleys. However, as those who are drawn into his grand design soon discover, Barocco is also a man with a shadowy past; and the house is not destined to be a place where he will find peace but, rather, a catalyst for passion, violence, and death. First published in 1956, The Self-Enchanted was David Stacton's third novel. 'A Gothic extravaganza... [Stacton] seems to participate with so much fervour in the fantasies he describes.' Times Literary Supplement
The objective of this report is to summarize U.S. Department of Energy (DOE) supported studies in the Dixie Valley geothermal area and to relate the results of those studies to other, non-DOE-supported studies that have been done in the valley during the past 40 to 50 years. This compilation of past research includes new analysis resulting in a more in-depth understanding of the geothermal system in Dixie Valley. The focus is on the basin geology and structure, thermal regime, and geothermal system geochemistry. Reservoir studies are briefly discussed.
This volume examines the development of poetic literacy including the specific processes used by expert poetry readers and professional poets. In doing so it provides a much needed synthesis of research findings across diverse domains such as human development, the scientific study of literature, cognitive psychology, neuroscience, psycholinguistics and education. An important feature of the book is its exploration of the new and relatively unexplored area of research on the development of poetic writing. Both theoretical and practical, the volume will be of interest to researchers as well as educators. The detailed explication of expert knowledge and the trajectory through which relative novices become relative experts should allow educators to make evidence-based decisions. Valuable guidelines for developmentally-appropriate practice in pedagogical settings are provided to better optimize learning and inspire students from preschool to graduate school and beyond.
Examining a wide range of ekphrastic poems, David Kennedy argues that contemporary British poets writing out of both mainstream and avant-garde traditions challenge established critical models of ekphrasis with work that is more complex than representational or counter-representational responses to paintings in museums and galleries. Even when the poem appears to be straightforwardly representational, it is often selectively so, producing a 'virtual' work that doesn't exist in actuality. Poets such as Kelvin Corcoran, Peter Hughes, and Gillian Clarke, Kennedy suggests, relish the ekphrastic encounter as one in which word and image become mutually destabilizing. Similarly, other poets engage with the source artwork as a performance that participates in the ethical realm. Showing that the ethical turn in ekphrastic poetry is often powerfully gendered, Kennedy also surveys a range of ekphrastic poets from the Renaissance and nineteenth century to trace a tradition of female ekphrastic poetry that includes Pauline Stainer and Frances Presley. Kennedy concludes with a critique of ekphrastic exercises in creative writing teaching, proposing that ekphrastic writing that takes greater account of performance spectatorship may offer more fruitful models for the classroom than the narrativizing of images.
Poetry in Dialogue in the Duecento and Dante provides a new perspective on the highly networked literary landscape of thirteenth- and fourteenth-century Italy. It demonstrates the fundamental role of dialogue between and within texts in the works of four poets who represent some of the major developments in early Italian literature: Guittone d'Arezzo, Guido Guinizzelli, Guido Cavalcanti, and Dante. Rather than reading the cultural landscape through the lens of Dante's works, significant though they may be, the first part of this study reconstructs the rich network of literary, especially poetic dialogue that was at the heart of medieval writing in Italy. The second part uses this reconstruction to demonstrate Dante's engagement with, and indebtedness to, the dynamics of exchange that characterised the practice of medieval Italian poets. The overall argument—for the centrality of dialogic processes to the emerging Italian literary tradition—is underpinned by a conceptualisation of dialogue in relation to medieval and modern literary theory and philosophy of language. By triangulating between Brunetto Latini's Rettorica, Mikhail Bakhtin's 'dialogism', and as sense of 'performative' speech adapted from J. L. Austin, Poetry in Dialogue shows the openness of its corpus to new dialogues and interpretations, highlighting the instabilities of even the most apparently fixed, monumental texts.
Sir William (1963) was the second entry in David Stacton's triptych of novels on the theme of 'The Sexes', for which he chose to fictionalise one of history's great love affairs. 'David Stacton's novel of the notorious ménage à trois between the fetching Lady Hamilton, her husband Sir William, and her lover, Lord Nelson, is a scintillating piece of historical fiction.' New York World-Telegram 'Stacton's best book... written with epigrammatic wit and grace.' Kirkus Reviews 'A sweeping luxuriant romp through the pre-Trafalgar life of Lady Hamilton. Her Pygmalion rescue from whoredom by the ineffable Charles Greville is wickedly told.' Sunday Times 'Stacton is a magnificent storyteller.' Book Week
With Old Acquaintance (1962) David Stacton embarked upon his third literary triptych, this one on the theme of 'The Sexes'. 'Even in these one-worldly days of cultural colonies and jet-setters, most US authors trying to depict European sophistication seem indefinably out of their league, like children sashaying around in grown-up shoes. Not so David Stacton, who here recounts with relish and delight a nostalgic encounter between two Old World celebrities at an international film festival.' Time 'The old acquaintances are Charlie, a successful novelist with four wives and a succession of young men in his past, and Lotte, a German singer and movie star, now American. Their acquaintanceship dates back thirty years to their youth in Berlin... David Stacton has a spectacular, erudite way with the fun and games...' Kirkus Reviews
Water Wells and Boreholes focuses on wells that are used for drinking, industry, agriculture or other supply purposes. Other types of wells and boreholes are also covered, including boreholes for monitoring groundwater level and groundwater quality. This fully revised second edition updates and expands the content of the original book whilst maintaining its practical emphasis. The book follows a life-cycle approach to water wells, from identifying a suitable well site through to successful implementation, operation and maintenance of the well, to its eventual decommissioning. Completely revised and updated throughout, Water Wells and Boreholes, Second edition, is the ideal reference for final-year undergraduate students in geology and civil engineering; graduate students in hydrogeology, civil engineering and environmental sciences; research students who use well data in their research; professionals in hydrogeology, water engineering, environmental engineering and geotechnical engineering; and aid workers and others involved in well projects.
Drawing on a wealth of new evidence, pioneering research psychologist David DeSteno shows why religious practices and rituals are so beneficial to those who follow them—and to anyone, regardless of their faith (or lack thereof). Scientists are beginning to discover what believers have known for a long time: the rewards that a religious life can provide. For millennia, people have turned to priests, rabbis, imams, shamans, and others to help them deal with issues of grief and loss, birth and death, morality and meaning. In this absorbing work, DeSteno reveals how numerous religious practices from around the world improve emotional and physical well-being. With empathy and rigor, DeSteno chronicles religious rites and traditions from cradle to grave. He explains how the Japanese rituals surrounding childbirth help strengthen parental bonds with children. He describes how the Apache Sunrise Ceremony makes teenage girls better able to face the rigors of womanhood. He shows how Buddhist meditation reduces hostility and increases compassion. He demonstrates how the Jewish practice of sitting shiva comforts the bereaved. And much more. DeSteno details how belief itself enhances physical and mental health. But you don’t need to be religious to benefit from the trove of wisdom that religion has to offer. Many items in religion’s “toolbox” can help the body and mind whether or not one believes. How God Works offers advice on how to incorporate many of these practices to help all of us live more meaningful, successful, and satisfying lives.
In intellectual and political culture today, the Enlightenment is routinely celebrated as the starting point of modernity and secular rationalism, or demonized as the source of a godless liberalism in conflict with religious faith. In The Religious Enlightenment, David Sorkin alters our understanding by showing that the Enlightenment, at its heart, was religious in nature. Sorkin examines the lives and ideas of influential Protestant, Jewish, and Catholic theologians of the Enlightenment, such as William Warburton in England, Moses Mendelssohn in Prussia, and Adrien Lamourette in France, among others. He demonstrates that, in the century before the French Revolution, the major religions of Europe gave rise to movements of renewal and reform that championed such hallmark Enlightenment ideas as reasonableness and natural religion, toleration and natural law. Calvinist enlightened orthodoxy, Jewish Haskalah, and reform Catholicism, to name but three such movements, were influential participants in the eighteenth century's burgeoning public sphere and promoted a new ideal of church-state relations. Sorkin shows how they pioneered a religious Enlightenment that embraced the new science of Copernicus and Newton and the philosophy of Descartes, Locke, and Christian Wolff, uniting reason and revelation to renew faith and piety. This book reveals how Enlightenment theologians refashioned belief as a solution to the dogmatism and intolerance of previous centuries. Read it and you will never view the Enlightenment the same way.
People of the Book is set in the Thirty Years' War, which began and still shapes our present system of world order. David Stacton's incomparable prose reveals how the treatises of scholars and the tactics of commanders so rarely comprehend the vagaries of the human condition. A book to put on the shelf with Thucydides' Peloponnesian War and Tolstoy's War and Peace.' Professor Charles Hill (author of Grand Strategies: Literature, Statecraft, and World Order) 'A troubling and fantastic book... Stacton sets up a duel plot. One follows the fortunes of the Swedish King Gustavus Adolphus, the other recounts the fate of an orphaned boy and his little sister who try to make their way across Germany from their ruined home to refuge with an imagined uncle.' Life '[An] extraordinary evocation of the whole spiritual climate of the time; the very vapours of Teutonic mists seem to rise from its pages.' Frederic Raphael, Sunday Times
Many people think prisons are all the same-rows of cells filled with violent men who officials rule with an iron fist. Yet, life behind bars varies in incredible ways. In some facilities, prison officials govern with care and attention to prisoners' needs. In others, officials have remarkably little influence on the everyday life of prisoners, sometimes not even providing necessities like food and clean water. Why does prison social order around the world look so remarkably different? In The Puzzle of Prison Order, David Skarbek develops a theory of why prisons and prison life vary so much. He finds that how they're governed-sometimes by the state, and sometimes by the prisoners-matters the most. He investigates life in a wide array of prisons-in Brazil, Bolivia, Norway, a prisoner of war camp, England and Wales, women's prisons in California, and a gay and transgender housing unit in the Los Angeles County Jail-to understand the hierarchy of life on the inside. Drawing on economics and a vast empirical literature on legal systems, Skarbek offers a framework to not only understand why life on the inside varies in such fascinating and novel ways, but also how social order evolves and takes root behind bars.
Scientist and psychonaut David Luke weaves personal experience and scientific research in this comprehensive exploration of chemically mediated extra ordinary human experiences."Emphasizing parapsychological aspects of the psychedelic experience, Luke's new book fills in a fascinating and previously neglected lacuna in the burgeoning field of human studies with these compounds. " - Rick Strassman, PhD "A psychedelic Indiana Jones. " - Matt Colborn, PhD "David Luke's delightful one-liner about his book is that it's 'about weird people in weird places taking weird substances doing weird things and, importantly, having weird experiences' . . . On reflection, it's much more profound than that . . . So weird reader, forge ahead without fear. " - Dean Radin, PhD "In his fascinating book David plunges into this controversial topic and gives the backstory, the front story, and possible ways forward to bring paranormal and psychedelic research together, and further our understanding of both. " - Dennis J. McKenna, PhD "A remarkable collection and a necessary one. This body of research illuminates aspects of psychedelic experiences usually obscured or denied in the medical and clinical research and sensationalized in the popular press. " - James Fadiman, PhD "A real Dr Gonzo. " - Will Self
The last of the three trilogies authored by David Stacton (1923-68) was described by the author as 'an intermezzo designed to deal with sexual relations'. After Old Acquaintance (1962) and Sir William (1963) came Kaliyuga (1965), described by Stacton as 'the story of the relations of Siva and Kali, lightly told'. Its chief figures are Charlie and Denise, an American couple in Switzerland, prone to domestic spats. After one such set-to Charlie finds himself wishing men were gods, so to be spared the banality of life's cyclical little dramas. But he knows not of what he speaks or wants. In Hindu mythology the gods go round and round as we do, making the same mistakes - as Charlie and Denise will discover.
This comprehensive and engaging text explores contemporary Mexico's political, economic, and social development and examines the most important policy issues facing the country today. Readers will find this widely praised book continues to be the most current and accessible work available on Mexico’s politics and policy.
Dancer in Darkness is a unique three-way collaboration - the tragic tale of the murdered Giovanna d'Aragona, Duchess of Amalfi, as told in Renaissance Italian sources, then in The Duchess of Malfi, John Webster's masterpiece of Jacobean revenge and fate, and now here by David Stacton, the literally incomparable American historical novelist. Black as stage velvet, Stacton's version is as full of chilling insights and dreadful doings as Webster's, but at bottom all his own.' John Crowley (Little, Big, Engine Summer)'The prose of David Stacton is like that of no other writer. It suggests a corridor in a dark Gothic tower, ill-lit by tapers, at one end of which a gong sounds incessantly. Stacton's gong clashes are malevolent aphorisms, asides spoken to Nemesis, hard little explanations of motive.' Time
The Corning Museum of Glass possesses the most celebrated collection of glass in the world, including the extensive world-renowned collection of Roman Glass.
An astounding and inspiring look at the science behind tribalism, and how we can learn to harness it to improve the world around us. What do you think of when you hear the word “tribalism?” For many, it conjures images of bigotry, xenophobia, and sectarian violence. Others may envision their own tribe: family, friends, and the bonds of loyalty that keep them together. Tribalism is one of the most complex and ancient evolutionary forces; it gave us the capacity for cooperation and competition, and allowed us to navigate increasingly complex social landscapes. It is so powerful that it can predict our behavior even better than race, class, gender, or religion. But in our vast modern world, has this blessing become a curse? Our Tribal Future explores a central paradox of our species: how altruism, community, kindness, and genocide are all driven by the same core adaptation. Evolutionary anthropologist David R. Samson engages with cutting-edge science and philosophy, as well as his own field research with small-scale societies and wild chimpanzees, to explain the science, ethics, and history of tribalism in compelling and accessible terms. This bold and brilliant book reveals provocative truths about our nature. Readers will discover that tribalism cannot, and should not, be eliminated entirely—to do so would be to destroy what makes us human. But is it possible to channel the best of this instinct to enrich our lives while containing the worst of its dangers?
Cross-Cultural Management: Essential Concepts, Fourth Edition introduces readers to the fundamentals of cross-cultural management by exploring the influence of culture on interpersonal interactions in organizational settings and examining the ever-increasing number of cross-cultural management challenges that global managers face in today’s workplace. Instead of taking a country specific approach, authors David C. Thomas and Mark F. Peterson offer a predominantly psychological perspective—focusing on the interactions of people from different cultures in organizational settings. This approach shows readers the effects culture has on a wide variety of cross-cultural interactions across organizational contexts.
Despite what history has taught us about imperialism's destructive effects on colonial societies, many classicists continue to emphasize disproportionately the civilizing and assimilative nature of the Roman Empire and to hold a generally favorable view of Rome's impact on its subject peoples. Imperialism, Power, and Identity boldly challenges this view using insights from postcolonial studies of modern empires to offer a more nuanced understanding of Roman imperialism. Rejecting outdated notions about Romanization, David Mattingly focuses instead on the concept of identity to reveal a Roman society made up of far-flung populations whose experience of empire varied enormously. He examines the nature of power in Rome and the means by which the Roman state exploited the natural, mercantile, and human resources within its frontiers. Mattingly draws on his own archaeological work in Britain, Jordan, and North Africa and covers a broad range of topics, including sexual relations and violence; census-taking and taxation; mining and pollution; land and labor; and art and iconography. He shows how the lives of those under Rome's dominion were challenged, enhanced, or destroyed by the empire's power, and in doing so he redefines the meaning and significance of Rome in today's debates about globalization, power, and empire. Imperialism, Power, and Identity advances a new agenda for classical studies, one that views Roman rule from the perspective of the ruled and not just the rulers. In a new preface, Mattingly reflects on some of the reactions prompted by the initial publication of the book.
This book traces the development of internal marketing from initial conceptualisation through to the current issues. It identifies both significant underlying tensions between major theorists and areas in which new perspectives may enrich our understanding of this crucial subject. Internal marketing is the use of traditional strategies by organisations to market themselves to their employees. Presented in bite-sized sections, each of which dissects the most important themes and concepts underpinning the subject, this book explains how subsidiary areas of study have emerged and suggests how the introduction of concepts and perspectives from channel management literature can help analyse the dyadic encounters in which internal marketing takes place. Brown critically extends the scope of internal marketing theory yet further by presenting and analysing new interview transcripts to suggest that internal demarketing – an organisation making itself less attractive to its employees – may sometimes be undertaken intentionally. Internationally applicable and highly accessible, Internal Marketing is perfect for students, teachers, and researchers with an interest not only in internal marketing, but also in employer relations, internal branding, employer branding, and internal communications. It uses clear language and gradually introduces the reader to more sophisticated theoretical concepts step by step, with a uniquely focused, critical, and comprehensive thematic coverage of internal marketing and its extensive theoretical outputs.
Covering both surgical and non-surgical pain, Acute Pain Management Essentials is a comprehensive, clinically oriented reference for the entire acute pain management team. Edited by Drs. Alan David Kaye and Richard D. Urman, this new title brings together the expertise of contributing authors from anesthesiology, medicine, surgery, and allied health professions to offer an interdisciplinary approach to this complex and fast-changing field. Beginning with an overview of basic principles, it then approaches pain management by organ system, by patient population, and by treatment modality, ending with review of subspecialty considerations and related topics.
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