The authoritative compendium of facts, statistics, photographs, and analysis that defines baseball in its formative first decades This comprehensive reference work covers the early years of major league baseball from the first game—May 4, 1871, a 2-0 victory for the Fort Wayne Kekiongas over the visiting Cleveland Forest City team—through the 1900 season. Baseball historian David Nemec presents complete team rosters and detailed player, manager, and umpire information, with a wealth of statistics to warm a fan’s heart. Sidebars cover a variety of topics, from oddities—the team that had the best record but finished second—to analyses of why Cleveland didn’t win any pennants in the 1890s. Additional benefits include dozens of rare illustrations and narrative accounts of each year’s pennant race. Nemec also carefully charts the rule changes from year to year as the game developed by fits and starts to formulate the modern rules. The result is an essential work of reference and at the same time a treasury of baseball history. This new edition adds much material unearthed since the first edition, fills gaps, and corrects errors, while presenting a number of new stories and fascinating details. David Nemec began the lifetime labor that helped produced this work in 1954 and admits it may never end, as there always will be some obscure player whose birth date has not yet been found. Until perfection is achieved, this work offers state-of-the-art accuracy and detail beyond that supplied by even modern baseball encyclopedias. As Casey Stengel, who was born during this era, was wont to say, “you could look it up.” Now you can.
Von Drehle has chosen a critical year ('the most eventful year in American history' and the year Lincoln rose to greatness), done his homework, and written a spirited account."N"Publishers Weekly.
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
From one of America’s smartest political writers comes a “captivating and comprehensive journey” (#1 New York Times bestselling author David Limbaugh) of the United States’ unique and enduring relationship with guns. For America, the gun is a story of innovation, power, violence, character, and freedom. From the founding of the nation to the pioneering of the West, from the freeing of the slaves to the urbanization of the twentieth century, our country has had a complex and lasting relationship with firearms. In First Freedom, nationally syndicated columnist and veteran writer David Harsanyi explores the ways in which firearms have helped preserve our religious, economic, and cultural institutions for over two centuries. From Samuel Colt’s early entrepreneurism to the successful firearms technology that helped make the United States a superpower, the gun is inextricably tied to our exceptional rise. In the vein of popular histories like American Gun, Salt, and Seabiscuit, Harsanyi takes us on a captivating and thrilling ride of Second Amendment history that demonstrates why guns are not only an integral part of America’s past, but also an essential part of its future. First Freedom is “a briskly paced journey…a welcome lesson on how guns and America have shaped each other for four hundred years” (National Review).
Drawing on previously unpublished archival materials, this study spans three generations of the Lushington family. It investigates their personal histories through the themes of social, artistic, and cultural history. The author analyzes the Lushington family’s relationships with well-known figures like Lady Byron, Queen Caroline, and members of the Bloomsbury Group. Most importantly, this study examines Lushington family members’ roles within larger trends, including abolitionism, the Pre-Raphaelite movement, and Positivism.
Perhaps because major Victorians like Thomas Carlyle and Matthew Arnold proscribed Romantic melancholy as morbidly diseased and unsuitable for poetic expression, critics have neglected or understated the central importance of melancholy in Victorian poetry. Allegories of One's Own Mind re-directs our attention to a mode that Arnold was rejecting as morbid but also acknowledging when he disparaged the widely current idea that the highest ambition of poetry should be to present an allegory of the poet's own mind. This book shows how early Victorian poets suffered from and railed against what they perceived to be a "disabling post-Wordsworthian melancholy"-we might refer to it as depression-and yet benefited from this self-absorbed or love-obsessed state, which ironically made them more productive. David G. Riede argues that the dominant thematic and formal concerns of the age, in fact, are embodied in the ambivalence of Carlyle, Arnold, and others, who pitted a Victorian ideology of duty, rationality, and high moral character against a still compelling Romantic cultivation of the deep self intuited as melancholy. Such ambivalence, in fact, is in itself constitutive of melancholy, long understood as the product of conscience raging against inchoate desire, and it constitutes the mood of the age's most important poetry, represented here in the major works of Alfred Tennyson, Elizabeth Barrett Browning, and even in the notoriously "optimistic" Robert Browning. David G. Riede is professor of English at The Ohio State University.
In the Gospels we encounter many people who were shunned by their society because they lived with some form of impairment. In stark contrast, Jesus embraces these people and offers compassion without condescension, relationship without ulterior motive, and provides them with practical help. Subsequent history has rarely matched his ministry, particularly for people living with intellectual impairment and their families. Based on personal interviews with a number of families who have children living with intellectual impairment, two major challenges constantly impacted them—a longing for people to treat their child as a person and to form genuine friendships with them. Written from a Wesleyan perspective, this book seeks to address these two issues from a theological and pastoral perspective. It offers practical help for anyone to initiate and develop healthy friendships with people who live with moderate to severe intellectual impairment, their families, and carers.
In this brilliant and illuminating portrait of our sixteenth president, two-time Pulitzer Prize-winner David Herbert Donald examines the significance of friendship in Abraham Lincoln's life and the role it played in shaping his career and his presidency. Though Abraham Lincoln had hundreds of acquaintances and dozens of admirers, he had almost no intimate friends. Behind his mask of affability and endless stream of humorous anecdotes, he maintained an inviolate reserve that only a few were ever able to penetrate. Professor Donald's remarkable book offers a fresh way of looking at Abraham Lincoln, both as a man who needed friendship and as a leader who understood the importance of friendship in the management of men. Donald penetrates Lincoln's mysterious reserve to offer a new picture of the president's inner life and to explain his unsurpassed political skills.
By developing a long-term supranational perspective, this ambitious, multi-faceted work provides a new understanding of ‘totalitarianism’, the troubling common element linking Soviet communism, Italian fascism and German Nazism. The book’s original analysis of antecedent ideas on the subject sheds light on the common origins and practices of the regimes. Through this fresh appreciation of their initial frame of mind, Roberts demonstrates how the three political experiments yielded unprecedented collective mobilization but also a characteristic combination of radicalization, myth-making, and failure. Providing deep historical analysis, the book proves that 'totalitarianism' best characterizes the common features in the originating aspirations, the mode of action and even the outcomes of Soviet communism, Italian fascism and German Nazism. By enhancing our knowledge of what ‘totalitarianism’ was and where it came from, Roberts affords important lessons about the ongoing challenges, possibilities, and dangers of the modern political experiment.
To many in the United Kingdom, the British public school remains the disliked and mistrusted embodiment of privilege and elitism. They have educated many of the country’s top bankers and politicians over the centuries right up to the present, including the present Prime Minister. David Turner’s vibrant history of Great Britain’s public schools, from the foundation of Winchester College in 1382 to the modern day, offers a fresh reappraisal of the controversial educational system. Turner argues that public schools are, in fact, good for the nation and are presently enjoying their true “Golden Age,” countering the long-held belief that these institutions achieved their greatest glory during Great Britain’s Victorian Era. Turner’s engrossing and enlightening work is rife with colorful stories of schoolboy revolts, eccentric heads, shocking corruption, and financial collapse. His thoughtful appreciation of these learning establishments follows the progression of public schools from their sometimes brutal and inglorious pasts through their present incarnations as vital contributors to the economic, scientific, and political future of the country.
More than four decades after its initial publication this book is still the only one to focus exclusively on President Abraham Lincoln's role in modifying the Supreme Court membership to secure the power he needed to save the Union.
A Superb New Biography . . . A Tragic Story, Brilliantly Told." —Andrew Roberts, Literary Review George Nathaniel Curzon's controversial life in public service stretched from the high noon of his country's empire to the traumatized years following World War I. As viceroy of India under Queen Victoria and foreign secretary under King George V, the obsessive Lord Curzon left his unmistakable mark on the era. David Gilmour's award-winning book—with a new foreword by the author—is a brilliant assessment of Curzon's character and achievements, offering a richly dramatic account of the infamous long vendettas, the turbulent friendships, and the passionate, risky love affairs that complicated and enriched his life. Born into the ruling class of what was then the world's greatest power, Curzon was a fervent believer in British imperialism who spent his life proving he was fit for the task. Often seen as arrogant and tempestuous, he was loathed as much as he was adored, his work disparaged as much as it was admired. In Gilmour's well-rounded appraisal, Curzon emerges as a complex, tragic figure, a gifted leader who saw his imperial world overshadowed at the dawn of democracy.
What is wisdom? Where does it come from? Where can we find it? And what does it mean in our lives? In Secrets of the Oracle, David Shaw explores these questions by turning to the works of wisdom writers, whose words retain their meaning and transformative power even centuries after they were written. Wisdom literature exists in two shaping forms - the aphorism, geared towards the past, and the oracle, a revolutionary impulse looking to the future. Secrets of the Oracle discusses both types of wisdom, finding them in the works of poets and philosophers from Tennyson and Zeno to Yeats and George Berkeley, from Browning and Schleiermacher to T.S. Eliot and F.H. Bradley. The book also discusses the contribution to wisdom of Jesus and the author of Ecclesiastes, of Abraham Lincoln and Norman Maclean. Part celebration of wisdom found and part lament for wisdom lost, Secrets of the Oracle is convincing in its assertion that wisdom articulates what is and offers creative visions of the future.
This sweeping survey constitutes the first comprehensive treatment of the men and women who have been chosen to represent Illinois in the United States Senate from 1818 to the present day. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s senatorial heritage. Originally published as An Uncertain Tradition: U.S. Senators From Illinois 1818–2003, this second edition brings readers up to date with new material on Paul Simon, Richard Durbin, and Peter Fitzgerald, as well as completely new sections on Roland Burris, Barack Obama, and Illinois’s newest senator, Mark Kirk. This fresh and careful study of the shifting set of political issues Illinois’s senators encountered over time is illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley offer incisive commentary on the quality of Senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for Senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.
Wine chemistry inspires and challenges with its complexity, and while this is intriguing, it can also be a barrier to further understanding. The topic is demystified in Understanding Wine Chemistry, Special Mention awardee in the 2018 OIV awards, which explains the important chemistry of wine at the level of university education, and provides an accessible reference text for scientists and scientifically trained winemakers alike. Understanding Wine Chemistry: Summarizes the compounds found in wine, their basic chemical properties and their contribution to wine stability and sensory properties Focuses on chemical and biochemical reaction mechanisms that are critical to wine production processes such as fermentation, aging, physiochemical separations and additions Includes case studies showing how chemistry can be harnessed to enhance wine color, aroma, flavor, balance, stability and quality. This descriptive text provides an overview of wine components and explains the key chemical reactions they undergo, such as those controlling the transformation of grape components, those that arise during fermentation, and the evolution of wine flavor and color. The book aims to guide the reader, who perhaps only has a basic knowledge of chemistry, to rationally explain or predict the outcomes of chemical reactions that contribute to the diversity observed among wines. This will help students, winemakers and other interested individuals to anticipate the effects of wine treatments and processes, or interpret experimental results based on an understanding of the major chemical reactions that can occur in wine.
Venice holds a unique place in literary and cultural history. Barnes looks at the themes of war, occupation, resistance and fascism to see how the political background has affected the literary works that have come out of this great city. He focuses on key British and American writers, including Byron, Ruskin, Pound and Eliot.
With thirty revised and updated chapters the new edition of this classic text brings benefits to professors and students alike who will find new sections on many topics concerning modern food microbiology. This authoritative book builds on the trusted and established sections on food preservation by modified atmosphere, high pressure and pulsed electric field processing. It further covers food-borne pathogens, food regulations, fresh-cut produce, new food products, and risk assessment and analysis. In-depth references, appendixes, illustrations, index and thorough updating of taxonomies make this an essential for every food scientist.
The United States is in a crisis of freedom. Influenced by neoliberal economics, the concept of freedom has become identified with an abstract, radical individualism disdainful of responsibility to others and to the past. Signs of this crisis crop up everywhere. Some invoke freedom as justification for refusing to wear a mask in a pandemic. Others argue that freedom is an empty word if it’s celebrated apart from an honest engagement with the country’s history of racism. Created Freedom under the Sign of the Cross offers a Catholic theological response to this crisis of freedom. Catholic social ethics may be better known for its emphasis on social principles like the common good and solidarity. But developments in Catholic theologies of freedom in the last decades provide fertile ground from which to develop a bold, creative response to this American crisis of freedom. In this book, theologian David DeCosse draws on thinkers ranging from philosopher Amartya Sen to Black Catholic theologian Shawn Copeland to twentieth-century theological giant Karl Rahner in order to reimagine American freedom in light of classic Catholic emphases on embodiment, relationship, history, the good, and God. The result is a Catholic public theology that provides a redemptive path forward in an age of crisis.
During the Battle of Midway in June 1942, US Navy dive bomber pilot Wade McClusky proved himself to be one of the greatest pilots and combat leaders in American history, but his story has never been told – until now. It was Wade McClusky who remained calm when the Japanese fleet was not where it was expected to be. It was he who made the counterintuitive choice to then search to the north instead of to the south. It was also McClusky who took the calculated risk of continuing to search even though his bombers were low on fuel and may not have enough to make it back to the Enterprise. His ability to remain calm under enormous pressure played a huge role in the US Navy winning this decisive victory that turned the tide of war in the Pacific. This book is the story of exactly the right man being in exactly the right place at exactly the right time. Wade McClusky was that man and this is his story.
Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
By assessing totalitarianism in a more deeply historical way, this study suggests how we might learn further lessons from this troubling phase of modern political development."--Jacket.
This first volume of Fighting Men of World War II offers a comprehensive, full-color look at the clothing (such as boots, pants, helmet, tunic, greatcoat, camouflage, and badges), equipment, weapons, vehicles, and rations of Axis soldiers. Also included are popular items, such as lighters, that were carried by many troops but were not standard issue. The accompanying text describes the items and also compares them to those of other armies. The result is a complete picture of the daily life and conditions of the fighting men of all countries. It is an essential reference work for all military historians, collectors, and general readers.
Universal Studios created the first cinematic universe of monsters--Dracula, Frankenstein, the Mummy and others became household names during the 1930s and 1940s. During the 1950s, more modern monsters were created for the Atomic Age, including one-eyed globs from outer space, mutants from the planet Metaluna, the Creature from the Black Lagoon, and the 100-foot high horror known as Tarantula. This over-the-top history is the definitive retrospective on Universal's horror and science fiction movies of 1951-1955. Standing as a sequel to Tom Weaver, Michael Brunas and John Brunas's Universal Horrors (Second Edition, 2007), it covers eight films: The Strange Door, The Black Castle, It Came from Outer Space, Creature from the Black Lagoon, This Island Earth, Revenge of the Creature, Cult of the Cobra and Tarantula. Each receives a richly detailed critical analysis, day-by-day production history, interviews with filmmakers, release information, an essay on the score, and many photographs, including rare behind-the-scenes shots.
David McCampbell was the leader of the most successful naval air group in combat in World War II. An unequalled naval aviator, McCampbell shot down a total of 34 Japanese aircraft across numerous battles. Eventually awarded the Medal of Honor, he first served in the Atlantic as a carrier Landing Safety Officer, then as an air group leader in the Pacific theater. McCampbell's 31-year career reveals an astounding diversity of leadership roles and service assignments. McCampbell commanded ships, training centers and aircraft squadrons and held a variety of Navy and Defense Department senior staff positions.
An “ambitious...deep history and a thoughtful inquiry into how the constitutional system of checks and balances has functioned when it comes to waging war and making peace” (The Washington Post)—here is the full, compelling account of this never-ending debate. The Constitution states that it is Congress that declares war, but it is the presidents who have more often taken us to war and decided how to wage it. In Waging War, David J. Barron opens with an account of George Washington and the Continental Congress over Washington’s plan to burn New York City before the British invasion. Congress ordered him not to, and he obeyed. Barron takes us through all the wars that followed: 1812, the Mexican War, the Civil War, the Spanish-American war, World Wars One and Two, Korea, Vietnam, Iraq, and now, most spectacularly, the War on Terror. Congress has criticized George W. Bush for being too aggressive and Barack Obama for not being aggressive enough, but it avoids a vote on the matter. By recounting how our presidents have declared and waged wars, Barron shows that these executives have had to get their way without openly defying Congress. In this “vivid…rich and detailed history” (The New York Times Book Review), Waging War shows us our country’s revered and colorful presidents at their most trying times—Washington, Lincoln, Theodore Roosevelt, Franklin Roosevelt, Truman, Eisenhower, John F. Kennedy, Johnson, both Bushes, and Obama. Their wars have made heroes of some and victims of others, but most have proved adept at getting their way over reluctant or hostile Congresses. Donald Trump will face this challenge immediately—and the Constitution and its fragile system of checks and balances will once again be at the forefront of the national debate. More essential than ever, Waging War is “both timely and timeless” (The Boston Globe).
The 1820s and 1830s, the gap between Romanticism and Victorianism, continues to prove a difficulty for scholars. This book explores and recovers a neglected culture of poetry in those years, and it demonstrates that culture was a crucial turning point in literary history. It explores a uniquely wide range of poets, including the poetry of the literary annuals, Letitia Landon, Felicia Hemans, Robert Browning, Samuel Taylor Coleridge, Thomas Hood and John Clare, placing their work in the light of new research into the conditions of the literary market. In turn, it uses that culture to open up wider theoretical issues relating to literary form, book history, print culture, gender and periodisation. The period’s doubt about poetry’s place in culture and its capacity to last prompted a dazzling range of creative experiments that reimagined the metrical, material and commercial forms of poetry.
Since his death in 1942, St Ives has become marinated in the spirit of the naive painter, Alfred Wallis. Naum Gabo, the Russian Constructivist, felt that Wallis's gift as an artist was that he never knew he was one. His unconventional approach and the innocence of his personal method of making art marked Alfred Wallis, even after his death, as a crucial figure in the modernist movement. The art scene in St Ives during World War II is depicted vividly in The Alfred Wallis Factor which illustrates the birth of modernism in the small fishing port in the far south-west of England. With dominant personalities like Sven Berlin, Ben Nicholson, Barbara Hepworth, Adrian Stokes, Bernard Leach, Terry Frost, Peter Lanyon, Wilhelmina Barns-Graham and Patrick Heron, it was inevitable that personal relationships would both form and fracture. Though causes would range from the banal to the bizarre, David Wilkinson never loses focus on the high stakes for which these characters were playing: the creation of their work, and reputations, of lasting significance. Their passion was strong and their ambition even stronger. The Alfred Wallis Factor tells the story of this extraordinary painter's long-lasting influence on - and beyond - modernism: David Wilkinson expounds the events around and following the artist's death, assessing the roles of friends and rivals in making Alfred Wallis a benchmark of modern British art. The Alfred Wallis Factor is a comprehensive examination of a troubled era, in which life met war and changed the destiny of the art world.
Germany has had a profound influence on English stories for children. The Brothers Grimm, The Swiss Family Robinson and Johanna Spyri's Heidi quickly became classics but, as David Blamires clearly articulates in this volume, many other works have been fundamental in the development of English chilren's stories during the 19th Centuary and beyond. Telling Tales is the first comprehensive study of the impact of Germany on English children's books, covering the period from 1780 to the First World War. Beginning with The Adventures of Baron Munchausen, moving through the classics and including many other collections of fairytales and legends (Musaus, Wilhelm Hauff, Bechstein, Brentano) Telling Tales covers a wealth of translated and adapted material in a large variety of forms, and pays detailed attention to the problems of translation and adaptation of texts for children. In addition, Telling Tales considers educational works (Campe and Salzmann), moral and religious tales (Carove, Schmid and Barth), historical tales, adventure stories and picture books (including Wilhelm Busch's Max and Moritz) together with an analysis of what British children learnt through textbooks about Germany as a country and its variegated history, particularly in times of war.
A new understanding of what really matters in our elections Prevailing wisdom holds that the pivot of American political campaigns has shifted over the past century from the parties to the candidate. David C. W. Parker challenges this conventional notion, arguing that campaigns center on neither orientation but are, more simply, resource dependent. The Power of Money in Congressional Campaigns examines the historical development of party, interest-group, and candidate power in the American congressional election process. Parker takes a broad view of the electoral terrain, considering both primary and general elections, and discerns distinct patterns emerging during the twentieth century. He proposes a new theoretical model based on the need for candidates to accumulate enough financing and reputation to compete successfully, showing the importance of the rules governing this process. Analyzing case studies of elections over more than a century, Parker argues that campaign behavior boils down to the determination to gather the resources needed to win. He shows that changes in electoral rules over time have affected the strategies candidates and parties use to accumulate campaign resources. He also suggests how the Bipartisan Campaign Finance Reform Act of 2002 may influence the relationships among political actors and affect the quality of democratic discourse. Unlike many studies of the election process, this book provides a broad understanding of why candidates, parties, and interest groups pursue particular strategies. The Power of Money in Congressional Campaigns is a corrective analysis of how candidates campaign, and how Americans choose their leaders.
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