This book offers a practical guide for policy advisors and their managers, grounded in the author’s extensive experience as a senior policy practitioner in New Zealand’s Westminster-style system of government. A key message is that effective policy advising is less about cycles, stages and steps, and more about relationships, integrity and communication. Policy making is incremental social problem solving. Policy advising is mostly learned on the job, like an apprenticeship. It starts with careful listening, knowing one’s place in the constitutional scheme of things, winning the confidence of decision makers, skillfully communicating what they need to hear and not only what they want to hear, and learning to lead from behind, scheme virtuously and play nicely with others. The author introduces a public value approach to policy advising that uses collective thinking to address complex policy problems, evidence-informed policy analysis that also factors in emotions and values, and the practice of “gifting and gaining” (rather than “trade-offs”) in the long-term public interest. Theory is illustrated by personal anecdote and each chapter offers practical processes, tools, techniques and questions for reflection, to help readers master the art and craft of policy advising. This second edition has been substantially revised and updated. It provides an expanded, step-by-step approach to stakeholder analysis and prioritisation in relation to an agency’s own strategic frame; it aligns and integrates theory about the public interest, public value and anticipatory governance; and it updates a “fair go” multi-criteria decision analysis matrix with the latest iteration of the N.Z. Treasury’s Living Standards Framework.
This book identifies six ethical competencies for public leadership in contexts of pluralism. While diversity in proximity generates conflict where people want and value different things, the right kind of leadership and the right kind of politics can minimise domination, humiliation, cruelty and violence. Written by a public policy advisor for fellow practitioners in politics and public life, this book applies political theory and social ethics to identify a set of competencies—being civil, diplomatic, respectful, impartial, fair and prudent—to keep ethics at the centre of a pluralist democratic politics. The six competencies are described in behavioural terms as personal resolutions. They offer valuable tools for mentoring and professional development. This book will appeal to politicians and those who advise them, and anyone who engages in or aspires to public leadership, whether in the public sector, the private sector, the community and voluntary sector or academia.
Intelligent writing, intense characters, a dark sense of humor, innovative editing, and complex plots--Homicide: Life on the Street has raised the caliber of television police drama Homicide: Life on the Street is addictive television. Each week we watch to see who Detective Pembleton will spar with in "the Box," or what conspiracy theories Detective Munch will be espousing as the truth, but more than anything we tune in to see the gritty reality that makes this show the best police drama to ever grace the small screen. There aren't any car chases, rarely any shootouts, and sometimes the cases don't get solved. Instead, these detectives keep their clothes on, have a relentlessly morbid sense of humor, and catch the criminals because they have brains, not necessarily brawn. In other words, they're real. Homicide: Life on the Street, The Unofficial Companion by David P. Kalat--the first and only full-length guide to this Emmy Award-winning and three-time Peabody Award-winning television series--brilliantly captures the essence of this groundbreaking show. You'll Learn About: famed filmmaker Barry Levinson's decision to bring Homicide to television instead of making a film of David Simon's novel Homicide: A Year on the Killing Streets the behind-the-scenes anecdotes about cast regulars, including the onscreen clutches that led to offscreen romances the producers' many battles with the network suits over poor placement in the schedule, and the series' repeated trips to the land known as hiatus cast casualties--why they left or were let go the esteemed cast--including Andre Braugher, Ned Beatty, Daniel Baldwin, and Yaphet Kotto, among others--the characters they've created, and their beyond-Homicide careers season-by-season critiques of each episode Revealing, resourceful, and thoughtful, Homicide: Life on the Street, the Unofficial 0Companion is a must-have for any fan!
A vibrant history of the renowned and often controversial Iowa Writers’ Workshop and its celebrated alumni and faculty As the world’s preeminent creative writing program, the Iowa Writers’ Workshop has produced an astonishing number of distinguished writers and poets since its establishment in 1936. Its alumni and faculty include twenty-eight Pulitzer Prize winners, six U.S. poet laureates, and numerous National Book Award winners. This volume follows the program from its rise to prominence in the early 1940s under director Paul Engle, who promoted the “workshop” method of classroom peer criticism. Meant to simulate the rigors of editorial and critical scrutiny in the publishing industry, this educational style created an environment of both competition and community, cooperation and rivalry. Focusing on some of the exceptional authors who have participated in the program—such as Flannery O’Connor, Dylan Thomas, Kurt Vonnegut, Jane Smiley, Sandra Cisneros, T. C. Boyle, and Marilynne Robinson—David Dowling examines how the Iowa Writers’ Workshop has shaped professional authorship, publishing industries, and the course of American literature.
Hateful thoughts and words can lead to harmful actions like the March 2019 terrorist attack on mosques in Christchurch, New Zealand. In free, open and democratic societies, governments cannot justifiably regulate what citizens think, feel, believe or value, but do have a duty to protect citizens from harmful communication that incites discrimination, active hostility and violence. Written by a public policy advisor for fellow practitioners in politics and public life, this book discusses significant practical and moral challenges regarding internet governance and freedom of speech, particularly when responding to content that is legal but harmful. Policy makers and professionals working for governmental institutions need to strike a fair balance between protecting from harm and preserving the right to freedom of expression. And because merely passing laws does not solve complex social problems, governments need to invest, not just regulate. Governments, big tech and the private sector, civil society, individual citizens and the fourth estate all have roles to play, and counter-speech is everyone’s responsibility. This book tackles hard questions about internet governance, hate speech, cancel culture and the loss of civility, and illustrates principled pragmatism applied to perplexing policy problems. Furthermore, it presents counter-speech strategies as alternatives and complements to censorship and criminalisation.
A history of racism and segregation in twentieth-century Houston and beyond. Through the 1950s and beyond, the Supreme Court issued decisions that appeared to provide immediate civil rights protections to racial minorities as it relegated Jim Crow to the past. For black Houstonians who had been hoping and actively fighting for what they called a “raceless democracy,” these postwar decades were often seen as decades of promise. In Houston and the Permanence of Segregation, David Ponton argues that these were instead “decades of capture”: times in which people were captured and constrained by gender and race, by faith in the law, by antiblack violence, and even by the narrative structures of conventional histories. Bringing the insights of Black studies and Afropessimism to the field of urban history, Ponton explores how gender roles constrained thought in black freedom movements, how the “rule of law” compelled black Houstonians to view injustice as a sign of progress, and how antiblack terror undermined Houston’s narrative of itself as a “heavenly” place. Today, Houston is one of the most racially diverse cities in the United States, and at the same time it remains one of the most starkly segregated. Ponton’s study demonstrates how and why segregation has become a permanent feature in our cities and offers powerful tools for imagining the world otherwise.
Although Emanuel Swedenborg (1688–1772) is commonly known for his spiritual philosophy, his early career was focused unnatural science. During this period, Swedenborg thought of the world was like a gigantic machine, following the laws of mechanics and geometry. This volume analyzes this mechanistic worldview from the cognitive perspective, by means of a study of the metaphors in Swedenborg’s texts. The author argues that these conceptual metaphors are vital skills of the creative mind and scientific thinking, used to create visual analogies and abstract ideas. This means that Swedenborg’s mechanistic and geometrical worldview, allowed him to perceive the world as mechanical and geometrical. Swedenborg thought ”with” books and pens. The reading gave him associations and clues, forced him to interpret, and gave him material for his intellectual development.
The Vietnam era's tensions--between tradition and new possibilities, black and white, young and old, male and female--were played out on the field of professional and organized sports. SportsWars shows that the century-old position of sports as the standard-bearer for American values, and as a central way of building character, made it a prime target in this time of general disenchantment. Critics began to challenge not only individual abuses but sport's very ideals, and for the first time these critics included athletes themselves. Zang locates a variety of larger cultural debates within professional sports and organized sports more generally: changing valuations of hard work and the physical, winning versus character, and challenges to authority. He also considers the relationships between sports and other domains of popular culture, including the counterculture, rock and roll, and Hollywood.
The acclaimed author and biologist shares “a superb personal account [of Antarctica] . . . a remarkable evocation of a land at the bottom of the world” (Boston Globe). During the 1980s, biologist David Campbell spent three summers in Antarctica, researching its surprisingly plentiful wildlife. In The Crystal Desert, he combines travelogue, nature writing and science history to tell the story of life's tenacity on the coldest of Earth's continents. Between scuba expeditions in Admiralty Bay, Campbell remembers the explorers who discovered Antarctica, the whalers and sealers who despoiled it, and the scientists who laid the groundwork to decipher its mysteries. Chronicling the desperately short summers in beautiful, lucid prose, he presents a fascinating portrait of the evolution of life in Antarctica and of the continent itself. Winner of the John Burroughs Medal for Natural History Writing and a Houghton Mifflin Literary Fellowship
The classical education of W. E. B. Du Bois -- American Archias : Cicero, epic poetry, and The Souls of Black Folk -- The influence of Plato on the thought of W. E. B. Du Bois -- racist metamorphoses in Du Bois's classical references -- The history of the "darker peoples" of the world : Afrocentrism and cosmopolitanism in the later thought of W. E. B. Du Bois.
Walt Whitman wrote three distinct editions of Leaves of Grass before the Civil War. During those years he was passionately committed to party anti-slavery, and his unpublished tract The Eighteenth Presidency shows that he was fully attuned to the kind of rhetoric coming out of the new Republican party. This study explores how the prophecies of the pre–war Leaves of Grass relate to the prophecy of this new party. It seeks not only to ground Whitman’s work in this context but also to bring out features of party discourse that make it relevant to literary and cultural studies. Anti-slavery party discourse set itself the task of curing an ailing people who had grown compliant, inert, and numb; it fashioned a complete fictional world where the people could be reactivated into assuming their true role in the republic. Both as a cause and a result of this rejuvenation, they would come into their own and spread their energies over the land and over the body politic, thereby rescuing their country at the last minute from what would otherwise be the permanent dominion of slavery. Party discourse had long hinged its success on such magical transformations of the people individually and collectively, and Whitman’s celebrations of his nation’s potential need to be seen in this context: like his party, Whitman calls on the people to reject their own subordination and take command of the future, and redeem themselves as they also redeem the nation.
Appalled and paralyzed. Abandoned and betrayed. Cowed and bowed. Thus did Frederick Douglass describe the North in the wake of the compromise measures of 1850 that seemed to enshrine concessions to slavery permanently into the American political system. This study discovers in a feature of political anti-slavery discourse--the condemnation of an enfeebled North--the key to a wide variety of literary works of the 1850s. Both the political discourse and the literature set out to expose the self-chosen degradation of compromise as a threat at once to the personal foundation of each individual Northerner and to the survival of the people as an actor in history. The book fills a gap in literary criticism of the period, which has primarily focused on abolitionist discourse when relating anti-slavery thought to the literature of the decade. Though it owed a debt to the abolitionists, political anti-slavery discourse took on the more focused mission of offering a challenge to the people. Would the North submit to the version of self-discipline demanded by the Slave Power's Northern minions, or would it tap the energy of the nation's founding until it embodied defiance in its very constitution? Would the North remain a type for the future slave empire it could not prevent, or would it prophesy national freedom in the simple recovery of its own agency? Literary works in both poetry and prose were well suited to making this political challenge bear its full weight on the nation--fleshing out the critique through narrative crises that brought home the personal stake each Northerner held in what George Julian called an exodus from the bondage of compromise. By the end of 1860 this exodus had been completed, and that accomplishment owed much to the massive ten year cultural project to expose the slavery-accommodating definition of nationality as a threat to the republican selfhood of each Northerner. Stowe, Whittier, Willis, and Whitman, among others, devoted their literary works to this project.
In the 1840s and 1850s, as the market revolution swept the United States, the world of literature confronted for the first time the gaudy glare of commercial culture. Amid growing technological sophistication and growing artistic rejection of the soullessness of materialism, authorship passed from an era of patronage and entered the clamoring free market. In this setting, romantic notions of what it meant to be an author came under attack, and authors became professionals. In lively and provocative writing, David Dowling moves beyond a study of the emotional toll that this crisis in self-definition had on writers to examine how three sets of authors—in pairings of men and women: Harriet Wilson and Henry David Thoreau, Fanny Fern and Walt Whitman, and Rebecca Harding Davis and Herman Melville—engaged with and transformed the book market. What were their critiques of the capitalism that was transforming the world around them? How did they respond to the changing marketplace that came to define their very success as authors? How was the role of women influenced by these conditions? Capital Letters concludes with a fascinating and daring transhistorical comparison of how two superstar authors—Herman Melville in the nineteenth century and Stephen King today—have negotiated the shifting terrain of the literary marketplace. The result is an important contribution to our understanding of print culture and literary work.
Driven by intensive industrialization and urbanization, the nineteenth century saw radical transformations in every facet of life in the United States. Immigrants and rural Americans poured into the nation’s cities, often ahead of or without their families. As city dwellers adapted to the new metropolis, boarding out became, for a few short decades, the most popular form of urban domesticity in the United States.While boarding’s historical importance is indisputable, its role in the period’s literary production has been overlooked. In Boarding Out, David Faflik argues that the urban American boardinghouse exerted a decisive shaping power on the period’s writers and writings. Addressing the works of canonical authors such as Henry David Thoreau, Nathaniel Hawthorne, and Oliver Wendell Holmes, as well as neglected popular writers of the era such as Fanny Fern and George Lippard, Faflik demonstrates that boarding was at once psychically, artistically, and materially central in the making of our shared American culture.
For almost thirty years, David Thomson’s Biographical Dictionary of Film has been not merely “the finest reference book ever written about movies” (Graham Fuller, Interview), not merely the “desert island book” of art critic David Sylvester, not merely “a great, crazy masterpiece” (Geoff Dyer, The Guardian), but also “fiendishly seductive” (Greil Marcus, Rolling Stone). This new edition updates the older entries and adds 30 new ones: Darren Aronofsky, Emmanuelle Beart, Jerry Bruckheimer, Larry Clark, Jennifer Connelly, Chris Cooper, Sofia Coppola, Alfonso Cuaron, Richard Curtis, Sir Richard Eyre, Sir Michael Gambon, Christopher Guest, Alejandro Gonzalez Inarritu, Spike Jonze, Wong Kar-Wai, Laura Linney, Tobey Maguire, Michael Moore, Samantha Morton, Mike Myers, Christopher Nolan, Dennis Price, Adam Sandler, Kevin Smith, Kiefer Sutherland, Charlize Theron, Larry Wachowski and Andy Wachowski, Lew Wasserman, Naomi Watts, and Ray Winstone. In all, the book includes more than 1300 entries, some of them just a pungent paragraph, some of them several thousand words long. In addition to the new “musts,” Thomson has added key figures from film history–lively anatomies of Graham Greene, Eddie Cantor, Pauline Kael, Abbott and Costello, Noël Coward, Hoagy Carmichael, Dorothy Gish, Rin Tin Tin, and more. Here is a great, rare book, one that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own. Time Out named it one of the ten best books of the 1990s. Gavin Lambert recognized it as “a work of imagination in its own right.” Now better than ever–a masterwork by the man playwright David Hare called “the most stimulating and thoughtful film critic now writing.”
In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determinants of American—rather than specifically Native American—literature. The notion that the presence of Indian peoples shaped American literature as a whole remains unexplored. In The Demon of the Continent, Joshua David Bellin probes the complex interrelationships among Native American and Euro-American cultures and literatures from the mid-seventeenth to the mid-nineteenth centuries. He asserts that cultural contact is at the heart of American literature. For Bellin, previous studies of Indians in American literature have focused largely on the images Euro-American writers constructed of indigenous peoples, and have thereby only perpetuated those images. Unlike authors of those earlier studies, Bellin refuses to reduce Indians to static antagonists or fodder for a Euro-American imagination. Drawing on works such as Henry David Thoreau's Walden, William Apess' A Son of the Forest, and little known works such as colonial Indian conversion narratives, he explores the ways in which these texts reflect and shape the intercultural world from which they arose. In doing so, Bellin reaches surprising conclusions: that Walden addresses economic clashes and partnerships between Indians and whites; that William Bartram's Travels encodes competing and interpenetrating systems of Indian and white landholding; that Catherine Sedgwick's Hope Leslie enacts the antebellum drama of Indian conversion; that James Fenimore Cooper and Henry Wadsworth Longfellow struggled with Indian authors such as George Copway and David Cusick for physical, ideological, and literary control of the nation. The Demon of the Continent proves Indians to be actors in the dynamic processes in which America and its literature are inescapably embedded. Shifting the focus from textual images to the sites of material, ideological, linguistic, and aesthetic interaction between peoples, Bellin reenvisions American literature as the product of contact, conflict, accommodation, and interchange.
Hateful thoughts and words can lead to harmful actions like the March 2019 terrorist attack on mosques in Christchurch, New Zealand. In free, open and democratic societies, governments cannot justifiably regulate what citizens think, feel, believe or value, but do have a duty to protect citizens from harmful communication that incites discrimination, active hostility and violence. Written by a public policy advisor for fellow practitioners in politics and public life, this book discusses significant practical and moral challenges regarding internet governance and freedom of speech, particularly when responding to content that is legal but harmful. Policy makers and professionals working for governmental institutions need to strike a fair balance between protecting from harm and preserving the right to freedom of expression. And because merely passing laws does not solve complex social problems, governments need to invest, not just regulate. Governments, big tech and the private sector, civil society, individual citizens and the fourth estate all have roles to play, and counter-speech is everyone’s responsibility. This book tackles hard questions about internet governance, hate speech, cancel culture and the loss of civility, and illustrates principled pragmatism applied to perplexing policy problems. Furthermore, it presents counter-speech strategies as alternatives and complements to censorship and criminalisation.
”Gambatte” means do your best and never give up, and that spirit is at the heart of David Tsubouchi’s life story. This memoir of the former Ontario cabinet minister begins as his family strives for acceptance amid the imprisonment of Canadians of Japanese descent and the confiscation of their property, possessions, and businesses by the Mackenzie King Liberal government in 1941. Despite growing up on the outside looking in, Tsubouchi never felt disadvantaged because he had a good family and was taught to persevere. Gambatte outlines his unusual career path from actor to dedicated law school student/lumber yard worker to politician. Tsubouchi was the first person of Japanese descent elected in Canada as a municipal politician and, as an MPP, to serve as a cabinet minister. His story also reveals an insider’s perspective of Mike Harris’s “Common Sense Revolution.”
. . . All in the game.' West Baltimore Traditional THE WIRE has been widely hailed as the greatest television series of all time. It portrays the war of attrition between Baltimore's hardened police force and its drug dealers, and the blurring of good and evil, justice and injustice, right and wrong that happens every day as men and women struggle against the institutions they are bound up in. Over its five series it has built up a detailed, rich and layered portrait of Baltimore: from its corner boys touting dope and its dock workers facing extinction, through the strained education system and tainted halls of power, to the crumbling media establishment. Rafael Alvarez - a reporter, essayist and staff writer for the show - brings the reader inside this world, detailing many of the real-life incidents and personalities that have inspired the show's storylines and characters. Packed with photographs and featuring an introduction by series creator and executive producer David Simon, as well as essays by acclaimed authors George Pelecanos, Ed Burns, Richard Price, Laura Lippman and Denis Lehane, it covers all fives series in glorious detail.
Why did many Irish Americans, who did not have a direct connection to slavery, choose to fight for the Confederacy? This perplexing question is at the heart of David T. Gleeson's sweeping analysis of the Irish in the Confederate States of America. Taking
This 2005 edition of the annual critical guide that focuses on independent and international films as well as the best in the mainstream contains reviews for more than 10,000 films, more than 300 photos, a comprehensive selection of cinema from more than 50 countries, and much more.
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