DIVDefinitive study of strange symbolism Blake used to attack political tyranny of his time. "For our sense of Blake in his own times we are indebted to David Erdman more than anyone else."—Times Literary Supplement. Third revised edition. 32 black-and-white illus. /div
Examining William Blake's poetry in relation to the mythographic tradition of the eighteenth century and emphasizing the British discovery of Hindu literature, David Weir argues that Blake's mythic system springs from the same rich historical context that produced the Oriental Renaissance. That context includes republican politics and dissenting theology—two interrelated developments that help elucidate many of the obscurities of Blake's poetry and explain much of its intellectual energy. Weir shows how Blake's poetic career underwent a profound development as a result of his exposure to Hindu mythology. By combining mythographic insight with republican politics and Protestant dissent, Blake devised a poetic system that opposed the powers of Church and King.
From the child taunted by her playmates to the office worker who feels stifled in his daily routine, people frequently take out their pain and anger on others, even those who had nothing to do with the original stress. The bullied child may kick her puppy, the stifled worker yells at his children: Payback can be directed anywhere, sometimes at inanimate things, animals, or other people. In Payback, the husband-and wife team of evolutionary biologist David Barash and psychiatrist Judith Lipton offer an illuminating look at this phenomenon, showing how it has evolved, why it occurs, and what we can do about it. Retaliation and revenge are well known to most people. We all know what it is like to want to get even, get justice, or take revenge. What is new in this book is an extended discussion of redirected aggression, which occurs not only in people but other species as well. The authors reveal that it's not just a matter of yelling at your spouse "because" your boss yells at you. Indeed, the phenomenon of redirected aggression--so-called to differentiate it from retaliation and revenge, the other main forms of payback--haunts our criminal courts, our streets, our battlefields, our homes, and our hearts. It lurks behind some of the nastiest and seemingly inexplicable things that otherwise decent people do, from road rage to yelling at a crying baby. And it exists across boundaries of every kind--culture, time, geography, and even species. Indeed, it's not just a human phenomenon. Passing pain to others can be seen in birds and horses, fish and primates--in virtually all vertebrates. It turns out that there is robust neurobiological hardware and software promoting redirected aggression, as well as evolutionary underpinnings. Payback may be natural, the authors conclude, but we are capable of rising above it, without sacrificing self-esteem and social status. They show how the various human responses to pain and suffering can be managed--mindfully, carefully, and humanely.
Inspired by the experiences of Richard Starr Dana, author David T. Dana III's great-grandfather, Into the Tiger's Mouth offers new perspectives on a turbulent period. As a young man, Dana lived in three vastly different Chinese cities--Hong Kong, Shanghai, and Hankow. Now, his letters and reminiscences come to life. Starr begins his adventure as an expatriate American merchant, living a life of luxury in the British colony. His curiosity pulls him deep within China's foreign culture, where he fights greed and corruption. As the British and French fight the opium wars, and the Chinese Taiping Rebellion ravages the land. Along the way, Richard Starr faces death, illness, moral conundrums, and profound loneliness in a culture he is worlds away from truly understanding. Nothing is as he expects. Conniving Chinese merchants help him with one hand and cheat him with another while China is threatened by violence and foreign invasion. Amid rebellion, war, corruption, poverty, and opium, conditions deteriorate around him. Dreams of his own fortunes ebb and flow, and he questions his identity. Back at home, Civil War tears America apart. Nothing is as it should be. "An exciting story based on an ancestor. From the shoot 'em up fights, to the very subtle love story, to the quest for money and conflict of values." --Phyllis Forbes Kerr, editor, Letters from China "Moving and interesting stories in this fascinating novel bring the reader back to the days of the old China trade." --Yong Chen, History Department, University of California-Irvine
First Published in 1999. Based on the author's experience of teaching poetry to children for more thirty years, this book offers guidance on engaging young children minds in poetry in line with the Literacy Hour.
First published in 1981.The primary purpose of this book is to serve as an introduction to writing in the late eighteenth and early nineteenth centuries. In addition to major Romantic poets – Blake, Wordsworth, Coleridge and Shelly – the authors discuss writers such as Austen, Hazlitt and Burke, who are usually studied in a different context, and genres such as fiction and political writing, which are often cut off from the central body of poetry. An original and highly stimulated study, this book will appeal to all those who are dissatisfied with the conventional categories into which writers and literary movements are usually placed. .
The ancient Chinese were profoundly influenced by the Sun, Moon and stars, making persistent efforts to mirror astral phenomena in shaping their civilization. In this pioneering text, David W. Pankenier introduces readers to a seriously understudied field, illustrating how astronomy shaped the culture of China from the very beginning and how it influenced areas as disparate as art, architecture, calendrical science, myth, technology, and political and military decision-making. As elsewhere in the ancient world, there was no positive distinction between astronomy and astrology in ancient China, and so astrology, or more precisely, astral omenology, is a principal focus of the book. Drawing on a broad range of sources, including archaeological discoveries, classical texts, inscriptions and paleography, this thought-provoking book documents the role of astronomical phenomena in the development of the 'Celestial Empire' from the late Neolithic through the late imperial period.
Not song writing, not music theory, but the craft of writing effective song lyrics. The part people sometimes think is hard. Theory and practice with extensive examples from popular music and the author's own inimitable song catalogue, all linked to streaming media for a complete experience. Intended for Creatives and the pragmatically oriented. Experience the rush of immediate improvement. We spend thousands of hours learning how to accompany a song on an instrument and how to sing. How much time and effort and money do we put into learning how to write a compelling, effective lyric? How do we make the young girl cry and the bad boy buy? The book covers the theory and develops some rules--as Hector Barbosa says in Pirates of the Caribbean, "Guidelines" for you to apply to achieve effective lyrics. "Lyrics First" is a pure gold approach!
A vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde. Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.
Does God really love cockroaches? Would Heaven be worse than Hell for an unrepentant sinner? Why is the Ebola virus part of Gods creation? Can the practice of biblical meditation bring a deeper spiritual unity to the church? What does worship meanreally mean? Author David Seargent poses these and other challenging questions in Does God Love Cockroaches? Seargents intelligent but accessible book brings together a collection of intriguing essays, written to provoke thought in both the Christian audience and other inquiring minds. Each essay draws the readers attention to some aspect of the Christian faith in a way that is fresh, stimulatingand maybe, at times, just a little controversial! Join David Seargent on a journey of thought and insight in Does God Love Cockroaches? David A. J. Seargent holds a Masters of Arts and Doctorate of Philosophy, both in Philosophy, from the University of Newcastle (New South Wales), where he worked as a tutor in Philosophy for the combined Department of Community Programmes/Workers Education external education program. He is also a keen amateur astronomer well known for his observations of comets, one of which he discovered in 1978 and which now bears his name. Dr Seargent is the author of many articles and several books, including a philosophical treatise Plurality and Continuity: An Essay in G. F. Stouts Theory of Universals (1985), Comets: Vagabonds of Space (1983) and Planet Earth and the Design Hypothesis (2007). A book describing the most spectacular comets throughout the ages is currently being prepared for publication. David and wife Meg live at The Entrance, on the Central Coast of New South Wales, Australia, north of the city of Sydney.
Cross-Curricular Teaching and Learning in the Secondary School ... English brings together ongoing debates about personalised learning, creativity and ICT in education, with a cross-curricular focus, and establishes a principled framework for cross-curricular teaching and learning English.
Exploring the literature of environmental moral dilemmas from the Hebrew Bible to modern times, this book argues the necessity of cross-disciplinary approaches to environmental studies, as a subject affecting everyone, in every aspect of life. Moral dilemmas are central in the literary genre of protest against the effects of industry, particularly in Romantic literature and ‘Condition of England’ novels. Writers from the time of the Industrial Revolution to the present—including William Blake, Elizabeth Gaskell, Charles Dickens, Émile Zola, Henrik Ibsen, Anton Chekhov, T.S. Eliot, John Steinbeck, George Orwell, and J.M. Coetzee—follow the Bible in seeing environmental problems in moral terms, as a consequence of human agency. The issues raised by these and other writers—including damage to the environment and its effects on health and quality of life, particularly on the poor; economic conflicts of interest; water and air pollution, deforestation, and the environmental effects of war—are fundamentally the same today, making their works a continual source of interest and insight. Sketching a brief literary history on the impact of human behavior on the environment, this volume will be of interest to readers researching environmental studies, literary studies, religious studies and international development, as well as a useful resource to scientists and readers of the Arts.
From 1937 through 1945, Hollywood produced over 1,000 films relating to the war. This enormous and exhaustive reference work first analyzes the war films as sociopolitical documents. Part one, entitled "The Crisis Abroad, 1937-1941," focuses on movies that reflected America's increasing uneasiness. Part two, "Waging War, 1942-1945," reveals that many movies made from 1942 through 1945 included at least some allusion to World War II.
Thomson (independent scholar), writing of The Biographical Dictionary of Film (aka A Biographical Dictionary of the Cinema, 1975 edition), described it as "a personal, opinionated, and obsessive biographical dictionary of the cinema." Thirty-five years and several editions later, that description still holds true of this expanded work. The new dictionary summarizes salient facts about its subjects' lives and discusses their film credits in terms of the quality of the filmmakers' work. In ambition it has competitors, including Leslie Halliwell's various editions of Halliwell's Filmgoers Companion (12th ed., 1997) and Halliwell's Who's Who in the Movies, edited by John Walker (4th ed., rev. and updated, 2006), which cover films and technical terms (categories not included in Thomson's), but whose entries are neutral and exceedingly brief. Additionally, Francophile Richard Roud's edited Cinema: A Critical Dictionary: The Major Filmmakers (2 v., 1980) is as passionate a work as Thomson's, but narrower in scope, with entries written by various experts, rather than only by Roud. Finally, the multivolume magnum opus The International Dictionary of Films and Filmmakers (4th ed., 2000, ed. by T. Pendergast and S. Pendergast; 2nd ed., ed. by N. Thomas, v. 1, CH, May'91; 1st ed., ed. by C. Lyon, v.1-2, CH, Jan'85, v.3, CH, Apr'87, v.4-5, CH, Jun'88) covers everything--films, directors, actors, writers, and production artists--with generous, measured, scholarly entries and lavish illustrations. However, it looms large and heavy, unlike the handy one-volume work by Thomson. Arguably, Thomson's work, for its scope, is the most fun, the most convenient, and the most engaging title. All libraries supporting people interested in film should buy it. It will get lots of use and provide very good value for the money. Summing Up: Highly recommended. Lower-level undergraduates and above; general readers. General Readers; Lower-division Undergraduates; Upper-division Undergraduates; Graduate Students; Researchers/Faculty; Professionals/Practitioners. Reviewed by C. Hendershott.
The Art of Teaching Secondary English is a practical and accessible resource for everyone involved in English teaching, including teachers and student teachers of English."--Jacket.
The eagerly awaited second edition of this highly successful book has been greatly expanded from 400 to over 700 pages and contains new material on value at risk, speculative bubbles, volatility effects in financial markets, chaos and neural networks. Financial Market Analysis deals with the composition of financial markets and the analysis and valuation of traded securities. It describes the use of securities both in constructing and managing portfolios and in contributing to portfolio performance. Particular attention is paid to new types of investment product, different portfolio management strategies, speculation, arbitrage and risk management strategies and to financial market failure. Financial Market Analysis is an essential text for all finance-related degree courses at undergraduate, postgraduate, and MBA level. It also provides a useful source of reference for financial institutions and professionals in the financial markets.
Tradition and revelation are often seen as opposites: tradition is viewed as being secondary and reactionary to revelation which is a one-off gift from God. Drawing on examples from Christian history, Judaism, Islam, and the classical world, this book challenges these definitions and presents a controversial examination of the effect history and cultural development has on religious belief: its narratives and art. David Brown pays close attention to the nature of the relationship between historical and imaginative truth, and focuses on the way stories from the Bible have not stood still but are subject to imaginative 'rewriting'. This rewriting is explained as a natural consequence of the interaction between religion and history: God speaks to humanity through the imagination, and human imagination is influenced by historical context. It is the imagination that ensures that religion continues to develop in new and challenging ways.
Internationally renowned art critic David Sylvester here muses on key artists of the twentieth century and their nineteenth-century forebears. In the process, he offers profound insights into their practice of art and how we look at modern art. Focusing on the spectator's instinctive emotional and physical response to paintings by such artists as Picasso, Matisse, de Kooning, Newman, and Warhol, Sylvester brings an inspiring sense of the relevance and importance of art to life. Essays on Pollock, Twombly, and Serra, among others, were selected by Sylvester to be added to this updated edition. Book jacket.
Heaven in Ordinary is like a love affair with poetry that engages with religious questions, for good or ill, concerned with five poets who are haunted by God. Poets, in times of great faith and times of doubt, have expressed for us their sense of both the presence and absence of God in language that is sometimes almost sacramental in its weight of beauty, love, fear, anger or despair. The poets considered in this book all relate, in some way, to the traditions of Anglicanism through the centuries. They reflect both a common humanity and a wide breadth of human experience as it is anguished by God and the divine mystery. The work is deliberately autobiographical in approach, inasmuch as it is grounded in David Jasper’s own lifetime experience of reading poetry since his school years, and over four decades as an Anglican priest. All the poets here represented reflect an Anglican background, but they are not simply ‘religious’ poets: they are poets who have related both positively and negatively to the Christian faith and to the Anglican tradition. Some are deeply religious, others are haunted by God but fight against it. These are poets with whom one might live and explore matters of faith in both joy and struggle.
It is only the unimaginative who ever invents," Oscar Wilde once remarked. "The true artist is known by the use he makes of what he annexes, and he annexes everything." Converying a similar awareness, James Joyce observes in Finnegan's Wake that storytelling is in reality "stolen-telling," that art always involves some sort of "theft" or borrowing. Usually literary borrowings are so integrated into the new work as to be disguised; however, according to David Cowart, recent decades have seen an increasing number of texts that attach themselves to their sources in seemingly parasitic—but, more accurately, symbiotic—dependence. It is this kind of mutuality that Cowart examines in his wide-ranging and richly provocative study Literary Symbiosis. Cowart considers, for instance, what happens when Tom Stoppard, in Rosencrantz and Guildenstern Are Dead, rewrites Hamlet from the point of view of its two most insignificant characters, or when Jean Rhys, in Wide Sargasso Sea, imagines the early life of Bertha Rochester, the mad-woman in the attic in Jane Eyre. In such works of literary symbiosis, Cowart notes, intertextuality surrenders its usual veil of near invisibility to become concrete and explicit—a phenomenon that Cowart sees as part of the postmodern tendency toward self-consciousness and self-reflexivity. He recognizes that literary symbiosis has some close cousins and so limits his compass to works that are genuine reinterpretations, writings that cast a new light on earlier works through "some tangible measure of formal or thematic evolution, whether on the part of the guest alone or the host and guest together." Proceeding from this intriguing premise, he offers detailed readings of texts that range from Auden's "The Sea and the Mirror," based on The Tempest, to Valerie Martin's reworking of The Strange Case of Dr. Jekyll and Mr. Hyde as Mary Reilly, to various fictions based on Robinson Crusoe. He also considers, in Nabokov's Pale Fire, a compelling example of text and parasite-text within a single work. Drawing on and responding to the ideas of disparate thinkers and critics—among them Freud, Harold Bloom, Jacques Lacan, Jacques Derrida, Hillis Miller, and Henry Louis Gates Jr.—Cowart discusses literary symbiosis as Oedipal drama, as reading and misreading, as deconstruction, as Signifying, and as epistemic dialogue. Although his main examples come from the contemporary period, he refers to works dating as far back as the classical era, works representing a range of genres (drama, fiction, poetry, opera, and film). The study of literary symbiosis, Cowart contends, can reveal much about the dynamics of literary renewal in every age. If all literature redeems the familiar, he suggests, literary symbiosis redeems the familiar in literature itself.
One of the most talked about books of the year. "A lucid and fiercely intelligent study of the disturbing implications of deconstruction, and at the same time, an impassioned argument for a more humane study of literature".--The New York Times.
In this absorbing analysis of modern Irish writing, an acknowledged expert considers the hybrid character of modern Irish writing to show how language, culture, and history have been affected by the colonial encounter between Ireland and Britain. Examining the great themes of loss and struggle, David Pierce traces the impact on Irish writing of the Great Famine and cultural nationalism and considers the way the work of Ireland’s two leading writers, W. B.Yeats and James Joyce, complicate and elucidate our view of "the harp and the crown.” The book draws a contrast between the West of Ireland in the 1930s, when the new Irish State enjoyed its first full independent decade, and the North of Ireland in the 1980s, when the spectre of British imperialism threatened the stability of Ireland. Pierce then surveys contemporary Irish writing and reflects on the legacy of the colonial encounter and on the passage to a postmodern or postnationalist Ireland in the work of such crucial living writers as John Banville, Derek Mahon, and John McGahern.
A comprehensive guide for service members, veterans, and their families dealing with the all-too-common repercussions of combat duty, including traumatic brain injury, post-traumatic stress disorder, anxiety, depression, chronic pain and musculoskeletal injury, and substance abuse. Written by two doctors at the forefront of treating veterans and service members, Overcoming Post-Deployment Syndrome is a wellness handbook filled with evidence-based advice, exercises, and approaches for healing from post-deployment syndrome (PDS), preventing combat stresses from having a lasting negative impact, and returning to activity and wellness. Offering a practical blend of state-of-the-art traditional and holistic medicine to help physical, mental, emotional, and spiritual healing, Overcoming Post-Deployment Syndrome provides: Personal vignettes of servicemembers who are going through the process of successfully reintegrating into their families, workplaces, and communities. A twelve-week basic training in self-directed healing arts. A wealth of community and government resources, tips, and suggestions. The means to integrate traditional and complementary medicine techniques to treat common symptoms.
This book presents a selection of some of the most significant critical work written on Andre Gide during his lifetime and since. As a major writer of the twentieth-century, his life and creative output, as well as his role as a leading intellectual, attracted comment from prominent contemporaries and continues to have relevance today. Containing a substantial introduction and overview, this compilation offers a variety of illuminating perspectives that will inform and guide the general and specialist reader.
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