Myriad has been in so many timestrands she’s lost count – hiding from her feelings about her brother’s death she works to prevent crimes from happening but finds herself committing one instead… Agent Miriam Randle works for LifeTime, a private law enforcement agency that undertakes short-term time travel to erase crimes before they occur. Haunted by the memory of her twin brother’s unsolved murder at the age of six, Miriam thinks of herself as Myriad—an incarnation of the many lives she’s lived in her journeys to rearrange the past. When a routine assignment goes wrong and Miriam commits a murder she was meant to avert, she is thrown into the midst of a conspiracy that reaches to the highest levels of LifeTime. Along with her partner Vax, Miriam flees into the past in an attempt to unravel the truth before LifeTime agents catch up with her. But then her brother’s killer reappears, twenty years to the day since he first struck. And he’s not through with the twin who survived, not by a long shot. MYRIAD is a mind-bending time travelling sci-fi thriller that will keep readers guessing to the very end. File Under: Science Fiction [ Myrioi | Baked In | Three Ravens | The Dark Backward ]
Teenage film star Teddy Montaigne carries around a secret: his childhood of imprisonment and emotional abuse by a rabidly possessive mother. When she reappears in his life to reclaim him, he's primed to exact vengeance, subtly, devastatingly... if only Nickie, this irritating girl who knows his secret, will stop insisting it's time to forgive, as if she sees something he doesn't. The intense personal drama of A Mother's Love, the novel at the center of this collection, is echoed in a companion piece, The Pipe, a tale of abuse and vengeance that unfolds in a different time and setting, but with an ending as unexpected and revealing as that of A Mother's Love. Two other stories also revolve around sharp personal conflict: The General Dances (a war hero confronts a bigoted hotel manager) and Brother-in Law (infidelity splinters a tight-knit family into warring factions). Rounding out the collection are four tales that bring sly comic relief: The Garbage Coat (a professor gives the gift that keeps on taking), Voice Mail (a wrong number involves a widower in a young couple's roller-coaster romance), Knight to E.R. (a chess player's brilliant move is nearly fatal) and Mole Killer (a novelist discovers his editor is the publisher's twelve-year-old daughter).
From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In Medicine Bundle, Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot.
In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determinants of American—rather than specifically Native American—literature. The notion that the presence of Indian peoples shaped American literature as a whole remains unexplored. In The Demon of the Continent, Joshua David Bellin probes the complex interrelationships among Native American and Euro-American cultures and literatures from the mid-seventeenth to the mid-nineteenth centuries. He asserts that cultural contact is at the heart of American literature. For Bellin, previous studies of Indians in American literature have focused largely on the images Euro-American writers constructed of indigenous peoples, and have thereby only perpetuated those images. Unlike authors of those earlier studies, Bellin refuses to reduce Indians to static antagonists or fodder for a Euro-American imagination. Drawing on works such as Henry David Thoreau's Walden, William Apess' A Son of the Forest, and little known works such as colonial Indian conversion narratives, he explores the ways in which these texts reflect and shape the intercultural world from which they arose. In doing so, Bellin reaches surprising conclusions: that Walden addresses economic clashes and partnerships between Indians and whites; that William Bartram's Travels encodes competing and interpenetrating systems of Indian and white landholding; that Catherine Sedgwick's Hope Leslie enacts the antebellum drama of Indian conversion; that James Fenimore Cooper and Henry Wadsworth Longfellow struggled with Indian authors such as George Copway and David Cusick for physical, ideological, and literary control of the nation. The Demon of the Continent proves Indians to be actors in the dynamic processes in which America and its literature are inescapably embedded. Shifting the focus from textual images to the sites of material, ideological, linguistic, and aesthetic interaction between peoples, Bellin reenvisions American literature as the product of contact, conflict, accommodation, and interchange.
Cam's eager to leave Earth with the rest of the elite 1% until he connects with one of the 99%, Sofie, and joins her in the fight for Lowerworld rights.
Beginning with celebrated classics, the author locates King Kong (1933) within the era of lynching to evince how the film protects whiteness against supposed aggressions of a black predator and reviews The Wizard of Oz (1939) as a product of the Depression's economic anxieties. From there, the study moves to the cult classic animated Sinbad Trilogy (1958-1977) of Ray Harryhausen, films rampant with xenophobic fears of the Middle East as relevant today as when the series was originally produced. Advancing to more recent subjects, the author focuses on the image of the monstrous woman and the threat of reproductive freedom found in Aliens (1986), Jurassic Park (1993), and Species (1995) and on depictions of the mentally ill as dangerous deviants in 12 Monkeys (1996) and The Cell (2000). An investigation into physical freakishness guides his approach to Edward Scissorhands (1990) and Beauty and the Beast (1991).
This concise book addresses the actual details involved with using CRC cards, including coverage of the team approach to analysis and examples of program code (Java, C++, and Smalltalk) derived from the use of the CRC card method.
A step-by-step guide for the first time user of structured techniques. Includes data flow diagrams and custom designed forms. Discusses the role of managers and team members, the timing of information availability, and other topics. Annotation copyrighted by Book News, Inc., Portland, OR
Chronic pancreatitis is a disease of diverse etiologies in which pain can be devastating, severely impairing quality of life, and treatment is a challenge. This book covers cutting edge basic science research and clinical diagnosis and treatment issues in chronic pancreatitis. Basic science chapters include studies on amelioration of chronic pancreatitis in rats by bone marrow derived mesenchymal cells; on gene therapy using HSV-Enkephalin to reduce fibrosis, inflammation and pain in a rats; and on pancreatic acinar and island neogenesis according to vascular and matrix dynamics of human and animal tissue. In regard to the clinical aspects, the role of endoscopic ultrasound in detecting the changes of chronic pancreatitis are addressed as well as the endoscopic treatment via duct drainage procedures or stone removal. Finally, the surgical options for chronic pancreatitis (there are well over 20 procedures) are extensively discussed, with a final chapter on total pancreatectomy and islet autotransplant to definitively remove the root cause of the pain with preservation of endocrine function. This book will be valued by basic scientists and clinicians striving to understand the mechanisms of pain in chronic pancreatitis and the treatment options in patients so afflicted.
The workers who migrate from Lesotho to South Africa have developed a genre of sung oral poetry that provides an account of what it is to be a migrant. This text discusses Basotho musical literature, taking into account historical conditions, political dynamics and social forces.
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