David Barnes is an American-born artist and performer who is best known for his work as the cover artist/art director for the band of Montreal. Over the past decade, Barnes has developed a cult following. Barnes' visual interpretations of the group's music has been manifested in the form of iconic album covers and theatrical live performances that feature skits along with elaborate stage sets and props. What's Weird? is the first collection of his work to appear in book format. After 20 years and countless paintings, the idea manifested itself for Barnes to curate his first book. In his true DIY style, David personally poured over hundreds of drawings and paintings spanning his career. He picked and placed each piece to create What's Weird? - a book showcasing over 100 paintings, hundreds of sketches and doodles, and funny, interesting, insightful comments about the pieces written by Barnes - all providing a glimpse into his mind and unique creative process. The book contains a link to a digital download page-by-page audio commentary by David Barns (on pg. 2). This book is a must-have for of Montreal fans. Includes a digital download of page-by-page artist commentary. Foreword by Kevin Barnes (of Montreal). Released in conjunctin with of Montreal's latest release "thecontrollersphere EP.
A lot can be made of a much familiar scene: A deer receives an arrow (or say a bullet) to the heart. Within seconds, it dies. Looking at what remains, we do not call whatever is left under any other name. It is still a deer. But where did its life go? In all likelihood, that question arose from the minds of the first representative of humanity who showed the first signs of nascent intelligence and spirituality, the Neanderthal men. What this indicates, theoretically, is the dawn of religion. Thousands of years hence, we have the great religious systems: Christianity, Judaism, Islam. Inevitably, these religions share a common root in the Mesopotamian religious establishments, evolving into the complex belief systems that we now know. Irresistibly, too, they share a common fault: records hardly bear out most of their grandiose claims, from the miraculous to the mundane against the historical and archeological works, then or now. Also seen here is a history of man's invention, and reinvention of gods as necessary to fit the changing times, places, and cultures of respective believers.
This book tells the compelling story of public health efforts in 19th-century Philadelphia directed at preventing the outbreak of epidemics of cholera, yellow fever, and other diseases. It is a story about quarantine set against the background of the Philadelphia Lazaretto, the first quarantine house built in the United States, and one of the largest in the world"--
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
Sounding Forth the Trumpet brings to life one of the most crucial epochs in America's history--the events leading up to and precipitating the Civil War. In this enlightening book, readers live through the Gold Rush, the Mexican War, the skirmishes of Bleeding Kansas, and the emergence of Abraham Lincoln, as well as the tragic issue of slavery.
Cricket has an alarming suicide rate. Among international players for England and several other countries it is far above the national average for all sports: and there have been numerous instances at other levels of the game. For thirty years, celebrated cricket author David Frith has collected data on this sad subject. Silence of the Heart is his compelling account of over a hundred cricketers - involving top names from the past hundred years - who have taken their own lives, with an explanation of factors that led to their premature deaths. Can the shocking rate of self-destruction among cricketers be reduced? Can those who run the game do something to save its participants from this dreadful fate? These are among the questions addressed within this catalogue of biographies. But the key question is whether cricket itself is to blame for its losses - or is that this summer game attracts people of a melancholic and over-sensitive nature? Stoddart, Shrewsbury, Gimblett, Bairstow, Trott, Iverson, Robertson-Glasgow, Barnes . . . There remains a sense of disbelief that these high-profile cricketers killed themselves. And many more cases are examined in this extraordinary book, which comes crammed with detail, is not devoid of humour, and must rank among the most intricately researched volumes in cricket's extensive library. With a foreword by former England captain Mike Brearley, now a psychotherapist, Silence of the Heart is a startling investigative narrative covering the phenomenon of cricket's unduly high level of suicide.
Science/Technoscience has moved to centre-stage in debates over change, power and justice in twenty-first century societies. This text provides a general framework for understanding, combining and applying the rich range of approaches that exist within sociology about science: in particular, the role (and limitations) of science in generating knowledge, and the relationship between scientific knowledge and social progress. Drawing on case studies from the past up until today's new genetics, this is a clear, even-handed and comprehensive introduction to the field.
In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment such as popular music and movies. Carrier illuminates the public role of art museums by describing the ways they influence how art is seen: through their architecture, their collections, the narratives they offer museum visitors. He insists that an understanding of the art museum must take into account the roles of collectors, curators, and museum architects. Toward that end, he offers a series of case studies, showing how particular museums and their collections evolved. Among those who figure prominently are Baron Dominique Vivant Denon, the first director of the Louvre; Bernard Berenson, whose connoisseurship helped Isabella Stewart Gardner found her museum in Boston; Ernest Fenollosa, who assembled much of the Asian art collection now in the Museum of Fine Arts, Boston; Albert Barnes, the distinguished collector of modernist painting; and Richard Meier, architect of the J. Paul Getty Center in Los Angeles. Carrier’s learned consideration of what the art museum is and has been provides the basis for understanding the radical transformation of its public role now under way.
Foreign Currency Volatility and the Market for French Modernist Art examines how the collapse of the French franc in the decades following the First World War impacted the supply and demand dynamics of the market for French modernist art.
The magnificent, unrivaled history of codes and ciphers -- how they're made, how they're broken, and the many and fascinating roles they've played since the dawn of civilization in war, business, diplomacy, and espionage -- updated with a new chapter on computer cryptography and the Ultra secret. Man has created codes to keep secrets and has broken codes to learn those secrets since the time of the Pharaohs. For 4,000 years, fierce battles have been waged between codemakers and codebreakers, and the story of these battles is civilization's secret history, the hidden account of how wars were won and lost, diplomatic intrigues foiled, business secrets stolen, governments ruined, computers hacked. From the XYZ Affair to the Dreyfus Affair, from the Gallic War to the Persian Gulf, from Druidic runes and the kaballah to outer space, from the Zimmermann telegram to Enigma to the Manhattan Project, codebreaking has shaped the course of human events to an extent beyond any easy reckoning. Once a government monopoly, cryptology today touches everybody. It secures the Internet, keeps e-mail private, maintains the integrity of cash machine transactions, and scrambles TV signals on unpaid-for channels. David Kahn's The Codebreakers takes the measure of what codes and codebreaking have meant in human history in a single comprehensive account, astonishing in its scope and enthralling in its execution. Hailed upon first publication as a book likely to become the definitive work of its kind, The Codebreakers has more than lived up to that prediction: it remains unsurpassed. With a brilliant new chapter that makes use of previously classified documents to bring the book thoroughly up to date, and to explore the myriad ways computer codes and their hackers are changing all of our lives, The Codebreakers is the skeleton key to a thousand thrilling true stories of intrigue, mystery, and adventure. It is a masterpiece of the historian's art.
For more than seventy-five years, the Carson Valley School has served the needs of orphaned girls and other dependent children from Philadelphia and neighboring Pennsylvania counties. Its hundred-acre campus is remarkable for its rolling terrain, neo-medieval buildings, and design as a fantasy village. A legacy of the progressive education movement of the early decades of the twentieth century, the school was formally opened in 1918 as the Carson College for Orphan Girls. Its first president, Elsa Ueland, was a former settlement house worker who was a student of John Dewey and Maria Montessori, and her life story is closely intertwined with that of the school she oversaw for nearly half a century. The institution was originally endowed by the $5 million estate of Philadelphia trolley magnate Robert N. Carson, who had stipulated in his will that it could receive only white, parentless girls. Over the decades, Ueland and her successors were able to remove these restrictions, so that by the 1970s Carson Valley was admitting children regardless of race or gender, as well as neglected and dependent youths whose needs were every bit as pressing as those of orphans of earlier times. David Contosta's history of Carson Valley shows that it has long been a model of progressive education. Its faculty is dedicated to serving the individual needs of each child, preparing students to enter the workplace, and breaking down artificial barriers between school and the outside world. Drawing on Ueland's personal papers to communicate both her hopes for the Progressive era and her achievements during the early years of the school, Contosta tells how teachers and housemothers forged a unique collaboration that joined home and school in ways that other progressive educators could only dream of. He also notes the architectural significance of its enchanting facilities, which have played an integral part in the institution's treatment program. Philadelphia's Progressive Orphanage clearly shows not only how Carson Valley has been shaped by a multitude of social, cultural, and political forces, but also how many of the reforms of the Progressive era remain in place today. It establishes Carson's place in the history of education and child welfare and makes an important contribution to renewed debate about orphanages and dependent child care.
A riveting new account of Theodore Roosevelt’s impassioned crusade for military preparedness as America fitfully stumbles into World War I, spectacularly punctuated by his unique tongue-lashings of the vacillating Woodrow Wilson, his rousing advocacy of a masculine, pro-Allied “Americanism,” a death-defying compulsion for personal front-line combat, a gingerly rapprochement with GOP power brokers—and, yes, perhaps, even another presidential campaign. Roosevelt is a towering Greek god of war. But Greek gods begat Greek tragedies. His own entreaties to don the uniform are rebuffed, and he remains stateside. But his four sons fight “over there” with heartbreaking consequences: two are wounded; his youngest and most loved child dies in aerial combat. Yet, though grieving and weary, TR may yet surmount everything with one monumentally odds-defying last triumph. Poised at the very brink of a final return to the White House, death stills his indomitable spirit. In his lively, witty, blow-by-blow style, David Pietrusza captures, through the lens of the Bull Moose, the 1916 presidential campaign, America’s entry into the Great War in 1917, Woodrow Wilson’s presidency, and the last years of one of American history’s greatest men, who said on his death bed at the age of sixty, “I promised myself that I would work up to the hilt until I was sixty, and I have done it. I have kept my promise….” Pietrusza not only transports readers with his dramatic portraits of TR, his hated rival Wilson, and politics in wild flux but also poignantly chronicles the horrific price a family pays in war.
Almost from professional baseball's birth more than 130 years ago, the batting championship has been one of the sport's most highly coveted awards. Since 1949, the Louisville Slugger company has presented the man with the highest batting average at season's end with the Silver Bat Award, a regulation-sized metal bat plated in sterling silver with the winner's name and average engraved upon it. Throughout the years, heated battles for the Silver Bat Award have featured unusual machinations by players, managers, and entire teams, including allegations of cheating, bribery, deliberate misplays, and questionable strategies, and, in one especially bitter campaign, charges of racism. Here are the stories behind these races.
Mammals of Africa (MoA) is a series of six volumes which describes, in detail, every currently recognized species of African land mammal. This is the first time that such extensive coverage has ever been attempted, and the volumes incorporate the very latest information and detailed discussion of the morphology, distribution, biology and evolution (including reference to fossil and molecular data) of Africa's mammals. With 1,160 species and 16 orders, Africa has the greatest diversity and abundance of mammals in the world. The reasons for this and the mechanisms behind their evolution are given special attention in the series. Each volume follows the same format, with detailed profiles of every species and higher taxa. The series includes some 660 colour illustrations by Jonathan Kingdon and his many drawings highlight details of morphology and behaviour of the species concerned. Diagrams, schematic details and line drawings of skulls and jaws are by Jonathan Kingdon and Meredith Happold. Every species also includes a detailed distribution map. Extensive references alert readers to more detailed information. Volume I: Introductory Chapters and Afrotheria (352 pages) Volume II: Primates (560 pages) Volume III: Rodents, Hares and Rabbits (784 pages) Volume IV: Hedgehogs, Shrews and Bats (800 pages) Volume V: Carnivores, Pangolins, Equids and Rhinoceroses (560 pages) Volume VI: Pigs, Hippopotamuses, Chevrotain, Giraffes, Deer and Bovids (704 pages)
Paolo Ulivi and David Harland provide in Robotic Exploration of the Solar System a detailed history of unmanned missions of exploration of our Solar System. The subject is treated from an engineering and scientific standpoint. Technical descriptions of the spacecraft, of their mission designs and of instrumentations are provided. Scientific results are discussed in considerable depth, together with details of mission management. The project will deliver four volumes totaling over 2,000 pages that will provide comprehensive coverage of the topic with thousands of references to the professional literature that should make it the 'first port of call' for people seeking information on the topic. The books will cover missions from the 1950s until the present day, and some of the latest missions and their results will appear in a popular science book for the first time.
James Harris seemed destined to continue his family heritage of picking cotton on a rural plantation in Mississippi. But he found he had the ability to become a great runner, which he hoped would get him out of the lifestyle his family had known for generations. The problem was, he had also been running from God his entire life.
Look for Dan Abrams and David Fisher’s new book, Kennedy’s Avenger: Assassination, Conspiracy, and the Forgotten Trial of Jack Ruby. THE NEW YORK TIMES BESTSELLER 2020 Audie Finalist—History/Biography A Mental Floss Book to Read in Summer 2019 “Gripping.… Theodore Roosevelt for the Defense is a must-read.” —NPR A President on Trial. A Reputation at Stake. ABC News legal correspondent and host of LIVE PD Dan Abrams reveals the story of Teddy Roosevelt’s last stand—an epic courtroom battle against corruption—in this thrilling follow-up to the New York Times bestseller Lincoln’s Last Trial. “No more dramatic courtroom scene has ever been enacted,” reported the Syracuse Herald on May 22, 1915 as it covered “the greatest libel suit in history,” a battle fought between former President Theodore Roosevelt and the leader of the Republican party. Roosevelt , the boisterous and mostly beloved legendary American hero, had accused his former friend and ally, now turned rival, William Barnes of political corruption. The furious Barnes responded by suing Roosevelt for an enormous sum that could have financially devastated him. The spectacle of Roosevelt defending himself in a lawsuit captured the imagination of the nation, and more than fifty newspapers sent reporters to cover the trial. Accounts from inside and outside the courtroom combined with excerpts from the trial transcript give us Roosevelt in his own words and serve as the heart of Theodore Roosevelt for the Defense. This was Roosevelt’s final fight to defend his political legacy, and perhaps regain his fading stature. He spent more than a week on the witness stand, revealing hidden secrets of the American political system, and then endured a merciless cross-examination. Witnesses including a young Franklin D. Roosevelt and a host of well-known political leaders were questioned by two of the most brilliant attorneys in the country. Following the case through court transcripts, news reports, and other primary sources, Dan Abrams and David Fisher present a high-definition picture of the American legal system in a nation standing on the precipice of the Great War, with its former president fighting for the ideals he held dear.
With over 200 new images, the new edition of We Were the Ramchargers is perfect for drag racing enthusiasts. This book takes readers behind the scenes with the group of Chrysler engineers who, from the 1950s through the 1970s, became one of the most successful and influential drag racing teams of all time. The only team of engineers from an automobile manufacturer to drag race successfully, the Ramchargers broke the most time barriers in drag racing history and earned the most National Hot Rod Association (NHRA) Super Stock titles during the sport’s golden era of factory competition. Author Dave Rockwell, a Ramcharger himself, interviewed more than 40 team members, competitors, and track operators for We Were the Ramchargers, making it the first and only book to provide inside details on all elements of the Ramchargers story. In addition to chronicling the races they won and legendary cars they developed (including the High and Mighty, 426 Hemi, and first Funny Car), Rockwell opens corporate and personal files to take readers behind the doors at Chrysler (showing, among other things, how the Ramchargers helped pioneer the platform team concept), while revealing the personalities of the men who made it all happen. (Second Edition, ISBN: 9781468605754, ISBN: 9781468605761, ISBN: 9781468605778, DOI: 10.4271/9781468605761)
Exploring the different points of view and 'tones of voice' adopted in theology for the meeting of religions, this book presents a contemporary philosophical and theological engagement with key issues of how different faiths might meet, of comparative philosophy of religion, of the use of aesthetics, of inter-religious ethics and issues relating to the self. Providing a critical evaluation of contemporary liberal, post-liberal and conservative voices, and an engagement with movements such as Radical Orthodoxy and Scriptural Reasoning to mention a few, this book highlights the use of the creative imagination and explores new ideas for the meeting of religions.
Treacherous Faith offers a new and ambitious cross-disciplinary account of the ways writers from the early English Reformation to the Restoration generated, sustained, or questioned cultural anxieties about heresy and heretics. This book examines the dark, often brutal story of defining, constructing, and punishing heretics in early modern England, and especially the ways writers themselves contributed to or interrogated the politics of religious fear-mongering and demonizing. It illuminates the terrors and anxieties early modern writers articulated and the fantasies they constructed about pernicious heretics and pestilent heresies in response to the Reformation's shattering of Western Christendom. Treacherous Faith analyzes early modern writers who contributed to cultural fears about the contagion of heresy and engaged in the making of heretics, as well as writers who challenged the constructions of heretics and the culture of religious fear-mongering. The responses of early modern writers in English to the specter of heresy and the making of heretics were varied, complex, and contradictory, depending on their religious and political alignments. Some writers (for example, Thomas More, Richard Bancroft, and Thomas Edwards) used their rhetorical resourcefulness and inventiveness to contribute to the politics of heresy-making and the specter of cunning, diabolical heretics ravaging the Church, the state, and thousands of souls; others (for example, John Foxe) questioned within certain cultural limitations heresy-making processes and the violence and savagery that religious demonizing provoked; and some writers (for example, Anne Askew, John Milton, and William Walwyn) interrogated with great daring and inventiveness the politics of religious demonizing, heresy-making, and the cultural constructions of heretics. Treacherous Faith examines the complexities and paradoxes of the heresy-making imagination in early modern England: the dark fantasies, anxieties, terrors, and violence it was capable of generating, but also the ways the dreaded specter of heresy could stimulate the literary creativity of early modern authors engaging with it from diverse religious and political perspectives. Treacherous Faith is a major interdisciplinary study of the ways the literary imagination, religious fears, and demonizing interacted in the early modern world. This study of the early modern specter of heresy contributes to work in the humanities seeking to illuminate the changing dynamics of religious fear, the rhetoric of religious demonization, and the powerful ways the literary imagination represents and constructs religious difference.
The second volume in a three-volume study of this overlooked and largely misunderstood campaign of the American Civil War. According to soldier rumor, Chickamauga in Cherokee meant “River of Death.” The name lived up to that grim sobriquet in September 1863 when the Union Army of the Cumberland and Confederate Army of Tennessee waged a sprawling bloody combat along the banks of West Chickamauga Creek. This installment of Powell’s tour-de-force depicts the final day of battle, when the Confederate army attacked and broke through the Union lines, triggering a massive rout, an incredible defensive stand atop Snodgrass Hill, and a confused retreat and pursuit into Chattanooga. Powell presents all of this with clarity and precision by weaving nearly 2,000 primary accounts with his own cogent analysis. The result is a rich and deep portrait of the fighting and command relationships on a scale never before attempted or accomplished. His upcoming third volume, Analysis of a Barren Victory, will conclude the set with careful insight into the fighting and its impact on the war, Powell’s detailed research into the strengths and losses of the two armies, and an exhaustive bibliography. Powell’s magnum opus, complete with original maps, photos, and illustrations, is the culmination of many years of research and study, coupled with a complete understanding of the battlefield’s complex terrain system. For any student of the Civil War in general, or the Western Theater in particular, Powell’s trilogy is a must-read. “Extremely readable, heavily researched, and mammoth in scope, Dave Powell’s Chickamauga study will prove to be the most detailed treatment of the battle to date. Civil War buffs and historians alike will want these books on their bookshelves. where they will take their rightful place beside Tucker and Cozzens as seminal volumes on the battle.” —Timothy B. Smith, author of Champion Hill and Corinth 1862 “[Powell’s] latest monograph, The Chickamauga Campaign - Glory or the Grave . . . sets the standard for Civil War battle studies. . . . No one will ever look at Chickamauga the same way again.” —Lee White, Park Ranger, Chickamauga and Chattanooga National Military Park
Virginia Davies, curator at the Southbrook Museum, is leaving on vacation to the romantic seaside town of Pelican Cove with her boyfriend, Dr. Andy Clark, when her boss innocently asks her to make it a well paid, working vacation. The old director was murdered trying to mount an exhibit about a ship that sunk off the coast years before, touching a nerve in someone bent on keeping a secret that went down with the ship. Virginia stumbles upon the secret and deeper intrigue involving smuggling, drugs, deceit and murder by local, prominent citizens. She leads her friends, US Marshals, the Coast Guard and the murderers on a wild adventure to the cutting conclusion.
The Roman emperor Julian is a figure of ongoing interest and the subject of David Neal Greenwood's Julian and Christianity. This unique examination of Julian as the last pagan emperor and anti-Christian polemicist revolves around his drive and status as a ruler. Greenwood adeptly outlines the dramatic impact of Julian's short-lived regime on the course of history, with a particular emphasis on his relationship with Christianity. Julian has experienced a wide-ranging reception throughout history, shaped by both adulation and vitriol, along with controversies and rumors that question his sanity and passive ruling. His connections to Christianity, however, are rooted in his regime's open hostility, which Greenwood shows is outlined explicitly in Oration 7: To the Cynic Heracleios. Greenwood's close reading of Oration 7 highlights not only Julian's extensive anti-Christian religious program and decided rejection of Christianity but also his brilliant, calculated use of that same religion. As Greenwood emphasizes in Julian and Christianity, these attributes were inextricably tied to Julian's relationship with Christianity—and how he appropriated certain theological elements from the religion for his own religious framework, from texts to deities. Through his nuanced, detailed readings of Julian's writings, Greenwood brings together ancient history, Neoplatonist philosophy, and patristic theology to create an exceptional and thoughtful biography of the great Roman leader. As a result, Julian and Christianity is a deeply immersive look at Julian's life, one that considers his multifaceted rule and the deliberate maneuvers he made on behalf of political ascendancy.
The South had lost the Civil War and was losing its soul. Uniformed Rebels who had fought honorably in the light of day now wore tattered sheets in the dark and burned crosses. In armed packs they dragged the helpless Negro or Indian from his bed and stopped his hurried prayers with noose or buckshot. In North Carolina’s Robeson county, the Ku Klux did not see the vengeance it was stirring up: Henry Berry Lowery's gang of Swamp Outlaws, who ruthlessly protected themselves and the county's Indians and Negroes. "We kill anyone who hunts us, from Sheriff on down,” Lowery promised, and by forays out of the swamps to keep that promise he became the highest-bountied outlaw in the nation’s history. This tale of bloody revenge and brilliant survival is drawn from the gang’s real victims, benefactors, and descendants – all as told by the Yankee reporter from the New York Herald who joined the gang to get the story.
In a career that took him from the cotton fields of East Texas to the concert stage at Carnegie Hall and beyond, Lightnin’ Hopkins became one of America’s greatest bluesmen, renowned for songs whose topics effortlessly ranged from his African American roots to space exploration, the Vietnam War, and lesbianism, performed in a unique, eccentric, and spontaneous style of guitar playing that inspired a whole generation of rock guitarists. Hopkins’s music directly and indirectly influenced an amazing range of artists, including Jimi Hendrix, Stevie Ray Vaughan, Miles Davis, John Coltrane, Tom Waits, and Bob Dylan, as well as bands such as the Grateful Dead, Jefferson Airplane, and ZZ Top, with whom Hopkins performed. Mojo Hand follows Lightin’ Hopkins’s life and music from the acoustic country blues that he began performing in childhood, through the rise of 1950s rock ’n’ roll, which nearly derailed his career, to his reinvention and international success as a pioneer of electric folk blues from the 1960s to the 1980s. The authors draw on 130 vivid oral histories, as well as extensive archival and secondary sources, to provide the fullest account available of the development of Hopkins’s music; his idiosyncratic business practices, such as shunning professional bookers, managers, and publicists; and his durable and indelible influence on modern roots, blues, rock ’n’ roll, singer-songwriter, and folk music. Mojo Hand celebrates the spirit and style, intelligence and wit, and confounding musical mystique of a bluesman who shaped modern American music like no one else.
Through the unique format of this text, David has given the answers to nearly six hundred questions that have plagued many regarding the book of Revelation. The product of his work is a book that addresses these concerns and amplifies the need for one to have a personal relationship with God. The following is just a sample. If Babylon was destroyed by the Persians, how can it be destroyed again? How important are truth and justice today? But what is justice when it comes to God and us? Just what does it mean to fear God? Exactly who are the beast and false prophet? When one thinks of heaven, what is the picture that comes to mind? How many people can heaven hold? If over 2,000 years have passed without Christs return, what assurance is there that He will return?
Reggae music is more than just steel drum bands on white sand beaches. Its history is rich with culture and evolution, helping to tell the story of Jamaica's past. Due to its depth and extensive coverage, this book is the most complete and up to date encyclopedia about reggae, mento, ska, rocksteady, and dancehall music on the market today. Ideal for reggae lovers and college students studying music, this encyclopedia is comprehensive for high school students and non-music students as well. From Bob Marley to Wayne Wonder, this easy to use encyclopedia contains over 700 entries. Indices in both the front and back of the book make navigating through entries extremely user-friendly. Entries cover singers and songwriters, producers, record labels, and different styles of music that evolved from reggae. Moskowitz truly captures the history and evolution of Jamaican music in this extensive, illuminating encyclopedia, while all the while making it accessible to both high school and college students.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
This study intends principally to isolate and describe the function of myth in the Phaedo in order to show its effect on the complex metaphysics developed throughout the dialogue. It further illustrates how these metaphysical concepts structure the dialogue's concluding eschatological myth.
* This is the only book that provides the full story of the role of women in space exploration. * Previously unpublished photographs of various aspects of training and participation in spaceflights are included. * Personal interviews with female cosmonauts and astronauts. * Traces the history of female aviation milestones from the early part of the 20th Century to the current space programme.
The first scholarly biographical study on one of the most fascinating figures in 20th century Christianity, who has been neglected for many years by professional historians. Geoffrey Fisher worked to modernize the Church of England and to develop the worldwide Anglican Communion. His historic meeting with Pope John XXIII, his participation in national debates on the Suez Crisis and nuclear weapons, and his role in crowning Queen Elizabeth II made him a well-known figure in post-war Britain. A short and accessible book that will be essential to both the professional scholar and the interested amateur who wish to gain a greater understanding of the Church of England and the Anglican Communion during the turbulent post-war period.
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