From the time of the legendary Tan-Gun in the third millennium BC until the middle of the twentieth century, however, Korea was forced to weather many military and political storms. This volume depicts these political and social events, as well as Korea's profound spiritual and cultural heritage.
This book introduces the reader to Robert Govett (1813-1901), dissenting clergyman and author, who wrote as a scholar of biblical prophecy, primarily on the subject of the "exclusion" of believers in the Millennial Kingdom, an idea of which he conceived. The purpose of the book is threefold: (1) to describe Govett, his life, and his printed work; (2) to analyze Govett's eschatological beliefs, especially those he originated; and (3) to investigate why a respected theologian in England, who had published over 180 books and tracts, disappeared from dissenting print culture early in the twentieth century. Govett's doctrine of exclusion was heavily intertwined with most of his writings. It was a topic that he developed throughout his career. Yet, as the center of dispensationalism shifted to America, Govett's views of the Rapture began to be seen as extreme. The book explains why Govett was eclipsed as the center of the evangelical movement shifted and its theology ossified. Since his death, Govett has been occasionally remembered in scholarship, but with increasing inaccuracies and skepticism. This book seeks to remove the mystery.
Desert Diggers: Writings from a War Zone ‘Somewhere in the Middle East’ 1940-1942 draws upon hundreds of soldiers’ letters in a fresh and captivating narrative of the war in North Africa. Desert Diggers follows the first men to volunteer after the outbreak of war in 1939, tracing their adventures in exotic ports before further training in Palestine. A hunger for action grew: ‘Most of the chaps are ... anxious to get into anything that looks like a fight’, one soldier wrote to his brother. From Egypt, ‘the hottest and dustiest place on God's earth’ was the Diggers’ next destination and their ‘blooding’ in the battles for Bardia and Tobruk. After Rommel failed to storm Tobruk in April-May 1941, Nazi propaganda denigrated the garrison, ‘caught like rats in a trap’. Amid frequent bombing and shelling, Berlin’s scornful broadcasts were an unintended tonic. ‘Frequently we laughed and joked until the tears came into our eyes’, a Digger quipped. From Tobruk, to the blunting of Rommel’s attacks at El Alamein, the price of victory was palpably high: ‘some of my best mates didn't come out of it’, lamented a corporal to his sister. Returning to Australia in 1943, some men maimed or traumatised, brought a further test for the Diggers ... Told in the words of the men who served, Desert Diggers offers a new personal perspective on the Western Desert campaign. With immediacy and raw emotion, these skillfully woven letters provide a remarkable and compelling account of the Australian experience of war.
The Elect Methodists is the first full-length academic study of Calvinistic Methodism, a movement that emerged in the eighteenth century as an alternative to the better known Wesleyan grouping. While the branch of Methodism led by John Wesley has received significant historical attention, Calvinistic Methodism, especially in England, has not. The book charts the sources of the eighteenth-century Methodist revival in the context of Protestant evangelicalism emerging in continental Europe and colonial North America, and then proceeds to follow the fortunes in both England and Wales of the Calvinistic branch, to the establishing of formal denominations in the late eighteenth and early nineteenth centuries.
In 1937, prior to the 1948 inauguration of the World Council of Churches, Karl Barth challenged the churches to engage in 'real strict sober genuine theology' in order that the unity of the church might be visibly realized. At that time The Salvation Army didn't aspire to become formally known as a church, even though it was a founding member of the WCC. Today it is globally known as a social welfare organization, concerned especially to serve the needs of those who find themselves at the margins of society. Less well known is that seventy years after Barth's challenge it has made its peace with the view that it is a church denomination. Accepting Barth's challenge to the churches, and in dialogue with his own ecumenical ecclesiology, the concept of the church as an Army is interrogated, in service to The Salvation Army's developing understanding of its identity, and to the visible unity of God's church.
At the turn of the 20th century, the region of Manchuria sat atop a potentially catastrophic political fault line; the ancient strength of China was crumbling, leaving opportunities for both Russia and Japan to claw out new territories from the edges of that dying empire. Russian pride would contend with Japanese ambition in a conflict that ushered in the age of massed armies fighting on battlefields that were being redefined by the new tools of war such as newer, larger artillery pieces, and the use of machine guns in pitched battles. The vast, but over-stretched Russian Army was expected to steamroller its far smaller opponent, but the aggressiveness and zeal of the more modern Japanese military confounded expectations. Examining these two armies in detail, this fully illustrated study tells the story of how these two empires clashed in the Russo-Japanese War, heralding a new phase in modern warfare as World War I loomed on the horizon.
Australian Books and Authors in the American Marketplace 1840s–1940s explores how Australian writers and their works were present in the United States before the mid twentieth century to a much greater degree than previously acknowledged. Drawing on fresh archival research and combining the approaches of literary criticism, print culture studies and book history, David Carter and Roger Osborne demonstrate that Australian writing was transnational long before the contemporary period. In mapping Australian literature’s connections to British and US markets, their research challenges established understandings of national, imperial and world literatures. Carter and Osborne examine how Australian authors, editors and publishers engaged productively with their American counterparts, and how American readers and reviewers responded to Australian works. They consider the role played by British publishers and agents in taking Australian writing to America, and how the international circulation of new literary genres created new opportunities for novelists to move between markets. Some of these writers, such as Christina Stead and Patrick White, remain household names; others who once enjoyed international fame, such as Dale Collins and Alice Grant Rosman, have been largely forgotten. The story of their books in America reveals how culture, commerce and copyright law interacted to create both opportunities and obstacles for Australian writers.
Cover -- Title page -- Contents -- Preface -- Acknowledgments -- Photograph and Figure Credits -- Chapter 1. An overview of American mathematics: 1776-1876 -- Chapter 2. A new departmental prototype: J.J. Sylvester and the Johns Hopkins University -- Chapter 3. Mathematics at Sylvester's Hopkins -- Chapter 4. German mathematics and the early mathematical career of Felix Klein -- Chapter 5. America's wanderlust generation -- Chapter 6. Changes on the horizon -- Chapter 7. The World's Columbian exposition of 1893 and the Chicago mathematical congress -- Chapter 8. Surveying mathematical landscapes: The Evanston colloquium lectures -- Chapter 9. Meeting the challenge: The University of Chicago and the American mathematical research community -- Chapter 10. Epilogue: Beyond the threshold: The American mathematical research community, 1900-1933 -- Bibliography -- Subject Index -- Back Cover
This book reveals the true identity of Arthur, and locates his courts and long-forgotten battle sites such as Badon and Camlan. It also uncovers the secret of the mysterious Isle of Avalon and Arthur's resting place in a Breton church. The authors present a convincing and conclusive answer to the puzzle of King Arthur. Glossary of terms in Welsh and English. Bibliography. Index. 78 illustrations.
A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.
Before the 1760s -- with the major exception of Chaucer -- nearly all of Middle English literature lay undiscovered and ignored. Because established scholars regarded later medieval literature as primitive and barbaric, the study of this rich literary heritage was relegated to antiquarians and dilettantes. In The Making of Middle English, 1765-1910, David Matthews chronicles the gradual rediscovery of this literature and the formation of Middle English as a scholarly pursuit. Matthews details how the careers, class positions, and ambitions of only a few men gave shape and direction to the discipline. Mostly from the lower middle class, they worked in the church or in law and hoped to exploit medieval literature for financial success and social advancement. Where Middle English was concerned, Matthews notes, these scholars were self-taught, and their amateurism came at the price of inaccurately edited and often deliberately "improved" texts intended for a general public that sought appealing, rather than authentic, reading material. This study emphasizes the material history of the discipline, examining individual books and analyzing introductions, notes, glossaries, promotional materials, lists of subscribers, and owners' annotations to assess the changing methodological approaches of the scholars and the shifts in readership. Matthews explores the influence of aristocratic patronage and the societies formed to further the editing and publication of texts. And he examines the ideological uses of Middle English and the often contentious debates between these scholars and organizations about the definition of Englishness itself. A thorough work of scholarship, The Making of MiddleEnglish presents for the first time a detailed account of the formative phase of Middle English studies and provides new perspectives on the emergence of medieval studies, canon formation, the politics of editing, and the history of the book.
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