It is one of the most storied uprisings of classical times. Spartacus, the visionary captive and gladiator, used his toughness and charisma turn a prison break into a revolt that would threaten the Roman empire. Now, with verve and intelligence, David Anthony Durham brings us a thrilling retelling that gives voice not only to Spartacus himself, but also Astera, Spartacus’s oracle consort; Nonus, a Roman soldier working both sides of the conflict; Laelia and Hustus, two slave children drawn into the ranks of the rebellion; Kaleb, secretary to the Roman senator and commander saddled with the task of quashing the insurrection; and many others in a vast spectacle of bloodshed, heroism, and treachery.
From the author of the widely praised Pride of Carthage, the superb fictional rendering of Hannibal’s epic military campaigns against Carthage’s archenemy Rome, comes the perfect follow-up: an equally superb novel of the legendary gladiator Spartacus and the vast slave revolt he led that came ever so close to bringing Rome, with its supposedly invincible legions, to its knees. In this thrilling and panoramic historical novel we see one of the most storied uprisings of classical times from multiple points of view: Spartacus, the visionary captive and gladiator whose toughness and charisma turn a prison break into a multi-cultural revolt that threatens an empire; his consort, the oracular Astera, whose connection to the spirit world and its omens guides the uprising’s progress; Nonus, a Roman soldier working both sides of the conflict in a half-adroit, half-desperate attempt to save his life; Laelia and Hustus, two shepherd children drawn into the ranks of the slave rebellion; Kaleb, the slave secretary to Crassus, the Roman senator and commander saddled with the unenviable task of quashing an insurrection of mere slaves; and other players in a vast spectacle of bloodshed, heroism, and treachery. In the pages of The Risen—the term the slaves in revolt have adopted for themselves—an entire, teeming world comes into view with great clarity and titanic drama, with nothing less than the future of the ancient world at stake. No one brings more verve, intelligence, and freshness to the novel of the classical age than David Anthony Durham.
When he learns that his pregnant wife has been spirited off to a distant city, William responds as any man might—he drops everything to pursue her. But as a fugitive slave in Antebellum America, he must run a terrifying gauntlet, eluding the many who would re-enslave him while learning to trust the few who dare to aid him on his quest. Among those hunting William is Morrison, a Scot who as a young man fled the miseries of his homeland only to discover even more brutal realities in the New World. Bearing many scars, including the loss of his beloved brother, Morrison tracks William for reasons of his own, a personal agenda rooted in tragic events that have haunted him for decades. Following up on his award-winning debut, Gabriel’s Story, David Anthony Durham presents another riveting tale, a brilliantly drawn portrait of America before the Civil War, and a provocative meditation on racial identity, freedom and equality.
Ruling from the island of Acacia, the emperor of the Known World has inherited an apparent peace and prosperity won by his ancestors generations ago. He's an intelligent man, a widower who dotes on his four children and it is this devotion that obliges him to hide a terrible secret from them: that their prosperity rests on the dark realities of trafficking in drugs and human lives. A man of integrity, he hopes that he might bring an end to this vile trade, but powerful forces stand in his way. And then an assassin strikes, a lone killer sent by the Mein, an ancient foe long ago exiled to the frozen north. Now the Mein have returned to take revenge on their old enemy and begin a series of brutal surprise assaults on Acacia. Mortally wounded, the emperor puts into play a plan that will allow his children to escape, to fulfil their destinies. And so begins a quest to avenge a father's death and restore an empire - this time on the basis of universal freedom...
In ancient Rome, parents used to silence misbehaving children with the utterance 'Hannibal ad portas' (Hannibal is at the door). Such was the fear and awe that Hannibal Barca instilled... Told in arcing, epic technicolour, this is the story of one of the ancient world's most remarkable figures and the long, bloody conflict between the two 'superpowers' of the times - the Second Punic War (218-202BC) - that hinged on the genius, the ambition and the personal tragedies of Hannibal Barca of Carthage, whose military prowess became the stuff of legend, and Publius Scipio of Rome. History, of course, tells us the outcome: that Rome would be the victor, surviving to become a colossal imperial power, while Carthage would be all but erased from history. It was, however, a close run thing. And the world might have been a very different place had Hannibal succeeded in thwarting the might of Rome. PRIDE OF CARTHAGE is a sweeping, thrilling story of ancient warfare, of armies traversing frozen snow-covered mountains, of battles won or lost by brilliant generals fighting in ingenious, cunning ways. And it's a story teeming with superbly drawn, memorable characters and players, historical and imagined - from Numidian horsemen and the Roman legions to the slaves and freemen from all corners of the ancient Mediterranean world...
In a conclusion to the trilogy that includes The Other Lands, Queen Corinn masters spells found in the ancient Book of Elenet, while her younger brother embarks on a perilous mission to the Other Lands and her sister travels north to confront an invasion by the fearsome Auldek.
This epic retelling of the legendary Carthaginian military leader’s assault on the Roman empire begins in Ancient Spain, where Hannibal Barca sets out with tens of thousands of soldiers and 30 elephants. After conquering the Roman city of Saguntum, Hannibal wages his campaign through the outposts of the empire, shrewdly befriending peoples disillusioned by Rome and, with dazzling tactics, outwitting the opponents who believe the land route he has chosen is impossible. Yet Hannibal’s armies must take brutal losses as they pass through the Pyrenees mountains, forge the Rhone river, and make a winter crossing of the Alps before descending to the great tests at Cannae and Rome itself. David Anthony Durham draws a brilliant and complex Hannibal out of the scant historical record–sharp, sure-footed, as nimble among rivals as on the battlefield, yet one who misses his family and longs to see his son grow to manhood. Whether portraying the deliberations of a general or the calculations of a common soldier, vast multilayered scenes of battle or moments of introspection when loss seems imminent, Durham brings history alive.
“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next." —George R. R. Martin David Anthony Durham’s acclaimed fantasy saga, the Acacia Trilogy, continues . . . As The Sacred Band begins, Queen Corinn bestrides the world as a result of her mastery of spells from the Book of Elenet. Her younger brother, Dariel, has been sent on a perilous mission to the Other Lands. And her sister, Mena, travels to the far north to face an invasion of the feared race of the Auldek. As their separate trajectories converge, a series of world-shaping, earth-shattering battles will force the surviving children of the Akaran dynasty to confront their fates head on—and right some ancient wrongs once and for all.
Beginning in ancient Spain, where Hannibal's father had carved out a Carthaginian empire, this novel traces the origins of the War of Carthage, the opening moves, and Hannibal's inspired choice to attack Rome via a land route that most believed to be impossible. Comenzando en España, donde el padre de Aníbal Barca había establecido su imperio de Cartago, esta novela traza los orígenes de la batalla de Cartago, los movimientos preliminares y la decisión crucial de Aníbal de atacar a Roma por una ruta terrestre creida imposible.
In a conclusion to the trilogy that includes The Other Lands, Queen Corinn masters spells found in the ancient Book of Elenet, while her younger brother embarks on a perilous mission to the Other Lands and her sister travels north to confront an invasion by the fearsome Auldek. Reprint.
This epic retelling of the legendary Carthaginian military leader’s assault on the Roman empire begins in Ancient Spain, where Hannibal Barca sets out with tens of thousands of soldiers and 30 elephants. After conquering the Roman city of Saguntum, Hannibal wages his campaign through the outposts of the empire, shrewdly befriending peoples disillusioned by Rome and, with dazzling tactics, outwitting the opponents who believe the land route he has chosen is impossible. Yet Hannibal’s armies must take brutal losses as they pass through the Pyrenees mountains, forge the Rhone river, and make a winter crossing of the Alps before descending to the great tests at Cannae and Rome itself. David Anthony Durham draws a brilliant and complex Hannibal out of the scant historical record–sharp, sure-footed, as nimble among rivals as on the battlefield, yet one who misses his family and longs to see his son grow to manhood. Whether portraying the deliberations of a general or the calculations of a common soldier, vast multilayered scenes of battle or moments of introspection when loss seems imminent, Durham brings history alive.
When Gabriel Lynch moves with his mother and brother from a brownstone in Baltimore to a dirt-floor hovel on a homestead in Kansas, he is not pleased. He does not dislike his new stepfather, a former slave, but he has no desire to submit to a life of drudgery and toil on the untamed prairie. So he joins up with a motley crew headed for Texas only to be sucked into an ever-westward wandering replete with a mindless violence he can neither abet nor avoid–a terrifying trek he penitently fears may never allow for a safe return. David Anthony Durham is a genuine talent bent on devastating originality and Gabriel’s Story is as formidable a debut as we have witnessed.
It is one of the most storied uprisings of classical times. Spartacus, the visionary captive and gladiator, used his toughness and charisma turn a prison break into a revolt that would threaten the Roman empire. Now, with verve and intelligence, David Anthony Durham brings us a thrilling retelling that gives voice not only to Spartacus himself, but also Astera, Spartacus’s oracle consort; Nonus, a Roman soldier working both sides of the conflict; Laelia and Hustus, two slave children drawn into the ranks of the rebellion; Kaleb, secretary to the Roman senator and commander saddled with the task of quashing the insurrection; and many others in a vast spectacle of bloodshed, heroism, and treachery.
When he learns that his pregnant wife has been spirited off to a distant city, William responds as any man might—he drops everything to pursue her. But as a fugitive slave in Antebellum America, he must run a terrifying gauntlet, eluding the many who would re-enslave him while learning to trust the few who dare to aid him on his quest. Among those hunting William is Morrison, a Scot who as a young man fled the miseries of his homeland only to discover even more brutal realities in the New World. Bearing many scars, including the loss of his beloved brother, Morrison tracks William for reasons of his own, a personal agenda rooted in tragic events that have haunted him for decades. Following up on his award-winning debut, Gabriel’s Story, David Anthony Durham presents another riveting tale, a brilliantly drawn portrait of America before the Civil War, and a provocative meditation on racial identity, freedom and equality.
“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next." —George R. R. Martin Welcome to Acacia . . . Born into generations of prosperity, the four royal children of the Akaran dynasty know little of the world outside their opulent island paradise. But when an assassin strikes at the heart of their power, their lives are changed forever. Forced to flee to distant corners and separated against their will, the children must navigate a web of hidden allegiances, ancient magic, foreign invaders, and illicit trade that will challenge their very notion of who they are. As they come to understand their true purpose in life, the fate of the world lies in their hands.
America, 1787. Ethan Saunders, once among General Washington’s most valued spies, is living in disgrace after an accusation of treason cost him his reputation. But an opportunity for redemption comes calling when Saunders’s old enemy, Alexander Hamilton, draws him into a struggle with bitter rival Thomas Jefferson over the creation of the Bank of the United States. Meanwhile, on the western Pennsylvania frontier, Joan Maycott and her husband, a Revolutionary War veteran, hope for a better life and a chance for prosperity. But the Maycotts’ success on an isolated frontier attracts the brutal attention of men who threaten to destroy them. As their causes intertwine, Joan and Saunders–both patriots in their own way–find themselves on opposing sides of a plot that could tear apart a fragile new nation.
Body Trauma explains what happens to body organs and bones maimed by accident or intent and the small window of opportunity for emergency treatment. Research what happens in a hospital operating room and the personnel who initiate treatment. Use these facts to bring added realism to your stories and novels.
Isolated in a New England hospital by the Blizzard of 1978, training surgeon Timothy Voight becomes solely responsible for two injured lovers. He decides on a unique, Phoenix-like prescription but then must decide if he should succumb to threats to transfer his patient despite the storm or perform a radical operation on his own.
Uncovering the pernicious narratives white people create to justify white supremacy and sustain racist oppression The police murders of two Black men, Philando Castile and George Floyd, frame this searing exploration of the historical and fictional narratives that white America tells itself to justify and maintain white supremacy. From the country’s founding through the summer of Black Lives Matter in 2020, David Mura unmasks how white stories about race attempt to erase the brutality of the past and underpin systemic racism in the present. Intertwining history, literature, ethics, and the deeply personal, Mura looks back to foundational narratives of white supremacy (Jefferson’s defense of slavery, Lincoln’s frequently minimized racism, and the establishment of Jim Crow) to show how white identity is based on shared belief in the pernicious myths, false histories, and racially segregated fictions that allow whites to deny their culpability in past atrocities and current inequities. White supremacy always insists white knowledge is superior to Black knowledge, Mura argues, and this belief dismisses the truths embodied in Black narratives. Mura turns to literature, comparing the white savior portrayal of the film Amistad to the novelization of its script by the Black novelist Alexs Pate, which focuses on its African protagonists; depictions of slavery in Faulkner and Morrison; and race’s absence in the fiction of Jonathan Franzen and its inescapable presence in works by ZZ Packer, tracing the construction of Whiteness to willfully distorted portraits of race in America. In James Baldwin’s essays, Mura finds a response to this racial distortion and a way for Blacks and other BIPOC people to heal from the wounds of racism. Taking readers beyond apology, contrition, or sadness, Mura attends to the persistent trauma racism has exacted and lays bare how deeply we need to change our racial narratives—what white people must do—to dissolve the myth of Whiteness and fully acknowledge the stories and experiences of Black Americans.
“David Anthony Durham has serious chops. I can’t wait to read whatever he writes next." —George R. R. Martin David Anthony Durham’s gripping Acacia Trilogy continues with an epic novel where loyalties are tested, new worlds are discovered, and battle lines are being drawn. A few years have passed since Queen Corinn has usurped control of the Known World—and she now rules with an iron fist. With plans to expand her empire, she sends her brother, Dariel, on an exploratory mission across the sea to The Other Lands. There, he discovers an alliance of tribes that have no interest in being ruled by Queen Corinn and the Akarans. In fact, Dariel’s arrival ignites a firestorm that once more exposes The Known World to a massive invasion, one unlike anything they have yet faced . . .
High Stakes (Wild Cards) delves into the world of aces, jokers, and the hard-boiled men and women of the Fort Freak police precinct in a pulpy, page-turning novel of superheroics and Lovecraftian horror.
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