Often people avoid poetry because they believe it must be “difficult” to be any good, or worse, that they are not equipped, in whatever fashion, to “decode” and understand it. Rubbish. Read these poems easily. Don’t worry about what they are “supposed” to mean. Have faith in your unique impressions of them—your individual interpretation, where the sum is greater than the words, where, every once in a while, you transcend this finite language and, if only for a moment, say “Ah!” David Alan Hall From His Introduction
BREATHING FROM THE HEAD. "I was a lonely writer locked away, absorbing rejection slips, breathing clumsily from my head. I met someone who changed my life. She helped me learn to breathe from my heart. I want to understand how she did that—and what it means. I want to strengthen our future by writing about our past, to better appreciate how we fell in love, how we grew together, how we create meaning in our relationship to keep it alive during hard times. I hope this true romance speaks to something beyond us. I hope it testifies that love isn't some mysterious power to be found “out there,” but a vital, breathing force within us that we must create—and share—with one another." - From the Author's Preface.
Often people avoid poetry because they believe it must be “difficult” to be any good, or worse, that they are not equipped, in whatever fashion, to “decode” and understand it. Rubbish. Read these poems easily. Don’t worry about what they are “supposed” to mean. Have faith in your unique impressions of them—your individual interpretation, where the sum is greater than the words, where, every once in a while, you transcend this finite language and, if only for a moment, say “Ah!” David Alan Hall From His Introduction
General Motors. Chevron. OPEC. Wall Street. Big names. Big business. A bulwark of opposition standing in the way of Casey Raymond, a wealthy entrepreneur risking his life to market gasless, hydrogen-powered cars. {line space} Drugs. Violence. Homelessness. Race hatred. Powerful prejudices. Powerful social forces imprisoning Samuel Towers, a black teenager from inner city Los Angeles who skirts the law to escape his past, to finance his dream of filmmaking by working for a nameless company who pays cash for killing, for the ultimate assassination of a white man who dares to challenge the oil-based economy of our world. {line space} Rarely does an action-adventure novel transcend the genre and offer a new vision for living. Spanning twenty years and three presidential administrations, The Paradise Vendor is a panoramic epic examining the costs of empowerment, the price of intimacy, and the simple affirmation of the value of oneself
Talent. It's easy to confuse the “raw” kind with the “real” kind. We're all born with some flavor of raw talent. Many people forget about their creative ability because they were told at a young age to stop wasting time dabbling with it and get serious about life. Or, like me, they may wish they had one talent and overlook the talent staring them in the face.I was born with cerebral palsy, which makes walking difficult. Yet I believed I would be judged by my talent, not my disability, so I moved from Texas to Hollywood when I was 23. Here's my story, an odyssey of finding the faith to turn my raw talent into real talent.
Ideal text for undergraduate and graduate students in advanced cell biology courses Extraordinary technological advances in the last century have fundamentally altered the way we ask questions about biology, and undergraduate and graduate students must have the necessary tools to investigate the world of the cell. The ideal text for students in advanced cell biology courses, Lewin's CELLS, Third Edition continues to offer a comprehensive, rigorous overview of the structure, organization, growth, regulation, movements, and interactions of cells, with an emphasis on eukaryotic cells. The text provides students with a solid grounding in the concepts and mechanisms underlying cell structure and function, and will leave them with a firm foundation in cell biology as well as a "big picture" view of the world of the cell. Revised and updated to reflect the most recent research in cell biology, Lewin's CELLS, Third Edition includes expanded chapters on Nuclear Structure and Transport, Chromatin and Chromosomes, Apoptosis, Principles of Cell Signaling, The Extracellular Matrix and Cell Adhesion, Plant Cell Biology, and more. All-new design features and a chapter-by-chapter emphasis on key concepts enhance pedagogy and emphasize retention and application of new skills. Thorough, accessible, and essential, Lewin's CELLS, Third Edition, turns a new and sharper lens on the fundamental units of life
The World Atlas of Language Structures is a book and CD combination displaying the structural properties of the world's languages. 142 world maps and numerous regional maps - all in colour - display the geographical distribution of features of pronunciation and grammar, such as number of vowels, tone systems, gender, plurals, tense, word order, and body part terminology. Each world map shows an average of 400 languages and is accompanied by a fully referenced description of the structural feature in question. The CD provides an interactive electronic version of the database which allows the reader to zoom in on or customize the maps, to display bibliographical sources, and to establish correlations between features. The book and the CD together provide an indispensable source of information for linguists and others seeking to understand human languages. The Atlas will be especially valuable for linguistic typologists, grammatical theorists, historical and comparative linguists, and for those studying a region such as Africa, Southeast Asia, North America, Australia, and Europe. It will also interest anthropologists and geographers. More than fifty authors from many different countries have collaborated to produce a work that sets new standards in comparative linguistics. No institution involved in language research can afford to be without it.
Fred Dibnah's World celebrates the life and work of Britain's best known steeplejack and national treasure, Fred Dibnhah. Before his death in 2004, Fred presented many popular series, including Magnificent Monuments, The Age of Steam and Made in Britain, all of which attracted viewers in their millions. Fred is the companion to the 12-part BBC2 series celebrating the life of this great man, which combines highlights from some of Dibnah's classic programmes with previously unseen footage. The book can of course go much further than the series, including an extraordinarily account of Fred's childhood which evokes a lost England and our great industrial heritage. Fred's passion for the glories of the Victorian age and his fascination with the landscape he grew up in, plus his admiration for the craftsmen and labourers who made it all possible, captivate us on every page. Fred is the personification of everything that made England great in the first place. And this is a glorious tribute to a man whom millions came to love.
From renowned underwater archaeologist David Gibbins comes an exciting and rich narrative of human history told through the archaeological discoveries of twelve shipwrecks across time. The Viking warship of King Cnut the Great. Henry VIII's the Mary Rose. Captain John Franklin's doomed HMS Terror. The SS Gairsoppa, destroyed by a Nazi U-boat in the Atlantic during World War II. Since we first set sail on the open sea, ships and their wrecks have been an inevitable part of human history. Archaeologists have made spectacular discoveries excavating these sunken ships, their protective underwater cocoon keeping evidence of past civilizations preserved. Now, for the first time, world renowned maritime archeologist David Gibbins ties together the stories of some of the most significant shipwrecks in time to form a single overarching narrative of world history. A History of the World in Twelve Shipwrecks is not just the story of those ships, the people who sailed on them, and the cargo and treasure they carried, but also the story of the spread of people, religion, and ideas around the world; it is a story of colonialism, migration, and the indominable human spirit that continues today. From the glittering Bronze Age, to the world of Caesar's Rome, through the era of the Vikings, to the exploration of the Arctic, Gibbins uses shipwrecks to tell all. Drawing on decades of experience excavating shipwrecks around the world, Gibbins reveals the riches beneath the waves and shows us how the treasures found there can be a porthole to the past that tell a new story about the world and its underwater secrets.
In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco. Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.
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