Now in its third edition, Learn to Read New Testament Greek is revised for the first time in fifteen years to include updated scholarship and additional reference notes.
Over the last few centuries the authorship of the book of Hebrews has been a contentious topic, but lately a strong scholarly consensus has emerged that Paul was not the author. There is no similar consensus about who did author the book; the consensus is entirely negative. Nonetheless, it takes some courage for a scholar to risk his reputation by challenging a so thoroughly assured conclusion of many scholars. Yet this is precisely what Dr. David Alan Black has done. In this book he adapts some of his previous scholarly work for a broader audience, demonstrating both how one goes about determining the authorship of an ancient work, and also how one challenges a scholarly consensus. And that is also why we have chosen this volume as the inaugural volume of our Participatory Study Series – Topic Line Drives. Millions of churchgoers look to the introductions to various books in their study Bibles to answer questions of date, authorship, and background. But only those who read more than one introduction will be fully aware of the disagreements among scholars about those conclusions. How is it that scholars make a determination about authorship? This book is for those who want to dig deeper than the notes in a study Bible and who want to understand what stands behind those conclusions. Dr. Black has paid his dues in the practice of scholarship, and here he demonstrates how one challenges such a consensus. At the same time he will guide the reader through the various factors that influence a decision about the authorship of a book. We hope this book will give new life to your Bible study and will challenge you to study further, not just about this subject, but about many others.
In this practical book every occurrence of astheneia and its cognates in the Pauline Epistles is examined, both in its immediate context and in its relation to Pauline thought as a whole. The analysis begins, first, by examining both secular and Septuagintal Greek usages of astheneia as well as its usage in the non-Pauline New Testament writings. It then proceeds, secondly, by defining Paul's astheneia termini from letter to letter and context to context. All the passages in the Pauline literature where the words appear undergo a detailed exegetical examination. The Pauline weakness motif is then summarized, with the conclusion that the concept of weakness is foundational to Paul's anthropology, Christology, and ethics.
In the 1960s, Montreal was a hotbed of radical politics that attracted Black and Caribbean figures such as C.L.R. James, Walter Rodney, Mariam Makeba, Stokely Carmichael, Rocky Jones, and Édouard Glissant. It was also a place where the ideas of Frantz Fanon, Aimé Césaire, and Malcolm X circulated alongside those of Karl Marx, Jean-Paul Sartre, and Simone de Beauvoir. During this period of global upheaval and heightened Canadian and Quebec nationalism, Montreal became a central site of Black and Caribbean radical politics. Situating Canada within the Black radical tradition and its Caribbean radical counterpart, Fear of a Black Nation paints a history of Montreal and the Black activists who lived, sojourned in, or visited the city and agitated for change. Drawing on Saidiya Hartman’s conception of slavery’s afterlife and what David Austin describes as biosexuality – a deeply embedded fear of Black self-organization and interracial solidarity – Fear of a Black Nation argues that the policing and surveillance of Black lives today is tied to the racial, including sexual, codes and practices and the discipline and punishment associated with slavery. As meditation on Black radical politics and state security surveillance and repression, Fear of a Black Nation combines theoretical and philosophical inquiry with literary, oral, and archival sources to reflect on Black political organizing. In reflecting on Black self-organization and historic events such as the Congress of Black Writers and the Sir George Williams Affair, the book ultimately poses the question: what can past freedom struggles teach us about the struggle for freedom today? Featuring two new interviews with the author and a new preface, this expanded second edition enriches the political and theoretical conversation on Black organising and movement building in Canada and internationally. As the Black Lives Matter and abolition movements today popularize calls to disarm and defund the police and to abolish prisons, Fear of a Black Nation provides an invaluable reflection on the policing of Black activism and a compelling political analysis of social movements and freedom struggles that is more relevant now than ever.
A vital hub of poetry readings, performance, publications and radical politics in 1960s New York, the Umbra Workshop was a cornerstone of the African American avant-garde. Bringing together new archival research and detailed close readings of poetry, A Black Arts Poetry Machine is a groundbreaking study of this important but neglected group of poets. David Grundy explores the work of such poets as Amiri Baraka, Lorenzo Thomas and Calvin Hernton and how their innovative poetic forms engaged with radical political responses to state violence and urban insurrection. Through this examination, the book highlights the continuing relevance of the work of the Umbra Workshop today and is essential reading for anyone interested in 20th-century American poetry.
Revenge and responsibility, confrontation and consequences. A hot desert land of diverse peoples dealing with demons, mages, natural disasters … and the Black Rose assassins. On a quest for vengeance, Shukara arrives in the city of Mask having already endured two years of hardship and loss. Her pouch is stolen by Tamira, a young street-smart thief, who throws away some of the rarer reagents that Shukara needs for her magick. Tracking down the thief, and being unfamiliar with Mask, Shukara shows mercy to Tamira in exchange for her help in replacing what has been lost. Together they brave the intrigues of Mask, and soon discover that they have a mutual enemy in the Black Rose, an almost legendary band of merciless assassins. But this is just the start of their journeys… Although set in an imaginary land, the scenery and peoples of Thorns of a Black Rose were inspired by David Craig’s experiences on a trip to Egypt, Morocco and the Sahara. Mask is a living, breathing city, from the prosperous Merchant Quarter whose residents struggle for wealth and power, to the Poor Quarter whose residents struggle just to survive. It is a coming of age tale for the young thief, Tamira, as well as a tale of vengeance and discovery. There is also a moral ambiguity in the story, with both the protagonists and antagonists learning that whatever their intentions or justification, actions have consequences. Visit bit.ly/ThornsOfABlackRose
Discusses briefly some of the personal and social benefits of studying the martial arts including development of discipline, self-esteem, humility, courage, and respect for others; how to balance the ego.
In this autobiographical story set in the deep south of the United States during the turbulence of the 1960¿s, Dr. David Sharp recounts the life lessons that sparked the discovery of his own uniqueness, inner beauty, joy, passion and power. From the first understanding of himself as ¿different¿ he allows you inside his journey toward self-acceptance. He shares how he learned to claim who he really is, and shows you the people who helped him find the strength and courage to do so. You will see how truth, wisdom and humor are used not just to survive, but thrive; and how the ability to ¿dance the blues away¿ or ¿laugh, cry, complain and count your blessings at the same time¿ are two of the many heroic responses to life¿s deep pains. The story features Mbase, a long dead ancestor, who reaches through time to become part of the journey. He guides with wit and compassion and offers a reminder of the four powerful words that have echoed in their family through the generations. I¿m a Black Man, Who are You? is a triumph of the human spirit. It will inspire you to look at yourself ¿differently¿ and answer more clearly the grand question life asks¿ WHO ARE YOU?
Black Politics in a Time of Transition appears at an historic point in American politics. From the vantage point of the maturation of the study of black politics, this volume provides a framework for current and future discussion of this critical time. Incorporating the expanded stream of work on today's black politics, this latest volume of the National Political Science Review is also a new assessment of the period from which the study of black politics emerged. Selected for this volume are chapters of contemporary relevance alongside those that reconsider an early twentieth- century pioneer in black politics and history, W. E. B. Du Bois. The volume also includes a robust book review section that spans a range of topics from the South's new racial politics to the aftermath of Hurricane Katrina. This volume features work by varied and accomplished scholars, including "Black Power in Black Presidential Bids From Jackson to Obama," Katherine Tate; "'But I Voted for Obama': Melodrama and Post-Civil Rights, Post-Feminist Ideology in Grey's Anatomy, Crash, and Barack Obama's 2008 Presidential Bid," Nikol Alexander-Floyd; "Afro-Brazilian Black Linked Fate in Salvador and Sao Paulo, Brazil," Gladys Mitchell; and "Beyond Tactical Withdrawal: An Early History of the National Conference of Black Political Scientists," Joseph P. McCormick, II.
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