David Adams Richards finds universal truths in the very particular setting of New Brunswick’s Miramichi Valley. This, his first novel, provides a window upon a world that is as unsettling, as uncontrollable, and as inescapably authentic as a sudden brawl. The frustrations of the community are brought into focus in the plights of 20-year-old Kevin Dulse, his family, and especially his wild young friends. An intensely realistic story, it stands firm upon its engaging, unaffected characters and the raw talent of its then 22-year-old author.
David Adams Richards takes us behind his gun and into the Canadian forest for his most powerful work of non-fiction yet. In his brilliant non-fiction, David Adams Richards - first and foremost one of Canada's greatest and best-beloved novelists - has been writing a kind of memoir by other means. Like his previous titles Lines On Water, about his pursuit of angling, and Hockey Dreams, about the game his disabled body prevented him from playing, Facing the Hunter explores the meaning of a sport and the way in which it touches lives, not least that of the author. And as with God Is, his recent book about his faith, it is also an impassioned defence of a set of values and a way of life that Richards believes are under attack. Lovers of David Adams Richards' novels will be fascinated and enlightened to note the interplay between his former life as a keen hunter - he hunts less and less these days, as he explains - and the narratives and characters of his fiction. But this is also a perfect starting point for anyone coming new to Richards. The storytelling in this book, the evocation of the Canadian wild and those who venture into it, the sheer power of the prose, show a great writer at the height of his powers.
Written in taut, penetrating prose, Richards' new novel offers a wide array of unforgettable characters. All are wrestling with issues of integrity, self-preservation, and power in the close confines of their coastal community, and tragedy is waiting to happen. Home from college for the summer is Karrie Smith, whose deep longing for a more exciting life makes her especially vulnerable to the shady world between the decent and the dark. The summer becomes fraught with misadventures and abrupt changes in fortune, but it is only in the aftermath of a senseless murder that the real truth emerges. In this richly textured tale, THE BAY OF LOVE AND SORROWS exposes the heart of fierce need and the profligate greed of humankind, and explores the possibility of redemption in whatever circumstances people find themselves. This novel speaks to us, empowers us and enlightens us as Richards reveals the mist of moral uncertainty and the desperation of small-town life. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
For David Adams Richards, blood ties is not merely a figure of speech, but an assertion of the reality of life in small-town Canada, where blood ties people in countless, almost unknowable ways to friends, community, and landscape. The lives of three generations of MacDurmots form a Miramichi Valley family portrait that is beguiling, insightful, witty, and tender. Employing dazzling angles of vision and fast-shifting perspectives, Richards captures the inner lives of his characters with sympathy and understanding.
In this invaluable contribution to the continuing debate about religious belief, David Adams Richards offers an exhilaratingly fresh perspective and a voice more impassioned, heartfelt, and sometimes furious, than anything written about God by an atheist. David Adams Richards, one of Canada’s most beloved and celebrated authors, has been wrestling with questions of morality, faith, and religion ever since he was a child. They have always informed his fiction. Now he examines their role in his own life and spells out his own belief, in what is his most self-revealing work to date. With characteristic honesty, Richards charts his rocky relationship with his cradle Catholicism, his battles with personal demons, his encounters with men who were proud to be murderers, and the many times in his life when he has been witness to what he unapologetically calls miracles. In this subtly argued, highly personal polemic, David Adams Richards insists that the presence of God cannot be denied, and that many of those who espouse atheism also know that presence, though they would not admit it to anyone—including themselves. Every follower of today’s battle between faith and atheism, and every lover of David Adams Richards’ superb fiction, will find God Is revelatory. “I believe that all of us, even those who are atheists, seek God—or at the very least not one of us would be unhappy if God appeared and told us that the universe was actually His creation. Oh, we might put Him on trial for making it so hard, and get angry at Him, too, but we would be very happy that He is here. Well, He is.” Questions of faith, morality, the role of unseen forces in our destinies, have been central to the fiction of David Adams Richards. Now he directly addresses what these questions have meant to him in his own life, and what he has come firmly to believe. He has always been a courageous and uncompromisingly honest writer—but never more so than here.
Anyone who has ever tied a blood knot in a leader or spun a line on the reel, felt the tug of a salmon or seen the glimmer of a brook trout in the early morning sun, understands that fishing is more than a sport. It is, for many, a way of life. In Lines on the Water, we are reminded why this is so. Writing with the same mastery that has won him praise for his fiction, Richards takes us—even those unfamiliar with days spent in chilly waters—on an unforgettable journey to the famed Miramichi River. Casting new light on the mysterious and elegant world of fly fishing, it teems with lore and wisdom, humor, and most of all, passion.
The Terris are engaging people, but they are a family in collapse. Alcoholism, drugs, and loveless sex have reduced them to a petty and wasted bunch. Worse, they typify aspects of the larger community besieged by financial woes and by creeping economic and cultural Americanization. What David Adams Richards accomplishes is no mean feat: his characters are at times vicious, sleazy, and even outright dim, yet he manages to entitle them to the interest and sympathy of the reader. Even more now than at its first publication in 1981, Lives of Short Duration’s sharp, essential insights have significance for readers seeking to understand the modern Canadian predicament.
Mercy Among the Children received effusive praise from the critics, was nominated for a Governor General’s Award and won the Giller Prize. It was named one of 2000’s best books, became a national bestseller in hardcover for months, and would be published in the US and UK. It is seen, however, as being at odds with literary fashion for concerning itself with good and evil and the human freedom to choose between them — an approach that puts Richards, as Maclean’s magazine says, firmly in the tradition of Tolstoy and Dostoevsky. Author Wayne Johnston recounts hearing Richards read in 1983 and being struck by his unqualified love for every one of his characters, even though “it was not then fashionable to love your characters”. Pottersfield Portfolio editor Tony Tremblay calls Richards the most misunderstood Canadian writer of the century, and a “great moralist”, comparing him to Morley Callaghan, Kafka and Melville. As a boy, Sydney Henderson thinks he has killed Connie Devlin when he pushes him from a roof for stealing his sandwich. He vows to God he will never again harm another if Connie survives. Connie walks away, laughing, and Sydney embarks upon a life of self-immolating goodness. In spite of having educated himself with such classics as Tolstoy and Marcus Aurelius, he is not taken seriously enough to enter university because of his background of dire poverty and abuse, which leads everyone to expect the worst of him. His saintly generosity of spirit is treated with suspicion and contempt, especially when he manages to win the love of beautiful Elly. Unwilling to harm another in thought or deed, or to defend himself against false accusations, he is exploited and tormented by others in this rural community, and finally implicated in the death of a 19-year-old boy. Lyle Henderson knows his father is innocent, but is angry that the family has been ridiculed for years, and that his mother and sister suffer for it. He feels betrayed by his father’s passivity in the face of one blow after another, and unable to accept his belief in long-term salvation. Unlike his father, he cannot believe that evil will be punished in the end. While his father turns the other cheek, Lyle decides the right way is in fighting, and embarks on a morally empty life of stealing, drinking and violence. A compassionate, powerful story of humanity confronting inhumanity, it is a culmination of Richards’ last seven books, beginning with Road to the Stilt House. It takes place in New Brunswick’s Miramichi Valley, like all of his novels so far, which has led some urban critics to misjudge his work as regional — a criticism leveled at Thomas Hardy, Joseph Conrad and Emily Bronte in their own day. Like his literary heroes, Richards aims to evoke universal human struggles through his depiction of the events of a small, rural place, where one person’s actions impact inevitably on others in a tragic web of interconnectedness. The setting is extremely important in Richards’ work, “because the characters come from the soil”; but as British Columbia author Jack Hodgins once told Richards, “every character you talk about is a character I've met here in Campbell River”.
A suspenseful and moving novel which has at its centre one of Richards’ most memorable and haunting characters. It is the fall of 1989 in a small Miramichi mill town. Jerry Bines is acquitted of murder and returns home to his estranged wife and young son, with hopes for a new beginning. But when he learns that Gary Percy Rils has escaped from prison, he has good reason to fear for his own safety and that of others. In his attempts to protect his family from Rils by taking him under his wing, Bines sets in motion a series of events that ultimately leads to tragedy. The story of what happens unfolds piece by piece, as related by police reports, interviews, and by a man to a boy. Vivid in its sense of place, this penetrating chronicle of lives is both dark and redemptive, devastating and comic. This novel was made into a Gemini Award-winning film of the same name.
From David Adams Richards, winner of the Giller Prize and the Governor General’s Award, comes a magnificent and haunting novel about the entwinement of remembered love and unforgotten hate. Spanning generations, River of the Brokenhearted tells the life and legacy of Janie McCleary, a strong-willed Irish Catholic girl who dares to marry a man from the Church of England. Their union is quickly deemed scandalous, and when her husband dies young, just before the Great Depression, Janie is left alone to raise a family and run a business—the first movie theater in town. Through the strength of her character, she succeeds in a world of men. For that she is ostracized and becomes a victim of double-dealing and overt violence. Based on the author’s own grandmother, Janie is a pioneer before the age of feminism, but her salty individualism burdens the lives of her children and grandchildren. Writing with compassion and mastery, Richards muses on the tyranny of memory and history, and peers into the hearts of extraordinary characters. There he finds an alchemy of venality and goodwill, deceit and brotherliness, marked cruelty and true love. Once again, David Adams Richards has brought us a work of astonishing grace, rooted in his special territory on the great river Miramichi of New Brunswick, but firmly universal in scope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
David Adams Richards’ Governor General’s Award-winning novel is a powerful tale of resignation and struggle, fierce loyalties and compassion. This book is the first in Richards’ acclaimed Miramichi trilogy. Set in a small mill town in northern New Brunswick, it draws us into the lives of a community of people who live there, including: Joe Walsh, isolated and strong in the face of a drinking problem; his wife, Rita, willing to believe the best about people; and their teenage daughter Adele, whose nature is rebellious and wise, and whose love for her father wars with her desire for independence. Richards’ unforgettable characters are linked together in conflict, and in inarticulate love and understanding. Their plight as human beings is one we share.
With The Friends of Meager Fortune, award-winning author David Adams Richards continues his exploration of New Brunswick’s Miramichi Valley, and the universal human matters that concern us all. A story of good and evil, fate and hope, set against the background of a logging town on the brink of change. Will Jameson has a temperament of iron, standing up to men twice his age when he takes over the Jameson lumber company after his father's death. His younger brother Owen is sensitive, literary and fanciful. But when Will dies suddenly and Owen's beloved Lula rejects him, Owen's deeper character comes to light: joining the army in the hope of getting himself killed, instead Owen returns home a decorated war hero. Then he falls in love with the beautiful, childlike Camellia—the wife of Will's old friend Reggie Glidden—and soon Owen and Camellia find themselves watched on all sides, caught in the teeth of an entire town's gossip and hypocrisy. Inexorably, they are pulled into a chain of events that will end with death, disappearance and a sensational trial. At the same time, realizing his destiny, Owen takes over the family business and begins what will become the greatest cut in New Brunswick history, his men setting up camp on the notoriously dangerous Good Friday Mountain. The teamsters spend months in fierce ice and snow, daily pitting themselves against nature and risking their lives for scant reward, in the last moments before the coming of mechanization that will make them obsolete. This heroic, brutal life is all Meager Fortune, the camp keeper, knows. A good and innocent man, he shows unexpected resolution in the face of the betrayals of the more worldly men around him.
Cindi and Ivan Basterache have been married only twenty months. There is a disagreement over a loan, and rumours of violence in the ensuing quarrel begin to spread throughout the northern New Brunswick mill town in which they live, setting in motion a series of events and misunderstandings. As Ivan struggles to reconcile with Cindi, the community turns against him, fuelled by his father’s self-deluded lies and misguided attempts to set things right, exposing the other side of good intentions and leading to the novel’s powerful conclusion. Disturbing, tender-hearted, and at times darkly humorous, Evening Snow Will Bring Such Peace reveals the strange unrecognized power in us all to shape one another’s destinies.
From literary legend David Adams Richards comes the breathtaking final instalment of his epic Miramichi Trilogy. When John Delano is asked by the sister of Orville MacDurmot to investigate his violent death and the accusations of murder that haunted his final days, Delano embarks on a journey that will pull him deep into Miramichi's shadowy history and the pasts of those who conspired against him. Bullied as a child for his meagre upbringing and blindness in one eye, Orville broke from his humble roots to become an internationally renowned archeologist, a position those along the Miramichi treat with both pride and resentment. Not one to suffer fools gladly, Orville finds himself progressively at odds with the region's elite, who wish to use his eminence for their own gains and enlist him for their political causes. As resentments old and new fester, suspicion grows and a book titled Darkness increasingly seems the origin of a crime unlike anything the Miramichi has witnessed before, Orville finds his reputation--and his life--in danger. When the remains of a young woman and man are discovered on a rugged shoreline where Orville has been working on an archeological dig, his enemies finally see their opportunity to destroy him. In a saga crossing decades, continents and generations, yet rooted in the richly conceived world of Richards' Miramichi, Darkness explores the shocking lengths we travel to fulfill personal ambition, and the tragic price we pay to defend our moral principles.
With a voice as Canadian as winter, David Adams Richards reflects on the place of hockey in the Canadian soul. The lyrical narrative of Hockey Dreams flows from Richards' boyhood games on the Miramichi to heated debates with university professors who dare to back the wrong team. It examines the globalization of hockey, and how Canadians react to the threat of foreigners beating us at "our" game. Part memoir, part essay on national identity, part hockey history, Hockey Dreams is a meditation by one of Canada's finest writers on the essence of the game that helps define our nation.
A collection of two Christmas stories set in Miramichi, New Brunswick. In the first story, two boys set out to rescue a small black puppy and in the second story, a group of brothers and a neighbourhood child search for the perfect Christmas tree.
A thrilling, revelatory collection from one of the most provocative and original literary voices in Canada today. David Adams Richards is one of Canada's greatest writers, his place in the pantheon ensured by seventeen novels of consistent power and vision. He is also the author of four marvelous non-fiction ruminations on religious faith, hockey, hunting and fishing and their roles in his and the nation's identities. His loyal readers may feel they know him well. But they also know that this is a writer who never fails to surprise. This new collection of essays--his first in a quarter-century--is rich with revelations and insights, deepening our appreciation for this major talent and offering a provoking thought on every page. Murder is one of David's great subjects. In his novels, in the Russian classics he loves and in his life, murder has been a shaping force. The title of this volume refers to a suite of essays on the subject: a hitchhiker with whom David strikes up an unnerving philosophical debate; the killers of the Miramichi and their victims; Caligula; the villains of Russian literature; and, forever in David's mind as he examines this grim topic, the self-deception involved in the allure of evil. But in this wide-ranging collection there is much to delight in too: married love; family; travel; the beauty of the natural world; even Wayne Gretzky is invited to the party. David's principled outlook and spirituality inform his thinking thoroughout. And he draws many of his favourite writers into the discussion--from Tolstoy to Dostoevsky, Mary Shelley to Alden Nowlan--revelling in their work, as we do in David's, as sources of ideas, inspiration and sheer literary pleasure. As a considerable bonus, the book also contains at its midpoint a literary debut: a slim but substantial collection of David's poetry.
A timeless reflection on hockey, not only as a sport, but as a lens through which to view a nation from award-winning author David Adams Richards. With a voice as Canadian as winter, David Adams Richards reflects on the place of hockey in the Canadian soul. The lyrical narrative of Hockey Dreams flows from Richards' boyhood games on the Miramichi to heated debates with university professors who dare to back the wrong team. It examines the globalization of hockey, and how Canadians react to the threat of foreigners beating us at "our" game. Part memoir, part essay on national identity, part hockey history, Hockey Dreams is a meditation by one of Canada's finest writers on the essence of the game that helps define our nation.
What had happened, from those days until now? And why had it? And how had his life gone? And who was to blame? Or why did he think he had to blame anyone? Certainly he couldn’t even blame Mr. Roach, caught in the same turmoil as everyone believing half-truths in order to blame other people. These are the forlorn thoughts of Alex Chapman, the tragic anti-hero of David Adams Richards’ masterful novel The Lost Highway. An exploration of the philosophical contortions of which man is capable, the novel tracks the desperate journey of an eternally lost and orphaned child/man who has nearly squandered his frail birthright but might yet earn some degree of redemption. David Adams Richards’ The Lost Highway is a taut psychological thriller that goes far beyond the genre into the worlds of Leo Tolstoy, and Emily Brontë’s Wuthering Heights, as well as classical Greek mythology, testing the very limits of humankind’s all too tenuous grasp on morality.
Literary legend David Adams Richards follows the epic Miramichi Trilogy with a startling standalone novel of concentrated power. The Raskin brothers were once proud to be producers of a much sought-after material of great benefit to society—asbestos. But now their mine is under close scientific scrutiny, with reports of serious illness linked to the place. The world is changing, no doubt for the better . . . But in the shadow of the mine, the values of a whole community are transforming, in more sinister ways. The Raskins' nephew Byron, a war hero and man of wealth, urges the brothers to look for other, less toxic minerals to extract. But meanwhile his own world is unravelling in ways that are unlikely ever to be fixed. His wife Carmel, whom he vaingloriously believed he was rescuing with his marriage proposal, has become an intellectual and political poseur. She and her son Albert are contemptuous of the values of Byron and his kind, while still finding use for his wealth and property. Carmel and Albert, it seems, are heralds of a new world addicted to mimicry and empty self-promotion, to delusions and temptations. Its victims are growing in number: a college professor in town is falsely accused of sexual harassment; a young woman is slipped a hallucinogen at a party with appalling consequences for her and two boys. And what of poor, naive Eva Mott, the captivating beauty who wished to be like her talented cousin Clara? Her story and the book that bears her name will haunt you. The Tragedy of Eva Mott has all the power and brilliance—and many flashes of wry humour—of David Adams Richards at the very top of his form. It will attract controversy but its fierce authenticity cannot be denied.
Press baron, entrepreneur, art collector, and wartime minister in Churchill's cabinet, Max Aitken was a colonial Canadian extraordinaire. Rising from a hardscrabble childhood in New Brunswick, he became a millionaire at age 25, earned the title of Lord Beaverbrook at 38, and by age 40 was the most influential newspaperman in the world. Fiercely loyal to the British Empire, he was nonetheless patronized by London's upper class, whose country he worked tirelessly to protect during World War II. David Adams Richards, one of Canada's preeminent novelists, celebrates Beaverbrook's heroic achievements in this perceptive interpretive biography.
Highly charged and profoundly important, Incidents in the Life of Markus Paul is a new masterpiece from one of Canada’s greatest writers. On a bright morning in June 1985, a young Micmac man starts his first day of work—but by noon he is dead, killed mysteriously in the fourth hold of the cargo ship Lutheran. Hector Penniac had been planning to go to university, perhaps to study medicine. Roger Savage, a loner who has had to make his own way since his youth, comes under suspicion of killing Hector over a union card and a morning’s work. Even if he can’t quite put it into words, Roger immediately sees the ways in which Hector’s death will be viewed as symbolic, as more than an isolated tragedy—and that he is caught in a chain of events that will become more explosive with each passing day. The aging chief of Hector’s band, Amos Paul, tries to reduce the tensions raised by the investigation into Hector’s death and its connection to a host of other simmering issues, from territorial lines to fishing rights. His approach leads him into conflict with Isaac Snow, a younger and more dynamic man whom many in the band would prefer to lead them—especially when the case attracts press attention in the form of an ambitious journalist named Max Doran, the first of many outsiders to bring his own agenda and motives onto the Micmac reserve. Joel Ginnish, Isaac’s volatile and sometimes violent friend, decides to bring justice to Roger Savage when the authorities refuse to, blockading the reserve in order to do so. And though perhaps no one really means for it to happen, soon a single incident grows ineluctably into a crisis that engulfs a whole society, a whole province and in some ways a whole country. Twenty years later, RCMP officer Markus Paul—Chief Amos Paul’s grandson, who was fifteen years old when Hector was killed—tries to piece together the clues surrounding Hector Penniac’s death. The decades have passed, and much about the case has been twisted beyond recognition by the many ways that different people have sought to exploit it. But, haunted by the past, Markus still struggles towards a truth that will snap “those chains that had once seemed impossible to break.” (290) This is a novel that begins with an instant from today’s headlines, and digs down into the marrow to explore the oldest themes we know: murder and betrayal, race and history, the brutal and chaotic forces that guide the groups we are drawn into. Nothing is one-sided in David Adams Richards’ world—even the most scheming characters have moments of grace, while the most benevolent are shown to have selfish motives, or the need to show off their goodness. All are depicted with an almost Biblical gravity, framed by an understated genius of storytelling that makes this novel at once both an utterly gripping mystery, and a vitally important document of Canada’s broken past and divided present.
The Maritime region is thus torn between its memory of an earlier, more prosperous and traditional social order and its present experience as a less fortunate modern industrial society. These tensions are embedded in the Maritime character and have affected not only the lives of its people but the imaginations and texts of its writers."--BOOK JACKET.
Literary legend David Adams Richards follows the epic Miramichi Trilogy with a startling standalone novel of concentrated power. The Raskin brothers were once proud to be producers of a much sought-after material of great benefit to society—asbestos. But now their mine is under close scientific scrutiny, with reports of serious illness linked to the place. The world is changing, no doubt for the better . . . But in the shadow of the mine, the values of a whole community are transforming, in more sinister ways. The Raskins' nephew Byron, a war hero and man of wealth, urges the brothers to look for other, less toxic minerals to extract. But meanwhile his own world is unravelling in ways that are unlikely ever to be fixed. His wife Carmel, whom he vaingloriously believed he was rescuing with his marriage proposal, has become an intellectual and political poseur. She and her son Albert are contemptuous of the values of Byron and his kind, while still finding use for his wealth and property. Carmel and Albert, it seems, are heralds of a new world addicted to mimicry and empty self-promotion, to delusions and temptations. Its victims are growing in number: a college professor in town is falsely accused of sexual harassment; a young woman is slipped a hallucinogen at a party with appalling consequences for her and two boys. And what of poor, naive Eva Mott, the captivating beauty who wished to be like her talented cousin Clara? Her story and the book that bears her name will haunt you. The Tragedy of Eva Mott has all the power and brilliance—and many flashes of wry humour—of David Adams Richards at the very top of his form. It will attract controversy but its fierce authenticity cannot be denied.
Mercy Among the Children received effusive praise from the critics, was nominated for a Governor General’s Award and won the Giller Prize. It was named one of 2000’s best books, became a national bestseller in hardcover for months, and would be published in the US and UK. It is seen, however, as being at odds with literary fashion for concerning itself with good and evil and the human freedom to choose between them — an approach that puts Richards, as Maclean’s magazine says, firmly in the tradition of Tolstoy and Dostoevsky. Author Wayne Johnston recounts hearing Richards read in 1983 and being struck by his unqualified love for every one of his characters, even though “it was not then fashionable to love your characters”. Pottersfield Portfolio editor Tony Tremblay calls Richards the most misunderstood Canadian writer of the century, and a “great moralist”, comparing him to Morley Callaghan, Kafka and Melville. As a boy, Sydney Henderson thinks he has killed Connie Devlin when he pushes him from a roof for stealing his sandwich. He vows to God he will never again harm another if Connie survives. Connie walks away, laughing, and Sydney embarks upon a life of self-immolating goodness. In spite of having educated himself with such classics as Tolstoy and Marcus Aurelius, he is not taken seriously enough to enter university because of his background of dire poverty and abuse, which leads everyone to expect the worst of him. His saintly generosity of spirit is treated with suspicion and contempt, especially when he manages to win the love of beautiful Elly. Unwilling to harm another in thought or deed, or to defend himself against false accusations, he is exploited and tormented by others in this rural community, and finally implicated in the death of a 19-year-old boy. Lyle Henderson knows his father is innocent, but is angry that the family has been ridiculed for years, and that his mother and sister suffer for it. He feels betrayed by his father’s passivity in the face of one blow after another, and unable to accept his belief in long-term salvation. Unlike his father, he cannot believe that evil will be punished in the end. While his father turns the other cheek, Lyle decides the right way is in fighting, and embarks on a morally empty life of stealing, drinking and violence. A compassionate, powerful story of humanity confronting inhumanity, it is a culmination of Richards’ last seven books, beginning with Road to the Stilt House. It takes place in New Brunswick’s Miramichi Valley, like all of his novels so far, which has led some urban critics to misjudge his work as regional — a criticism leveled at Thomas Hardy, Joseph Conrad and Emily Bronte in their own day. Like his literary heroes, Richards aims to evoke universal human struggles through his depiction of the events of a small, rural place, where one person’s actions impact inevitably on others in a tragic web of interconnectedness. The setting is extremely important in Richards’ work, “because the characters come from the soil”; but as British Columbia author Jack Hodgins once told Richards, “every character you talk about is a character I've met here in Campbell River”.
The Terris are engaging people, but they are a family in collapse. Alcoholism, drugs, and loveless sex have reduced them to a petty and wasted bunch. Worse, they typify aspects of the larger community besieged by financial woes and by creeping economic and cultural Americanization. What David Adams Richards accomplishes is no mean feat: his characters are at times vicious, sleazy, and even outright dim, yet he manages to entitle them to the interest and sympathy of the reader. Even more now than at its first publication in 1981, Lives of Short Duration’s sharp, essential insights have significance for readers seeking to understand the modern Canadian predicament.
Anyone who has ever tied a blood knot in a leader or spun a line on the reel, felt the tug of a salmon or seen the glimmer of a brook trout in the early morning sun, understands that fishing is more than a sport. It is, for many, a way of life. In Lines on the Water, we are reminded why this is so. Writing with the same mastery that has won him praise for his fiction, Richards takes us—even those unfamiliar with days spent in chilly waters—on an unforgettable journey to the famed Miramichi River. Casting new light on the mysterious and elegant world of fly fishing, it teems with lore and wisdom, humor, and most of all, passion.
A suspenseful and moving novel which has at its centre one of Richards’ most memorable and haunting characters. It is the fall of 1989 in a small Miramichi mill town. Jerry Bines is acquitted of murder and returns home to his estranged wife and young son, with hopes for a new beginning. But when he learns that Gary Percy Rils has escaped from prison, he has good reason to fear for his own safety and that of others. In his attempts to protect his family from Rils by taking him under his wing, Bines sets in motion a series of events that ultimately leads to tragedy. The story of what happens unfolds piece by piece, as related by police reports, interviews, and by a man to a boy. Vivid in its sense of place, this penetrating chronicle of lives is both dark and redemptive, devastating and comic. This novel was made into a Gemini Award-winning film of the same name.
Cindi and Ivan Basterache have been married only twenty months. There is a disagreement over a loan, and rumours of violence in the ensuing quarrel begin to spread throughout the northern New Brunswick mill town in which they live, setting in motion a series of events and misunderstandings. As Ivan struggles to reconcile with Cindi, the community turns against him, fuelled by his father’s self-deluded lies and misguided attempts to set things right, exposing the other side of good intentions and leading to the novel’s powerful conclusion. Disturbing, tender-hearted, and at times darkly humorous, Evening Snow Will Bring Such Peace reveals the strange unrecognized power in us all to shape one another’s destinies.
David Adams Richards takes us behind his gun and into the Canadian forest for his most powerful work of non-fiction yet. In his brilliant non-fiction, David Adams Richards - first and foremost one of Canada's greatest and best-beloved novelists - has been writing a kind of memoir by other means. Like his previous titles Lines On Water, about his pursuit of angling, and Hockey Dreams, about the game his disabled body prevented him from playing, Facing the Hunter explores the meaning of a sport and the way in which it touches lives, not least that of the author. And as with God Is, his recent book about his faith, it is also an impassioned defence of a set of values and a way of life that Richards believes are under attack. Lovers of David Adams Richards' novels will be fascinated and enlightened to note the interplay between his former life as a keen hunter - he hunts less and less these days, as he explains - and the narratives and characters of his fiction. But this is also a perfect starting point for anyone coming new to Richards. The storytelling in this book, the evocation of the Canadian wild and those who venture into it, the sheer power of the prose, show a great writer at the height of his powers.
From David Adams Richards, winner of the Giller Prize and the Governor General’s Award, comes a magnificent and haunting novel about the entwinement of remembered love and unforgotten hate. Spanning generations, River of the Brokenhearted tells the life and legacy of Janie McCleary, a strong-willed Irish Catholic girl who dares to marry a man from the Church of England. Their union is quickly deemed scandalous, and when her husband dies young, just before the Great Depression, Janie is left alone to raise a family and run a business—the first movie theater in town. Through the strength of her character, she succeeds in a world of men. For that she is ostracized and becomes a victim of double-dealing and overt violence. Based on the author’s own grandmother, Janie is a pioneer before the age of feminism, but her salty individualism burdens the lives of her children and grandchildren. Writing with compassion and mastery, Richards muses on the tyranny of memory and history, and peers into the hearts of extraordinary characters. There he finds an alchemy of venality and goodwill, deceit and brotherliness, marked cruelty and true love. Once again, David Adams Richards has brought us a work of astonishing grace, rooted in his special territory on the great river Miramichi of New Brunswick, but firmly universal in scope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
A timeless reflection on hockey, not only as a sport, but as a lens through which to view a nation from award-winning author David Adams Richards. With a voice as Canadian as winter, David Adams Richards reflects on the place of hockey in the Canadian soul. The lyrical narrative of Hockey Dreams flows from Richards' boyhood games on the Miramichi to heated debates with university professors who dare to back the wrong team. It examines the globalization of hockey, and how Canadians react to the threat of foreigners beating us at "our" game. Part memoir, part essay on national identity, part hockey history, Hockey Dreams is a meditation by one of Canada's finest writers on the essence of the game that helps define our nation.
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