Traditional science holds that everything that exists starts with matter, but this undocumented belief must be false, according to Quantum Mechanics. It has to be! QM demonstrates that
• There is no such thing as matter or space or time • A conscious observer is a necessary condition for anything to exist. • There is only subjectivity without any objective truth. • The world we experience, therefore, must be an illusion, like a holodeck program or a virtual game.
And no one disputes the conclusions of this mysterious science—Quantum Mechanics underlies all of reality. This virtual experience we are having is nevertheless alive and conscious and deliberately makes choices. Life has always been latent in the universe; every species is aware, intelligent, and chooses; and existence—according to spiritual and scientific conclusions alike—is one unified evolving and emerging intelligent being, purposefully partnering with the universe in influencing what it is to become. Sound strange? What is far stranger is the materialist notion that existence burst forth out of absolutely nothing! That’s why this book “matters.” The life we live is not based in some mindless and mechanical machine. The life we live is filled with purpose and meaning, and we humans have work to do to bring our world along. Join in on this astonishing unfolding journey which we participate in fashioning: The Greatest Story Ever Told!
Beckett was deeply engaged with the visual arts and individual painters, including Jack B. Yeats, Bram van Velde, and Avigdor Arikha. In this monograph, David Lloyd explores what Beckett saw in their paintings. He explains what visual resources Beckett found in these particular painters rather than in the surrealism of Masson or the abstraction of Kandinsky or Mondrian. The analysis of Beckett's visual imagination is based on his criticism and on close analysis of the paintings he viewed. Lloyd shows how Beckett's fascination with these painters illuminates the 'painterly' qualities of his theatre and the philosophical, political and aesthetic implications of Beckett's highly visual dramatic work.
Limits to Free Trade ranges over a wide diversity of relevant issues ranging from international agreements, to regional trade policies, to import trade barriers, to movements for trade reforms. Informed, informative, and strongly recommended for academic library reference and resource collections, Limits to Free Trade is a model of detailed and articulate scholarship. The Midwest Book Review This book explores the growing list of non-tariff trade barriers raised by the US, EU and Japan and assesses the prospects for significant trade liberalization. The author examines the liability of global free trade through a review of the complaints that these three countries raised about each other over a five-year period. He concludes that free trade may be increasingly hampered as barriers are created more rapidly than can be resolved, and that the prospects for significantly strengthening safeguards are limited. These issues are analyzed in the contexts of the major WTO trade agreements and the political economy of decision-making in the US, EU and Japan. The author concludes that the growing problems are endemic to the system and are not amenable to easy remedy. He tackles topics including international agreements, the trade policy processes in the three regions, issues concerning trade practices, import trade barriers in the EU, and prospects for reform. Scholars, students and practitioners in business economics, international business, and international economics will find much of interest in this book.
Anomalous States is an archeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions of identity were first formed. In five linked essays, he explores modern Irish literature and its political contexts through the work of four Irish writers--Heaney, Beckett, Yeats, and Joyce. Beginning with Heaney and Beckett, Lloyd shows how in these authors the question of identity connects with the dominance of conservative cultural nationalism and argues for the need to understand Irish culture in relation to the wider experience of colonized societies. A central essay reads Yeats's later works as a profound questioning of the founding of the state. Final essays examine the gradual formation of the state and nation as one element in a cultural process that involves conflict between popular cultural forms and emerging political economies of nationalism and the colonial state. Modern Ireland is thus seen as the product of a continuing process in which, Lloyd argues, the passage to national independence that defines Ireland's post-colonial status is no more than a moment in its continuing history. Anomalous States makes an important contribution to the growing body of work that connects cultural theory with post-colonial historiography, literary analysis, and issues in contemporary politics. It will interest a wide readership in literary studies, cultural studies, anthropology, and history.
Drawing on Yeats's correspondence with fellow theater artists as well as on the myriad drafts of his plays, this book traces the conflict through which Yeats the playwright mastered and transmuted the traditional elements of drama, fusing them to create a body of wholly modern plays that still exert their influence upon contemporary playwrights."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Much of the analysis of infrastructure's impact on trade costs focuses on conditions in developed countries. This book makes an invaluable contribution to our understanding by examining the situation in developing Asia, the world's most populous and fastest growing region. This study analyzes and draws policy implications from infrastructure's central role in lowering Asia's trade costs. Infrastructure is shown to be a cost-effective means of lowering trade costs and thereby promoting regional growth and integration. This book combines thematic and country studies, while breaking new ground in.
The first section of the book develops Solway's approach to literature, starting from the assumption that genuine criticism requires the intellectual freedom to range at will across the literary landscape rather than restricting one's direction based on what is current, fashionable, or politically correct. Solway argues that advocating a theoretical school - postmodernism, poststructuralism, semiotics, new historicism, Marxist revisionism, or queer theory - generally involves abandoning the real critical project, which is the discovery of one's own undetermined motives, dispositions, and interests as reflected in the secret mirrors embedded in literary texts. Instead Solway pursues what he calls elective criticism, writing that enables the critical writer to freely discover his or her own identity - a concept that he claims cannot reasonably be diluted, relinquished, or deconstructed. In the second section Solway practices what he preaches, exploring a wide range of authors and subjects. His essays include an analysis of Franz Kafka's The Trial as a Jewish joke, a personal memoir of Irving Layton, an interpretation of Erin Moure's "Pronouns on the Main," an examination of language in William Shakespeare's romances, a reading of Robert Browning's "My Last Duchess" that is sympathetic to the Duke, an assertion that James Joyce has more in common with the traditional novelist than with the professional, (post-)modern alienator, and an exploration of Jonathan Swift's sartorial imagery that contends that form is the source of substantive identity.
THE STORY: The play begins on the set of The Care and Treatment of Roses, an ambitious work by a budding young local writer, which is now in final rehearsal by a provincial Canadian theatre company. Animosity has already developed between the fea
The modernist poet T. S. Eliot has been applauded and denounced for decades as a staunch champion of high art and an implacable opponent of popular culture. But Eliot's elitism was never what it seemed. T. S. Eliot and the Cultural Divide refurbishes this great writer for the twenty-first century, presenting him as the complex figure he was, an artist attentive not only to literature but to detective fiction, vaudeville theater, jazz, and the songs of Tin Pan Alley. David Chinitz argues that Eliot was productively engaged with popular culture in some form at every stage of his career, and that his response to it, as expressed in his poetry, plays, and essays, was ambivalent rather than hostile. He shows that American jazz, for example, was a major influence on Eliot's poetry during its maturation. He discusses Eliot's surprisingly persistent interest in popular culture both in such famous works as The Waste Land and in such lesser-known pieces as Sweeney Agonistes. And he traces Eliot's long, quixotic struggle to close the widening gap between high art and popular culture through a new type of public art: contemporary popular verse drama. What results is a work that will persuade adherents and detractors alike to return to Eliot and find in him a writer who liked a good show, a good thriller, and a good tune, as well as a "great" poem.
The Kennedys endure as American icons because of the mix between power and vulnerability that so many of them embodied. Our fascination and connection to them comes most strongly through the wives, whose pain, heartbreak, and grief seemed immensely public and lonely and personal at the same time. The Tragic Lives of the Kennedy Wives examines five of the Kennedy matriarchs: Rose, Jackie, Ethel, Joan, and Vicki through the lens of their marriages, their religion, their families, their activism and most of all, their tragedies. An important and fascinating exploration into the side of Camelot that was never quite kept from the public eye.
This book addresses issues in the philosophy of art through the lenses of the three broad areas of philosophy: metaphysics, epistemology, and axiology. It surveys many important and pervasive topics connected to a philosophical understanding of art.
An insider’s tour through the construction of invented languages from the bestselling author and creator of languages for Legendary's Dune, the HBO series Game of Thrones and the Syfy series Defiance From master language creator David J. Peterson comes a creative guide to language construction for sci-fi and fantasy fans, writers, game creators, and language lovers. Peterson offers a captivating overview of language creation, covering its history from Tolkien’s creations and Klingon to today’s thriving global community of conlangers. He provides the essential tools necessary for inventing and evolving new languages, using examples from a variety of languages including his own creations, punctuated with references to everything from Star Wars to Janelle Monáe. Along the way, behind-the-scenes stories lift the curtain on how he built languages like Dothraki for HBO’s Game of Thrones and Shiväisith for Marvel’s Thor: The Dark World, and an included phrasebook will start fans speaking Peterson’s constructed languages. The Art of Language Invention is an inside look at a fascinating culture and an engaging entry into a flourishing art form—and it might be the most fun you’ll ever have with linguistics. The Art of Language Invention includes a new chapter on phrases, specifically, word order, negation, question formation, pragmatic concerns, relativization, and subordination, providing a complete introduction to language creation and linguistics. Invented languages featured in the book now include Chakobsa from Legendary’s Dune, Trigedasleng (or Grounder) from The 100, Méníshè language from Motherland: Fort Salem and Ravkan from the Netflix series Shadow and Bone.
In this daring, and often dazzling, collection of stories, David Huddle gently scrutinizes the marvelous complexities (and endless permutations) of male-female encounters. In doing so, he again confirms his place among those few writers who can unfailingly capture, with a wry eye and unvarnished prose, both the most monumental and the most minute meetings between the sexes, those vertiginous moments that can change the directions of our lives (and can also pass unnoticed until many years after the event). Here is thirteen-year-old Angela on a trip to Scotland, experiencing the first ache of adolescence while falling in love with a black male model. And here is a professor caught in his study with a female student stretched out on his desk - nude. Huddle is always measuring that fine tension between fidelity and infidelity, that line between probity and license. He doesn't sit as a judge, but records these moments with both art and grace in a sweet and subtle prose that is guileless and wholly believable. Whether his subject is an aerobics instructor bent on revenge, or a chance, and sexually intimate, encounter on an airplane, David Huddle is a writer who is always in complete control, always managing to expose new facets in the ageless and fascinating terrain of male-female topography.
In Conscientious Thinking, David Bosworth cuts through all the noise of today’s political dysfunction and cultural wars to sound the deeper causes of our discontent. Americans are living, he argues, in a profoundly transitional era, one in which the commonsense beliefs of the first truly modern society are being undermined by the still crude but irreversible forces set loose by technology’s drastic revision of our everyday lives. He shows how this disruptive conflict between modern and post-modern modes of reasoning can be found in all advanced fields, including art, medicine, and science, and then traces its impact on our daily actions through such changes as the ways in which friends relate, money is made, crimes are committed, and mates are chosen. Just as feudal values had to give way to a modern worldview that more effectively contained the new social reality generated by the printed book, so must our democracy reimagine itself in ways that can domesticate—civilize rather than merely “monetize”—a post-modern scene radically transformed by our digital machines. To that end, Conscientious Thinking supplies not only the means to make sense of our contentious times but also a provisional sketch of what a desirable post-modern America might look like.
CE Marking, the European system of mandatory product safety standards, has created major obstacles for US exporters to the European Union (EU). CE Marking, Product Standards and World Trade is one of the first books to analyze the nature and dynamics of this major non-tariff trade barrier. David Hanson looks at the patterns of EU decision-making through a functional comparative analysis with the US, and in the context of the institutional alliances and rivalries that shape outcomes. An increasingly important but little understood issue, CE Marking is also an example of a growing problem in international commerce - the impact of inconsistent domestic product requirements on international trade. The author examines the way in which the EU has implemented the CE Marking system, its impact on US exporters, the dynamic of US - EU trade and negotiations, and the political and administrative arrangements that support them. This comprehensive study will be of great interest to students and scholars of industrial economics and international business. Business people and policymakers will also find much of interest in this timely volume.
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
A manual for Mindful Focusing—a new integration of Western psychology and Buddhist mindfulness techniques for accessing your inherent wisdom and solving life’s problems Ever come up against one of those moments when life requires a response—and you feel clueless? We all have. But there’s good news: you have all the wisdom you need to respond to any situation, even the “impossible” ones. It’s a matter of tuning in to your felt sense: that subtle physical sensation that lives somewhere between your conscious and subconscious mind and that can be accessed through Focusing—the well-known method developed by the psychologist Eugene Gendlin. David Rome’s technique of Mindful Focusing unites Gendlin’s method with Buddhist mindfulness practices to provide a wonderfully effective method for accessing your felt sense—so you can problem solve, deal with challenges, and respond honestly and creatively to the world around you.
A study of how three modernist poets (Yeats, Jones, and Eliot) at the height of their careers drew on their religious beliefs to transform some of their greatest poems into maps of the relationship between history and eternity.
Examines the life and writings of William Butler Yeats, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.
What if getting the girl meant becoming a terrorist wet boy? On an unnamed university campus late in the 20th century, a young man named Fenton Bland joins a society of student Maoists in order to get near the girl he loves. But the girl turns out to belong to the chief Maoist - and HE turns out to harbor alarming aspirations in the field of revolutionary terror. And so Fenton, wearing a forcibly grown beard, finds himself propelled into a bizarre covert world of death lists, backyard bomb labs, untraceable handguns, and attempted wet jobs of wildly varying quality - a world in which he must choose between losing the girl forever or else participating, perhaps very soon, in a successful terrorist atrocity ...
Literature and religion are never far apart. The greatest literary achievements of the West, from Aeschylus to Dante to Shakespeare, cut deeply into the soul of humanity and stir in us those ultimate questions of existence, truth, and beauty which can only be answered, if they are ever answered at all, by religious commitment or the equally passionate rejection of theology and its speculation. - from the General Editor's Preface
David Jones – author of In Parenthesis, the great poem of World War I – is increasingly recognized as a major voice in the first generation of British modernist writers. Acclaimed by the likes of T.S. Eliot, W.B. Yeats, and W.H. Auden, his writing was deeply informed by his Catholic faith and Welsh blood. This book makes available for the first time a number of previously unpublished statements by Jones that open new perspectives on his own work and the religious, political, and cultural engagements of British modernism more broadly. Annotated throughout, with detailed commentaries exploring the historical context of each document, the volume presents the restored text of Jones's essay on Hitler and includes a letter to Neville Chamberlain, an unfinished essay on Gerard Manley Hopkins, and the transcript of an interview with Jones a year before his death. These reveal an unknown side of Jones and give fresh insight into the influences and assumptions of 20th-century British literary culture.
How does one culture 'read' another? In Literature and Religion, two scholars, one from China and one from the West, each read texts from the other's culture as a means of dialogue. A key issue in such an enterprise is the nature of religion and what we understand by that term in a world in which ancient religious customs seem to be dying or under threat. Does a comparative study of religious literature offer a way towards mutual understanding - or merely illustrate our differences? Underpinned by their own friendship, these two partners in conversation show what is possible.
A dynamic thriller with the coolest, smartest journalist that fiction ever produced." —Ben Bradlee, Washington Post When rising-star reporter Eric Truell accepts information from a maverick CIA agent, he becomes enmeshed in an international trade war in which even his own newspaper may be an unsuspecting participant. When Eric's sources tell him there is a spy inside the newsroom, he is tempted to cross a dangerous professional line and risk his career—possibly even his life—to find the truth.
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