Drawing on literary and archaeological evidence, David A. Dorsey examines the road system in Israel during the Iron Age (ca. 1200-586 B.C.). He offers a comprehensive investigation of the nature and physical characteristics of roads in ancient Israel and reconstructs Israel’s road network as it existed during the Old Testament period.
For the young men of Dunbar—the low-income, historically segregated neighborhoods of Fort Myers, Florida—avoiding the path that leads to easy money as a drug dealer often means choosing complete devotion to football and dreams of NFL stardom. While such dreams remain out of reach for most, an astonishing number of Dunbar athletes, including NFL idols Deion Sanders, Jevon Kearse, and Earnest Graham, have achieved massive success. Fourth Down in Dunbar is the story of how one community, plagued by drugs and violence, where many children are fatherless, gave rise to so many stellar youth athletes. Using Sanders as the centerpiece of the story, David Dorsey explores Dunbar’s history to show how the same drug culture that ruined so many promising futures also served as motivation for football success. As a reporter for the Fort Myers News-Press, Dorsey had exclusive access to the players and their relatives. He shows the success of the wildly talented as well as the regrets of those who took the wrong path, while highlighting hope for the future of Dunbar. In this poignant tale of heartbreak and triumph, Dorsey reveals the true nature of these men who overcame the obstacles in their lives and made their families and their hometown proud.
(Book). The Lives in Music series meshes biography with discography. This debut title profiles the legendary King of Blues, B.B. King. An opening essay charts his life from childhood in the Mississippi Delta up to his first studio session. The author then takes an inside look at his distinguished career, album by album, offering a critical appraisal of each recording and a portrait of the making of each album. First-hand interviews with B.B. King, as well as producers, engineers, arrangers, and key musicians, bring these sessions to life and provide readers a context for understanding B.B. King's recordings in light of his career and life events that shaped them. This definitive book also incudes a complete history of every B.B. King session.
I am unaware of any textbook which provides such comprehensive coverage of the field and doubt that this work will be surpassed in the foreseeable future, if ever!' From the foreword by Robert C. Moellering, Jr., M.D, Shields Warren-Mallinckrodt Professor of Medical Research, Harvard Medical School, USA Kucers' The Use of Antibiotics is the leading major reference work in this vast and rapidly developing field. More than doubled in length compared to the fifth edition, the sixth edition comprises 3000 pages over 2-volumes in order to cover all new and existing therapies, and emerging drugs not yet fully licensed. Concentrating on the treatment of infectious diseases, the content is divided into 4 sections: antibiotics, anti-fungal drugs, anti-parasitic drugs and anti-viral drugs, and is highly structured for ease of reference.Within each section, each chapter is structured to cover susceptibility, formulations and dosing (adult and paediatric), pharmacokinetics and pharmacodynamics, toxicity and drug distribution, detailed discussion regarding clinical uses, a feature unique to this title. Compiled by an expanded team of internationally renowned and respected editors, with a vast number of contributors spanning Europe, Africa, Asia, Australia, South America, the US and Canada, the sixth edition adopts a truly global approach. It will remain invaluable for anyone using antimicrobial agents in their clinical practice and provides in a systematic and concise manner all the information required when treating infections requiring antimicrobial therapy. Kucers' The Use of Antibiotics is available free to purchasers of the books as an electronic version on line or on your desktop: It provides access to the entire 2-volume print material It is fully searchable, so you can find the relevant information you need quickly Live references are linked to PubMed referring you to the latest journal material Customise the contents - you can highlight sections and make notes Comments can be shared with colleagues/tutors for discussion, teaching and learning The text can also be reflowed for ease of reading Text and illustrations copied will be automatically referenced to Kucers' The Use of Antibiotics
A forensic investigation requires a team of specialists from many different scientific fields of study along with legal and law enforcement specialists. In recent years, the range of cases on which forensic anthropologists have been consulted has expanded dramatically. The Use of Forensic Anthropology provides these professionals with guidelines fo
The history of anthropology at Harvard is told through vignettes about the people, famous and obscure, who shaped the discipline at Harvard College and the Peabody Museum. The role of amateurs and private funders in the early growth of the field is highlighted, as is the participation of women and of students and scholars of diverse ethnicities.
NEW YORK TIMES BEST SELLER • The Pulitzer Prize–winning journalist and editor of The New Yorker gathers his writing on some of the essential musicians of our time—intimate portraits of Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more. The greatest popular songs, whether it’s “Respect” sung by Aretha Franklin or “Blind Willie McTell” performed by Bob Dylan, have a way of embedding themselves in our memories. You remember a time and a place and a feeling whenever you hear them. In Holding the Note, David Remnick writes about some of the most influential musicians, songwriters, and performers of the past fifty years. He portrays a series of musical lives—Leonard Cohen, Buddy Guy, Mavis Staples, Paul McCartney, Bruce Springsteen, Patti Smith, and more—and their unique encounters with the passing of that essential element of music: time. From Cohen’s performing debut, when his stage fright was so debilitating he couldn’t get through “Suzanne,” to Franklin’s iconic mink-drop at the Kennedy Center, Holding the Note delivers intimate portraits of some of the greatest creative minds of our era, written with a passionate lifelong attachment to their music and an acute appreciation of how it has shaped us.
The close relationship between the Old Testament and archaeology goes without saying. However, the methodological nuances involved are often either underappreciated or ignored. Using William Dever’s idea of convergence, this work attempts to flesh out details on how archaeology and Old Testament studies merge. It examines some of the most important archaeological finds to date and determines that, whether through a broad or narrow convergence, the history of research has shown that these two separate disciplines exhibit a tendency to inform one another. In the case of Old Testament studies, these convergences may even be paradigm-shifting. In every case, the convergences are historically and culturally informative, and therefore illuminate the depth of the biblical text.
The 1996 discovery, near Kennewick, Washington, of a 9,000-year-old Caucasoid skeleton brought more to the surface than bones. The explosive controversy and resulting lawsuit also raised a far more fundamental question: Who owns history? Many Indians see archeologists as desecrators of tribal rites and traditions; archeologists see their livelihoods and science threatened by the 1990 Federal reparation law, which gives tribes control over remains in their traditional territories. In this new work, Thomas charts the riveting story of this lawsuit, the archeologists' deteriorating relations with American Indians, and the rise of scientific archeology. His telling of the tale gains extra credence from his own reputation as a leader in building cooperation between the two sides.
Stowe traces the evolution of sacred music from colonial times to the present, from the Puritans to Sun Ra, and shows how these cultural encounters have produced a rich harvest of song and faith.
The 20th century, especially the latter decades, was a time of explosive growth and importance in hymnody, and yet published material about the hymnody of this period has been scattered and difficult to come by. The present volume catalogues and categorizes the available writings to guide students and scholars in their research. Furthermore, this reference does not depend primarily on the view of the author/compiler, but guides users toward a broad spectrum of viewpoints about 20th-century hymnody. Listing the principal writings on the repertory, language, practice, and people of hymnody during the last century, this annotated bibliography offers students and researchers alike a handy reference for a vast and varied field. Beginning with a unique introduction to and summary of hymnody in the 20th century, Music arranges the entries by topic, dividing each chapter by helpful subject headings. The repertory of the twentieth century, and language issues are discussed. Practical elements of hymnody are covered, while the final chapter lists writings about individual hymn writers and other influential persons in the field. Music provides a brief annotation for each entry and uses numerous cross-references, guiding the reader to relevant material in other sections of the book. A comprehensive index concludes this essential reference.
Nearly 600 Bible authorities have contributed to this complete, up-to-date volume featuring nearly 5,000 alphabetically ordered articles explaining all the books, persons, places, and significant items found in the Bible. 115 photos. 16 color maps.
David Morrell isn’t only an acclaimed thriller author and the creator of Rambo in his novel First Blood. He’s also a former professor of American Studies who writes in-depth profiles about film and music legends. Frank Sinatra’s dramatic life sometimes upstaged his genius. Although he was the greatest interpretive singer of the recording era, some commentators emphasize his boozing, brawling, and womanizing rather than his brilliance as a performer, or else they take his brilliance for granted rather than attempt to explain it. In FRANK SINATRA: THE ARTIST AND HIS MUSIC, award-winning author David Morrell discusses the talent and determination that led Sinatra to progress from being a singing waiter to becoming the Chairman of the Board. Many Sinatra fans might be surprised to learn that this intensely autobiographical singer had a face that was permanently scarred from birth. They might also be surprised that, despite the legend that he was a “natural” singer, Sinatra took vocal lessons from a Metropolitan Opera singer. In his formative years, he invented a new way for singers to breathe and used this amazing technique to channel his self-described manic-depression into interpreting songs as they had never been done before. These are only some of the topics that David Morrell analyzes in his rare approach to this powerful singer’s craft. Based on more than forty years of listening and reading, Morrell provides an in-depth analysis of Sinatra’s musical career. After you read it, you might never listen to Sinatra or any other singer the same way again.
The South—an inspiration for songwriters, a source of styles, and the birthplace of many of the nation's greatest musicians—plays a defining role in American musical history. It is impossible to think of American music of the past century without such southern-derived forms as ragtime, jazz, blues, country, bluegrass, gospel, rhythm and blues, Cajun, zydeco, Tejano, rock'n'roll, and even rap. Musicians and listeners around the world have made these vibrant styles their own. Southern Music/American Music is the first book to investigate the facets of American music from the South and the many popular forms that emerged from it. In this substantially revised and updated edition, Bill C. Malone and David Stricklin bring this classic work into the twenty-first century, including new material on recent phenomena such as the huge success of the soundtrack to O Brother, Where Art Thou? and the renewed popularity of Southern music, as well as important new artists Lucinda Williams, Alejandro Escovedo, and the Dixie Chicks, among others. Extensive bibliographic notes and a new suggested listening guide complete this essential study.
Surveys the history of all categories of American popular music from colonial times to the present, with information on the music, composers, performers, and entrepreneurs.
In City Indian, Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indian men and women who migrated to Chicago from across America. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago who were doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era, more than at any other time in the city's history, they could be found in the company of politicians and society leaders, at Chicago's major cultural venues and events, and in the press, speaking out. When Mayor "Big Bill" Thompson declared that Chicago public schools teach "America First," American Indian leaders publicly challenged him to include the true story of "First Americans." As they struggled to reshape nostalgic perceptions of American Indians, these men and women developed new associations and organizations to help each other and to ultimately create a new place to call home in a modern American city.
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