Here in an expanded edition featuring a new introduction by Neil Tennant, a new afterword by the author and bonus chapter on Duran Duran Like Punk Never Happened is a story of money, sex, stardom, screaming fans and forgotten ideals.In the 1980s a new breed of British pop stars set about conquering the world. Alongside Boy George and Culture Club groups such as Duran Duran, Wham! And Frankie Goes To Hollywood began topping the charts and selling out arenas across the globe in an explosive manner reminiscent of Beatlemania. In what become known as the second British Invasion these artists embraced fashion, decadence and a non-stop party lifestyle with such zeal it was indeed like punk never happened. This is the ultimate insiders account. As a writer for magazines such as Smash Hits and The Face, Dave Rimmer had unparalleled access to the artists of this era. Like Punk Never Happened is a witty, energetic, authoritative, and mischeviously provocative account of the roller-coaster ride that was the new '80s pop, and is widely regarded as a seminal piece of music writing.
A controversial and honest account of My Life On The Road With Rock Group, a potted history of pop from '79-'85, and a serious analysis of the whole mess... Dave Rimmer has one great weapon at his disposal. He was there.' David Quantick, NME 'As sharp a study of British pop as we'll get ... Rimmer's point is that if the new pop stars' success makes it seem 'like punk never happened', they emerged, in fact, as a direct result of punk attitudes... Rimmer tells this story in his raciest Smash Hits manner, with wit, insider info and scandal.' Simon Frith, City Limits 'Rimmer is among the most entertaining writers ever to pen a rock book.' Dave Marsh, Rock and Roll Confidential
The first in-depth book about British Pop's most flamboyant movement. The clubs and cabarets, the clothes, the glitter, the make-up, the hair, the fashion, the attitude and the style all made up The Look - and the Look was everything. The New Romantics explores the varied roots of the movement, using interviews with the stars and tracing a range of influences from David Bowie to the movie Cabaret and the Berlin of the 1930s. Includes interviews with Martin Kemp, Boy George and Steve Strange.
The West Coast, sunshine and Soul! Two cities dominate the book, Hollywood, and Los Angeles, and not surprisingly the same names keep appearing, either as label owners, or producers, or artists who label hopped. And the address that keeps appearing time and time again is the iconic Sunset Boulevard in Hollywood. So it's no wonder there was such an interchange between the different labels really when a huge number of them were on the same street, no matter how long it is.The same format is used in this book as previous ones, I've tried to feature as many little labels that only had a few releases as well as some of the majors who had hundreds. The same with the artists. Some like Ike Turner has a career that strectched over multiple labels, and decades of releases, whereas others might have managed only one or two releases.
A controversial and honest account of My Life On The Road With Rock Group, a potted history of pop from '79-'85, and a serious analysis of the whole mess... Dave Rimmer has one great weapon at his disposal. He was there.' David Quantick, NME 'As sharp a study of British pop as we'll get ... Rimmer's point is that if the new pop stars' success makes it seem 'like punk never happened', they emerged, in fact, as a direct result of punk attitudes... Rimmer tells this story in his raciest Smash Hits manner, with wit, insider info and scandal.' Simon Frith, City Limits 'Rimmer is among the most entertaining writers ever to pen a rock book.' Dave Marsh, Rock and Roll Confidential
After punk, pop culture wanted to dazzle again. Fashion and style were the means and the New Romantics took them to the limit. But the New Romantic movement was more than just a reaction against the anti-glamour of punk…and the music was only part of the story. The first in-depth book about British Pop’s most flamboyant movement. The clubs and cabarets, the clothes, the glitter, the make-up, the hair, the fashion, the attitude and the style all made up The Look – and the Look was everything. The New Romantics explores the varied roots of the movement, using interviews with the stars and tracing a range of influences from David Bowie to the movie Cabaret and the Berlin of the 1930s. Includes interviews with Martin Kemp, Boy George and Steve Strange.
In this important study, Dave Russell explores a wide range of Victorian and Edwardian musical life including brass bands, choral societies, music hall and popular concerts. He analyzes the way in which popular cultural practice was shaped by and, in turn, helped shape social and economic structures. Critically acclaimed on publication in 1987, the book has been fully revised in order to consider recent work in the field.
Ever been thrown off the bus in the middle of a Swedish forest or asked to play at one of the UK's biggest music festivals with musicians you've just met who are covered in blood? If so you've probably been in The Fall. Dave Simpson made it his mission to track down everyone who has ever played in Britain's most berserk, brilliant group. He uncovers a changing Britain, tales of madness and genius, and wreaks havoc on his own life.
Selected writings on three decades of popular music from one of the most influential critics of his generation. Spanning three decades worth of astute, acerbic, and overall astounding music writing, Kick Out the Jams is the first large-scale anthology of the work of renowned critic Dave Marsh. Ranging from Elvis Presley to Kurt Cobain, from Nina Simone to Ani DiFranco, from the Beatles to Green Day, the book gives an opinionated, eye-opening overview of 20th-century popular music—offering a portrait not just of an era but of a writer wrestling with the American empire. Every essay bears the distinct Dave Marsh attitude and voice. That passion is evident in a heart-wrenching piece on Cobain’s suicide and legacy; a humorous attack on “Bono’s bullshit;” an indignant look at James Brown and the FBI; deep, revelatory probes into the work of underappreciated artists like Patty Griffin and Alejandro Escovedo; and inspiring insight into what drives Marsh as a writer, namely “a raging passion to explain things in the hope that others would not be trapped and to keep the way clear so that others from the trashy outskirts of barbarous America still had a place to stand—if not in the culture at large, at least in rock and roll.” If you want to explore the recent history of pop music—its politics as well as its performers—Kick Out the Jams is the perfect guidebook.
Bruce Springsteen: Two Hearts is the definitive biography of one of the most important songwriters and performers of the last three decades. Critic Dave Marsh has traced Springsteen's career from its beginning, and has earned the singer's respect through his careful documentation and critical description of Springsteen's work. This biography brings together for the first time Marsh's two previous biographies, Born To Run (which covered Springsteen's early career through the mid-'70s) and Glory Days (which took him through the mid-'80s). Both were widely praised for their insightful and near definitive coverage of Springsteen's life and music. For this book, Marsh has written a new chapter covering major developments in Springsteen's career to today, particularly focusing on his album The Rising and its impact on American culture.
Part one of this work thoroughly documents the many instances of Biblical prophecy fulfilled within Scripture as well as in history outside of the Bible. Part two contains discourses on the many miracles in Scripture in both the Old and New Testaments, while challenging the naturalist explanations or atheist refutations. Part three documents the many instances of mercy bestowed upon repentant sinners. The design of the book is to prove the omniscience, omnipotence, and forgiveness of our God.
Report into the Loss of the SS Titanic is a complete re-evaluation of the loss of Titanic based on evidence that has come to light since the discovery of the wreck in 1985. This collective undertaking is compiled by eleven of the world’s foremost Titanic researchers – experts who have spent many years examining the wealth of information that has arisen since 1912. Following the basic layout of the 1912 Wreck Commission Report, this modern report provides fascinating insights into the ship itself, the American and British inquiries, the passengers and crew, the fateful journey and ice warnings received, the damage and sinking, rescue of survivors, the circumstances in connection with the SS Californian and SS Mount Temple, and the aftermath and ramifications that followed the disaster. The book seeks to answer controversial questions, such as whether steerage passengers were detained behind gates, and also reveals the names and aliases of all passengers and crew who sailed on Titanic’s maiden voyage. Containing the most extensively referenced chronology of the voyage ever assembled and featuring a wealth of explanatory charts and diagrams, as well as archive photographs, this comprehensive volume is the definitive ‘go-to’ reference book for this ill-fated ship.
In 1980, four English youths formed a completely electronic pop band. Now, 15 years later, they are #1 on the charts. Here is the first full-lengh biography of the group that can fully claim to be the most popular electronic act in the world. Photographs. Original trade paperback.
Along the way he met the people whose enthusiasm for the game has made it so durable - current and former internationals as well as others involved at all levels - as well as a few miserable old gits for balance. In this intimate account, Hadfield observes the way rugby league fits into the history and sociology of towns like Wigan and Castleford, with which it is synonymous. His record of the journey is in the great tradition of writers from Wordsworth to Laurie Lee, who found in long walks the perfect medium to explore and reflect upon their surroundings. Up and Over is the definitive book about the game and the local passions it engenders, as Hadfield seeks out the poignant and the humorous on a personal journey of discovery. For those who follow rugby league, it will give a unique perspective on the parts of the world they know intimately; for others it will be an introduction to a different world, seen via one of the elements that gives it its identity.
Dave Marsh has been an editor and columnist at Creem and Rolling Stone. His books include Born to Run, Behind Blue Eyes: The Story of the Who, Glory Days, and Louie Louie. This virtual Methusaleh of rock critics currently serves as a music critic at Playboy and as editor of Rock and Rap Confidential.
For more than a decade, Derek Philpott and his son, Dave, have been writing to pop stars from the 1960s to the 90s to take issue with the lyrics of some of their best-known songs. But then, to their great surprise, the pop stars started writing back... Dear Mr Pop Star contains 100 of Derek and Dave's greatest hits, including correspondence with Katrina and the Waves, Tears for Fears, Squeeze, The Housemartins, Suzi Quatro, Devo, Deep Purple, Nik Kershaw, T’Pau, Human League, Eurythmics, Wang Chung, EMF, Mott the Hoople, Heaven 17, Jesus Jones, Johnny Hates Jazz, Carter the Unstoppable Sex Machine, Chesney Hawkes and many, many more.
In a world facing multiple existential crises, music might be seen as little more than a distraction. However, in this synthesis of ideas developed over a decade, a timely re-appraisal of the potential of musicing for human flourishing is presented, emphasising its role in the history of human evolution alongside its potential as a resource for sustainable development. A holistic philosophy of music is outlined which recognises the complex web of meaning which spreads across complementary musical dimensions of performance and participation, whilst emphasising the ‘paramusical’ benefits which arise from both. Highlighting the notion that the social bonds which arise from musicing share much of the neurobiological underpinnings of attachment and love, musicing is presented as a resource with the potential for facilitating ethical human connection. The humanistic values which are thereby materialised during musicing – love, reciprocity and justice – form the experiential grounds for inhabiting alternative social realities. The book addresses how such a holistic philosophy of music might be implemented in practice, drawing on the author’s professional praxis as a performer, educator, community musician, composer and researcher, in particular their experience of musician education at Sage Gateshead, Royal College of Music and Trinity-Laban Conservatoire in the UK.
Jesus Christ. I found one.' Snowy Land, preoccupied with a ham sandwich and the odds of make the football team on Saturday, takes the terrible phone call that signals the beginning of a series of events which are to reverberate in his life and shake the city to its foundation ...
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