Darryl Jefferson grew up with the sole ambition of becoming a US Army soldier. Despite many people advising against it, he ultimately fulfilled his goal and enlisted in the Army while the wars in Iraq and Afghanistan were raging. He soon discovered that this experience was much different than he had anticipated, but in the process, he would learn and discover much about himself, the real world, and the human condition. This is his story.
Inspired by Edgar Allan Poe, e.e. cummings and Ernest Hemingway "GREY IS NOT A COLOR" gives you a look inside the heart, mind & soul of Darryl W. Perry
A Dealer of Old Clothes: Philosophical Conversations with David Walker showcases the philosophical endeavors of David Walker, an abolitionist and intellectual who was situated in the midst of America's turbulent period of unrest just prior to the Civil War. In this text, Darryl Scriven treats Walker as a philosophical sage of sorts. He poses philosophical questions regarding race, resistance, and the problems of evil, and solicits answers via Walker's text. The book contains five main chapters with three appendices containing the three respective self-edited versions of Walker's Appeal, material that has never appeared together in one volume. This piece contributes to the growing body of African American philosophy housed with the American philosophical tradition and is the first book-length philosophical treatment in Walker scholarship. Book jacket.
The abolitionists of the mid-nineteenth century have long been painted in extremes--vilified as reckless zealots who provoked the catastrophic bloodletting of the Civil War, or praised as daring and courageous reformers who hastened the end of slavery. But Andrew Delbanco sees abolitionists in a different light, as the embodiment of a driving force in American history: the recurrent impulse of an adamant minority to rid the world of outrageous evil. Delbanco imparts to the reader a sense of what it meant to be a thoughtful citizen in nineteenth-century America, appalled by slavery yet aware of the fragility of the republic and the high cost of radical action. In this light, we can better understand why the fiery vision of the "abolitionist imagination" alarmed such contemporary witnesses as Herman Melville and Nathaniel Hawthorne even as they sympathized with the cause. The story of the abolitionists thus becomes both a stirring tale of moral fervor and a cautionary tale of ideological certitude. And it raises the question of when the demand for purifying action is cogent and honorable, and when it is fanatic and irresponsible. Delbanco's work is placed in conversation with responses from literary scholars and historians. These provocative essays bring the past into urgent dialogue with the present, dissecting the power and legacies of a determined movement to bring America's reality into conformity with American ideals.
The abolitionists of the mid-nineteenth century have long been painted in extremes--vilified as reckless zealots who provoked the catastrophic bloodletting of the Civil War, or praised as daring and courageous reformers who hastened the end of slavery. But Andrew Delbanco sees abolitionists in a different light, as the embodiment of a driving force in American history: the recurrent impulse of an adamant minority to rid the world of outrageous evil. Delbanco imparts to the reader a sense of what it meant to be a thoughtful citizen in nineteenth-century America, appalled by slavery yet aware of the fragility of the republic and the high cost of radical action. In this light, we can better understand why the fiery vision of the "abolitionist imagination" alarmed such contemporary witnesses as Herman Melville and Nathaniel Hawthorne even as they sympathized with the cause. The story of the abolitionists thus becomes both a stirring tale of moral fervor and a cautionary tale of ideological certitude. And it raises the question of when the demand for purifying action is cogent and honorable, and when it is fanatic and irresponsible. Delbanco's work is placed in conversation with responses from literary scholars and historians. These provocative essays bring the past into urgent dialogue with the present, dissecting the power and legacies of a determined movement to bring America's reality into conformity with American ideals.
An eclectic and insightful collection of essays predicated on the hypothesis that popular cultural documents provide unique insights into the concerns, anxieties and desires of their times. 1950s popular culture is analysed by leading scholars and critics such as Christopher Frayling, Mark Jancovich, Kim Newman and David J. Skal.
This fascinating and insightful tour through present-day meetings of Spiritualists, UFOlogists, and dowsers illuminates our obsession with the paranormal and challenges the misunderstanding of the paranormal as a marginal or inconsequential feature of America's religious landscape. According to a 2005 Gallup poll, 75 percent of Americans believe in some form of paranormal activity. The United States has had a collective fascination with the paranormal since the mid-1800s, and it remains an integral part of our culture. Haunted Ground: Journeys through a Paranormal America examines three of the most vibrant paranormal gatherings in the United States—Lily Dale, a Spiritualist summer camp; the Roswell UFO Festival; and the American Society of Dowsers' annual convention of "water witches"—to explore and explain the reasons for our obsession with the paranormal. Both academically informed and thoroughly entertaining, this book takes readers on a "road trip" through our nation, guided by professor of American religion Darryl V. Caterine, PhD. The author interprets seemingly unrelated case studies of phantasmagoria collectively as an integral part of the modern discourse about "nature" as ultimate reality. Along the way, Dr. Caterine reveals how Americans' interest in the paranormal is rooted in their anxieties about cultural, political, and economic instability—and in a historic sense of alienation and homelessness.
Endorsements: "Liturgical Presbyterians? No, this is not an oxymoron. D. G. Hart has written a lively polemic against the well-intentioned dumbing-down of worship by advocates of church growth. This book is going to make some people very mad, and it will make others very glad. Those who have thrown away the theological substance of the great Reformed tradition of Christian worship ought to be mad. Hart shames them. And yet, for those whose privilege it is to praise and serve God in a church that enjoys the Reformed way of worship in all its depth, glory, and joy, this book is a great summons to faithfulness in our time." --WILLIAM H. WILLIMON, Duke Divinity School "Beginning to realize just how much they have been shaped by non-Reformed influences, conservative Presbyterian and Reformed churches are now being forced to decide between a generic 'low-church' Protestantism, a 'high church' tradition, or, oddly enough, a more traditional Reformed and Presbyterian approach. D. G. Hart believes that Reformed theology provides resources not only for understanding that we are saved, but also for how we worship and mature in the Christian faith. There's a lot of wisdom here, and whether one agrees or disagrees with Hart, his well-considered arguments cannot be responsibly ignored by adherents of Reformed Christianity." --MICHAEL HORTON, Editor in Chief, Modern Reformation "Unabashedly writing to inform, rouse, and serve his fellow Presbyterians, D. G. Hart has nonetheless produced a book that is properly and profoundly ecumenical. Christians from all communions who take seriously the identity and nature of the church will learn from Hart's analysis of the complex arrangement under God of cult and culture, form and content, church and state, praise and proclamation, cross and crown. Hart reminds us that the chronicles of the people of God always offer encouragement to strengthen feeble arms, weak knees, and lazy minds." --KEN MYERS, host and producer of the Mars Hill Audio Journal "Hart's book combines world-class scholarship with keen social and ecclesiastical awareness and should be read and reread by those who want to transmit the piety and ethos of the Reformed tradition to the next generation." --TERRY L. JOHNSON, Independent Presbyterian Church, Savannah, Georgia
From Ishmael Reed and Toni Morrison to Colson Whitehead and Terry McMillan, Darryl Dickson-Carr offers a definitive guide to contemporary African American literature. This volume-the only reference work devoted exclusively to African American fiction of the last thirty-five years-presents a wealth of factual and interpretive information about the major authors, texts, movements, and ideas that have shaped contemporary African American fiction. In more than 160 concise entries, arranged alphabetically, Dickson-Carr discusses the careers, works, and critical receptions of Alice Walker, Gloria Naylor, Jamaica Kincaid, Charles Johnson, John Edgar Wideman, Leon Forrest, as well as other prominent and lesser-known authors. Each entry presents ways of reading the author's works, identifies key themes and influences, assesses the writer's overarching significance, and includes sources for further research. Dickson-Carr addresses the influence of a variety of literary movements, critical theories, and publishers of African American work. Topics discussed include the Black Arts Movement, African American postmodernism, feminism, and the influence of hip-hop, the blues, and jazz on African American novelists. In tracing these developments, Dickson-Carr examines the multitude of ways authors have portrayed the diverse experiences of African Americans. The Columbia Guide to Contemporary African American Fiction situates African American fiction in the social, political, and cultural contexts of post-Civil Rights era America: the drug epidemics of the 1980s and 1990s and the concomitant "war on drugs," the legacy of the Civil Rights Movement, the struggle for gay rights, feminism, the rise of HIV/AIDS, and racism's continuing effects on African American communities. Dickson-Carr also discusses the debates and controversies regarding the role of literature in African American life. The volume concludes with an extensive annotated bibliography of African American fiction and criticism.
Far too many poor Black communities struggle with gun violence and homicide. The result has been the unnatural contortion of Black families and the inter-generational perpetuation of social chaos and untimely death. Young people are repeatedly ripped away from life by violence, while many men are locked away in prisons. In neighborhoods like those of Wilmington, Delaware, residents routinely face the pressures of violence, death, and incarceration. Murder Town, USA is thus a timely ethnography with an innovative structure: the authors helped organize fifteen residents formerly involved with the streets and/or the criminal justice system to document the relationship between structural opportunity and experiences with violence in Wilmington's Eastside and Southbridge neighborhoods. Earlier scholars offered rich cultural analysis of violence in low-income Black communities, and yet this literature has mostly conceptualized violence through frameworks of personal responsibility or individual accountability. And even if acknowledging the pressure of structural inequality, most earlier researchers describe violence as the ultimate result of some moral failing, a propensity for crime, and the notion of helplessness. Instead, in Murder Town USA, Payne, Hitchens, and Chamber, along with their collaborative team of street ethnographers, instead offer a radical re-conceptualization of violence in low-income Black communities by describing the penchant for violence and involvement in crime overall to be a logical, "resilient" response to the perverse context of structural inequality.
A Dealer of Old Clothes: Philosophical Conversations with David Walker showcases the philosophical endeavors of David Walker, an abolitionist and intellectual who was situated in the midst of America's turbulent period of unrest just prior to the Civil War. In this text, Darryl Scriven treats Walker as a philosophical sage of sorts. He poses philosophical questions regarding race, resistance, and the problems of evil, and solicits answers via Walker's text. The book contains five main chapters with three appendices containing the three respective self-edited versions of Walker's Appeal, material that has never appeared together in one volume. This piece contributes to the growing body of African American philosophy housed with the American philosophical tradition and is the first book-length philosophical treatment in Walker scholarship. Book jacket.
A to Z of Physicists, Updated Edition focuses not only on the lives and personalities of those profiled, but also on their research and contributions to the field. A fascinating and important element of this work is the attention paid to the obstacles that minority physicists had to overcome to reach their personal and professional goals. Through incidents, quotations, and photographs, the entries portray something of the human face, which is often lost in books on science and scientists. A to Z of Physicists, Updated Edition features more than 150 entries and 51 black-and-white photographs. Culturally inclusive and spanning the whole range of physicists from ancient times to the present day, this is an ideal resource for students and general readers interested in the history of physics or the significant aspects of the personal and professional lives of important physicists. People covered include: Archimedes (ca. 285–212 BCE) Homi Jehangir Bhabha (1909–1966) Pavel Alekseyevich Cherenkov (1904–1990) Marie Curie (1867–1934) George Gamow (1904–1968) Tsung Dao Lee (1926–present) Lise Meitner (1878–1968) Yuval Ne'eman (1925–2006) Johannes Stark (1874–1957) Nikola Tesla (1856–1943) Alessandro Volta (1745–1827) Hideki Yukawa (1907–1981)
A century ago, virtually all food -- fruits, vegetables, grains, meat, and dairy -- was local, grown at home or sourced within a few miles. But today, most food consumed in the United States comes from industrial farms and concentrated animal feeding operations (CAFOs), with ramifications to our health, our environment, and our economy. The tide is turning, however, thanks to what has been called the "farm-to-table" movement. In Farm to Table, Darryl Benjamin and Chef Lyndon Virkler explore both the roots of our current, corporate food system malaise, and the response by small farmers, food co-ops, chefs and restaurateurs, institutions, and many more, to replace the status quo with something more healthy, fair, just, and delicious. Today's consumers are demanding increased accountability from food growers and purveyors. Farm to Table illuminates the best practices and strategies for schools, restaurants, healthcare facilities, and other businesses and institutions, to partner with local farmers and food producers, from purchasing to marketing. Readers will also learn about the various alternative techniques that farms are employing - from permaculture to rotation-intensive grazing - to produce better tasting and more nutritious food, restore environmental health, and meet consumer demand. A one-of-a-kind resource, Farm to Table shows how to integrate truly sustainable principles into every juncture of our evolving food system."--Back cover.
This book offers a meticulously researched, comprehensive chronology of the Congressional Page system, from the late 1700s to modern day. From the origins of the page system in 1774 to the period in the 1940s when Congress demonstrated an indifference towards the needs of providing the boys with supervised living arrangements, congressional pages have a storied past. It's a topic that can be amusing—for years, pages simply treated the Capitol as a their private playground to subject adults to their mischief—and sobering, as Congress continued to employ boys as young as eight years old, even after passing labor laws that prohibited it and was reluctant to provide supervised living arrangements for decades. Unlike many dry and lifeless books about Congressional history, The Children Who Ran For Congress: A History of Congressional Pages provides a lively and engaging look at the history of the page system, a topic that has largely been ignored. Based on a thorough investigation of historical documents and personal interviews, Darryl Gonzalez now tells the complete story of the young boys (and girls) who have served Congress for more than 200 years.
Marian Roberts, Roland Hayes, and Paul Robeson were among the most visible early African American concert singers, but they were not the only ones. Many others were involved in the arts as concert singers and, given the times in which they lived, achieved tremendous results in the face of great adversity and helped pave the way for the post-1950 African American vocal artist. Drawn from articles, reviews, programs, biographical sources, and interviews, this work is a survey of the unknown early African American concert singers. Much of the information from periodicals was taken from The New York Amsterdam News, The Chicago Defender, and The New York Age. The book covers the African Americans who came before Roberts, Hayes, and Robeson, and details the opportunities available in Europe for black concert singers.
Extensive scholarship has emerged within the last twenty-five years on the role of Louisiana Creoles in the eighteenth and early nineteenth centuries, yet academic work on the history of Creoles in New Orleans after the Civil War and into the twentieth century remains sparse. Darryl Barthé Jr.’s Becoming American in Creole New Orleans moves the history of New Orleans’ Creole community forward, documenting the process of “becoming American” through Creoles’ encounters with Anglo-American modernism. Barthé tracks this ethnic transformation through an interrogation of New Orleans’s voluntary associations and social sodalities, as well as its public and parochial schools, where Creole linguistic distinctiveness faded over the twentieth century because of English-only education and the establishment of Anglo-American economic hegemony. Barthé argues that despite the existence of ethnic repression, the transition from Creole to American identity was largely voluntary as Creoles embraced the economic opportunities afforded to them through learning English. “Becoming American” entailed the adoption of a distinctly American language and a distinctly American racialized caste system. Navigating that caste system was always tricky for Creoles, who had existed in between French and Spanish color lines that recognized them as a group separate from Europeans, Africans, and Amerindians even though they often shared kinship ties with all of these groups. Creoles responded to the pressures associated with the demands of the American caste system by passing as white people (completely or situationally) or, more often, redefining themselves as Blacks. Becoming American in Creole New Orleans offers a critical comparative analysis of “Creolization” and “Americanization,” social processes that often worked in opposition to each another during the nineteenth century and that would continue to frame the limits of Creole identity and cultural expression in New Orleans until the mid-twentieth century. As such, it offers intersectional engagement with subjects that have historically fallen under the purview of sociology, anthropology, and critical theory, including discourses on whiteness, métissage/métisajé, and critical mixed-race theory.
Benjamin Franklin grew up in a devout Protestant family with limited prospects for wealth and fame. By hard work, limitless curiosity, native intelligence, and luck (what he called providence), Franklin became one of Philadelphia's most prominent leaders, a world recognized scientist, and the United States' leading diplomat during the War for Independence. Along the way, Franklin embodied the Protestant ethics and cultural habits he learned and observed as a youth in Puritan Boston. Benjamin Franklin: Cultural Protestant follows Franklin's remarkable career through the lens of the trends and innovations that the Protestant Reformation started (both directly and indirectly) almost two centuries earlier. His work as a printer, civic reformer, institution builder, scientist, inventer, writer, self-help dispenser, politician, and statesmen was deeply rooted in the culture and outlook that Protestantism nurtured. Through its alternatives to medieval church and society, Protestants built societies and instilled habits of character and mind that allowed figures such as Franklin to build the life that he did. Through it all, Franklin could not assent to all of Protestantism's doctrines or observe its worship, but for most of his life he acknowledged his debt to his creator, revelled in the natural world guided by providence, and conducted himself in a way (imperfectly) to merit divine approval. In this biography, D. G. Hart recognizes Franklin as a cultural or non-observant Protestant, someone who thought of himself as a Presbyterian, ordered his life as other Protestants did, sometimes went to worship services, read his Bible, and prayed, but could not go all the way and join a church.
Small Market provides an eye opening look into the reality that is the world of television news for budding journalists breaking into the business. All too often people who aspire to become news anchors or reporters think their first job out of college will be as glamorous as those of the nation's top anchors and reporters, like Katie Couric and Charles Gibson. After working a while in a small market, or small city, young journalists usually find that isn't always the case. They aren't making lots of money, working with the best equipment, or interviewing people with global influence. Small Market spotlights the experiences of journalists who have gone before them to enlighten these young journalists about the potential issues and challenges they could face in their small markets. The book also motivates them not to give up on their careers, as so many have, and to keep their heads up in the face of adversity.
This book invites readers to enter a two-floor virtual "gallery” where 60-plus images of birds reflecting the accomplishments of human pictorial history are on display. These are works in a genre the authors term Science Art--that is, art that says something about the natural world and how it works. Darryl Wheye and Donald Kennedy show how these works of art can advance our understanding of the ways nature has been perceived over time, its current vulnerability, and our responsibility to preserve its wealth. Each room in the gallery is dedicated to a single topic. The rooms on the first floor show birds as icons, birds as resources, birds as teaching tools, and more. On the second floor, the images and their captions clarify what Science Art is and how the intertwining of art and science can change the way we look at each. The authors also provide a timeline linking scientific innovations with the production of images of birds, and they offer a checklist of steps to promote the creation and accessibility of Science Art. Readers who tour this unique and fascinating gallery will never look at art depicting nature in the same way again. Published with assistance from the Alfred P. Sloan Foundation's Public Understanding of Science and Technology Program.
Somewhere along the way, the great nation of America has gone off track. In Prosperity Road: America, Save the Middle Class! Dr. Darryl Baker describes how we are being led down the economic pathway in a direction that’s contrary to the voice of the people. This book will take you on an exciting journey through history to examine the effects of globalization and explore its modern-day trajectory. An informative, carefully researched guide to understanding why America’s economy is suffering, it is also a plea to not abandon hope while there are still solutions and changes to be made. By learning the ins and outs of five important American values— Jobs, taxation, trade agreements, putting America first, and the voice of the people—you will be in a better position to do your part to bring this country back to prosperity. Dr. Baker offers a sustainable economic plan for our current and future civilizations, providing suggestions that would allow globalization to coexist with our nation’s need to ensure that jobs and scarce resources are available to the populace.
This provocative study explores how media coverage of Emmett Till’s murder influences regional reactions and reignited the Civil Rights movement. On August 28, 1955, fourteen-year-old Chicago native Emmett Till was brutally beaten to death for allegedly flirting with a white woman at a grocery store in Money, Mississippi. Roy Bryant and J. W. Milam were acquitted of Till’s murder—then admitted to the crime in an interview with the national media. They were never convicted. Although Till's body was mutilated, his mother ordered that his casket remain open so that the country could observe the results of racially motivated violence in the Deep South. Media attention fanned the flames of regional tension and impelled many individuals—including Rosa Parks—to become vocal activists for racial equality. In this innovative study, Darryl Mace explores media coverage of Till's murder and analyses its influence on the regional and racial perspectives. He investigates the portrayal of the trial in popular and black newspapers across the South, documents posttrial reactions, and examines Till's memorialization in the press to highlight the media's role in shaping opinions.
As the nation readies to enter WWII, Tink Buchanan has one concern: his personal battle to regain the land, and home, that are his birthright. A generation earlier the Ogilvies had forced his father to turn over the land to cover a debt, and with the Depression grinding on, Tink sees his chance to return the favor — if he can only dredge up a bit more cash. So he pulls his son, Carter, out of college to work in his lumber mill and sets his eyes on going home. But Tink's plan unravels when Carter's affection for Julia Ogilvie threatens familial ties — and as racial tensions mount following the brutal murder of his employee, Saint MacGrue.
Time travel meets baseball in this “grand adventure” about a modern-day reporter who witnesses the birth of America’s favorite pastime (The Washington Times) Contemporary reporter Sam Fowler is stuck in a dull job and a failing marriage when he is suddenly transported back to the summer of 1869. After a wrenching period of adjustment, he feels rejuvenated by his involvement with the nation’s first pro baseball team, the Cincinnati Red Stockings. But American sports isn't the only thing to undergo a major transformation—Sam himself starts to change as he faces life-threatening 19th-century challenges on and off the baseball diamond. With the support of his fellow ballplayers and the lovely Caitlin O'Neill, will he regain the sense of family he desperately needs? Darryl Brock masterfully evokes post-Civil War America—its smoky cities and transcontinental railroad, its dance halls and parlour houses, its financial booms and busts. Equally appealing to sports fans and anyone who appreciates a well-told story, If I Never Get Back is a literary home run that "grabs you from line one on page one and never lets go" (San Francisco Chronicle).
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