Explores the role of textures, multi-purpose furniture, and unexpected objects in rendering spaces both comfortable and eye-catching, outlining a range of short- and long-term steps for overall home design.
Known for seamlessly mixing the modern with the classical, Carter presents a comprehensive guide to creating a home that balances individual comfort with a timeless aesthetic.
With this appreciation of three very different black writers, novelist Darryl Pinckney reminds us that marginal or neglected literary figures have a lot to tell us about the history of a people who are always "outsiders." Born in Jamaica in 1883, J. A. Rogers was an early member of the Harlem Renaissance -- a newspaper columnist, historian of Negro achievement, polemicist against white supremacy, and amateur sociologist of interracial sex as evidenced in his massive three-volume work Sex and Race. Vincent O. Carter, who came of age in 1920's Kansas City, wrote The Bern Book, an exploration of being black in a Swiss rather than an American setting. Caryl Phillips, a son of the generation of black Caribbeans who returned to Great Britain after the Second World War, has explored the psychology of migration in fiction and nonfiction that include The Final Passage, Higher Ground, and The Nature of Blood. Pinckney's essays on these writers, drawn from his Alain Locke Lectures at Harvard University, give us a rich understanding of what it has meant to be "children of the diaspora" over the past century.
Dr. Carter's practical, authoritative, and superbly illustrated guide to breast biopsy interpretation is now in its Fourth Edition. Completely updated throughout, the book retains its focus on the clinical significance of common pathologic changes and the crucial pathologic distinctions that must be made when interpreting unusual or borderline lesions. This edition includes new information on classifications of breast disease, premalignant histopathologic changes, and risk factors for recurrence of disease after conservative radiation therapy. New chapters cover nipple lesions and axillary lymph nodes. A bound-in CD-ROM contains 500 full-color images and an Internet link to PubMed.
This multiple-choice Q/A review book covers all aspects of surgical pathology, which is the largest and most time-consuming area of anatomical pathology. In addition to board review, it also serves as a useful review for recertification examinations. This edition will be significantly revised and enhanced to include more than 1,000 multiple-choice questions. Each question focuses on a specific disease entity or diagnostic problem as presented in Sternberg’s Diagnostic Surgical Pathology. Like Sternberg’s these questions will emphasize the differential diagnostic aspects of problem solving, which are then followed by answers with succinct explanations.
Completely updated, the Fifth Edition of this standard-setting two-volume reference presents the most advanced diagnostic techniques and the latest information on all currently known disease entities. More than 90 preeminent surgical pathologists offer expert advice on the diagnostic evaluation of every type of specimen from every anatomic site. The Fifth Edition contains over 4,400 full-color photographs. This edition provides detailed coverage of the latest developments in the field, including new molecular and immunohistochemical markers for diagnosis and prognosis of neoplasia, improved classification systems for diagnosis and prognosis, the role of pathology in new diagnostic and therapeutic techniques, and the recognition of new entities or variants of entities. All full-color illustrations have been color-balanced to dramatically improve image quality.
From Hands Now Striving to be Free is an inventory and analysis of 94 boxes crafted by men jailed in the aftermath of the failed 1837 Rebellion of Upper Canada."--pub. desc.
Darryl Trimiew examines current and historical debates regarding economic rights. What is our obligation to the poor, and how are economic rights related to civil and political rights? Beginning with the debate that surrounded President Jimmy Carter's support of economic rights, Trimiew reviews and answers the objections of those who would deny economic rights, and in the process articulates the positions of such figures as Henry Shue, Alan Gewirth, David Hollenbach, and Nicholas Wolterstorff. In addition, he argues that rights based on religion are finally more adequate than those based on purely political grounds. How we as a nation treat the poor goes far towards defining what America is. In this provocative book, Trimiew calls for a renewed obligation to the poor in a way that recognizes the interdependency of economic, political and civil rights.
With this appreciation of three very different black writers, novelist Darryl Pinckney reminds us that marginal or neglected literary figures have a lot to tell us about the history of a people who are always "outsiders." Born in Jamaica in 1883, J. A. Rogers was an early member of the Harlem Renaissance -- a newspaper columnist, historian of Negro achievement, polemicist against white supremacy, and amateur sociologist of interracial sex as evidenced in his massive three-volume work Sex and Race. Vincent O. Carter, who came of age in 1920's Kansas City, wrote The Bern Book, an exploration of being black in a Swiss rather than an American setting. Caryl Phillips, a son of the generation of black Caribbeans who returned to Great Britain after the Second World War, has explored the psychology of migration in fiction and nonfiction that include The Final Passage, Higher Ground, and The Nature of Blood. Pinckney's essays on these writers, drawn from his Alain Locke Lectures at Harvard University, give us a rich understanding of what it has meant to be "children of the diaspora" over the past century.
The lynching of fourteen-year-old Emmett Louis Till was one of the most incendiary events of the growing civil rights movement, and the myths and misinformation spread by the media have complicated his legacy. In Remembrance of Emmett Till: Regional Stories and Media Responses to the Black Freedom Struggle breaks down the media coverage to examine events from various perspectives -- revealing racial and regional biases -- and analyses the way in which Till has been memorialized.
As the nation readies to enter WWII, Tink Buchanan has one concern: his personal battle to regain the land, and home, that are his birthright. A generation earlier the Ogilvies had forced his father to turn over the land to cover a debt, and with the Depression grinding on, Tink sees his chance to return the favor — if he can only dredge up a bit more cash. So he pulls his son, Carter, out of college to work in his lumber mill and sets his eyes on going home. But Tink's plan unravels when Carter's affection for Julia Ogilvie threatens familial ties — and as racial tensions mount following the brutal murder of his employee, Saint MacGrue.
An engaging guide for future best-practice, this book provides an illuminating account of how the innovative programs of education and research at one Centre for Aboriginal Studies made a demonstrably positive difference in the lives of Indigenous students. Written by the experts involved, the book provides detailed descriptions of these ground-breaking education and research programs that saw an increase in the number of Indigenous graduates emerging from the Centre for Aboriginal Studies at Curtin University. Each chapter documents a different stage in the development and delivery of these programs and demonstrates how innovative and culturally appropriate principles of teaching, learning and organizational processes empowered participants to make a real difference in the lives of their families and communities. The book also addresses the challenges faced by such programs and the counterproductive pressures of market-based economic policies, highlighting the need to create an environment attuned to Aboriginal desires for social justice, self-management and self-determination. As a celebration of genuine success in higher education for Aboriginal and Torres Strait Islander students, and a guide on how to improve practice in the future, this book is an essential resource for all professionals and policy makers looking to make a real difference in the lives of Indigenous peoples.
Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, Darryl Jones discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies? Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature.
Trudeau appeared to enjoy the encounter. He stood his ground while escaping projectiles, including a tomato In this insightful and lively history, Liberal insider Darryl Raymaker recalls the attempt to broker "a marriage from hell" between the federal Liberal Party and Alberta's Social Credit government in the late 1960s. Raymaker uses his deep connections and backroom knowledge to trace the tangled political relationships that developed when charismatic statesman Pierre Trudeau confronted the forces of oil and agriculture in Canada's west. Part memoir, part chronicle, Trudeau's Tango provides a window into Canadian history, politics, economics, and the zeitgeist of the late 1960s. Foreword by Lloyd Axworthy. Trudeau appeared to enjoy the encounter. He stood his ground while escaping projectiles, including a tomato After the briefest of honeymoons in 1968, Pierre Trudeau's government clashed with Alberta's conservative interests, generating antagonism that persists to this day. Trudeau's Tango, an insightful personal history, traces the tangled political relationships that developed when the charismatic statesman confronted the forces of oil and agriculture in Canada's West. Liberal insider Darryl Raymaker recounts an attempt to broker "a marriage from hell" between the federal Liberal Party and Alberta's Social Credit government. The failure of this union is one of the reasons why the Liberals continue to struggle for favour in Alberta. Part memoir, part chronicle, Trudeau's Tango is a timely book on a provocative matter, perfect for anyone interested in Canadian history, politics, economics, or the Canadian zeitgeist of the late 1960s.
Critic and writer Darryl Pinckney recalls his friendship and apprenticeship with Elizabeth Hardwick and Barbara Epstein and the introduction they offered him to the New York literary world. Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick’s creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick’s best friend and neighbor and a fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered some of the fascinating contributors to the Review, among them Susan Sontag, Robert Lowell, and Mary McCarthy. Yet the intellectual and artistic freedom that Pinckney observed on West Sixty-seventh Street could conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history. In addition, through his peers and former classmates—such as Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin—Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avant-garde life at the same time as he was discovering the sexual freedom brought by gay liberation. It was his time for hope. In Come Back in September, through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.
This fascinating and insightful tour through present-day meetings of Spiritualists, UFOlogists, and dowsers illuminates our obsession with the paranormal and challenges the misunderstanding of the paranormal as a marginal or inconsequential feature of America's religious landscape. According to a 2005 Gallup poll, 75 percent of Americans believe in some form of paranormal activity. The United States has had a collective fascination with the paranormal since the mid-1800s, and it remains an integral part of our culture. Haunted Ground: Journeys through a Paranormal America examines three of the most vibrant paranormal gatherings in the United States—Lily Dale, a Spiritualist summer camp; the Roswell UFO Festival; and the American Society of Dowsers' annual convention of "water witches"—to explore and explain the reasons for our obsession with the paranormal. Both academically informed and thoroughly entertaining, this book takes readers on a "road trip" through our nation, guided by professor of American religion Darryl V. Caterine, PhD. The author interprets seemingly unrelated case studies of phantasmagoria collectively as an integral part of the modern discourse about "nature" as ultimate reality. Along the way, Dr. Caterine reveals how Americans' interest in the paranormal is rooted in their anxieties about cultural, political, and economic instability—and in a historic sense of alienation and homelessness.
Very Short Introductions: Brilliant, Sharp, Inspiring Four o'clock in the morning, and the lights are on and still there's no way we're going to sleep, not after the film we just saw. The book we just read. Fear is one of the most primal human emotions, and one of the hardest to reason with and dispel. So why do we scare ourselves? It seems almost mad that we would frighten ourselves for fun, and yet there are thousands of books, films, games, and other forms of entertainment designed to do exactly that. As Darryl Jones shows, the horror genre is huge. Ranging from vampires, ghosts, and werewolves to mad scientists, Satanists, and deranged serial killers, the cathartic release of scaring ourselves has made its appearance in everything from Shakespearean tragedies to internet memes. Exploring the key tropes of the genre, including its monsters, its psychological chills, and its love affair with the macabre, this Very Short Introduction discusses why horror stories disturb us, and how society responds to literary and film representations of the gruesome and taboo. Should the enjoyment of horror be regarded with suspicion? Are there different levels of the horrific, and should we distinguish between the commonly reviled carnage of contemporary torture porn and the culturally acceptable bloodbaths of ancient Greek tragedies? Analysing the way in which horror manifests multiple personalities, and has been used throughout history to articulate the fears and taboos of the current generation, Darryl Jones considers the continuing evolution of the genre today. As horror is mass marketed to mainstream society in the form of romantic vampires and blockbuster hits, it also continues to maintain its former shadowy presence on the edges of respectability, as banned films and violent internet phenomena push us to question both our own preconceptions and the terrifying capacity of human nature. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. First published in hardback as Sleeping with the Lights on.
This book affirms relationship as the shared human elemental pursuit and proposes relationship as the transformative space. Wonderfully, the author asserts, it is God's intention to fulfill this intrinsic human desire in the present in all of us and universally. This desire is an often inarticulate, innate desire and pursuit to enjoy and reflect the divine image in which every human being was created. In this book, this pursuit is referred to as proleptic spiritual transformation (PrōST). That is, this book demonstrates that what is too often relegated to eternity is available now. Relationship is the Transformative Space considers God's heart, in relationship, and its implication toward human spirituality and how this intent has been interrupted and restored. God is actively interested in the recovery of a fully expressed image in humanity.
This 254 page E-Book of 95,000 words is the third book in a series about a wealthy family of the future. The Houstons adventure into space where they take on space pirates and many kinds of aliens. As technology advances, so do their ships until they pilot the most advanced ship in the universe. The risks, thrills and challenges of space exploration are many and diverse - even to the point of occasionally having to struggle against Earth Defense Forces.
(Applause Books). Black Comedians on Black Comedy is the only up-to-date book to examine African-American humor. Comedian Darryl Littleton traces the history and evolution of "black comedy" in his narrative and through the 125 interviews he conducted with some of the top African-American comedians in the world. Those interviewed include Dick Gregory, Sinbad, Eddie Murphy, Mike Epps, Cedric the Entertainer, Nick Cannon, Bernie Mac, Eddie Griffin, Damon Wayans, Arsenio Hall, Chris Rock, Marla Gibbs, Robert Townsend, and John Witherspoon.
An incisive reflection on black electoral politics, disenfranchisement, and the lasting legacy of the civil rights movement—now with a brand-new essay on the Covid-19 pandemic, reparations, and the 2020 George Floyd protests. Blackballed is Darryl Pinckney’s meditation on a century and a half of participation by blacks in US electoral politics. In this combination of memoir, historical narrative, and contemporary political and social analysis, he investigates the struggle for black voting rights from Reconstruction through the civil rights movement to Barack Obama’s two presidential campaigns. Drawing on the work of scholars, the memoirs of civil rights workers, and the speeches and writings of black leaders like Martin Luther King and Stokely Carmichael, Andrew Young and John Lewis, Pinckney traces the disagreements among blacks about the best strategies for achieving equality in American society as well as the ways in which they gradually came to create the Democratic voting bloc that contributed to the election of the first black president. Interspersed through the narrative are Pinckney’s own memories of growing up during the civil rights era and the reactions of his parents to the changes taking place in American society. He concludes with an examination of ongoing efforts by Republicans to suppress the black vote, with particular attention to the Supreme Court’s recent decision striking down part of the Voting Rights Act of 1965. Also included here is Pinckney’s essay “What Black Means Now,” on the history of the black middle class, stereotypes about blacks and crime, and contemporary debates about “post-blackness,” as well as a new essay, “Buck Moon in Harlem,” which reflects on Juneteenth and the ongoing fight for racial justice, and offers a glimpse of New York City amid the Covid-19 pandemic and the protests following the killing of George Floyd.
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