Queering Contemporary French Popular Cinema combines close film analysis with a small-scale qualitative investigation of audience responses to examine images of queerness in contemporary French popular cinema and their reception. Through its blending of the textual and the empirical, this book provides a unique insight into the ways in which sexuality and gender are represented on the cinema screen, as well as the spectator reactions they elicit. Since the mid-1990s, depictions of lesbians, gay men, and queer forms of sexual desire and identity have shifted to the mainstream of French cinematographic representation - as evidenced by the box-office success of a series of highly commercial comic films, including Gazon maudit (Josiane Balasko, 1995), Pédale douce (Gabriel Aghion, 1996), Le Placard (Francis Véber, 2000), and Chouchou (Merzak Allouache, 2003). Alongside this commercial strand, a series of small-budget alternative comedies and other genre films have also challenged heteronormative conceptualizations of sexuality and gender. Films such as Sitcom (François Ozon, 1998), L'Homme est une femme comme les autres (Jean-Jacques Zilbermann, 1997), Pourquoi pas moi? (Stéphane Giusti, 1999), Drôle de Félix (Olivier Ducastel and Jacques Martineau, 2000), and Les Chansons d'amour (Christophe Honoré, 2007) portray desire as fluid and/or gender as unfixed. With their use of parody and their blending of comedy with the musical, melodrama, romance or road movie, these and other similar films have resonated with a burgeoning viewing public, tired of having to seek queerness in connotation, of appropriating marginal characters in ostensibly straight narratives, and of tragedy and trauma as the principal modes of representation and spectator address.
Saccharine for some, poignant for others, Jacques Demy’s ‘enchanted’ world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d’âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d’Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will. This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers.
Culture clashes -- Ontology, copyright, and artistic practice -- The myth of unoriginality -- Authorship, power, and responsibility -- Toward an ontology of authored works -- The rights of authors -- The rights of others -- Appropriation and transformation -- Afterword
Killing at its Very Extreme takes the reader to the heart of Dublin from October 1917 to November 1920, effectively the first phase of Dublin's War of Independence. It details pivotal aspects at the outset, then the ramping up of the intelligence war, the upsurge in raids and assassinations. Vividly depicting mass hunger-strikes, general strikes, prison escapes, and ruthless executions by the full-time IRA 'Squad', amid curfews and the functioning of an audacious alternative government. Intensity builds as the reader is embedded into Commandant Dick McKee's Dublin Brigade to witness relentless actions and ambushes. The authors' unprecedented access lays bare many myths about key players from both sides. The tempo escalates with deployment of the notorious Black and Tans and Auxiliaries, as well as a host of cunning political and propaganda ploys. Desperate plights and horrific reprisals are portrayed, the effects of mass sectarian pogroms and killings. Tthe sacking of Balbriggan, the killing of Seán Treacy, the death of Terence MacSwiney, and the capture and execution of teenager Kevin Barry. As in the authors' previous works the pulsating tension, elation, fear, desperation, hunger, the mercy and the enmity leap from the pages. The harrowing circumstances suffered by those whose sacrifices laid the bedrock for modern Ireland, and whose own words form the book's primary sources, are recounted in unflinching detail.
The role of business in American politics has provoked much controversy and attention over recent years. One need look no further than the Koch brothers or the Trump administration to get an idea of the extent to which the interests of private business wield influence over the political system. Contemporary evidence of the clear and growing disparities in wealth between ordinary citizens and business elites has drawn new attention to this topic. Recently, the canon on the activities of business elites in politics has also grown as we have learned a great deal about how business firms and their ultra-wealthy leaders and investors seek to exert political influence. This book looks at one form of business elite activity that has thus far received little attention, despite the high-profile political efforts of billionaire businesspeople including Bill Gates, Elon Musk, and Mark Zuckerberg: a phenomenon that Darren R. Halpin and Anthony J. Nownes call new entrepreneurial advocacy. This "entrepreneurial advocacy" is a mode of political engagement in which wealthy entrepreneurs (often from Silicon Valley) use their vast resources to form new organizations that advocate for their vision of the social good, which may or may not be directly linked to their private or business interests. While previous studies focus on a cross section of either the wealthiest Americans or the largest firms in the United States, this book takes a deep-dive into the political activities of a single, yet pivotal, cohort--the founders and CEOs of Silicon Valley firms. Specifically, the authors trace the development of new entrepreneurial advocacy to understand its extent, its breadth, and whose interests they represent, who supports them financially, and why business elites choose to create new organizations to engage in advocacy rather than do so under the umbrellas of their companies. Crucially, the authors also look at the impact of these organizations and what their activity means for American democracy. Leveraging a vast range of unique datasets, from political donations and lobbying to philanthropic giving and social media commentary, this book examines the role of this important set of elites in contemporary American political life.
This book clearly articulates the foundations of an educational vision that is distinctively supported by eportfolio use, drawing on work in philosophy, sociology, higher and adult education, and elearning research. It is academically rigorous and accessible not only to scholars in a range of disciplines who might study or use eportfolios. It surveys the state-of-the-art of international eportfolio practice and suggests future directions for higher educational institutions in terms of curriculum, assessment, and technology. This resource is written for scholars, support staff, instructional technologists, academic administrators, and policy makers.
Human Rights: An Introduction is an important text that provides a comprehensive overview of human rights and related issues from a social science perspective. First, this book does more than discuss theory, it uses case studies and personal testimonies in the debate. Human rights as an area of academic interest cannot be easily divorced from human rights struggles and the reality of contemporary conditions. Second, the book is aimed at what is an emerging and growing cross-disciplinary field of study. Human rights issues are increasingly coming to the fore in a number of academic debates. Whereas the study of human rights has traditionally been included in departments of law, international relations and philosophy, a number of courses are now being set up in departments of sociology and anthropology. Consequently, there is an increasing need to bring these disparate approaches together.
CO-PUBLISHED BY ROUTLEDGE AND THE NATIONAL COUNCIL OF TEACHERS OF ENGLISH This innovative book explores how digital language and tools can be used to teach applied grammar in the classroom. With a spotlight on internet language, Crovitz, Devereaux, and Moran demonstrate how students can practice rhetorical grammar with digital tools in order to use language purposefully. With an abundance of original strategies, prompts, and questions that tap into students’ existing skills, the book is designed to help students build a meta-awareness of language through critical digital literacy. Drawing on examples and activities from TikTok, Twitter, memes, texting, online videos, digital media, and more, chapters feature lesson plans centered around real-world digital scenarios that will engage and inspire students. Ideal for preservice and inservice English teachers, this book offers a blueprint for helping students use and evaluate language in the digital world and includes practical suggestions for using technology and rhetorical grammar to engage with and compose digital texts.
Spiritually engaged readers commonly look towards fiction to better understand the depth of a faithful life, and Christians are no exception. Many followers of Jesus value beautifully written, deftly characterized and pulse-quickening literary art that seems more satisfying than dry, tedious doctrinal textbooks. This book surveys 12 pieces of historical fiction that feature notable Christian thinkers. They include an illustrated children's book about St. Irenaeus of Lyons, a novel about Martin Luther's Reformation, a screenplay focusing on Dietrich Bonhoeffer and even a story about Pope Francis narrated in popular manga style. Rather than arcane literary analyses, this book provides thoughtful and sometimes painful interviews with the authors of the covered works. Most interviewees are little known or emerging writers. Some have published their work with a church or denominational press, others with a major publishing empire or popular print-on-demand platforms. Storytellers reflect on their literary choices and the contexts of their writing, sharing what modern Christians can learn from historical religious fiction.
Probably the most famous tank of the World War II, the Tiger I was originally conceived in 1941 in response to the German Army's experience in fighting British tanks and anti-tank guns in Western Europe and the North African desert. Following the invasion of Russia, the appearance of the Soviet T-34 and KW tanks lent a further impetus to the programme and 1,350 Tigers were produced between August 1942 and August 1944. The Tiger has proved to be one of the most popular modelling subjects of all time, with a vast and ever-increasing range of kits, aftermarket products and references available. This title features six different projects from some of the earliest Tigers in North Africa through to the late-production variants at the very end of the war.
Tort law is a dynamic area of Australian law, offering individuals the opportunity to seek legal remedies when their interests are infringed. Contemporary Australian Tort Law introduces the fundamentals of tort law in Australia today in an accessible, student-friendly way.
Clinical reasoning is a key skill underpinning clinical expertise. Clinical Reasoning in Musculoskeletal Practice is essential reading for the musculoskeletal practitioner to gain the contemporary knowledge and thinking capacity necessary to advance their reasoning skills. Now in its 2nd edition, it is the only all-in-one volume of up-to-date clinical reasoning knowledge with real-world case examples illustrating expert clinical reasoning. This new edition includes: • Comprehensively updated material and brand new chapters on pain science, psychosocial factors, and clinical prediction rules. • The latest clinical reasoning theory and practical strategies for learning and facilitating clinical reasoning skills. • Cutting-edge pain research and relevant psychosocial clinical considerations made accessible for the musculoskeletal practitioner. • The role of clinical prediction rules in musculoskeletal clinical reasoning. • 25 all new real-world, clinical cases by internationally renowned expert clinicians allowing you to compare your reasoning to that of the best.
Containing addresses, telephone numbers, fax numbers, and web site addresses for all U.S. counties and county-equivalent entities, as well as population-related statistics and other statistical data related to income, employment, and housing. Arranged alphabetically by state, with similar information and maps provided for each state. Also includes counties index and other features.
Queering Contemporary French Popular Cinema combines close film analysis with a small-scale qualitative investigation of audience responses to examine images of queerness in contemporary French popular cinema and their reception. Through its blending of the textual and the empirical, this book provides a unique insight into the ways in which sexuality and gender are represented on the cinema screen, as well as the spectator reactions they elicit. Since the mid-1990s, depictions of lesbians, gay men, and queer forms of sexual desire and identity have shifted to the mainstream of French cinematographic representation - as evidenced by the box-office success of a series of highly commercial comic films, including Gazon maudit (Josiane Balasko, 1995), Pédale douce (Gabriel Aghion, 1996), Le Placard (Francis Véber, 2000), and Chouchou (Merzak Allouache, 2003). Alongside this commercial strand, a series of small-budget alternative comedies and other genre films have also challenged heteronormative conceptualizations of sexuality and gender. Films such as Sitcom (François Ozon, 1998), L'Homme est une femme comme les autres (Jean-Jacques Zilbermann, 1997), Pourquoi pas moi? (Stéphane Giusti, 1999), Drôle de Félix (Olivier Ducastel and Jacques Martineau, 2000), and Les Chansons d'amour (Christophe Honoré, 2007) portray desire as fluid and/or gender as unfixed. With their use of parody and their blending of comedy with the musical, melodrama, romance or road movie, these and other similar films have resonated with a burgeoning viewing public, tired of having to seek queerness in connotation, of appropriating marginal characters in ostensibly straight narratives, and of tragedy and trauma as the principal modes of representation and spectator address.
Saccharine for some, poignant for others, Jacques Demy’s ‘enchanted’ world is familiar to generations of French audiences accustomed to watching Christmas repeats of his fairytale Peau d’âne (1970) or seeing Catherine Deneuve and Françoise Dorléac prance and pirouette in Les Demoiselles de Rochefort (1966). Demy achieved international recognition with Les Parapluies de Cherbourg (1963), which was awarded the Palme d’Or at Cannes. However, beneath the apparently sugary coating of his films lie more philosophical reflections on some of the most pressing issues that preoccupy Western societies, including affect, subjectivity, self/other relations and free will. This wide-ranging book addresses many of the key aspects of Demy's cinema, including his associations with the New Wave, his unique approach to musicals, his adaptations of fairytales, his representations of gender and sexuality and his legacy as an iconic director for generations of audiences and filmmakers.
La 4e page de couverture indique : "Advancing the current state of film audience research and of our knowledge of sexuality in transnational contexts, French and Spanish Queer Film analyses how French LGBTQ films are seen in Spain and Spanish ones in France. Studying films from various genres, the book examines their reception across four languages (Spanish, French, Catalan, English) and engages with participants across a range of digital and physical audience locations. With a particular focus on LGBTQ festivals and on issues relating to LGBTQ experience in both countries, the authors consider issues such as ageing, sense of community and isolation, and the representation of issues affecting trans people. Examining films that chronicle the local (in portraying national and subnational identities) while also addressing foreign audiences, the book draws on a wide sample of individual responses through post-screening questionnaires and focus groups, as well as drawing on the work of professional film critics and online commentators.
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