Culture clashes -- Ontology, copyright, and artistic practice -- The myth of unoriginality -- Authorship, power, and responsibility -- Toward an ontology of authored works -- The rights of authors -- The rights of others -- Appropriation and transformation -- Afterword
Place in garden, lawn, to beautify landscape.' When Don Featherstone's plastic pink flamingos were first advertised in the 1957 Sears catalogue, these were the instructions. The flamingos are placed on the cover of this book for another reason: to start us asking questions. That's where philosophy always begins. Introducing Aesthetics and the Philosophy of Art is written to introduce students to a broad array of questions that have occupied philosophers since antiquity, and which continue to bother us today-questions like: - Is there something special about something's being art? Can a mass-produced plastic bird have that special something? - If someone likes plastic pink flamingos, does that mean they have bad taste? Is bad taste a bad thing? - Do Featherstone's pink flamingos mean anything? If so, does that depend on what Featherstone meant in designing them? Each chapter opens using a real world example - such as Marcel Duchamp's signed urinal, The Exorcist, and the ugliest animal in the world - to introduce and illustrate the issues under discussion. These case studies serve as touchstones throughout the chapter, keeping the concepts grounded and relatable. With its trademark conversational style, clear explanations, and wealth of supporting features, Introducing Aesthetics and the Philosophy of Art is the ideal introduction to the major problems, issues, and debates in the field. Now expanded and revised for its second edition, Introducing Aesthetics and the Philosophy of Art is designed to give readers the background and the tools necessary to begin asking and answering the most intriguing questions about art and beauty, even when those questions are about pink plastic flamingos.
As a first responder and polygraph examiner, Darren Hudson was subjected to some of the most horrific scenarios imaginable. From traffic accidents to the twisted inner workings of violent criminals, he needed to stay focused and professional to do his job. However, the strain and post-traumatic stress disorder that came with it caused him years of alienation and suffering, with virtually no institutional support to help him navigate what he experienced. This tell-all memoir provides a behind-the-scenes look at the Canadian military and intelligence community through the lens of mental health, stigma, and personal growth. It is a wakeup call for some of our slowest moving public agencies and serves as a critical reminder that mental health and support are vital for our first responders and anyone working in traumatic situations.
Aesthetics and the philosophy of art are about things in the world – things like the Mona Lisa, but also things like horror movies, things like the ugliest dog in the world, and things like wallpaper. There's a surprising amount of philosophical content to be found in wallpaper. Using a case-driven approach, Introducing Aesthetics and the Philosophy of Art is grounded in real-world examples that propel thought, debate, and discussion about the nature of art and beauty. Now in its third edition, this tried-and-tested text features fresh cases and new activities. Hands-on Do Aesthetics! activities pepper the text, and Challenge Cases appear at the end of each chapter to test intuitions, to complicate the field of discussion, and to set a path forward. Charlotte Perkins Gilman's “The Yellow Wall-Paper” serves as a recurring case throughout, and this edition includes the full text of this classic short story. From classical debates that continue to bother philosophers today, to emerging problems of identity, appropriation, and morality, this introduction is designed to engage you in a field that itself engages with so much of the world around you. Here is everything you need to know about the history, themes, thinkers and theories to get you started on aesthetics and the philosophy of art.
Aesthetics and the philosophy of art are about things in the world -- things like a plastic pink flamingo, Francis Bacon's triptychs and the novel American Dirt . As much as the philosophers who ask them, these are the things that raise philosophical questions and challenge philosophical theories: is it art? Is it beautiful? Is it immoral? Here is everything you need to know about why these questions about art and aesthetics have bothered thinkers since antiquity, and continue to bother philosophers today. Darren Hudson Hick uses examples to raise, illustrate and -- in some cases -- complicate these issues. Each chapter opens with an extended case study that serves as a starting point, motivates the chapter's problems and operates as a touchstone. This 3rd edition now includes a fresh set of more varied case studies that draw on African, Asian and continental traditions and feature classical Chinese calligraphy, Simon Morris's Getting Inside Jack Kerouac's Head, Sol LeWitt's wall drawings and tribal artifacts. Each chapter closes with an additional case study to challenge your thinking. Addressing problems about identity, morality and appropriation dominating recent aesthetics, it introduces an array of theories and arguments about contemporary art."--
My central argument is that these problems arise from a failure in copyright law to recognize the nature of its objects, authored works, and that a coherent and stable approach to copyright must be built upon such an understanding. To this end, I outline an ontology of authored works suitable for grounding both the legal and ethical domains of copyright.
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