The heartwarming story of how NCIS star Pauley Perrette and her two best friends created a Southern-style bake shop in Manhattan—a celebration of love and friendship with gorgeous photographs and delicious recipes. Nestled in the heart of midtown New York is a little shop with a big story. An all-natural bake shop that specializes in Southern baked goods, Donna Bell’s is owned by Pauley Perrette, the actress who plays Abby Sciuto on CBS’s NCIS, and her two best friends, Darren Greenblatt and Matthew Sandusky. It was named in honor of Pauley’s late mother, who is the beloved inspiration for everything they bake. It all started in 1993, when Pauley met Darren in New York City’s Hell’s Kitchen, just blocks away from where the shop is currently located. The two became inseparable friends and Pauley’s Southern mom would welcome Darren to their home with mouthwatering treats. Darren loved this food and soon left his successful career in fashion to open a food truck that sold Southern desserts at the Jersey Shore. Eventually he wanted to expand and turned to Pauley and their friend Matthew—who worked in the Los Angeles food industry—for help. Soon Matthew was on his way to New York to open Donna Bell’s Bake Shop with Pauley and Darren. With recipes for favorites like buttermilk biscuits, chocolate chip-almond scones, and peach streusel muffins; personal photographs from Pauley, Darren, Matthew, and Donna Bell herself; this is the story how one fantastic bake shop brings warmth and happiness—one treat at a time—to the urban jungle that is New York City.
From 9/11 to Roswell, from Princess Di to the Grassy Knoll and beyond, journalists James F. Broderick and Darren W. Miller (Consider the Source) explore more than 20 of the worlds most intriguing conspiracy theories. They examine the facts surrounding each theory, present prevailing and lesser-known arguments, and point to must-see Web sites that advocate, speculate, and debunk. Web of Conspiracy is the ultimate guide for Internet-connected conspiracy theorists, buffs, and researchers and an eye-opening book for anyone who think hes heard it all.
The Devil was a commanding figure in Tudor and Stuart England. He played a leading role in the religious and political conflicts of the age, and inspired great works of poetry and drama. During the turmoil of the English Civil War, fears of a secret conspiracy of Devil-worshippers fuelled a witch-hunt that claimed at least a hundred lives. This book traces the idea of the Devel from the English Reformation to the scientific revolution of the late seventeenth century. It shows that he was not only a central figure in the imaginative life of the age, but also a deeply ambiguous and complex one: the avowed enemy of God and his unwilling accomplice, and a creature that provoked fascination, comedy and dread.
Robert Greene holds a significant place in our understanding of Elizabethan literature. This book offers the most rigorous attempt yet undertaken to determine the scope of the playwright’s canon through analyses of Greene’s verse style, vocabulary, rhyming habits, and the dramatist’s phraseology in his attested plays and in comparison to four plays that have long been on the margins of Greene’s corpus: Locrine, Selimus, George a Greene, and A Knack to Know a Knave. The book defines the ranges for Greene’s stylistic habits for the very first time and proceeds to identify parallels of thought, language, and overall dramaturgy that reveal a single author’s creative consciousness. This volume also casts light on Greene as a more collaborative dramatist than has hitherto been acknowledged. Through emphasizing the immediate surroundings in which Greene was writing – the flourishing of popular theatres in two compact areas of London, in which each theatre company and their dra-matists kept a close eye on what their competitors were producing – Greene emerges as an influential playwright, whose restored oeuvre enables us to establish new ways in which his dramatic methods impacted other writers of the period, including Shakespeare.
Will & Love examines four of Shakespeare's love plays (Romeo and Juliet, Troilus and Cressida, Twelfth Night, and Antony and Cleopatra) in light of the Augustinian psychology at the heart of the theological romance tradition. This tradition, which Shakespeare inherits from medieval theologian-poets such as Boethius, Dante, Petrarch, and Chaucer, issues from the idea, initially expressed by Augustine in his Confessions, that love functions as volitional weight, as a kind of magnetism or almost-gravitational force--that it moves the lover in mysterious ways yet without diminishing his or her agency. Will & Love highlights Shakespeare's conception of love in terms of motion and explores the metaphysical, ethical, psychological, and dramatic implications of his doing so.
This book combines theoretical and practical aspects of applied human resources management using a critical lens. It is both a descriptive and analytical journey through the tourism sector which, due to its nature, may be described as a relatively deregulated and eclectic industry. In such a context, human resource practice as presented in this book reflects these extremes.
The Theatre of Caryl Churchill documents and analyses the major plays and productions of one of Britain's greatest and most innovative playwrights. Drawing on hundreds of never-before-seen archival sources from the US and the UK, it provides an essential guide to Churchill's groundbreaking work for students and theatregoers. Each chapter illuminates connections across plays and explores major scripts alongside unpublished and unfinished projects. Each considers the rehearsal room, the stage, and the printed text. Each demonstrates how Churchill has pushed the boundaries of dramatic aesthetics while posing urgent political and theoretical questions. But since each maps Churchill's work in a different way, each deploys a different reading practice - for many approaches are necessary to characterise such a restlessly imaginative and prolific career. Through its five interlocking parts, The Theatre of Caryl Churchill tells a story about the playwright, her work, and its place in contemporary drama.
A fascinating book exploring the early modern authors who helped to shape Shakespeare’s beloved plays. Shakespeare’s plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Using the latest techniques in textual analysis Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and reveals the influence of a community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare’s artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries.
When actors perform Shakespeare, what do they do with their bodies? How do they display to the spectator what is hidden in the imagination? This is a history of Shakespearean performance as seen through the actor's body. Tunstall draws upon social, cognitive and moral psychology to reveal how performers from Sarah Siddons to Ian McKellen have used the language of gesture to reflect the minds of their characters and shape the reactions of their audiences. This book is rich in examples, including detailed analysis of recent performances and interviews with key figures from the worlds of both acting and gesture studies. Truly interdisciplinary, this provocative and original contribution will appeal to anyone interested in Shakespeare, theatre history, psychology or body language.
The problem of storing hydrogen safely and effectively is one of the major technological barriers currently preventing the widespread adoption of hydrogen as an energy carrier and the subsequent transition to a so-called hydrogen economy. Practical issues with the storage of hydrogen in both gas and liquid form appear to make reversible solid state hydrogen storage the most promising potential solution. Hydrogen Storage Materials addresses the characterisation of the hydrogen storage properties of the materials that are currently being considered for this purpose. The background to the topic is introduced, along with the various types of materials that are currently under investigation, including nanostructured interstitial and complex hydrides, and porous materials, such as metal-organic frameworks and microporous organic polymers. The main features of Hydrogen Storage Materials include: an overview of the different types of hydrogen storage materials and the properties that are of interest for their practical use; descriptions of the gas sorption measurement methods used to determine these properties, and the complementary techniques that can be used to help corroborate hydrogen uptake data; and extensive coverage of the practical considerations for accurate hydrogen sorption measurement that drive both instrument design and the development of experimental methodology. Hydrogen Storage Materials provides an up-to-date overview of the topic for experienced researchers, while including enough introductory material to serve as a useful, practical introduction for newcomers to the field.
The heartwarming story of how NCIS star Pauley Perrette and her two best friends created a Southern-style bake shop in Manhattan—a celebration of love and friendship with gorgeous photographs and delicious recipes. Nestled in the heart of midtown New York is a little shop with a big story. An all-natural bake shop that specializes in Southern baked goods, Donna Bell’s is owned by Pauley Perrette, the actress who plays Abby Sciuto on CBS’s NCIS, and her two best friends, Darren Greenblatt and Matthew Sandusky. It was named in honor of Pauley’s late mother, who is the beloved inspiration for everything they bake. It all started in 1993, when Pauley met Darren in New York City’s Hell’s Kitchen, just blocks away from where the shop is currently located. The two became inseparable friends and Pauley’s Southern mom would welcome Darren to their home with mouthwatering treats. Darren loved this food and soon left his successful career in fashion to open a food truck that sold Southern desserts at the Jersey Shore. Eventually he wanted to expand and turned to Pauley and their friend Matthew—who worked in the Los Angeles food industry—for help. Soon Matthew was on his way to New York to open Donna Bell’s Bake Shop with Pauley and Darren. With recipes for favorites like buttermilk biscuits, chocolate chip-almond scones, and peach streusel muffins; personal photographs from Pauley, Darren, Matthew, and Donna Bell herself; this is the story how one fantastic bake shop brings warmth and happiness—one treat at a time—to the urban jungle that is New York City.
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