Many Indonesian landscape artists in the early part of the twentieth century were clearly influenced by the somewhat romantic style landscape paintings of expatriate Europeans and Japanese living in Indonesia. However, there were also a number of indigenous and Indo- European realist landscape painters who, from the early to mid-twentieth century, developed a style commonly referred to as Mooi Indie. This book has its genesis in trips to England and southern Europe taken in the 1970s where the author experienced, and was attracted to, the beauty and technical skills of eighteenth- to mid-nineteenth century naturalist English landscape school painters and the derivative French Barbizon plein – air school. Although influenced by the above schools, Mooi Indie painters had their own unique subject matter, perspective, brush strokes and palette which make their work instantly recognizable and eminently worthy of respect. The largest concentration of Mooi Indie painters was in Bandung, West Java. Apart from Basuki Abdullah, Mas Pirngadie, Suriosubroto and Sukardji, most of their work is little known. One family living at Bandung included three superb Mooi Indie painters of which Basar Idjonati was the most distinguished.
Many Indonesian landscape artists in the early part of the twentieth century were clearly influenced by the somewhat romantic style landscape paintings of expatriate Europeans and Japanese living in Indonesia. However, there were also a number of indigenous and Indo- European realist landscape painters who, from the early to mid-twentieth century, developed a style commonly referred to as Mooi Indie. This book has its genesis in trips to England and southern Europe taken in the 1970s where the author experienced, and was attracted to, the beauty and technical skills of eighteenth- to mid-nineteenth century naturalist English landscape school painters and the derivative French Barbizon plein – air school. Although influenced by the above schools, Mooi Indie painters had their own unique subject matter, perspective, brush strokes and palette which make their work instantly recognizable and eminently worthy of respect. The largest concentration of Mooi Indie painters was in Bandung, West Java. Apart from Basuki Abdullah, Mas Pirngadie, Suriosubroto and Sukardji, most of their work is little known. One family living at Bandung included three superb Mooi Indie painters of which Basar Idjonati was the most distinguished.
From the authors of the bestselling The Big Shift, a provocative argument that the global population will soon begin to decline, dramatically reshaping the social, political, and economic landscape. For half a century, statisticians, pundits, and politicians have warned that a burgeoning planetary population will soon overwhelm the earth's resources. But a growing number of experts are sounding a different kind of alarm. Rather than growing exponentially, they argue, the global population is headed for a steep decline. Throughout history, depopulation was the product of catastrophe: ice ages, plagues, the collapse of civilizations. This time, however, we're thinning ourselves deliberately, by choosing to have fewer babies than we need to replace ourselves. In much of the developed and developing world, that decline is already underway, as urbanization, women's empowerment, and waning religiosity lead to smaller and smaller families. In Empty Planet, Ibbitson and Bricker travel from South Florida to Sao Paulo, Seoul to Nairobi, Brussels to Delhi to Beijing, drawing on a wealth of research and firsthand reporting to illustrate the dramatic consequences of this population decline--and to show us why the rest of the developing world will soon join in. They find that a smaller global population will bring with it a number of benefits: fewer workers will command higher wages; good jobs will prompt innovation; the environment will improve; the risk of famine will wane; and falling birthrates in the developing world will bring greater affluence and autonomy for women. But enormous disruption lies ahead, too. We can already see the effects in Europe and parts of Asia, as aging populations and worker shortages weaken the economy and impose crippling demands on healthcare and social security. The United States is well-positioned to successfully navigate these coming demographic shifts--that is, unless growing isolationism and anti-immigrant backlash lead us to close ourselves off just as openness becomes more critical to our survival than ever before. Rigorously researched and deeply compelling, Empty Planet offers a vision of a future that we can no longer prevent--but one that we can shape, if we choose.
In Melanesians and Missionaries', one of the best of the younger generation of missionary anthropologists demonstrates that a commitment to the missionary enterprise on the part of a solid scholar facilitates, rather than hinders, the anthropological study of a missionary topic. This is better anthropology because Dr. Whiteman is able to probe more deeply into his topic and demonstrates that he understands and appreciates both Melanesians and missionaries. Charles H. Kraft, Professor of Anthropology, School of World Mission, Fuller Theological Seminary, Pasadena
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