Forcing a fundamental rethinking of the Asian American elite, many of whom have attained top positions in business, government, academia, sciences, and the arts, this book will be certain to generate a good deal of controversy and honest discussion regarding the role Asian Americans will play in the new century as China and India loom ever larger in the world economic system. Not since the large-scale infusion of scientists and engineers fleeing Nazi Germany has there been such a mass importation of intellectual labor from U.S. client states in Asia. One of the specialized tasks assigned to this group is to build the technetronic infrastructure for the new world order command and control system. Servitors of Empire is not intended to fan the flames of suspicion and paranoia aimed at Asian Americans, but serves to illuminate the way in which highly trained knowledge workers are being employed to bring sovereign nations such as the United States under centralized rule made possible through advances in bioscience, IT, engineering, and global finance.
Early in the movement of Asian labor to the United States, immigrants from the Far East were viewed by the dominant Euro-American society as a peril to a white, Christian nation. How far have we come since then? This first comprehensive study of Asian American representation on network television supplies some unsettling answers. A meticulous work of history, cultural criticism, and political analysis, Monitored Peril illuminates the unstable relationship between the discursive practices of commercial television programs, liberal democratic values, and white supremacist ideology. The book clearly demonstrates the pervasiveness of racialized discourse throughout U.S. society, especially as it is reproduced by network television. In treating his topic, Darrell Hamamoto addresses a wide variety of issues facing diverse Asian American communities: interracial conflict, conservative politics, U.S.-Japan trade friction, and postcolonial Vietnam. Through an examination of selected programs from the 1950s to the present, he attempts to correct the consistently distorted optic of network television. Finally, he calls for an engaged independent Asian American media practice, and for the expansion of public sector television [Publisher description]
Forcing a fundamental rethinking of the Asian American elite, many of whom have attained top positions in business, government, academia, sciences, and the arts, this book will be certain to generate a good deal of controversy and honest discussion regarding the role Asian Americans will play in the new century as China and India loom ever larger in the world economic system. Not since the large-scale infusion of scientists and engineers fleeing Nazi Germany has there been such a mass importation of intellectual labor from U.S. client states in Asia. One of the specialized tasks assigned to this group is to build the technetronic infrastructure for the new world order command and control system. Servitors of Empire is not intended to fan the flames of suspicion and paranoia aimed at Asian Americans, but serves to illuminate the way in which highly trained knowledge workers are being employed to bring sovereign nations such as the United States under centralized rule made possible through advances in bioscience, IT, engineering, and global finance.
Critically analyzing four decades of television situation comedies from The Honeymooners to The Bill Cosby Show, Hamamoto shows how the sitcom reflects, explains, legitimates, and challenges the society in which it is grounded, illumining the power of laughter both to reaffirm and to question existing social structures. . . . Hamamoto offers a well-researched and refreshingly lucid study, immensely readable for its astute scholarship. Indispensable for students and scholars of television, popular culture, and comedy. Choice Nervous Laughter examines forty years of situation comedy, decade by decade, providing the first truly panoramic view of TV's most popular dramatic form. Within this context, Hamamoto traces what he describes as the dominant liberal democratic ideology implicit within situation comedy and explains its enduring popularity. Examining liberal democratic culture, politics, and society he demonstrates how the sitcom resolves social contradictions. Borrowing freely from the social sciences, history, and literary criticism he explains the curious grip the TV sitcom has had on its audience for over forty years. This book critically assesses the relationship between the media and society bringing questions of power, equality, and democracy to the foreground. Nervous Laughter is important reading for both the specialist and the general reader in its analysis of postwar American society. Nervous Laughter is a study of liberal democratic culture, politics, and society. It describes the ways affirmative aspects and contradictions of liberal democratic ideology are given form in television situation comedy. It provides a close reading of forty years of television texts. Arguing against mainstream theories of mass communications, the author presents an analytic framework that looks instead at conflict and contradiction within class society. Challenging the legitimacy of airwave control by non-democratic social institutions, Nervous Laughter concludes with a modest agenda that might lead to democratization of television.
Critically analyzing four decades of television situation comedies from The Honeymooners to The Bill Cosby Show, Hamamoto shows how the sitcom reflects, explains, legitimates, and challenges the society in which it is grounded, illumining the power of laughter both to reaffirm and to question existing social structures. . . . Hamamoto offers a well-researched and refreshingly lucid study, immensely readable for its astute scholarship. Indispensable for students and scholars of television, popular culture, and comedy. Choice Nervous Laughter examines forty years of situation comedy, decade by decade, providing the first truly panoramic view of TV's most popular dramatic form. Within this context, Hamamoto traces what he describes as the dominant liberal democratic ideology implicit within situation comedy and explains its enduring popularity. Examining liberal democratic culture, politics, and society he demonstrates how the sitcom resolves social contradictions. Borrowing freely from the social sciences, history, and literary criticism he explains the curious grip the TV sitcom has had on its audience for over forty years. This book critically assesses the relationship between the media and society bringing questions of power, equality, and democracy to the foreground. Nervous Laughter is important reading for both the specialist and the general reader in its analysis of postwar American society. Nervous Laughter is a study of liberal democratic culture, politics, and society. It describes the ways affirmative aspects and contradictions of liberal democratic ideology are given form in television situation comedy. It provides a close reading of forty years of television texts. Arguing against mainstream theories of mass communications, the author presents an analytic framework that looks instead at conflict and contradiction within class society. Challenging the legitimacy of airwave control by non-democratic social institutions, Nervous Laughter concludes with a modest agenda that might lead to democratization of television.
A meticulous work of history, cultural criticism, and political analysis, Monitored Peril illuminates the unstable relationship between the practices of commercial television programs, liberal democratic values, and white supremacist ideology. The book clearly demonstrates the pervasiveness of racialized discourse throughout U.S. society, especially as it is reproduced by network television.
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