Featured on the 2021 Locus Recommended Reading List For over 50 years, Darko Suvin has set the agenda for science fiction studies through his innovative linking of scifi to utopian studies, formalist and leftist critical theory, and his broader engagement with what he terms "political epistemology." Disputing the Deluge joins a rapidly growing renewal of critical interest in Suvin's work on scifi and utopianism by bringing together in a single volume 24 of Suvin's most significant interventions in the field from the 21st century, with an Introduction by editor Hugh O'Connell and a new preface by the author. Beginning with writings from the early 2000s that investigate the function of literary genres and reconsider the relationship between science fiction and fantasy, the essays collected here--each a brilliant example of engaged thought--highlight the value of scifi for grappling with the key events and transformations of recent years. Suvin's interrogations show how speculative fiction has responded to 9/11, the global war on terror, the 2008 economic collapse, and the rise of conservative populism, along with contemporary critical utopian analyses of the Capitalocene, the climate crisis, COVID-19, and the decline of democracy. By bringing together Suvin's essays all in one place, this collection allows new generations of students and scholars to engage directly with his work and its continuing importance and timeliness.
Suvin’s ‘X-Ray’ of Socialist Yugoslavia offers an indispensable overview of a unique and often overlooked twentieth-century socialism. It shows that the plebeian surge of revolutionary self-determination was halted in SFR Yugoslavia by 1965; that between 1965– 72 there was a confused and hidden but still open-ended clash; and that by 1972 the oligarchy in power was closed and static, leading to failure. The underlying reasons of this failure are analysed in a melding of semiotics and political history, which points beyond Yugoslavia – including its achievements and degeneration – to show how political and economic democracy fail when pursued in isolation. The emphasis on socialist Yugoslavia is at various points embedded into a wider historical and theoretical frame, including Left debates about the party, sociological debates about classes, and Marx’s great foray against a religious State doctrine in The Jewish Question.
Darko Suvin explores utopian horizons in fiction & utopian/dystopian readings of historical reality since the 1970s, focusing in the United States & United Kingdom, but drawing also on French, German & Russian sources.
In eleven incisive, biting essays, Marxist philosopher Darko Suvin suggests that "capitalism (and all of us in Leviathan's belly) stands today in the presence of Yeats's rough beast advancing toward Bethlehem, that finance capitalism is not simply a stage but a recurrent 'Autumn' signal of transition from one world regime of accumulation and domination to another; it signals the destruction of the old regime and creation of a 'new' one." And to bolster his argument, Suvin points to the economic and social chaos creeping and growing through western society, bank failures, riots, unrest, loss of private capital, loss of middle-class jobs, increase in drug and alcohol abuse, proliferation of guns and other weapons in society, failure of our school systems, inability of police to provide security, and political revolution in less-developed states. The author stresses the need to provide "universal guaranteed income sufficient to modestly live on for all adults working 35 hours a week, and a stress on [providing decent] education and health." And to fund these simple measures: "Just pay trillions to people instead of banks and the military." Suvin's intelligent analysis and commentary will open many eyes that have been prejudiced against socialist thought by the rise of right-wing politicians, and demonstrate quite clearly to the modern reader that there IS another perspective worth considering.
Communism, Poetry: Communicating Vessels reunites political thought with poetry, its true counterpart and companion in justice. Describing the background of present perpetual warfare, violence and mass lesions, Suvin opens up seemingly disparate subjects like the poetic mastery of Bertolt Brecht and the fate of the former Yugoslavia, and then relates them to each other. Through this approach, the book aims to lay bare the horizon of this current age of political crisis, and dares the reader to look beyond that horizon, to the serious, comprehensive alternative.
The Long March is a collection of poetry that refuses the split between the private world of the poet and the world of public affairs. The poems in the book are largely written in a dialogue with the poetry of Ancient China, but they are always sustained by a commitment to radical revaluation which recalls that of the playwright Bertolt Brecht.
Darko Suvin explores utopian horizons in fiction & utopian/dystopian readings of historical reality since the 1970s, focusing in the United States & United Kingdom, but drawing also on French, German & Russian sources.
Suvin’s ‘X-Ray’ of Socialist Yugoslavia offers an indispensable overview of a unique and often overlooked twentieth-century socialism. It shows that the plebeian surge of revolutionary self-determination was halted in SFR Yugoslavia by 1965; that between 1965– 72 there was a confused and hidden but still open-ended clash; and that by 1972 the oligarchy in power was closed and static, leading to failure. The underlying reasons of this failure are analysed in a melding of semiotics and political history, which points beyond Yugoslavia – including its achievements and degeneration – to show how political and economic democracy fail when pursued in isolation. The emphasis on socialist Yugoslavia is at various points embedded into a wider historical and theoretical frame, including Left debates about the party, sociological debates about classes, and Marx’s great foray against a religious State doctrine in The Jewish Question.
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