This is the second story featuring Max and Duncan after Maxed Out Max knows his mom can't afford to send him to summer camp. But he really, really wants to go. He needs a break from looking after his autistic brother, Duncan. And from his mom's new boyfriend. He is surprised when his mom says that he can go after all. But there's a catch. There are spots available at the camp for families with special needs. A grant would cover Duncan's fees, and Max could attend at no charge. If he goes as Duncan's escort. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read! The epub edition of this title is fully accessible.
Key Selling Points This book was nominated for Best Quick Read by the American Library Association. Maxed Out is the first of two books that feature brothers Duncan and Max. The second, Camped Out, won the Hackmatack Children's Choice Book Award. Enhanced features (dyslexia-friendly font, cream paper, larger trim size) to increase reading accessibility for dyslexic and other striving readers.
Photoperiodism is the response to the length of the day that enables living organisms to adapt to seasonal changes in their environment as well as latitudinal variation. As such, it is one of the most significant andcomplex aspects of the interaction between plants and their environment and is a major factor controlling their growth and development. As the new and powerful technologies of molecular genetics are brought to bear on photoperiodism, it becomes particularly important to place new work in the context of the considerable amount of physiological information which already exists on the subject. This innovative book will be of interest to a wide range of plant scientists, from those interested in fundamental plant physiology and molecular biology to agronomists and crop physiologists. - Provides a self-sufficient account of all the important subjects and key literature references for photoperiodism - Includes research of the last twenty years since the publication of the First Edition - Includes details of molecular genetic techniques brought to bear on photoperiodism
Information technologies have become both a means and an end, transforming the workplace and how work is performed. This ongoing evolution in the work process has received extensive coverage but relatively little attention has been given to how changing technologies and work practices affect the workers themselves. This volume specifi cally examines the institutional and social environment of the workplaces that information technologies have created.
The Tri-Cities has been blessed with fame-worthy eateries that have helped shape the area's identity. Elvis shimmied through the area during his up-and-coming years, making for one incredibly happy girl and her not-so-happy boyfriend. Broadwater Drug Stores served hamburgers that brought in customers from miles around. Hungry patrons had to arrive very early at Mountaineer Restaurant or they wouldn't find a place to park. Home Sweet Home and the Mezzanine Tea Room offered homey atmospheres and had the best quiche in the area. Visitors to Skoby's World were treated to a culinary trip around the world. Author Daphne Matthews details the delectable stories of the most iconic restaurants in the Tri-Cities' past.
It is no coincidence, Daphne Lamothe writes, that so many black writers and intellectuals of the first half of the twentieth century either trained formally as ethnographers or worked as amateur collectors of folklore and folk culture. In Inventing the New Negro Lamothe explores the process by which key figures such as Zora Neale Hurston, Katherine Dunham, W. E. B. Du Bois, James Weldon Johnson, and Sterling Brown adapted ethnography and folklore in their narratives to create a cohesive, collective, and modern black identity. Lamothe explores how these figures assumed the roles of self-reflective translators and explicators of African American and African diasporic cultures to Western, largely white audiences. Lamothe argues that New Negro writers ultimately shifted the presuppositions of both literary modernism and modernist anthropology by making their narratives as much about ways of understanding as they were about any quest for objective knowledge. In critiquing the ethnographic framework within which they worked, they confronted the classist, racist, and cultural biases of the dominant society and challenged their readers to imagine a different set of relations between the powerful and the oppressed. Inventing the New Negro combines an intellectual history of one of the most important eras of African American letters with nuanced and original readings of seminal works of literature. It will be of interest not only to Harlem Renaissance scholars but to anyone who is interested in the intersections of culture, literature, folklore, and ethnography.
A mystery linking Manhattan circa 1991 to eastern Afghanistan in 2012, Blue Hours tells of a life-changing friendship between two memorable heroines. When we first meet Mim, she is a recent college graduate who has disavowed her lower middle class roots to befriend Kyra, a dancer and daughter of privilege, until calamity causes their estrangement. Twenty years later, Kyra has gone missing from her NGO’s headquarters in Jalalabad, and Mim—now a recluse in rural New England—embarks on a journey to find her. In its nuance, originality, and moral complexity, Blue Hours becomes an unexpected page-turner.
Winner of the Sir Walter Raleigh Award: A humorous and unparalleled account of the lives of three young sisters during the Great Depression. It is 1939 and life has changed drastically for the Bishop family. After losing their money and being forced to abandon their lovely seaside home in Connecticut, they move to the all-black Southern town of Ephesus. Patriarch P. Q. (which might stand for Peculiar) is a dreamer whose failed attempts at various schemes have landed the Bishops in a squalid shack that never stays warm and collects soot like a dustbin. And Mrs. Bishop is having an impossible time adjusting to their less than aristocratic conditions. But adolescent daughters Irene, Urie, and the zany Loco Poco—with their eccentric personalities and clothes made from tablecloths—won’t let anything stop them from taking on the world. Little Women meets The Grapes of Wrath, Daphne Athas’s award-winning novel has been hailed by critics and named one of the best books of the year by Time magazine. Entering Ephesus is a glorious and unforgettable story of life during the Great Depression through the eyes of three young, vivacious women.
This updated fourth edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted. Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication’s role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its “Thinking Through Theatre Histories” boxes discuss important concepts and approaches used in the book. Features of the fully updated fourth edition include: Deeper coverage of East Asian and Latin American theater. Richer treatment of popular culture. More illustrations, photographs, and information about online resources. New case studies, include several written by authoritative scholars on the topic. Pronunciation guidance, both in the text and as audio files online. Timelines. An introduction on historiography. A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources. A case studies library listing, including both those in print and online, for greater instructor choice and flexibility. This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development, and continuing relevance of theatre to cultures and societies across the world.
What is the world that Nine Inch Nails made, and what was the world that made Nine Inch Nails? These are the questions at the heart of this study of the band's 1989 debut, Pretty Hate Machine. The album began as after-hours demos by mercenary new wave keyboardist Trent Reznor, and was disciplined into sparse industrial dance by a handful of the UK's best industrial producers. Carr traces how the album became beloved in the underground, found its mass at Lollapalooza, and its market at the newly opened mall store Hot Topic. For fans, Nine Inch Nails was a vehicle for questioning God, society, the family, sex, and the body. In ten raw, heartbreaking oral histories woven through the book, fans living in the post-industrial Midwest discuss the successes and failures of the American dream as they are articulated in Nine Inch Nails' music. Daphne Carr illuminates Pretty Hate Machine as at once singular and as representative of how popular music can impact history and change lives.
The power and influence of Grace increases with each passing year. Here, Daphne Brooks traces Jeff Buckley's fascinating musical development through the earliest stages of his career, up to the release of the album. With access to rare archival material, Brooks illustrates Buckley's passion for life and hunger for musical knowledge, and shows just why he was such a crucial figure in the American music scene of the 1990s. EXCERPT: Jeff Buckley was piecing together a contemporary popular music history for himself that was steeped in the magic of singing. He was busy hearing how Dylan channeled Billie Holiday in Blonde On Blonde and how Robert Plant was doing his best to sound like Janis Joplin on early Led Zeppelin recordings. He was thinking about doo-wop and opera and Elton John and working at developing a way to harness the power of the voice...In the process, he was re-defining punk and grunge "attitude" itself by rejecting the ambivalent sexual undercurrents of those movements, as well as Led Zeppelin's canonical "cock rock" kingdom that he'd grown up adoring. He was forging a one-man revolution set to the rhythms of New York City and beyond. And he was on the brink of recording his elegant battle in song for the world to hear.
Ana Historic is the story of Mrs. Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards's life. Ana Historic was Daphne Marlatt's first novel, and was originally published by Coach House Press in Canada and The Women's Press in the U.K. The French translation was published by Les ditions du remue-m nage.
Supermom is at the end of her rope. "Maternal Desire" shows mothers who work a full-time job and take care of their family that there is another way. The author explores maternal enjoyment as she does maternal anxiety, and offers not just understanding but the exhilaration of seeing a universal frustration discussed clearly for the first time.
This book is a biography of controversial archivist Major James Skitt Matthews, whose dedication, dogged persistence and guerrilla tactics were instrumental in preserving the history of Vancouver, British Columbia." "Sleigh's portrait of the Major covers his unique background and the unusual experiences that shaped the man and set the stage for a remarkable future."--BOOK JACKET.
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.
Madame Daphne Jane Rogers Molson is a Canadian, membered, International Who's Who Golden Poet, awarded laureate graduate, of American multibillionaire, Howard Ely, Editor and Owner of Waternark Press. Since 1997, Howard's International Library of Poetry anthologies, America In The Millennium, The Colors of Life, The Best Poems and Poets, The International Who's Who In Poetry, Poetry.com, The Sound of Poetry tapes, discs, electronic collections, and the International Society of Poets Conventions and Symposiums have acclaimed Daphne's evocative, meaningful, wittingly woven humour, satire, war and peace pathos, peace and prayer asking, prose, and human loving, inspiring poems. Xlibris published With Love To Humanity and Madame Daphne Jane Rogers Molson in 2011 to BEA, America's yearly book exhibition, held in New York City, then to Chicago, then to Canadian and American cities television, newspaper, and radio medias. Former Presidents, Barack Obama and William Clinton thanked Daph for A New Millennium Address To Humanity. Prime Minister Justin Trudeau and House of Commons MP, Maryam Monsef congratulated her poetry works. Canada Council for the Arts, Ontario Arts Council, Trillium Foundation, EC3, Chapters, Indigo, Trent University, The Poetry Institute of Canada, Canadian Authors Association, Canadian Writers Summit, Amazon, Kindle, Xlibris and others sponsor and sell Daph's books. Her famous city, Rogers and Molson relatives, friends, and their profit making of wealth, business, industry, culture, art, and Daph's are the essence of this book.
The Mystery Fancier, July/August 1979, Volume 3 Number 4, contains: "Little Old Ladies I Have Known and Loved," by Ellen Nehr, "Tension and Duality: Daphne Du Marier's 'Don't Look Now'," by Jane S. Bakerman, "His Own Desert," by Everett F. Bleiler, "The History and Activities of Mystery Fans in Sweden (and Scandinavia)," by Iwan Hedman, "The Crime Novels of Harold R. Daniels," by George Kelley, "The Curmudgeon in the Corner, Grumblings," by William Loeser and "The Nero Wolfe Saga, Part XIV," by Guy M. Townsend.
Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery, Second Edition is an essential reference for clinicians caring for perianesthesia patients in a variety of situations, such as in a preop and postanesthesia care unit (PACU), an intensive care unit (ICU), a procedural recovery area, or on a labor and delivery unit. Ideal for perianesthesia nursing orientation and perioperative cross-training programs, it is also a valuable tool for nursing students preparing to sit for the Certified Post Anesthesia Nursing (CPAN) and Certified Ambulatory Perianesthesia Nurse (CAPA) certification examinations. With contributions from leading experts, this reference addresses common clinical issues, population specific knowledge, and surgery specific knowledge. The Second Edition includes a new chapter on trauma, an increased emphasis on non-OR areas, and an extended focus on pediatric patients.
Following the death of her sister, thirteen-year-old Grace is now alone at the Belgian convent where she was abandoned as a baby. When Grace finds a mysterious diary, she begins looking for answers about where she came from and the truth about her family. Finding Grace offers an emotional look into the lives of girls in the strict world of convents, both in the 1940s and the 1970s.
Barely Breathing is an essential and hope-filled guide for grieving parents and those who support them. Drawing from her own experience of losing her daughter Lydia, bestselling author Daphne Bach Greer offers ten secrets to surviving in an easy to follow, thoughtfully written book. Filled with grace and compassion, Greer's wisdom and secrets are a guiding light for bereaved parents struggling with deep grief.
Classic horror stories by one of masters of the form. Full of bone-chilling tales, this collection includes "The Birds," the basis for the Alfred Hitchcock film of the same title, and other creepy classics. Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense. Patrick McGrath’s revelatory new selection of du Maurier’s stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man’s abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier’s long career and includes surprising discoveries together with famous stories like “The Birds.” Don’t Look Now is a perfect introduction to a peerless storyteller.
For his part, John has no choice but to take the Frenchman's place - as master of a chateau, director of a failing business, head of a large and embittered family, and keeper of too many secrets.".
The definitive biography of Daphne Du Maurier, one of history's greatest psychological thriller novelists Rebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. Du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became. Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman. Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.
She wrote exciting plots, she was highly skilled at arousing suspense' GUARDIAN 'Daphne du Maurier is an excellent storyteller' KIRKUS REVIEWS 'One of the last century's most original literary talents' DAILY TELEGRAPH As a tour guide, Armino Fabbio leads a pleasant, if uneventful life - until he becomes circumstantially involved in the death of a peasant in Rome. The woman, he gradually learns, was his family's beloved servant many years ago before, in his native town of Ruffano. Fabbio returns to his birthplace, and finds it is haunted by the phantom of his brother, Aldo, who was shot down in flames during the war. Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. The town seems to have forgotten its violent history, but have things really changed? The parallels between the past and present become ever more evident.
Daphne du Maurier's life in Menabilly is evoked in this memoir by her daughter. The book reveals du Maurier's deep attachment to Cornwall where she spent much of her life as a recluse.
Born in turn of the century Cornwall, Janet Coombe longs to share in the excitement of seafaring: to travel, to have adventures, to know freedom. But constrained by the times, she marries her cousin Thomas, a boat builder, and settles down to raise a family. Janet's loving spirit -- her passionate yearning for adventure and love -- is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain. Her debut novel, The Loving Spirit established du Maurier's reputation and style with an inimitable blend of romance, history and adventure. "Daphne du Maurier has no equal."-Sunday Telegraph
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