This book concerns life in the twenty-five years before and during the second world war. Born in 1922, my first ten years were very happy years. Things changed with the sudden death of my father. Because he was a vicar, the family had to leave the vicarage in six weeks with no home to go to and very little money. To help my mother, her three widowed sisters (the aunts) came on the scene. The only security, away from this merry-go-round of our family life, was in boarding school and then the services. My brother in the Army and I in the WRNS. I was a plotter and worked in operations rooms at several naval bases. The last one was shortly before the invasion began. I was sent to Fort Southwick, near Portsmouth. I worked here, in the underground, steel lined, plotting room of 'combined headquarters' as 'Operation Overlord' unfolded in miniature on the plotting table in front of me. When the invasion was safely under way, I was posted to 'tactical anti-submarine training' in Scotland.
This volume brings together for the first time more than two dozen of Daphne PataiOs incisive and at times satirical essays dealing with the academic and intellectual orthodoxies of our time. Patai draws on her years of experience in an increasingly bizarre academic world, where a stifling politicization threatens genuine teaching and learning. Addressing the rise of feminist dogma, the domination of politics over knowledge, the shoddy thinking and moralizing that hide behind identity politics, and the degradation of scholarship, her essays offer a resounding defense of liberal values. Patai takes aim at the unctuous and also dangerous posturing that has brought us restrictive speech codes, harassment policies, and a vigilante atmosphere, while suppressing plain speaking about crucial issues. But these trenchant essays are not limited to academic life, for the ideas and practices popularized there have spread far beyond campus borders. Included are two new pieces written especially for this volume, one on the bullying tactics of a famous feminist and the other on Islamic fundamentalism.
Perianesthesia Nursing Care: A Bedside Guide for Safe Recovery, Second Edition is an essential reference for clinicians caring for perianesthesia patients in a variety of situations, such as in a preop and postanesthesia care unit (PACU), an intensive care unit (ICU), a procedural recovery area, or on a labor and delivery unit. Ideal for perianesthesia nursing orientation and perioperative cross-training programs, it is also a valuable tool for nursing students preparing to sit for the Certified Post Anesthesia Nursing (CPAN) and Certified Ambulatory Perianesthesia Nurse (CAPA) certification examinations. With contributions from leading experts, this reference addresses common clinical issues, population specific knowledge, and surgery specific knowledge. The Second Edition includes a new chapter on trauma, an increased emphasis on non-OR areas, and an extended focus on pediatric patients.
Sir Gerald du Maurier was the preeminent actor-manager of his day, knighted in 1922 for his services to the theater. Published within six months of her father's death, Daphne du Maurier's frank portrait was considered shocking by many of his admirers-but it was a huge success, winning her critical acclaim and launching her career. Here, Daphne captures the spirit and charm of the charismatic actor who played the original Captain Hook, amusingly recounting his eccentricities, his humor, as well as his darker side. "A remarkable book...brilliant comic writing."-The Times (UK)
THE STORY: The setting is a great house in Cornwall, which has been inherited by young Philip Ashley on the death of his uncle and surrogate father. Although deeply attached to his ancestral home, the uncle had gone to Rome, married a young Itali
Born in turn of the century Cornwall, Janet Coombe longs to share in the excitement of seafaring: to travel, to have adventures, to know freedom. But constrained by the times, she marries her cousin Thomas, a boat builder, and settles down to raise a family. Janet's loving spirit -- her passionate yearning for adventure and love -- is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain. Her debut novel, The Loving Spirit established du Maurier's reputation and style with an inimitable blend of romance, history and adventure. "Daphne du Maurier has no equal."-Sunday Telegraph
Rebecca was one of Daphne du Maurier's greatest bestsellers. It has been read all around the world, and in many different languages. The book has been adapted for the theater, film, television, and even opera. Now Daphne du Maurier reveals how it came to be written: its origins, its development, and the directions its plot might have taken. The original outline of the novel is here, as well as the original Epilogue. Daphne du Maurier also reveals how she first came upon Manebilly, the secret house hidden away in Cornish woodland, that was to become the romantic setting of Rebecca: a house which stood derelict, and which she lovingly restored. "In her heartfelt memories...one hears the genuine, thoughtful voice of a woman whose works have been loved by millions."-New York Times
For his part, John has no choice but to take the Frenchman's place - as master of a chateau, director of a failing business, head of a large and embittered family, and keeper of too many secrets.".
Prime du Maurier. . . . She holds her characters close to reality; the past she creates is valid, and her skill in finessing the time shifts is enough to make one want to try a little of the brew."—New York Times
Daphne du Maurier's exuberant Cornish romance featuring passion and drama, sailing ships, and the glory of wind and sea. Janet Coombe was born with the loving spirit and she passed it on to her son. In her great-granddaughter Jennifer it appeared again, to break down the barrier of years.
Classic horror stories by one of masters of the form. Full of bone-chilling tales, this collection includes "The Birds," the basis for the Alfred Hitchcock film of the same title, and other creepy classics. Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense. Patrick McGrath’s revelatory new selection of du Maurier’s stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man’s abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier’s long career and includes surprising discoveries together with famous stories like “The Birds.” Don’t Look Now is a perfect introduction to a peerless storyteller.
Includes The House on the Strand, Julius, The Loving Spirit and The Doll: Short Stories. Written in the tradition of Poe and Lovecraft, The House on the Strand is a gripping, time-travelling horror tale. The eponymous hero of Julius is a quick-witted urchin caught up in the Franco-Prussian war, who is soon on his way to seek a fortune in London. The Loving Spirit, Daphne du Maurier's first published novel, is the history of the lives, loves and hardships of a Cornish family at the turn of the twentieth century. This omnibus also includes The Doll, a collection of some of du Maurier's most thrilling short stories.
Includes Rebecca and My Cousin Rachel. Rebecca, Daphne du Maurier's best-known and bestselling novel, is the classic tale of a young woman who marries handsome widower Maxim de Winter and moves to his great house at Manderley in Cornwall, only to find that all is not as it first seems . . . In My Cousin Rachel, Philip Ashley, an orphan raised by his benevolent cousin Ambrose, is drawn into the orbit of Ambrose's beautiful, mysterious new wife Rachel.
She wrote exciting plots, she was highly skilled at arousing suspense' GUARDIAN 'Daphne du Maurier is an excellent storyteller' KIRKUS REVIEWS 'One of the last century's most original literary talents' DAILY TELEGRAPH As a tour guide, Armino Fabbio leads a pleasant, if uneventful life - until he becomes circumstantially involved in the death of a peasant in Rome. The woman, he gradually learns, was his family's beloved servant many years ago before, in his native town of Ruffano. Fabbio returns to his birthplace, and finds it is haunted by the phantom of his brother, Aldo, who was shot down in flames during the war. Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. The town seems to have forgotten its violent history, but have things really changed? The parallels between the past and present become ever more evident.
As far as his father, a famous writer, is concerned, Richard will never amount to anything, and so he decides to take his fate into his own hands. But at the last moment he is saved by Jake, who appeals to Richard not to waste his life. Together they set out for adventure, working their way through Europe, eventually arriving in bohemian Paris, where Richard meets Hesta, an entrancing music student. Daphne du Maurier's second novel is a masterpiece of narration, showcasing for the first time in her career the male voice she would use to stunning effect in four subsequent novels, including My Cousin Rachel. "A magician, a virtuoso. She can conjure up tragedy, horror, tension, suspense, the ridiculous, the vain, the romantic."-Good Housekeeping
The classic Gothic suspense novel by Daphne du Maurier -- winner of the Anthony Award for Best Novel of the Century -- is now a Netflix film starring Lily James and Armie Hammer. Last night I dreamt I went to Manderley again . . . The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave. "Daphne du Maurier created a scale by which modern women can measure their feelings." --Stephen King
A married couple on holiday in Venice are caught up in a sinister series of events. A lonely schoolmaster is impelled to investigate a mysterious American couple. A young woman loses her cool when she confronts her father's old friend on a lonely island. A party of British pilgrims meet strange phenomena and possible disaster in the Holy Land. A scientist abandons his scruples while trying to tap the energy of the dying mind. Collecting five stories of mystery and slow, creeping horror, Daphne Du Maurier's Don't Look Now and Other Stories showcases her unique blend of sympathy and spinetingling suspense. "Daphne du Maurier is in a class by herself."-New York Times
Hailed by the "New York Times" as a masterpiece of "artfully compulsive storytelling," "The Scapegoat" brings us Daphne du Maurier at the very top of her form.
When people play the game: Name three or four persons whom you would choose to have with you on a desert island - they never choose the Delaneys. They don't even choose us one by one as individuals. We have earned, not always fairly we consider, the reputation of being difficult guests . . . Maria, Niall, and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' pasts. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.
Daphne du Maurier's life in Menabilly is evoked in this memoir by her daughter. The book reveals du Maurier's deep attachment to Cornwall where she spent much of her life as a recluse.
The story of a deadly curse that afflicted an Irish family for a hundred years. "I tell you your mine will be in ruins and your home destroyed and your children forgotten . . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill. The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .
Includes the novels Frenchman's Creek and Hungry Hill, and the story collection The Birds & Other Stories. Frenchman's Creek tells the story of Lady Dona St Columb's escape from the Restoration Court in search of love and adventure at Navron in Cornwall. Hungry Hill is a powerful tale of the feud between two great families, the Donovans and the Brodricks. Daphne du Maurier's short story 'The Birds' was the basis for the classic Hitchcock film.
The definitive biography of Daphne Du Maurier, one of history's greatest psychological thriller novelists Rebecca, published in 1938, brought its author instant international acclaim, capturing the popular imagination with its haunting atmosphere of suspense and mystery. Du Maurier was immediately established as the queen of the psychological thriller. But the more fame this and her other books encouraged, the more reclusive Daphne du Maurier became. Margaret Forster's award-winning biography could hardly be more worthy of its subject. Drawing on private letters and papers, and with the unflinching co-operation of Daphne du Maurier's family, Margaret Forster explores the secret drama of her life - the stifling relationship with her father, actor-manager Gerald du Maurier; her troubled marriage to war hero and royal aide, 'Boy' Browning; her wartime love affair; her passion for Cornwall and her deep friendships with the last of her father's actress loves, Gertrude Lawrence, and with an aristocratic American woman. Most significant of all, Margaret Forster ingeniously strips away the relaxed and charming facade to lay bare the true workings of a complex and emotional character whose passionate and often violent stories mirrored her own fantasy life more than anyone could ever have imagined.
In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent. "The appeal of romance and the clash of highly-charged emotions."-New York Herald-Tribune
For use in schools and libraries only. The new mistress of Manderley's Cornwall estate must constantly compete with the memory of Maxim de Winter's first wife, Rebecca.
Following the death of their young daughter, John and Laura visit Venice to try and escape their grief. But when the couple meet two aged sisters, one of whom claims to have psychic visions of the dead girl, strange things start to happen. Filmed in 1973 with Julie Christie and Donald Sutherland, Daphne du Maurier's classic thriller starts as a moving examination of grief but gradually becomes a chilling tale with a dark and terrifying climax. This adaptation of Don't Look Now premiered in 2007 at the Sheffield Lyceum with a transfer to the Lyric Hammersmith.
The Restoration Court knows Lady Dona St Columb to be ripe for any folly, any outrage that will alter the tedium of her days. But there is another, secret Dona who longs for freedom, honest love - and sweetness, even if it is spiced with danger. To escape the shallowness of court life, Dona retreats to Navron, her husband's remote Cornish estate. There, she seeks peace in its solitary woods and hidden creeks. But she finds instead a daring pirate, hunted by all Cornwall, a Frenchman who, like Dona, would gamble his life for a moment's joy. Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.
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