A wide-ranging collection of essays by one of America's most perceptive critics of popular and literary culture From one of America's most insightful and independent-minded critics comes a remarkable new collection of essays, her first in more than fifteen years. Daphne Merkin brings her signature combination of wit, candor, and penetrating intelligence to a wide array of subjects that touch on every aspect of contemporary culture, from the high calling of the literary life to the poignant underside of celebrity to our collective fixation on fame. "Sometimes it seems to me that the private life no longer suffices for many of us," she writes, "that if we are not observed by others doing glamorous things, we might as well not exist." Merkin's elegant, widely admired profiles go beneath the glossy façades of neon-lit personalities to consider their vulnerabilities and demons, as well as their enduring hold on us. As her title essay explains, she writes in order "to save myself through saving wounded icons . . . Famous people . . . who required my intervention on their behalf because only I understood the desolation that drove them." Here one will encounter a gallery of complex, unforgettable women—Marilyn Monroe, Courtney Love, Diane Keaton, and Cate Blanchett, among others—as well as such intriguing male figures as Michael Jackson, Mike Tyson, Truman Capote, and Richard Burton. Merkin reflects with empathy and discernment on what makes them run—and what makes them stumble. Drawing upon her many years as a book critic, Merkin also offers reflections on writers as varied as Jean Rhys, W. G. Sebald, John Updike, and Alice Munro. She considers the vexed legacy of feminism after Betty Friedan, Bruno Bettelheim's tarnished reputation as a healer, and the reenvisioning of Freud by the elusive Adam Phillips. Most of all, though, Merkin is a writer who is not afraid to implicate herself as a participant in our consumerist and overstimulated culture. Whether ruminating upon the subtext of lip gloss, detailing the vicissitudes of a pre–Yom Kippur pedicure, or arguing against our obsession with household pets, Merkin helps makes sense of our collective impulses. From a brazenly honest and deeply empathic observer, The Fame Lunches shines a light on truths we often prefer to keep veiled—and in doing so opens up the conversation for all of us.
Each year, visitors from all parts of the globe find their way to a sequestered Benedictine monastery in the hills of Mission, BC, and view the art and sculptures that beautify the abbey and its walls. But the man responsible for this work rarely ventures outside the monastery, never mind the province. He is an artist who has seen few of the masterpieces of Western art that inspire him in person; he is a musician who has seldom attended a concert; and he is an intellectual who, at his own insistence, dropped out of high school as early as he could. Acknowledged by some as one of the major British Columbian artists of his generation, Dunstan Massey could have developed a successful public career in Vancouver or Toronto as an artist or musician—or perhaps even as an actor or academic. But none of this happened because at the age of 18 he renounced every one of these possibilities and dedicated his life to God. Daphne Sleigh introduces both the artist and his art in this fascinating and lavishly illustrated new biography.
Daphne du Maurier has no rival."-Sunday Telegraph A spellbinding love story, Castle Dor was the unfinished last novel of the British novelist Sir Arthur Quiller-Crouch, better known as "Q." The novel was passed on to Daphne du Maurier by his daughter, who was sure that du Maurier's storytelling skills were perfectly suited to completing the tale. The result is a magical, compelling retelling of Tristan and Iseult, the star-crossed lovers transplanted in time to the Cornwall of the last century. A chance encounter between the Breton onion-seller, Amyot Trestane, and the newly-wed Linnet Lewarne launches their tragic story, taking them in the fateful footsteps of the doomed lovers of Cornish legend.
In 2010, Eno Publishers, based in Hillsborough, North Carolina, published 27 Views of Hillsborough: A Southern Town in Poetry & Prose, with an introduction from Michael Malone and literary contributions from 27 writers that included Randall Kenan, Jill McCorkle, Craig Nova, and Jaki Shelton Green, among others. To have a town documented in so many genres by so many skillful practitioners from so many perspectives was a rare phenomenon.
Winner of the Sir Walter Raleigh Award: A humorous and unparalleled account of the lives of three young sisters during the Great Depression. It is 1939 and life has changed drastically for the Bishop family. After losing their money and being forced to abandon their lovely seaside home in Connecticut, they move to the all-black Southern town of Ephesus. Patriarch P. Q. (which might stand for Peculiar) is a dreamer whose failed attempts at various schemes have landed the Bishops in a squalid shack that never stays warm and collects soot like a dustbin. And Mrs. Bishop is having an impossible time adjusting to their less than aristocratic conditions. But adolescent daughters Irene, Urie, and the zany Loco Poco—with their eccentric personalities and clothes made from tablecloths—won’t let anything stop them from taking on the world. Little Women meets The Grapes of Wrath, Daphne Athas’s award-winning novel has been hailed by critics and named one of the best books of the year by Time magazine. Entering Ephesus is a glorious and unforgettable story of life during the Great Depression through the eyes of three young, vivacious women.
The story of a deadly curse that afflicted an Irish family for a hundred years. "I tell you your mine will be in ruins and your home destroyed and your children forgotten . . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill. The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .
Bach flowers are an alternative medicine created by the British doctor Edward Bach. It is now known that our emotional states have a profound influence on our well-being and health. An altered emotional state that repeats itself every day creates real dysfunctions in our body. 90% of the causes of human disease come from planes beyond the physical, and it is on these planes that symptoms begin to manifest before the physical body shows any disturbance. Bach Flowers rebalance emotions. They address only and exclusively how we react emotionally to the vicissitudes, experiences and problems in our days. They give great serenity and peace, courage or strength, they help us feel at the fullest of our possibilities. They can be useful in the face of an illness, not from a physical point of view but just as a mood support. The person is seen as a complete individual where emotions are a pivotal point, and not just as a physical body with symptoms. It is therefore necessary to analyze the emotional state and not the physical symptoms, based on this the suitable remedies are found. In fact, subjects with identical physical problems react and live with different emotions and feelings. Bach Flowers do not help to repress negative attitudes, but transform them into their positive side. Bach has thus divided the 38 flowers from which the remedies are drawn. The very first flowers discovered by Bach were the so-called "12 Healers", which the Welsh doctor promptly began to experiment first on himself and then on his patients; the other 26 were discovered shortly after, divided into "7 Helpers" and "19 Assistants".
People are chemical machines, yet we (and some other animals) develop a sense of beauty. Why and how did it evolve? How is it formed? This book answers these questions from the perspective of scientists with deep knowledge of the arts. It interweaves experimental sciences with the histories of art, architecture, music, dance, speech, literature, and food. Although we perceive each of our senses to be dramatically different, the authors show them all to be similar under the hood—similar in how they function and in how they shape our aesthetic experience. The authors cover many fields, and do not assume the reader has any special knowledge or expertise. They avoid jargon, equations and formulae, and begin every discussion at an introductory level. However, introductory does not mean elementary. This is a broad knife that cuts deep.
Treating Drinkers and Drug Users in the Community is the second book in a new collection from Addiction Press. Addiction Press was set up with the express purpose of communicating current ideas and evidence in this expanding field, not only to researchers and practising health professionals, but also to policy makers, students and interested non-specialists. These publications are designed to address the significant challenges that addiction presents to modern society. The drugs field has undergone a phase of rapid change in recent years and all the non-medical treatment interventions for those with alcohol problems and dependence can be equally helpful for drug users. This has opened the way for unification of alcohol and drug treatment services at a clinical level, with potential for more efficient service provision and for effective interventions which can be readily adopted in a wide range of settings. Modern drug and alcohol services and all professionals working with substance users will benefit from the initiatives and procedures discussed in this book. Key features * Describes a wide range of treatments for young people and adults with drug and alcohol dependence * Integrates alcohol and drug prevention and treatment * Provides an invaluable and accessible guide for many different professionals * Sets out assessment criteria, questionnaires, and a joint treatment framework
Stranger in her bed Capri recognized the handsome man in front of her as her husband. She knew his name was Rolfe, but other than that he was a complete stranger to her. In fact, she could remember nothing at all about her life, prior to waking up in the hospital bed. Perhaps all she needed was to get home to New Zealand and her memory would return. It didn't, despite some shocking revelations about herself and her marriage. One thing she did know: whatever their marital problems might have been, the chemistry between them was as strong as ever. But how could she sleep with a man she barely knew—even if he was her husband?
The classic time travel novel from the legendary writer behind Rebecca and "The Birds." "The House on the Strand is prime du Maurier." --New York Times Dick Young is lent a house in Cornwall by his friend Professor Magnus Lane. During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...
You think you are someone named Kim, but you're not...You are the lost Princess Ashquin.' The words tumbled from the lips of a woman the like of which Kim had never seen. Living as an orphan for seventeen years, she knew nothing of the kingdom of Keolia until she literally fell into it. Miraculously transported to another time and place, Kim must embark on a journey to find her family's home—and find out who she really is. It will prove to be the most harrowing event of her life. Accompanied by the blue hunter, Klee, Kim journeys through a forest peopled only by the young, a town occupied by the most loquacious beings, and through a series of caves and mountains rife with terrifying creatures of all shapes and sizes. Pursued at all times by the shape shifting harbingers of chaos known as Bedwingers, Kim and Klee must be ever on their guard while uncovering the details of Kim's past and finding their way to the castle that is her home. Through the help of their fellows and with a little luck, Kim and Klee will out run their enemies and overcome old prejudices—and maybe discover love along the way. Join the two adventurers as they discover what lies ahead on the path to Life's Other Realm.
FROM THE BESTSELLING AUTHOR OF REBECCA 'An eloquent elegy on the past of a county she loved so much' THE TIMES 'This classic evocation of du Maurier's beloved home ranks as a work of art ... ' INDEPENDENT 'Du Maurier has no equal' SUNDAY TELEGRAPH 'There was a smell in the air of tar and rope and rusted chain, a smell of tidal water. Down harbour, around the point, was the open sea. Here was the freedom I desired, long sought-for, not yet known. Freedom to write, to walk, to wander, freedom to climb hills, to pull a boat, to be alone ... I for this, and this for me.' Daphne du Maurier lived in Cornwall for most of her life. Its rugged coastline, wild terrain and tumultuous weather inspired her imagination and many of her works are set there, including Rebecca, Jamaica Inn and Frenchman's Creek. In Vanishing Cornwall she celebrates the land she loved, exploring its legends, its history and its people, eloquently making a powerful plea for Cornwall's preservation.
Shadow Patterns spans two continents and a lifetime of hopes, fears, laughter, regrets, joys and agonies. Take a journey deep into humanity and lose yourself amongst the simple, life-affirming truths of the characters who will become your fellow travellers. Penelope goes in search of a long broken friendship. Her journey takes her from childhood years on a farm in Africa to the inner sect of a cult in modern day Melbourne. Ulti mately, the trail leads her to confront betrayal, heartbreak and her most deeply buried secrets. She knows she must face these if she is ever to come out of the shadows and into the light.
Daphne du Maurier's classic novel of lust, suspicion, and obsession that inspired major motion picture starring Rachel Weisz and Sam Claflin. Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, and Philip grows to love Ambrose's grand estate as much as he does. But the cozy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries a mysterious distant cousin named Rachel -- and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. But when she arrives at the estate, Rachel seems to be a different woman from the one described in Ambrose's letters. Beautiful, sophisticated, and magnetic, Philip cannot help but feel drawn to Rachel. And yet, questions still linger: might she have had a hand in Ambrose's death? And how, exactly, did Ambrose die? As Philip pursues the answers to these questions, he realizes that his own fate could hang in the balance.
It is no coincidence, Daphne Lamothe writes, that so many black writers and intellectuals of the first half of the twentieth century either trained formally as ethnographers or worked as amateur collectors of folklore and folk culture. In Inventing the New Negro Lamothe explores the process by which key figures such as Zora Neale Hurston, Katherine Dunham, W. E. B. Du Bois, James Weldon Johnson, and Sterling Brown adapted ethnography and folklore in their narratives to create a cohesive, collective, and modern black identity. Lamothe explores how these figures assumed the roles of self-reflective translators and explicators of African American and African diasporic cultures to Western, largely white audiences. Lamothe argues that New Negro writers ultimately shifted the presuppositions of both literary modernism and modernist anthropology by making their narratives as much about ways of understanding as they were about any quest for objective knowledge. In critiquing the ethnographic framework within which they worked, they confronted the classist, racist, and cultural biases of the dominant society and challenged their readers to imagine a different set of relations between the powerful and the oppressed. Inventing the New Negro combines an intellectual history of one of the most important eras of African American letters with nuanced and original readings of seminal works of literature. It will be of interest not only to Harlem Renaissance scholars but to anyone who is interested in the intersections of culture, literature, folklore, and ethnography.
Winner of the 2021 Grace Paley Prize for Short Fiction The characters in The Archivists are everyday people, but when private losses or the shocks of history set their worlds reeling, they find connection and liberation in surprising, buoyant ways. Winner of the Grace Paley Prize for Short Fiction, this vibrant collection brings transcendence, wry humor, and a touch of the uncanny to life’s absurdities and catastrophes—whether the 2008 economic crash, fallout after the 2016 presidential election, gentrification, pandemic lockdown, illness, or the intergenerational impacts of the Holocaust and Communist occupation of Eastern Europe. A hardheaded realist is confronted by both her mortality and a would-be wizard. A thirteen-year-old girl in 1950s Toronto infiltrates the ranks of Bell Canada. A ninety-nine-year-old woman appears to be invincible. A group hikes in Germany, and a solitary woman is pursued on a walk in New Mexico. These deeply moving stories ingeniously consider issues of identity, history, and memory and our shared search for meaning in an off-kilter world.
By chance, John and Jean -- one English, the other French -- meet in a provincial railway station. Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing. Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self. "A dazzlingly clever and immensely entertaining novel."-New York Times
Classic horror stories by one of masters of the form. Full of bone-chilling tales, this collection includes "The Birds," the basis for the Alfred Hitchcock film of the same title, and other creepy classics. Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense. Patrick McGrath’s revelatory new selection of du Maurier’s stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man’s abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier’s long career and includes surprising discoveries together with famous stories like “The Birds.” Don’t Look Now is a perfect introduction to a peerless storyteller.
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