This practical, hands-on resource describes functional units and circuits of telecommunication systems. The functions characterizing these systems, including RF amplifiers (both low noise and power amplifiers), signal sources, mixers and phase lock loops, are explored from an operational level viewpoint. And as all functions are migrating to digital implementations, this book describes functional units and circuits of telecommunication systems (with radio, wire, or optical links), from functional level viewpoint to the circuit details and examples. The structure of a radio transceiver is described and a view of all functional units, including migration to SDR (Software Defined Radio) is provided. Chapters include a functional identification of the units described and analysis of possible circuit solutions and analysis of error sources. The sequence reflects the actual design procedure: functional identification, search and analysis of solutions, and critical review to provide an understanding of the various solutions and tradeoffs, with guidelines for design and/or selection of proper functional units.
This practical, hands-on resource describes functional units and circuits of telecommunication systems. The functions characterizing these systems, including RF amplifiers (both low noise and power amplifiers), signal sources, mixers and phase lock loops, are explored from an operational level viewpoint. And as all functions are migrating to digital implementations, this book describes functional units and circuits of telecommunication systems (with radio, wire, or optical links), from functional level viewpoint to the circuit details and examples. The structure of a radio transceiver is described and a view of all functional units, including migration to SDR (Software Defined Radio) is provided. Chapters include a functional identification of the units described and analysis of possible circuit solutions and analysis of error sources. The sequence reflects the actual design procedure: functional identification, search and analysis of solutions, and critical review to provide an understanding of the various solutions and tradeoffs, with guidelines for design and/or selection of proper functional units.
The Italian Fascist Party in Power was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Although much significant material on the Italian Fascist party became available when the regime collapsed, scholars have not made extensive use of it until now. In this study, which is based on all the available sources, Professor Germino describes the functions of the party, ,explains how it was organized to perform tasks, and discusses conflicts between the party and other power elements in the dictatorship. He reaches a conclusion contrary to that of most other scholars -- that Fascist Italy was a full-fledged totalitarian state resembling Nazi Germany and Soviet Russia in political structure and ideological content. Professor Carl J. Riedrich of Harvard University writes: "I consider this a major contribution to our knowledge of totalitarian dictatorship. There is nothing in the existing literature that can be compared to it either in terms of depth or analysis, range of documentation or breadth of treatment." Professor Taylor Cole of Duke University comments: "Professor Germino has presented an excellent case study of the Italian Fascist Party. He has made use of more materials on the Party than any previous writer in English, and has marshalled them effectively to support his contention that the Fascist Party did not differ 'in kind' from [the Nazi and Soviet Communist parties] on the eve of World War II. His conclusion that on most (though not all) basic counts the Italian Fascist system was to be classified as 'totalitarian' is controversial, but it merits the careful attention of all students who are interested in the Italian Fascist period and in totalitarianism.
Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Purgatorio. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
Dante Fedele’s new work of reference reveals the medieval foundations of international law through a comprehensive study of a key figure of late medieval legal scholarship: Baldus de Ubaldis (1327-1400).
Recepient, 2013 Guggenheim Fellowship Dante’s Vita Nova (circa 1292–1295) depicts the joys and sorrows, the discoveries and conflicts of Dante’s early love for Beatrice—who would achieve later and even greater fame in Commedia—starting with his first sighting of her and culminating in his prevision of Beatrice among the beatified in heaven. Award-winning translator and poet Andrew Frisardi channels the vigor and nuance of Dante’s first masterpiece for a modern audience. The “little book,” as Dante calls it, consists of thirty-one lyric poems—mostly sonnets—embedded in a prose narrative, which both recounts an apparently autobiographical set of events also evoked in the poems and offers analysis of the poems’ construction in the medieval critical tradition of divisio textus, or division of the text. Dante selected poetry he had written before age twenty-eight or so and wrote the prose to shape it into a story. The poems anthologize Dante’s growth as a poet, from the influence of his earliest mentors to the stylistic and thematic breakthroughs of his poetic coming-of-age. The interplay of poetry and prose in Vita Nova, along with the further distinction in the latter between autobiography and critical divisioni, presents a particular challenge for any translator. Frisardi faithfully voices the complex meter and rhyme schemes of the poetry while capturing the tone of each of the prose styles. His introduction and in-depth annotations provide additional context for the twenty-first-century reader.
This new critical edition, including Mark Musa's classic translation, provides students with a clear, readable verse translation accompanied by ten innovative interpretations of Dante's masterpiece.
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