Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles. Glenda Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and their conflictual relationship. She analyses this fraught relationship through various popular media stories, such as Manto and Mondli, Zapiro and Zuma. Her argument is that there is some hysteria on the part of the ruling party and its allies, for instance the SACP, regarding the media’s exposés, which partially rests on the problem of conflating party, state and ‘the people’. Daniels presents her argument against the backdrop of the impending clamp down on media freedom, the twin threats of the Protection of State Information Bill (Secrecy Bill) and the media appeals tribunal, both of which, she asserts, signify closures in South Africa’s democracy. The book challenges the view held by the ANC that journalists are anti-transformation and that they take instruction from the owners of the media houses; that they are ‘capitalist bastards’ and ‘enemies of the people’.
This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony. A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.
The third Glass Ceilings survey of South African media launched on 19 October - national press freedom day - 2018 shows there have been dramatic shifts in the race and gender composition of media since the first study twelve years ago. But black women are still not fairly represented in media decision-making; the pay gap is widening, especially in the age of digitisation; and the old boys’ network is alive and well. In the #MeToo and #TotalShutDown era, the conversation is moving beyond numbers, to the underlying patriarchal norms that fuel sexist attitudes, harassment and its newest ugly form – cyber misogyny. With the 25th anniversary of democracy fast approaching, the key message in the report is that #TimesUp for the South African media and #TimeisNow to walk the talk of gender equality!
Besides hit records and sold-out concerts, some people in the rock music game use a another way to make a killing in the business: murder. A popular headliner, Violette Trend, is led by a one-time runaway Marie Lindeaux, who delights concert goers with her amazing talents at packed stadiums everywhere. One of the bands silent partners, Kevy Stokes, is a corrupt underground drug operator who sends his big guns after a successful rock journalist, Sagan Hunter, whose claim to fame was writing a spin article that put the band on the map but who is now drinking heavily. Sagan is coerced by a federal agent to be used as bait in a trap set for Kevy Stokes before the evil silent partner uses murder to get ahead of the game. Next on his hit list is the captivating starlet herself, Marie. Kevy figures if he can get her killed, the flood of headlines will create enough uproar to take the spotlight off of him. Sagan, whos fallen in love with Marie, tries to keep her out of Kevys reach, but she slips away. After learning of Kevys evil plan that is already in place for the girls murder, Sagan runs from both sides of the law to try and save her.
AN ARRESTING AFFAIR Ashley Montague is nearing the end of her police training—but nothing has prepared her for the shocking discovery of a body on the highway. When she links the body to Detective Jake Dilessio’s case, they are forced to work together to find the killer. The body discovered has marks identical to the victims of a cult leader Jake put behind bars five years ago. Is this a copycat killing, or have Jake’s deepest fears been realized? Is the wrong man behind bars and the real killer still on the loose? The last thing Jake needs is the electric pull of desire as he and Ashley are dragged deeper into a world of corruption, greed and murder. Now, with time running out and their lives on the line, they have everything to fight for…and everything to lose. FREE BONUS STORY INCLUDED IN THIS VOLUME! Hotshot P.I. by New York Times bestselling author B.J. Daniels When Clancy Jones awakens at a murder scene—with the bloodied weapon in her hand—to the untrained eye, she looks mighty guilty. But to private investigator Jake Hawkins, she still looks as good as she did ten years ago. Previously published.
Lucy Crighton has just moved in with some gregarious housemates called Brian and Denise ... who are her parents. She's also the proud mother of Glenda, her beloved 10-year-old ... kelpie. And she has absolutely no interest in the dashing son of her parents' new next-door neighbour ... well, maybe just a little ... As the girl in between relationships, careers and cities, Lucy is facing some awkward truths - like her mum's obsession with Cher, her father's unsolicited advice, and the probability there's more cash on the floor of her parents' car than in her own bank account. Thank goodness for Lucy's crazy-but-wonderful best friend, Rosie, who's around to cushion reality with wild nights at the local Whipcrack Hotel, escapades in Japanese mud baths, and double dating under the Christmas lights in London. But will Lucy work out what she really wants to do in life - and who she wants to share it with? Girl in Between is a warm, funny, charmingly Australian story about life at the crossroads. Featuring an endearing and irrepressible cast of characters, it will have you chuckling from start to finish.
For the second time in her life Clancy Jones had awakened at a murderscene—this time with the murder weapon in her hand. To the untrainedeye, she looked mighty guilty. But to private investigator JakeHawkins, she still looked good. Desire for Clancy had always burned inside Jake; so had anger. Ten years ago Clancy sleepwalked ontoanother crime scene and her testimony had put Jake's father behindbars. Now Jake didn't know if he wanted to prove his seductiveclient's innocence—or guilt. Previously published.
Fight for Democracy is a penetrating and critical scrutiny of the ANC’s treatment of the print media since the inception of democracy in 1994. In this book, Glenda Daniels does not hide behind a veil of detachment, but instead makes a passionate argument for the view that newspapers and journalists play a significant role in the deepening of democratic principles. Glenda Daniels examines the pattern of paranoia that has crept into public discourse about the media and the ANC, and their conflictual relationship. She analyses this fraught relationship through various popular media stories, such as Manto and Mondli, Zapiro and Zuma. Her argument is that there is some hysteria on the part of the ruling party and its allies, for instance the SACP, regarding the media’s exposés, which partially rests on the problem of conflating party, state and ‘the people’. Daniels presents her argument against the backdrop of the impending clamp down on media freedom, the twin threats of the Protection of State Information Bill (Secrecy Bill) and the media appeals tribunal, both of which, she asserts, signify closures in South Africa’s democracy. The book challenges the view held by the ANC that journalists are anti-transformation and that they take instruction from the owners of the media houses; that they are ‘capitalist bastards’ and ‘enemies of the people’.
This timely collection of essays analyses the crisis of journalism in contemporary South Africa at a period when the media and their role are frequently at the centre of public debate. The transition to digital news has been messy, random and unpredictable. The spread of news via social media platforms has given rise to political propaganda, fake news and a flattening of news to banality and gossip. Media companies, however, continue to shrink newsrooms, ousting experienced journalists in favour of 'content producers'. Against this backdrop, Daniels points out the contribution of investigative journalists to exposing corruption and sees new opportunities emerging to forge a model for the future of non-profit, public-funded journalism. Engaging and dynamic, the book argues for the power of public interest journalism, including investigative journalism, and a diversity of voices and positions to be reflected in the news. It addresses the gains and losses from decolonial and feminist perspectives and advocates for a radical shift in the way power is constituted by the media in the South African postcolony. A valuable introduction to the confusion that confronts journalism students, it has much to offer practising media professionals. Daniels uses her years of experience as a newspaper journalist to write with authority and illuminate complex issues about newsroom politics. Interviews with alienated media professionals and a semi-autobiographical lens add a personal element that will appeal to readers interested in the inner life of the media.
Why do people go to exhibitions, and what do they hope to gain from the experience? What would happen if people were encouraged to move freely through exhibition spaces, take photographs and be playful? In this book, Inge Daniels explores what might happen if people and objects were freed from the regulations currently associated with going to an exhibition. Traditional understandings of exhibitions place the viewers in a one-way communication form, where the exhibition and those behind its creation inform their audiences. However, motivations behind exhibition-going are multiple and complex and frequently the intentions of curators do not match the expectations of their visitors. Based on an in-depth ethnographic examination of the processes involved in the making and reception of one particular exhibition-experiment as well as a study that follows 'freed' objects into their new homes, this publication not only sheds light on what exhibitions are, but also what they could become in the future. Featuring over 175 colour illustrations and using practical examples, this is an important contribution for students and scholars of anthropology, museum studies, photography, design and architecture.
Besides hit records and sold-out concerts, some people in the rock music game use a another way to make a killing in the business: murder. A popular headliner, Violette Trend, is led by a one-time runaway Marie Lindeaux, who delights concert goers with her amazing talents at packed stadiums everywhere. One of the bands silent partners, Kevy Stokes, is a corrupt underground drug operator who sends his big guns after a successful rock journalist, Sagan Hunter, whose claim to fame was writing a spin article that put the band on the map but who is now drinking heavily. Sagan is coerced by a federal agent to be used as bait in a trap set for Kevy Stokes before the evil silent partner uses murder to get ahead of the game. Next on his hit list is the captivating starlet herself, Marie. Kevy figures if he can get her killed, the flood of headlines will create enough uproar to take the spotlight off of him. Sagan, whos fallen in love with Marie, tries to keep her out of Kevys reach, but she slips away. After learning of Kevys evil plan that is already in place for the girls murder, Sagan runs from both sides of the law to try and save her.
p>The queens that made Milwaukee famous For over a century, drag has been an unstoppable force in Milwaukee nightlife. On June 7, 1884, "The Only Leon" brought the fine art of female impersonation to the Grand Opera Hall, launching a proud local legacy that continues today at This Is It, La Cage, Hamburger Mary's, D.I.X. and innumerable other venues. Historians Michail Takach and BJ Daniels recognize that today's LGBTQ liberties were born from the strength, resilience, and resistance of yesterday's gender non-conforming pioneers. This is a long overdue celebration of those stories, including high-rolling hustler of the Fourth Ward "Badlands" Frank Blunt, over-the-top dinner theater drag superstar of the 1950s Adrian Ames, and "It Kid" Jamie Gays, first-ever Miss Gay Milwaukee and Latin community hero. And many, many more.
Lucy Crighton has just moved in with some gregarious housemates called Brian and Denise - who are her parents. She's also the proud mother of Glenda, her beloved 10-year-old - kelpie. And she has absolutely no interest in the dashing son of her parents' new next-door neighbour - well, maybe just a little. When you're the girl in between relationships, careers and cities, you sometimes have to face some uncomfortable truths - like your Mum's obsession with Cher, your father's unsolicited advice, and the fact there's probably more cash on the floor of your parents' car than in your own bank account. Thank goodness Lucy's crazy but wonderful best friend, Rosie, is around to cushion reality, with wild nights at the local Whipcrack hotel, escapades in Japanese mud baths, and double dating under the Christmas lights in London. But will Lucy work out what she really wants to do in life and who she wants to share it with?"--Publisher description.
JAN'S SANCTUARY WALK is the story of Jan Hendricks, a young clergywoman in her first appointment as lead pastor in a small-town southern church during the late 1980's. When a school fire and the death of a child in the church devastate the community, Jan must comfort the town, while balancing the demands of her family and church amidst discrimination against clergywomen. Will she be able to pastor this small church and strengthen her own insecurities about faith and her calling?
While investigating the disappearance of a fellow agent, Kimberla Bacon, known in the FBI as the Chameleon, enters a world of prostitution, political intrigue, and corruption where she must deny her attraction to undercover agent Jacob White. Original. 15,000 first printing.
Daniels’ Orchestral Music is the gold standard for all orchestral professionals—from conductors, librarians, programmers, students, administrators, and publishers, to even instructors—seeking to research and plan an orchestral program, whether for a single concert or a full season. This sixth edition, celebrating the fiftieth anniversary of the original edition, has the largest increase in entries for a new edition of Orchestral Music: 65% more works (roughly 14,050 total) and 85% more composers (2,202 total) compared to the fifth edition. Composition details are gleaned from personal inspection of scores by orchestral conductors, making it a reliable one-stop resource for repertoire. Users will find all the familiar and useful features of the fifth edition as well as significant updates and corrections. Works are organized alphabetically by composer and title, containing information on duration, instrumentation, date of composition, publication, movements, and special accommodations if any. Individual appendices make it easy to browse works with chorus, solo voices, or solo instruments. Other appendices list orchestral works by instrumentation and duration, as well as works intended for youth concerts. Also included are significant anniversaries of composers, composer groups for thematic programming, a title index, an introduction to Nieweg charts, essential bibliography, internet sources, institutions and organizations, and a directory of publishers necessary for the orchestra professional. This trusted work used around the globe is a must-have for orchestral professionals, whether conductors or orchestra librarians, administrators involved in artistic planning, music students considering orchestral conducting, authors of program notes, publishers and music dealers, and instructors of conducting.
Arkansas Secretary of State Charlie Daniels is proud to present the 2008 edition of the Arkansas Historical Report. Published just once each decade by order of the General Assembly, this ready reference is a unique compendium of appointed and elected officials over the state's colonial and territorial periods as well as its 172-year history. Its comprehensive listings of county, state, and federal officials make it a must-have for historians, journalists, genealogists, and other researchers. The 2008 edition also features essays by C. Fred Williams, Jay Barth, David Ware, Ann Early, and George Sabo III that provide insight into the state's history, politics, and Native American cultures. This new edition of the Historical Report includes, for the first time, an alphabetical index of state legislators. It also features a variety of historical photographs and has been substantially redesigned to create a more user-friendly reference tool.
This is the story of an African American woman whose education and training take her from Union, a small town in South Carolina, to (and through) twelve years at Harvard University as a director of graduate programs and as an alumna. Along the way, she marries an African medical doctor, travels to sixty-one countries, and spends a full year working with her former husbands Yoruba family as they manage their law firm, philanthropic foundation, publishing company, etc., in the Federal Republic of Nigeria. And theres so much more. Go with her to the faraway country of Djibouti in East Africa as she trains twenty-one older youths (fourteen males and seven females) in self-help techniques. Dr. Helaine Daniels has enjoyed a marvelous life. Check her out.
Daniels collects rare and never-before-seen early artwork by the Man of Steel's teenage creators and chronicles the evolution of the character from an orphan alien comics hero to a complex multimedia icon. Part of the superhero triumvirate trilogy.
Presents rare and never-before-seen early artwork by Superman's teenage creators, Jerry Siegel and Joe Shuster (including a two-page doodle from 1936 featuring early Superman costume designs), and he chronicles the evolution of the character from an orphan alien comics hero to a complex multimedia icon.
The author of "Serpent in My Corner" proves herself a master storyteller who combines suspense, intrigue, and smoldering passion to deliver a riveting tale.
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