A comprehensive treatment of the life and work of this award-winning feminist Appalachian writer Since the release of her first novel, The Last Day the Dogbushes Bloomed, in 1968, Lee Smith has published nearly twenty books, including novels, short stories, and memoirs. She has received an O. Henry Award, Sir Walter Raleigh Award, Robert Penn Warren Prize for Fiction, and a Reader's Digest Award; and her New York Times best-selling novel, The Last Girls, won the Southern Book Critics Circle Award. While Smith has garnered academic and critical respect for many of her novels, such as Black Mountain Breakdown, Oral History, and Fair and Tender Ladies, her writing has been viewed by some as lightweight fiction or even "chick lit." In Understanding Lee Smith Danielle N. Johnson offers a comprehensive analysis of Smith's work, including her memoir, Dimestore, treating her as a major Appalachian and feminist voice. Johnson begins with a biographical sketch of Smith's upbringing in Appalachia, her formal education, and her career. She explicates the themes and stylistic qualities that have come to characterize Smith's writing and outlines the criticism of Smith's work, particularly that which focuses on female subjectivity, artistry, religion, history, and place in her fiction. Too often, Johnson argues, Smith's consistent and powerful messages about artistry, gender roles, and historical discourse are missed or undervalued by readers and critics caught up in her quirky characters and dialogue. In Understanding Lee Smith, Johnson offers an analysis of Smith's oeuvre chronologically to study her growth as a writer and to highlight major events in her career and the influence they had on her work, including a major shift in the early 1990s to writing about families, communities, and women living in the mountains. Johnson reveals how Smith has refined her talent for creating nuanced voices and a narrative web of multiple perspectives and evolved into a writer of fine literary fiction worthy of critical study.
Digital and analog games have long served modern public libraries as educational tools and as drawcards for new patrons – from dedicated gaming zones and children’s spaces to Minecraft gaming days, makerspaces, and virtual reality collections. Much has been written about the role of games and play in libraries’ programming and collections. But their wider role in transforming libraries as public institutions remains unexplored. In this book, the authors draw on ethnographic research to provide a rich portrait of the intersection between games, play, and public libraries. They look at how games and play are increasingly spilling out of designated zones within libraries and beyond their walls, as part of a broader reconfiguration and “reimagining” of libraries in the digital era. The library’s association with play has historically been understood through its classification as a “third place”: somewhere to relax, socialise and experiment outside of the utilitarian demands of work and home. But far from just offering patrons an opportunity for detached leisure, this book illustrates how libraries are connecting games and play to policies agendas around their municipality’s economic and cultural development. Attending to the institutionalisation of play, the book sheds new light both on the contradictions at the heart of play as a theoretical concept, and what libraries are in contemporary public life.
A comprehensive treatment of the life and work of this award-winning feminist Appalachian writer Since the release of her first novel, The Last Day the Dogbushes Bloomed, in 1968, Lee Smith has published nearly twenty books, including novels, short stories, and memoirs. She has received an O. Henry Award, Sir Walter Raleigh Award, Robert Penn Warren Prize for Fiction, and a Reader's Digest Award; and her New York Times best-selling novel, The Last Girls, won the Southern Book Critics Circle Award. While Smith has garnered academic and critical respect for many of her novels, such as Black Mountain Breakdown, Oral History, and Fair and Tender Ladies, her writing has been viewed by some as lightweight fiction or even "chick lit." In Understanding Lee Smith Danielle N. Johnson offers a comprehensive analysis of Smith's work, including her memoir, Dimestore, treating her as a major Appalachian and feminist voice. Johnson begins with a biographical sketch of Smith's upbringing in Appalachia, her formal education, and her career. She explicates the themes and stylistic qualities that have come to characterize Smith's writing and outlines the criticism of Smith's work, particularly that which focuses on female subjectivity, artistry, religion, history, and place in her fiction. Too often, Johnson argues, Smith's consistent and powerful messages about artistry, gender roles, and historical discourse are missed or undervalued by readers and critics caught up in her quirky characters and dialogue. In Understanding Lee Smith, Johnson offers an analysis of Smith's oeuvre chronologically to study her growth as a writer and to highlight major events in her career and the influence they had on her work, including a major shift in the early 1990s to writing about families, communities, and women living in the mountains. Johnson reveals how Smith has refined her talent for creating nuanced voices and a narrative web of multiple perspectives and evolved into a writer of fine literary fiction worthy of critical study.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.