This is the second volume of the multi-volume set A Comparative Grammar of British English Dialects. The book again offers qualitative as well as corpus-based quantitative studies on grammatical variation in the British Isles. The three parts investigate complement clauses (Daniela Kolbe), personal pronouns (Nuria Hernández) and modals (Monika Edith Schulz). The volume is of interest to dialectologists, sociolinguists, typologists, historical linguists, grammarians, and anyone working on the structure of spontaneous spoken English.
This is the second volume of the multi-volume set A Contemporary Grammar of British English Dialects. The book again offers qualitative as well as corpus-based quantitative studies on grammatical variation in the British Isles. The three parts investigate complement clauses (Daniela Kolbe), personal pronouns (Nuria Hernández) and modals (Monika Edith Schulz). The volume is of interest to dialectologists, sociolinguists, typologists, historical linguists, grammarians, and anyone working on the structure of spontaneous spoken English.
This book offers practical, evidence-based solutions to help professionals implement and support effective teamwork. Lantz, Ulber and Friedrich draw on their considerable professional experience to present common problems in team-based organizations, what empirical research tells us the causes are and which solutions are more effective in overcoming team-based obstacles. In The Problems with Teamwork, and How to Solve Them, nine common problems are identified, ranging from lack of leadership and adaptability to conflict and cohesiveness, accompanied by clear instructions on how to approach and resolve the individual issues. Detailed case studies are presented throughout the book, demonstrating how theory can be applied to real-life situations to produce optimal results for both the team and the larger organisation. By combining theory and practice, and using state-of-the-art research, the book constructs a cognitive map for identifying problem causes and effect, and step-by-step instructions on how to solve problems. This is essential reading for anyone working in team-based organizations, as well as students and academics in related areas such as organizational psychology and organizational behaviour.
English In Eine wahrhaft königliche Stadt, Daniela Kah describes how contemporary residents and visitors were able to experience and perceive the presence of the Holy Roman Empire (or its representatives, e.g., the king) in three late medieval cities -- Augsburg, Nürnberg and Lübeck. After receiving privileges from the king, these cities initiated large construction projects designed to assert their imperial status. These projects had a major impact on everyday life and made the Empire visible and graspable within the city. However, in the 13th century the cities increasingly deployed symbols and signs to represent their self-understanding as 'imperial'. ‘Being immediate to the Empire’ or ‘being privileged’ provided important political, economic, and social benefits. Therefore it became very important to the cities to represent their status in visible form. For this reason, the Empire achieved a permanent and lasting presence in free imperial cities. Deutsch In Eine wahrhaft königliche Stadt beschreibt Daniela Kah, wie das mittelalterliche Reich oder seine Repräsentanten, wie zum Beispiel der König, in den Reichsstädten Augsburg, Nürnberg und Lübeck für die zeitgenössischen Bewohner und Besucher erfahrbar war und wahrgenommen wurde. Zunächst führte die Vergabe von königlichen Privilegien zu großangelegten repräsentativen Bauprojekten in den Städten, die das Reich so im städtischen Alltag erkennbar werden ließen. Ab dem 13. Jahrhundert kam es dazu, dass die Stäte vermehrt Symbole und Zeichen im Stadtraum anbrachten, die ihr Selbstverständnis visualieren. Der Status ‚unmittelbar dem Reich zugehörig“ beziehungsweise ‚vom Reich privilegiert’ zu sein, wurde aufgrund seiner politischen, wirtschaftlichen und prestigesteigernden Bedeutung ein wichtiger Bezugspunkt, der zur dauerhaften Präsenz des Reichs in den Reichsstädten führte.
When Head-On (Gegen die Wand, 2004) won the Golden Bear at the Berlin International Film Festival, it was hailed as a turning point for German cinema. Not only was this unconventional love story the first German film in eighteen years to win the prestigious award, but the success of writer-director Fatih Akin was also celebrated as the revival of German auteur cinema. Meanwhile Turkey claimed Akin as its own prodigal son and his film a victory for Turkish cinema. Daniela Berghahn provides a detailed and entertaining account of the film's artistic inspirations, its production history and the debates that surrounded it in the German and Turkish press. Arguing that much of the media discourse on Turkish German identity politics detracted from Akin's remarkable artistic achievement, Berghahn instead situates Head-On in the critical contexts of global art cinema and transnational melodrama. This comparative approach excavates new layers of meaning and offers highly original insights into Akin's landmark film.
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