This book traces the origins of the Postmodern eclectic grammar of linguistic collision back in the Surrealist poetics of ruins. Keeping in mind the images of lost direction in the big city as a central figure in the discussion of both the Modern and Postmodern aesthetics of displacement, Daniele starts comparing the epiphanic encounters of the Baudelairian flâneur in metropolitan Paris - in constant search for the traces of a lost symbolic order - with Breton's enigmatic pursuit of Nadja, the elusive sphinx in the crowd who moves in a mental territory of puzzling condensations and of ineffable objets trouvé. In his visual and written work, Marcel Duchamp was probably the first artist to envision the space of the crowd as a trans-urban, multiple dimension: a cool arena of disjunctive encounters contributing to transform the Surrealist erotic space of desire in a cooler, open field of performance. Deeply influenced by Duchamp's hybrid aesthetics, American Postmodern writers such as Donald Barthelme and Thomas Pynchon, and the performance artist Laurie Anderson, represent metropolis as a “geographical incest”, as a plural, entropic semiosphere which transcends the notion of urban community to become the tolerant receptacle of an ethnic and discoursive multiplicity, an electronic area of linguistic collisions translatable in new fragmented and unfinished narratives. Evoking the assemblages of Abstract Expressionists, the debris of Simon Rodia “junk art”, and the hybrid language of Postmodern architecture, this neo-Surrealist narrative discourse transforms the epiphanic traces envisioned by the Baudelairian and Bretonian heroes in partial parodies, in enigmatic fragments whose ultimate source transcends the narrator's knowledge. The conceptual strategy which is constitutive of these texts implicitly asks the puzzled reader to disentangle the entropic plots, immerging him in the midst of a “linguistic wilderness,” where all opposites - fact and fiction, man and machine, man and female - enigmatically and humorously coexist.
This book explores an important moment in Italian women’s theatre and cultural history: plays written for all-women casts between 1946 and the mid-1960s, authored for the most part by women and performed exclusively by women. Because they featured only female roles, they concentrated on aspects of specifically women’s experience, be it their spirituality, their future lives as wives and mothers, their present lives as workers or students, or their relationships with friends, sisters and mothers. Most often performed in a Catholic environment, they were meant to both entertain and educate, reflecting the specific issues that both performers and spectators had to confront in the years between the end of the war and the beginning of the economic miracle. Drawing on material never before researched, Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own recovers the life and works of forgotten women playwrights while also discussing the role models that educational theatre offered to the young Italian women coming of age in the post-war years.
Catholics and Communists in Twentieth-Century Italy explores the critical moments in the relationship between the Catholic world and the Italian left, providing unmatched insight into one of the most significant dynamics in political and religious history in Italy in the last hundred years. The book covers the Catholic Communist movement in Rome (1937-45), the experience of the Resistenza, the governmental collaboration between the Catholic Party (DC) and the Italian Communist Party (PCI) until 1947, and the dialogue between some of the key figures in both spheres in the tensest years of the Cold War. Daniela Saresella even goes on to consider the legacy that these interactions have left in Italy in the 21st century. This pioneering study is the first on the subject in the English language and is of vital significance to historians of modern Italy and the Church alike.
“978-88-3324-087-9” Passi di: “MATCH FIXING”. iBooks. Who is behind match fixing? How is it done, and to which aim? In 2015 we wrote for Minerva Edizioni Game Over: a report targeted at practitioners, and more specifically at investigators. Since we did not want the book to be too ponderous, we provided a succinct description of a few topics that might have been interesting reading material even to “non-professionals”. These topics are dealt in depth in this volume: the history of match fixing, odd anecdotes and current state of affairs, the profile of its main characters and the explanation of the mechanisms (and complex motives) behind the swindle as well as the role played by the mafia. You will not find any footnote: instead, the bibliography, at the end of the book, will provide you with book references as well as internet links, all relevant and interesting, although some of them, in our opinion, are a “must” for those who really wish to acquire a deep knowledge of the topic. This is why we highly recommend them to you. The Fix by Declan Hill (2007) is a comprehensive book on the birth of modern match fixing and its close ties to the mafia. In 2014 Brett Forrest published The Big Fix where he recounts the never-ending fight between law enforcement and match fixers. But the real masterpieces on the subject are a book and... a very long judicial document. The book is the autobiography of one of the most notorious match fixers in the world: Wilson Raj Perumal, Kelong Kings, written by two Italian scholars, Alessandro Righi and Emanuele Piano. The judicial document is the ordinance issued by Cremona judge, Guido Salvini, in the maxi investigation on Scommessopoli that took place a few years ago (no doubt a less casual reading, yet dramatically concrete): hundreds of pages packed with wiretaps, explanatory notes of criminal mechanisms and charges that brought to its knees, at least for a while, match fixing in the Italian peninsula. The only sources that we left in complete anonimity are those players, who over time have become our friends: they described to us the insider’s point of view, the existing dynamics in the dressing rooms, the problems and weaknesses of the athletes themselves, the ongoing match fixing techniques. At the beginning of this long journey we took their stories with a grain of salt, “perceiving” them as the fruit of their imagination...but this is not the case anymore! In reality football is not the only sport (nor was it the first) where match fixing took place: actually, in recent years other sport disciplines were targeted by match fixers. In this book we only hint at the story and trends of the swindle outside of football pitches, and yet it is in the world of football that the mafia invests massively its own resources, and where match fixing is not the sole objective of this criminal enterprise. One last remark: this is not a diatribe of a book, and where it was possible to report an event without mentioning the name of players who were disqualified or investigated, we did so: the only difference between them and many others (just as guilty as they were) lies in the simple fact that they got caught.
This book focuses on the involvement of the United States and the Vatican in the Italian film industry between 1945 and 1960. Gennari analyzes the tensions between economic (film industry), political (government) and ideological pressures.
We know a lot about the directors and stars of Italian cinema's heyday, from Roberto Rossellini to Sophia Loren. But what do we know about the Italian audiences that went to see their films? Based on the AHRC-funded project 'Italian Cinema Audiences 1945-60', Italian Cinema Audiences: Histories and Memories of Cinema-going in Post-war Italy draws upon the rich data collected by the project team (160 video interviews and 1000+ written questionnaires gathered from Italians aged 65 and over; archival material related to cinema distribution, exhibition and programming, box-office figures, and critical discussions of cinema from film journals and popular magazines of the period). For the first time, cinema's role in everyday Italian life, and its affective meaning when remembered by older people, are enriched with industrial analyses of the booming Italian film sector of the period, as well as contextual data from popular and specialized magazines.
This books focuses on co-design, and more specifically, on the various forms co-design might take to tackle the most pressing societal challenges, introducing public-interest services as the main application field. To do so, it presents an extensive study conducted within a particular community of residents in Milan: this is a social innovation story integrated into the discipline of service design, which simultaneously deepens the related concepts of co-design, co-production and co-management of services. Drawing upon this experience and further studies, the book presents the idea of a collaborative infrastructure and its related infrastructuring process in ten steps, in order to explore the issues of incubation and replication of services and to extensively investigate the creation of those experimental spaces in which citizen participation is fostered and innovation in the public realm is pursued. Lastly, the book develops other lines of reflection on co-design seen, for example, as a form of cultural activism, as an instrument for building citizenship, and as a key competence for the public administration and thus as a public service itself. The idea of co-design as a way to regenerate the practices of democracy is a recurring theme throughout the book: co-design is a process that seeks to change the state of things and it is intentionally presented as a long and complex path in which the role of designer is not only that of a facilitator, but also that of a cultural operator who contributes with ideas and visions, hopefully fostering a real cultural change.
Proverbs constitute a rich archive of historical, cultural, and linguistic significance that affect genres and linguistics codes. They circulate through writers, texts, and communities in a process that ultimately results in modifications in their structure and meanings. Hence, context plays a crucial role in defining proverbs as well as in determining their interpretation. Vincenzo Brusantino’s Le cento novella (1554), John Florio’s Firste Fruites (1578) and Second Frutes (1591), and Pompeo Sarnelli’s Posilecheata (1684) offer clear representations of how traditional wisdom and communal knowledge reflect the authors’ personal perspectives on society, culture, and literature. The analysis of the three authors’ proverbs through comparisons with classical, medieval, and early modern collections of maxims and sententiae provides insights on the fluidity of such expressions, and illustrates the tight relationship between proverbs and sociocultural factors. Brusantino’s proverbs introduce ethical interpretations to the one hundred novellas of Boccaccio’s The Decameron, which he rewrites in octaves of hendecasyllables. His text appeals to Counter-Reformation society and its demand for a comprehensible and immediately applicable morality. In Florio’s two bilingual manuals, proverbs fulfill a need for language education in Elizabethan England through authentic and communicative instruction. Florio manipulates the proverbs’ vocabulary and syntax to fit the context of his dialogues, best demonstrating the value of learning Italian in a foreign country. Sarnelli’s proverbs exemplify the inherent creative and expressive potentialities of the Neapolitan dialect vis-à-vis languages with a more robust literary tradition. As moral maxims, ironic assessments, or witty insertions, these proverbs characterize the Neapolitan community in which the fables take place.
The Routledge Intensive Italian Workbook is a comprehensive book of exercises and tasks for beginner and intermediate learners of Italian. It includes a wide variety of exercises - covering a broad range of situations and functions - and will help students to progress rapidly and master the language accurately. Students can check their own progress using the answer key. The Workbook can be used independently, or in conjunction with the Routledge Intensive Italian Course, an accelerated course in Italian for adult beginners, which is accompanied by audio material.
In industrialised countries, musculo-skeletrical disorders of the upper limbs represent one of the commonest work-related diseases. All working activities habitually requiring repetitive upper limb movements and exertions represent a potential risk for these disorders under certain conditions. This practical manual provides a clear and detailed solution to the problem of assessing and consequently managing these risks in conformity with European Union legislation covering the safety and protection of workers' health. The book contains many tables, diagrams and schedules, enhancing its practical value. The methods it proposes for analyzing and designing or redesigning jobs and tasks do not require sophisticated equipment and are largely based on situations encountered in large manufacturing factories. Since risk analysis also concerns how jobs and tasks are organized, many concepts and terms are defined that prevention experts can share with those responsible for planning and organizing manufacturing activities on the shop floor.
Teaching a Dark Chapter explores how textbook narratives about the Fascist/Nazi past in Italy, East Germany, and West Germany followed relatively calm, undisturbed paths of little change until isolated "flashpoints" catalyzed the educational infrastructure into periods of rapid transformation. Though these flashpoints varied among Italy and the Germanys, they all roughly conformed to a chronological scheme and permanently changed how each "dark past" was represented. Historians have often neglected textbooks as sources in their engagement with the reconstruction of postfascist states and the development of postwar memory culture. But as Teaching a Dark Chapter demonstrates, textbooks yield new insights and suggest a new chronology of the changes in postwar memory culture that other sources overlook. Employing a methodological and temporal rethinking of the narratives surrounding the development of European Holocaust memory, Daniela R. P. Weiner reveals how, long before 1968, textbooks in these three countries served as important tools to influence public memory about Nazi/Fascist atrocities. As Fascism had been spread through education, then education must play a key role in undoing the damage. Thus, to repair and shape postwar societies, textbooks became an avenue to inculcate youths with desirable democratic and socialist values. Teaching a Dark Chapter weds the historical study of public memory with the educational study of textbooks to ask how and why the textbooks were created, what they said, and how they affected the society around them.
Spazi Riflessivi in Passeggeri Notturni è un testo innovativo e versatile per l’insegnamento dell’italiano tramite riflessioni ed elaborazioni su questioni sociali emerse dalla lettura di Passeggeri notturni, racconti brevi di Gianrico Carofiglio. Il testo, indicato per un livello intermedio-avanzato, propone una vasta gamma di esercizi grammaticali contestualizzati e attività interdisciplinari che confrontano letterature e arti diverse e affrontano discussioni socio-culturali.
Drawing interview material, together with extensive data from the authors’ original social movement database, this book examines the development of social movements in resistance to perceived political "regression" and a growing right-wing backlash. With a focus on Italy and the reaction to increasing inequalities and welfare state retrenchment policies, it examines opposition to the government and state authorities on a number of issues. Triangulating different types of data, it sheds light on the ability of citizens to organise in the streets and addresses crucial matters in social movement research, including the significance to political mobilization of grievances, class, gender and generational differences, as well as considering the network dynamics of micro-mobilization, visions of Europe, and the role of interactions with major political institutions. As such, it will appeal to scholars of sociology and politics with interests in social movements and political mobilization.
Learn to speak Italian like a native? Easy. Italian All-in-One For Dummies appeals to those readers looking for a comprehensive, all-encompassing guide to mastering the Italian language. It contains content from all For Dummies Italian language instruction titles, including Italian For Dummies, Intermediate Italian For Dummies, Italian Verbs For Dummies, Italian Phrases For Dummies, Italian Grammar For Dummies, and Italian For Dummies Audio Set. Offers readers interested in learning Italian a valuable reference to all aspects of this popular language The content appeals to students, travelers, and businesspeople who visit Italian-speaking countries An online companion site allows you to download audio tracks allows for more practice opportunities, as well as additional content empowering you to speak Italian like a native Whether you're a pure beginner or have some familiarity with the language, Italian All-in-One For Dummies, with downloadable audio practice online, is your ticket to speaking, and writing, Italian.
This book provides information and tools necessary to bridge and integrate the knowledge gaps related to the acquisition and processing of archaeological data, specifically in the field of preventive diagnostics, urban centers, archaeological parks and historical monuments, through activities that involve the application of non-invasive diagnostic detection systems, in the field of applied geophysics. The principal aim of this book is to define a tool for experts that work in the frame of Cultural Heritage and to identify a procedure of intervention transferable and usable in different geographical contexts and areas of investigations: it could help to decide the better technique of investigation to apply in relation to the predictive characteristics of the archaeological site and the objectives of the survey. The book is divided in two parts. The first one explains the theory of ground high resolution penetrating radar (GPR), electrical resistivity tomography (ERT), controlled source electromagnetism system, differential magnetic method and the scenario of integrated methods of different geophysical techniques. Each section covers the basic theory (complete description of the physical parameters involved in the method), field instruments (description of all systems actually offered by commercial companies), field techniques (presentation of the main procedures and setting parameters used to explore the ground surface during data acquisition), techniques of data processing and representation (main processing routines and comparison between different techniques; presentation of different typologies of graphical representation), and the possibility and limitations of methods (explanation of best and worst conditions of implementation of the geophysical technique in relation to the contrasts between archaeological features and the natural background and the features of the instruments and arrays). The second part describes some applications of geophysical prospection to Cultural Heritage in detailed case histories, divided in sections relative to monuments, historical buildings, urban centres, archaeological parks and ancient viability. Moreover, examples of integration of three-dimensional reliefs and geophysical diagnostic of a monuments and studies of large scale reconnaissance implemented into a Geographical Information System are treated. In each case study the authors cover the description of the archaeological or historical contest; an explanation of the problem to solve; a choice of the geophysical methods; the setting of the procedure of data acquisition; techniques of data processing; a representation, interpretation, and discussion of the results.
Focusing on the Mediterranean, this book offers a theological hermeneutics from the perspective of the margin/border and a theological hermeneutics of the border. At the core is a case study of the Italian Protestant minority and its engagement with issues of migration. While much of current migration theology is built around the principle of sacralization of the migrant person or 'vertical' association between divinity (God or Jesus) and people on the move, this work offers a 'horizontal' perspective on humanization or recognition of the value of every human being, based on the principle of a shared humanity created in God’s image, and a sense of identification, first by people at the margins. This approach seeks to avoid essentializing migrantness and victimhood. Elaborations on the relation between identity and migration are often sustained by exclusionary logics that lead to repressive policies. The book proposes a contextual theological reflection on minority identity that is at its core inclusive. It offers a contribution to theology beyond confessional borders and is open to dialogue with other disciplines, particularly critical border studies.
This is the book on women’s art I’ve been waiting for—smart, deeply rooted, and up-to-date, with an overdue focus on women of color that fills in the historical cracks. Read it and run with it."—Lucy R. Lippard, author of The Pink Glass Swan: Selected Essays on Feminist Art "More than merely beautiful and ground-breaking, Art/ Women/ California 1950-2000 is also about the enriching interventions created by diverse women artists, the effect of whose work is not only far-reaching, but has also opened up the very definition of American art. It is about intellectual interdisciplinality and the dialectical relationship between art and social context. It is about the way various California cultures—Native, Latino, Asian, feminist, immigrant, politically active, and virtual, which are so different from the trope of the Western cowboy—have intervened in that entity we imagine as ‘America.’ "—Elaine Kim, editor of Dangerous Women: Gender and Korean Nationalism "Rich and provocative. A pleasure to read and to look at."—Linda Nochlin, author of The Body in Pieces: The Fragment as a Metaphor of Modernity "This book should greatly help everyone understand the remarkably diversified evolution of art in California, which is largely due to the great influx of women and the transformative effect of a new feminist consciousness."—Arthur C. Danto, author of Philosophizing Art: Selected Essays
This book traces the origins of the Postmodern eclectic grammar of linguistic collision back in the Surrealist poetics of ruins. Keeping in mind the images of lost direction in the big city as a central figure in the discussion of both the Modern and Postmodern aesthetics of displacement, Daniele starts comparing the epiphanic encounters of the Baudelairian flâneur in metropolitan Paris - in constant search for the traces of a lost symbolic order - with Breton's enigmatic pursuit of Nadja, the elusive sphinx in the crowd who moves in a mental territory of puzzling condensations and of ineffable objets trouvé. In his visual and written work, Marcel Duchamp was probably the first artist to envision the space of the crowd as a trans-urban, multiple dimension: a cool arena of disjunctive encounters contributing to transform the Surrealist erotic space of desire in a cooler, open field of performance. Deeply influenced by Duchamp's hybrid aesthetics, American Postmodern writers such as Donald Barthelme and Thomas Pynchon, and the performance artist Laurie Anderson, represent metropolis as a “geographical incest”, as a plural, entropic semiosphere which transcends the notion of urban community to become the tolerant receptacle of an ethnic and discoursive multiplicity, an electronic area of linguistic collisions translatable in new fragmented and unfinished narratives. Evoking the assemblages of Abstract Expressionists, the debris of Simon Rodia “junk art”, and the hybrid language of Postmodern architecture, this neo-Surrealist narrative discourse transforms the epiphanic traces envisioned by the Baudelairian and Bretonian heroes in partial parodies, in enigmatic fragments whose ultimate source transcends the narrator's knowledge. The conceptual strategy which is constitutive of these texts implicitly asks the puzzled reader to disentangle the entropic plots, immerging him in the midst of a “linguistic wilderness,” where all opposites - fact and fiction, man and machine, man and female - enigmatically and humorously coexist.
Your search for the right word in Italian is over. Stop hunting blindly through ordinary bilingual dictionaries! With 4,000 words, Must-Know Italian gives you the power to be understood in any situation. You'll never be at a loss for words again in the classroom il calcolatore (calculator), il, la supplente (substitute teacher) at the office lo stage (internship), la riunione (meeting) talking about the environment la conservazione (conservation), riciclare (recycle) discussing politics la cittadinanza (citizenship), il broglio elettorale (electoral fraud) shopping l(o)'affare (bargain), la cartina del bancomat (ATM card)
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