This sensitive and compelling biography sheds new light on John Singer Sargent’s art through an intimate history of his family. Karen Corsano and Daniel Williman focus especially on his niece and muse, Rose-Marie Ormond, telling her story for the first time. In a score of paintings created between 1906 and 1912, John Singer Sargent documented the idyllic teenage summers of Rose-Marie and his own deepening affection for her serene beauty and good-hearted, candid charm. Rose-Marie married Robert, the only son of André Michel, the foremost art historian of his day, who had known Sargent and reviewed his paintings in the Paris Salons of the 1880s. Robert was a promising historian as well, until the Great War claimed him first as an infantry sergeant, then a victim, in 1914. His widow Rose-Marie served as a nurse in a rehabilitation hospital for blinded French soldiers until she too was killed, crushed under a bombed church vault, in 1918. Sargent expressed his grief, as he expressed all his emotions, on canvas: He painted ruined French churches and, in Gassed, blinded soldiers; he made his last murals for the Boston Public Library a cryptic memorial to Rose-Marie and her beloved Robert. Braiding together the lives and families of Rose-Marie, Robert, and John Sargent, the book spans their many worlds—Paris, the Alps, London, the Soissons front, and Boston. Drawing on a rich trove of letters, diaries, and journals, this beautifully illustrated history brings Sargent and his times to vivid life.
The popes of Avignon, beginning with the election of John XXII in 1316 & ending with the deposition of Benedict XIII in 1415, laid claim to the movable property of some 1,200 ecclesiastical persons, exercising a power that has subsequently been named "jus spolii," the "right of spoil." This term to designate the right of the pope to collect the goods of deceased clerics for his own use seems to appear for the first time at the end of the 15th cent. Chapters: Intro. Definitions; The Law of Succession to Clerics' Property; The Pope as Protector of Clerical Property & the Testamentary License; "Jus spolii" & "plenitudo potestatis"; The Admin. & Documen'n. of Spoils; The Extent & Incidence of the Right of Spoil; & Repertory of Cases of the Papal Right of Spoil.
The core of this book is the life story of a manuscript codex, British Library Royal MS 13 E IV: the Latin Chronicle (from the Creation to 1300) of Guillaume de Nangis, copied in the abbey library of St-Denis-en-France. The authors shed new light on the production process, identifying the illuminator of the Royal MS and naming the scribe. Detailed evidence links the codex to important events in history, such as the Council of Constance, and famous actors like Jean de France, duc de Berry, Sigismund of Luxembourg, Thomas Howard, duke of Norfolk, and Henry VIII, to name a few. The authors show how it traveled from one capital to the other, narrating the entire life and interesting times of this codex. Another dimension of this study accounts for all twenty-two copies of the Chronicle, now scattered in nine cities from London to Vienna, placing each one in a scrupulously drawn stemma codicum and sketching its history.
The core of this book is the life story of a manuscript codex, British Library Royal MS 13 E IV: the Latin Chronicle (from the Creation to 1300) of Guillaume de Nangis, copied in the abbey library of St-Denis-en-France. The authors shed new light on the production process, identifying the illuminator of the Royal MS and naming the scribe. Detailed evidence links the codex to important events in history, such as the Council of Constance, and famous actors like Jean de France, duc de Berry, Sigismund of Luxembourg, Thomas Howard, duke of Norfolk, and Henry VIII, to name a few. The authors show how it traveled from one capital to the other, narrating the entire life and interesting times of this codex. Another dimension of this study accounts for all twenty-two copies of the Chronicle, now scattered in nine cities from London to Vienna, placing each one in a scrupulously drawn stemma codicum and sketching its history.
This sensitive and compelling biography sheds new light on John Singer Sargent’s art through an intimate history of his family. Karen Corsano and Daniel Williman focus especially on his niece and muse, Rose-Marie Ormond, telling her story for the first time. In a score of paintings created between 1906 and 1912, John Singer Sargent documented the idyllic teenage summers of Rose-Marie and his own deepening affection for her serene beauty and good-hearted, candid charm. Rose-Marie married Robert, the only son of André Michel, the foremost art historian of his day, who had known Sargent and reviewed his paintings in the Paris Salons of the 1880s. Robert was a promising historian as well, until the Great War claimed him first as an infantry sergeant, then a victim, in 1914. His widow Rose-Marie served as a nurse in a rehabilitation hospital for blinded French soldiers until she too was killed, crushed under a bombed church vault, in 1918. Sargent expressed his grief, as he expressed all his emotions, on canvas: He painted ruined French churches and, in Gassed, blinded soldiers; he made his last murals for the Boston Public Library a cryptic memorial to Rose-Marie and her beloved Robert. Braiding together the lives and families of Rose-Marie, Robert, and John Sargent, the book spans their many worlds—Paris, the Alps, London, the Soissons front, and Boston. Drawing on a rich trove of letters, diaries, and journals, this beautifully illustrated history brings Sargent and his times to vivid life.
The popes of Avignon, beginning with the election of John XXII in 1316 & ending with the deposition of Benedict XIII in 1415, laid claim to the movable property of some 1,200 ecclesiastical persons, exercising a power that has subsequently been named "jus spolii," the "right of spoil." This term to designate the right of the pope to collect the goods of deceased clerics for his own use seems to appear for the first time at the end of the 15th cent. Chapters: Intro. Definitions; The Law of Succession to Clerics' Property; The Pope as Protector of Clerical Property & the Testamentary License; "Jus spolii" & "plenitudo potestatis"; The Admin. & Documen'n. of Spoils; The Extent & Incidence of the Right of Spoil; & Repertory of Cases of the Papal Right of Spoil.
In the era between the world wars, wealthy sportsmen and sportswomen created more than seventy large estates in the coastal region of South Carolina. By retaining select features from earlier periods and adding new buildings and landscapes, wealthy sporting enthusiasts created a new type of plantation. In the process, they changed the meaning of the word 'plantation', with profound implications for historical memory of slavery and contemporary views of the South. A New Plantation World is the first critical investigation of these 'sporting plantations'. By examining the process that remade former sites of slave labor into places of leisure, Daniel J. Vivian explores the changing symbolism of plantations in Jim Crow-era America.
This book asks whether the decision to lock down the world was justified in proportion to the potential harms and risks generated by the Covid-19 virus. Drawing on global, empirical data, it explores and exposes the social harms induced by lockdowns, many of which are 'hidden', including joblessness, mental health problems and an intensification of societal inequalities and divisions. It offers data-driven case studies on harms such as domestic violence, child abuse, the distress of being ordered to stay at home, and the numerous harms associated with the new wealth industries. It explores why some people weren't compliant with lockdown restrictions and examines the already vulnerable social groups who were disproportionally affected by lockdown including those who were locked in (care home residents), locked up (prisoners), and locked out (migrant workers, refugees). The book closes with a brief discussion on what the future might look like as we enter a post-Covid world, drawing on cutting-edge social theory.
From the divine right of kings to the political philosophies of writers such as Machiavelli, the medieval city-states to the unification of Spain, Daniel Waley and Peter Denley focus on the growing power of the state to illuminate changing political ideas in Europe between the thirteenth and sixteenth centuries. Spanning the entire continent and beyond, and using contemporary voices wherever possible, the authors include substantial sections on economics, religion, and art, and how developments in these areas fed into and were influenced by the transformation of political thinking. The new edition takes the narrative beyond the confines of western Europe with chapters on East Central Europe and the teutonic knights, and the Portuguese expansion across the Atlantic. The third edition of this classic introduction to the period includes even greater use of contemporary voices, full reading lists, and new chapters on East Central Europe and Portuguese exploration. Suitable as an introductory text for undergraduate courses in Medieval Studies and Medieval European History.
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