The so-called “New Perspective on Paul” has become a provocative way of understanding Judaism as a pattern of religion characterized by “covenantal nomism,” which stands in contrast to the traditional, Lutheran position that argues that the Judaism against which Paul responded was “legalistic.” This “new perspective” of first-century Judaism has remarkably changed the landscape of Pauline studies, but it has done so in relative isolation from the Pastoral Epistles, which are considered by most critical scholarship to be pseudonymous. Because of this lack of interaction with the Pastoral Epistles this study seeks to test the hermeneutic of the New Perspective on Paul from a canonical perspective. This study is not a polemic against the New Perspective on Paul, but an attempt to test its hermeneutic within the Pastoral Epistles. Four basic tenets of the New Perspective on Paul, taken from the writings of E. P. Sanders, N. T. Wright, and James D. G. Dunn, are identified and utilized to choose the passages in the Pastoral Epistles to be studied to test the New Perspective’s hermeneutic outside “undisputed” Paul. The four tenets are as follows: Justification/Salvation, Law and Works, Paul’s View of Judaism, and the Opponents. Based on these tenets, the passages considered are 1 Tim 1:6–16; 2:3–7; 2 Tim 1:3, 8–12; and Titus 3:3–7.
This is a widely accessible introductory treatment of infinite series of real numbers, bringing the reader from basic definitions and tests to advanced results. An up-to-date presentation is given, making infinite series accessible, interesting, and useful to a wide audience, including students, teachers, and researchers. Included are elementary and advanced tests for convergence or divergence, the harmonic series, the alternating harmonic series, and closely related results. One chapter offers 107 concise, crisp, surprising results about infinite series. Another gives problems on infinite series, and solutions, which have appeared on the annual William Lowell Putnam Mathematical Competition. The lighter side of infinite series is treated in the concluding chapter where three puzzles, eighteen visuals, and several fallacious proofs are made available. Three appendices provide a listing of true or false statements, answers to why the harmonic series is so named, and an extensive list of published works on infinite series.
One Year to Better Preaching provides preachers with fifty-two hands-on exercises that sharpen their homiletical skills. The book is designed particularly for those who preach each week—and have been, perhaps, for some time—to help them get out of the rut of the routine and infuse their preaching with new sparks of creativity, fresh approaches to sermon preparation and design, and sharpened verbal and nonverbal communication skills. Novice preachers, also, will find the exercises useful in developing their preaching abilities. Each chapter includes instructions for an exercise, tools and suggestions needed for the exercise, comments from preachers who completed it, and recommended resources for further study The exercises address eight categories of homiletics: • Prayer and Preaching • Bible Interpretation • Understanding Listeners • Sermon Construction • Illustrations and Applications • Word Crafting • The Preaching Event • Sermon Evaluation Readers can complete the exercises in the order presented, which address different categories week to week, or they can sharpen their skills in a particular category over a period of weeks by using the chart provided. They might also work through the exercises in collaboration with other preachers. One Year to Better Preaching will leave a preacher reinvigorated and better equipped to proclaim the Word of God skillfully, passionately, and effectively.
Through the lens of four seminal concerts,acclaimed poet and biographer DanielMark Epstein offers an intimate, nuancedlook at Bob Dylan: a vivid, full-bodiedportrait of one of the most influential artistsof the twentieth century, from his birth tothe Never Ending Tour. Beginning with 1963’s Lisner Auditoriumconcert in Washington, D.C., Epstein revisitsDylan’s astonishing rise as the darling ofthe folk revival, focusing on the people andbooks that shaped him, and his struggle tofind artistic direction on the road in the1960s. Madison Square Garden, 1974, shedslight on Dylan’s transition from folk iconto rock star, his family life in seclusion,his subsequent divorce, and his highly anticipatedreturn to touring. Tanglewood,1997, reveals how Dylan revived his flaggingcareer in the late 1990s—largelyunder the influence of Jerry Garcia—discoveringnew ways of singing and connectingwith his audience, and assembling the greatbands for his Never Ending Tour. In abreathtaking account of the Time Out of Mindsessions, Epstein provides the most completepicture yet of Dylan’s contemporary workin the studio, his acceptance of his laurels,and his role as the éminence grise ofrock and roll today. Aberdeen, 2009, bringsus full circle, detailing the making of Dylan’striumphant albums of the 2000s, as well ashis long-running radio show. Drawing on anecdotes and insights fromnew interviews with those closest to theman—including Maria Muldaur, Happy Traum,D. A. Pennebaker, Nora Guthrie, Ramblin’ JackElliott, and Dylan’s sidemen throughout the years—The Ballad of Bob Dylan is a singulartake on an artist who has transformed generationsand, as he enters his eighth decade,continues to inspire and surprise today.
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