Immersive, engrossing report on the European refugee crisis A mother puts her children into a refrigerator truck and asks, “What else could I do?” A runaway teenager comes of age on the streets, sleeping in abandoned buildings. A student leaves his war-ravaged country behind because he doesn’t want to kill. Everyone among the thousands of people who come to Europe in search of asylum each year possesses a unique story. But those stories don’t end as they cross into the West. In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis as seen through the eyes of the people who experienced it firsthand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants. Visiting camps and hostels, sneaking into detention centers, and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them—“refugee” or “economic migrant,” “legal” or “illegal,” “deserving” or “undeserving”—fall woefully short of capturing the complex realities. The founding story of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with the worst refugee crisis since the Second World War, its declared values of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.
Daniel T. O'Hara reads the career of Trilling as a single, completely conmprehensive work of self-fashioning. The intention of such work, says O'Hara, from the beginning and throughout Trilling's intelectual life, was to create a self that, when confronted with the great achievement of another mind, was capable of imaginative sympathy and not solely resentful critique. In order to reach that goal, however, Trilling had to adopt on e of the conventional masks available to the intellectual in modern culture and adapt it to his needs and to those of his "liberal" time.
The past decade saw the rise of the British National Party, the country's most successful ever far-right political movement, and the emergence of the anti-Islamic English Defence League. Taking aim at asylum seekers, Muslims, "enforced multiculturalism" and benefit "scroungers", these groups have been working overtime to shift the blame for the nation's ills onto the shoulders of the vulnerable. What does this extremist resurgence say about the state of modern Britain? Drawing on archival research and extensive interviews with key figures, such as BNP leader Nick Griffin, Daniel Trilling shows how previously marginal characters from a tiny neo-Nazi subculture successfully exploited tensions exacerbated by the fear of immigration, the War on Terror and steepening economic inequality. Mainstream politicians have consistently underestimated the far right in Britain while pursuing policies that give it the space to grow. Bloody Nasty People calls time on this complacency in an account that provides us with fresh insights into the dynamics of political extremism.
Daniel T. O'Hara reads the career of Trilling as a single, completely conmprehensive work of self-fashioning. The intention of such work, says O'Hara, from the beginning and throughout Trilling's intelectual life, was to create a self that, when confronted with the great achievement of another mind, was capable of imaginative sympathy and not solely resentful critique. In order to reach that goal, however, Trilling had to adopt on e of the conventional masks available to the intellectual in modern culture and adapt it to his needs and to those of his "liberal" time.
Daniel Greene traces the emergence of the idea of cultural pluralism to the lived experiences of a group of Jewish college students and public intellectuals, including the philosopher Horace M. Kallen. These young Jews faced particular challenges as they sought to integrate themselves into the American academy and literary world of the early 20th century. At Harvard University, they founded an influential student organization known as the Menorah Association in 1906 and later the Menorah Journal, which became a leading voice of Jewish public opinion in the 1920s. In response to the idea that the American melting pot would erase all cultural differences, the Menorah Association advocated a pluralist America that would accommodate a thriving Jewish culture while bringing Jewishness into mainstream American life.
After World War II, as cultural and industry changes were reshaping Hollywood, movie studios shifted some production activities overseas, capitalizing on frozen foreign earnings, cheap labor, and appealing locations. Hollywood unions called the phenomenon “runaway” production to underscore the outsourcing of employment opportunities. Examining this period of transition from the late 1940s to the early 1960s, Runaway Hollywood shows how film companies exported production around the world and the effect this conversion had on industry practices and visual style. In this fascinating account, Daniel Steinhart uses an array of historical materials to trace the industry’s creation of a more international production operation that merged filmmaking practices from Hollywood and abroad to produce movies with a greater global scope.
In this intellectual and literary history of American, British, and Continental novels of realism and naturalism from 1850 to 1950, Richard Lehan argues that literary naturalism is a narrative mode that creates its own reality. Employing this strategy allows and encourages intertextuality - one novel talking or responding to another.
DIVDIVDaniel Stern’s sparkling reinventions of six great literary works/divDIV Twice Told Tales is a new take on some of literature’s greatest stories. In a bravura performance, acclaimed novelist Daniel Stern channels the particular styles and spirits of six classic pieces—even the writings of Sigmund Freud—into unexpected new settings. E. M. Forster, Henry James, and Ernest Hemingway are updated in brilliantly drawn portraits, at once affectionate and satirical. Stern’s approach is deft and witty, yet always attentive to the timeless characters and ideas with which he works./divDIV/div/div
This collection brings together Daniel Bell's best work in essay form. It deals with a variety of topics: technology and culture, religion and personal identity, intellectuals and their societies, and the uses and abuses of doctrines of social class. The Winding Passage demonstrates the author's continuing concern with the salient issues of our times, while its inspiration draws upon an older, humanistic sociological tradition.
This book is a comprehensive overview of the history of modern American thought and examines a wide range of modern thought and thinkers from 1860, when Charles Darwin’s Origin of Species was published in the United States, to the end of the twentieth century. The focus of this volume is on the destabilizing effects of modern challenges to notions of fixed order and absolute truths, and the contradictory consequences for philosophical, political, social, and aesthetic thought. The intellectual response to the unprecedented changes of this era produced visions of both liberation from the hierarchies of the past and new forms of control and constraint. One of the central contradictions in modern thought was between biological and cultural ideas of social, psychological, and moral order. This is the first work to provide an interpretive vision of the entire period under consideration. Topics covered include evolutionary thought, philosophical Pragmatism, ideas of race and gender, pluralism and cultural relativism, Cold War Liberalism, science and religion, feminist thought, evolutionary psychology, and the late twentieth-century Culture Wars. Thinkers from William James and Charlotte Perkins Gilman through Judith Butler and Cornel West are analyzed as historical figures. This volume is an ideal resource for a general audience as well as undergraduate and graduate students in the field of American intellectual history.
This is a collection of critical essays that integrate literature and ideas. Daniel Fuchs presents the writer's individuality as artist and thinker, focusing on the writer's interaction within a wide range of cultural, political, and historical periods and situations representative of the modern period. The essays reflect a progression that goes beyond chronology or historical survey in the consistency and interrelation of the literary and cultural themes explored and the references within them. The book is built around writers who are of central concern to the author. It does not pretend to be a comprehensive framework for analysing modernism. Fuchs first deals with high modernism, in discussions of Hemingway and Stevens, who in different ways critique tradition and collapsing values. The essays that follow deal with the "contemporary,"and here the focus is mainly on American Jewish writers and their cultural impact after modernism. The author's stance is in relation not only to these traditions but to others that might be thought antagonistic: the formalism of the New Critics and the deconstructionism that reduces the author to a replaceable variable in the dialects of cultural power relations. Fuchs pays tribute to the former, illustrating wider points in literary, socio-cultural, and political history. The overall emphasis on these "extrinsic" matters underscores the book's appeal to a wide audience.
This is an examination of the principle works of Anglo-American novel criticism, defining the values, method and concepts that these works have in common and advancing a defence of Anglo-American humanistic criticism and the ideas proposed by Structuralism, Marxism and deconstruction.
“The twelve essays reprinted in this volume illustrate how biblical scholars have worked in one area of research (the church in the New Testament) and furnish a record of some of the issues that have concerned the church and its people during recent years.” —From the Introduction
“The twelve essays reprinted in this volume illustrate how biblical scholars have worked in one area of research (the church in the New Testament) and furnish a record of some of the issues that have concerned the church and its people during recent years.” —From the Introduction
Combining the disciplines of folklore and literary criticism in his perceptive readings of works by Irving, Hawthorne, Melville, and Mark Twain, Daniel Hoffman demonstrates how these authors transformed materials from both high and popular culture, from their European past and their American present, in works that helped to form our national consciousness. In his new preface, Hoffman describes the evolution of his critical method and suggests the book's value for contemporary readers.
Daniel Born explores the concept of liberal guilt as it first developed in British political and literary culture between the late Romantic period and World War I. Disturbed by the twin spectacle of urban poverty at home and imperialism abroad, major nove
Corporate Romanticism offers an alternative history of the connections between modernity, individualism, and the novel. In early nineteenth-century England, two developments—the rise of corporate persons and the expanded scale of industrial action—undermined the basic assumption underpinning both liberalism and the law: that individual human persons can be meaningfully correlated with specific actions and particular effects. Reading works by Godwin, Austen, Hogg, Mary Shelley, and Dickens alongside a wide-ranging set of debates in nineteenth-century law and Romantic politics and aesthetics, Daniel Stout argues that the novel, a literary form long understood as a reflection of individualism’s ideological ascent, in fact registered the fragile fictionality of accountable individuals in a period defined by corporate actors and expansively entangled fields of action. Examining how liberalism, the law, and the novel all wrestled with the moral implications of a highly collectivized and densely packed modernity, Corporate Romanticism reconfigures our sense of the nineteenth century and its novels, arguing that we see in them not simply the apotheosis of laissez-fair individualism but the first chapter of a crucial and distinctly modern problem about how to fit the individualist and humanist terms of justice onto a world in which the most consequential agents are no longer persons.
DIVDIVDaniel Stern’s sparkling reinventions of six great literary works/divDIV Twice Told Tales is a new take on some of literature’s greatest stories. In a bravura performance, acclaimed novelist Daniel Stern channels the particular styles and spirits of six classic pieces—even the writings of Sigmund Freud—into unexpected new settings. E. M. Forster, Henry James, and Ernest Hemingway are updated in brilliantly drawn portraits, at once affectionate and satirical. Stern’s approach is deft and witty, yet always attentive to the timeless characters and ideas with which he works./divDIV/div/div
Practice for Performance provides a rare and intimate view into a very thoughtful and successful performer's personal toolkit. Set in the context of his own personal history of growth as a performer, cellist Daniel Morganstern (principal cellist for the Lyric Opera of Chicago and the American Ballet Theatre at the Metropolitan Opera House in New York) displays rare honesty in discussing the problems that faced him at various point of his career, and the ways to solve them. the discoveries sensibly unfold in a fascinating account of experiences with many notable artists whose comments and examples shaped the author's thinking. These ideas are not to be found in any other treatise on the subject of musical preparation. the examples in this book, both musical and non-musical, offer a foundation to help evoke instinctive musical responses in the mechanical processes of playing the cello, and have been advantageously applied to other instruments as well, including voice.
Authenticity is one of the major values of our time. It is visible everywhere, from clothing to food to self-help books. While it is such a prevalent phenomenon, it is also very evasive. This study analyses the 'culture of authenticity' as it relates to theatre and establishes a theoretical framework for analysis. Daniel Schulz argues that authenticity is sought out and marked by the individual and springs from a culture that is perceived as inherently fake and lacking depth. The study examines three types of performances that exemplify this structure of feeling: intimate theatre seen in Forced Entertainment productions such as Quizoola! (1996, 2015), as well as one-on-one performances, such as Oentroerend Goed's Internal (2009); immersive theatres as illustrated by Punchdrunk's shows The Masque of the Red Death (2007) and The Drowned Man (2013) which provide a visceral, sensate understanding for audiences; finally, the study scrutinises the popular category of documentary theatre through various examples such as Robin Soan's Talking to Terrorists (2005), David Hare's Stuff Happens (2004), Edmund Burke's Black Watch (2007) and Dennis Kelly's pseudo-documentary play Taking Care of Baby (2007). It is specifically the value of the document that lends such performances their truth-value and consequently their authenticity. The study analyses how the success of these disparate categories of performance can be explained through a common concern with notions of truth and authenticity. It argues that this hunger for authentic, unmediated experience is characteristic of a structure of feeling that has superseded postmodernism and that actively seeks to resignify artistic and cultural practices of the everyday.
Collects the private letters of an American statesman who not only represented New York in the Senate but also served in key positions under four presidents.
At a time when American political and cultural leaders asserted that the nation stood at “the center of world awareness,” thinkers and artists sought to understand and secure principles that lay at the center of things. From the onset of the Cold War in 1948 through 1963, they asked: What defined the essential character of “American culture”? Could permanent moral standards guide human conduct amid the flux and horrors of history? In what ways did a stable self emerge through the life cycle? Could scientific method rescue truth from error, illusion, and myth? Are there key elements to democracy, to the integrity of a society, to order in the world? Answers to such questions promised intellectual and moral stability in an age haunted by the memory of world war and the possibility of future devastation on an even greater scale. Yet other key figures rejected the search for a center, asserting that freedom lay in the dispersion of cultural energies and the plurality of American experiences. In probing the centering impulse of the era, At the Center offers a unique perspective on the United States at the pinnacle of its power.
The NIV Application Commentary helps you communicate and apply biblical text effectively in today's context. To bring the ancient messages of the Bible into today's world, each passage is treated in three sections: Original Meaning. Concise exegesis to help readers understand the original meaning of the biblical text in its historical, literary, and cultural context. Bridging Contexts. A bridge between the world of the Bible and the world of today, built by discerning what is timeless in the timely pages of the Bible. Contemporary Significance. This section identifies comparable situations to those faced in the Bible and explores relevant application of the biblical messages. The author alerts the readers of problems they may encounter when seeking to apply the passage and helps them think through the issues involved. This unique, award-winning commentary is the ideal resource for today's preachers, teachers, and serious students of the Bible, giving them the tools, ideas, and insights they need to communicate God's Word with the same powerful impact it had when it was first written.
In 1910, American author and social critic Jack London began writing The Assassination Bureau, Ltd., a work that he never completed. Now, thanks to the recently discovered manuscript of Dr. John Watson, we know why. The early part of London's book describes a secret organization - scoffed at or ignored by police officials - that conspires to murder influential political and social leaders. Not until Sherlock Holmes is provoked into action by threats close to home does anyone appear able to stop the Assassination Bureau. As Holmes and Watson proceed, they uncover devilish plots involving the deaths of some of the most prominent figures in history-from American Presidents to European heads of state, from murderous gangsters to muckraking writers like Jack London himself. With a deadly timing-device ticking, Sherlock Holmes hopes to prevent any further murders from threatening world peace. But by 1912, is he already too late?
Together with its accompanying CD, this text captures the excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. The text draws from personal interviews with many of the participants, from unpublished letters and from rare sound recordings.
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