Who is Dr. Curt Connors, and what has he done to lure Peter Parker and J. Jonah Jameson to the darkest corners of the Florida Everglades? What secrets lurk in this alien landscape? MARVEL AGE continues to thrill as Spider-Man battles the Lizard in their unforgettable first encounter! Plus: One of Spider-Man's original nemeses returns! The Vulture is back, and he's looking for revenge!
A glittering cultural tour of Europe's major capitals during a period of intense musical change. This volume continues the study of the eighteenth century begun in Haydn, Mozart, and the Viennese School 1740–1780 (1995) by focusing on the capital cities other than Vienna that were most important in the creation and diffusion of new music. It tells of events in Naples, where Vinci and Pergolesi went beyond their pre-1720 models to cultivate opera in a simpler, more direct manner, soon after christened the galant style. No less central was Venice, where Vivaldi perfected the concerto, on which were patterned the early symphonies and the newer kind of sonata. Dresden profited first from all these achievements and became, under Hasse's direction, the foremost center of Italian opera in Germany. Mannheim with its great orchestra did much to shape the modern symphony. A few years later, Paris became paramount, especially for its Opéra-Comique; during the 1770s the Opéra provided Gluck with a stage on which to cap his long international career. The book concludes with a description of Christian Bach in London, Paisiello in Saint Petersburg, and Boccherini in Madrid. This long-awaited book offers a view of eighteenth-century music that is broad and innovative while remaining sensitive to the values of those times and places. One comes away from it with an understanding of the European context behind the triumphs of Haydn and Mozart. Lavishly illustrated with music examples and reproductions, both in black-and-white and color, this master study will be of inestimable importance to scholars, cultural historians, performers, and all music lovers.
This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.
This book analyses the most sung contemporary congregational songs (CCS) as a global music genre. Utilising a three-part music semiology, this research engages with producers, musical texts, and audiences/congregations to better understand contemporary worship for the modern church and individual Christians. Christian Copyright Licensing International data plays a key role in identifying the most sung CCS, while YouTube mediations of these songs and their associated data provide the primary texts for analysis. Producers and the production milieu are explored through interviews with some of the highest profile worship leaders/songwriters including Ben Fielding, Darlene Zschech, Matt Redman, and Tim Hughes, as well as other music industry veterans. Finally, National Church Life Survey data and a specialized survey provide insight into individual Christians’ engagement with CCS. Daniel Thornton shows how these perspectives taken together provide unique insight into the current global CCS genre, and into its possible futures.
This volume is a guide to the resources and materials of Bach scholarship, both for the non specialist wondering where to begin in the enormous literature on J. S. Bach, and for the Bach specialist looking for a convenient and up to date survey of the field. It describes the tools of Bach research and how to use them, and suggests how to get started in Bach research by describing the principal areas of research and citing the essential literature on each piece and topic. The authors emphasize the issues that have engaged Bach scholars for generations, focusing on particularly important writings; on recent literature; on overviews, collections of essays and handbooks; and on writings in English. Subjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others. The book also offers explanations of important and potentially confusing topics in Bach research, such as the organization of the annual cantata cycles, pitch standards, the history of the Berlin libraries, the structure of the critical commentary volumes in the Neue Bach Ausgabe, and so on. This book opens up the rich world of Bach scholarship to students, teachers, performers, and listeners.
Governance and Public Policy in Canada lays the foundation for a systematic analysis of policy developments, shaped as they are by multiple players, institutional tensions, and governance legacies. Arguing that provinces are now the most central site of governance and policy innovation, the book assesses the role of the provinces and places the provincial state in its broader economic, institutional, social, and territorial context. The aim throughout is to highlight the crucial role of provinces in policy changes that directly affect the lives of citizens. Three key themes unify this book. First, it addresses the role of policy convergence and divergence among provinces. Although the analysis acknowledges enduring differences in political culture and institutions, it also points to patterns of policy diffusion and convergence in specific areas in a number of provinces. Second, the book explores the push and pull between centralization and decentralization in Canada as it affects intergovernmental relations. Third, it underscores that although the provinces play a greater role in policy development than ever before, they now face a growing tension between their expanding policy ambitions and their capacity to develop, fund, implement, manage, and evaluate policy programs. Governance and Public Policy in Canada describes how the provincial state has adapted in the context of these changing circumstances to transcend its limited capacity while engaging with a growing number of civil society actors, policy networks, and intergovernmental bodies.
Recent developments in nanostructured materials have led to a shift in focus away from the replacement of tissues and towards regeneration. Nanoceramics with biomimetic properties have great potential in bone regeneration and new synthesis strategies have been developed to obtain materials with improved biocompatibility and multifunctional performance. The aim is to develop fully biocompatible implants, which exhibit biological responses at the nanometric scale in the same way that biogenic materials do. Current man-made implants are not fully biocompatible and always result in a foreign body reaction involving inflammatory response and fibrous encapsulation. Great efforts have, therefore, been made to develop synthetic strategies that tailor implant surfaces at the nanometric scale. The intention is to optimize the interaction at the tissue/implant interface thus improving quality of life for patients with enhanced results and shorter rehabilitation periods. This book deals with 'new bioceramics' for 'new applications'. Current and future applications are considered in terms of chemical composition, structure and properties. It explains the processes that (from the point of view of solid state and sol-gel chemistry) lead to better bone implants and other medical devices. The book is structured to make it useful for students of biomaterials, but also as a reference for specialists interested in specific topics. Didactic figures and schemes make it easy for under-graduates to understand and the extended bibliography is indispensable for researchers. The introductions to each chapter deal with some common fundamental concepts thus allowing the comprehension of each one independently. The first chapter describes biological hard tissues in vertebrates, from the point of view of mineralization processes. Concepts of hard tissue mineralization are employed to explain how nature works and an overview of artificial alternatives is provided. Chapter 2 details several synthesis methodologies used to prepare nano-apatites. The aim is to obtain artificial carbonated calcium deficient nano-apatites that resemble, as closely as possible, natural biological apatites. A review on synthesis methods is collected in the bibliography. Chapter 3 describes, in-depth, the biomimetic processes used to prepare apatites similar to biological ones. It focuses on hard tissue-related biomimetism and deals with nanoceramics obtained as a consequence of biomimetic processes. Valuable information about the most widely used biomimetic solutions and evaluation methods are included. The final chapter provides an overview of the current and potential clinical applications of apatite-like biomimetic nanoceramics, intended as biomaterials for hard tissue repair, therapy and diagnosis.
In its examination of two of Plato's key works, Soul, World, and Idea: An Interpretation of Plato's Republic and Phaedo reveals the key role that images and our capacity for image-making play in the relationship among soul, world, and Idea. This bookbegins and ends with a reading of the Republic. Daniel Sherman turns midway to the Phaedo to further analyze the nature of the soul and its relation to the nature of the Ideas, then returns to apply the conclusions to the rest of the Republic. Sherman's focus is on the ontological and epistemological argument, including attention to the dramatic detail. He argues that the ontology of the Ideas in the Republic and the Phaedo is inseparable from the ontology of human being, that is, from the structure and life of the soul. On this interpretation, the Ideas are seen as indeed objective but as in a sense also a product of a permanent dialectical relationship. The Ideas, though something more than concepts, do not have any real independent existence outside of this human dialectical triad of world, soul and Idea. The stability of the Ideas need not be grounded in a static otherworldliness, and the condition of meaning is not temporally prior to human existence in general. The result is a new interpretation concerning the realm of the Ideas, the immortality of the soul, and the lived in world of their interaction in the production of interpretive images. Sherman argues that the platonic soul is immortaland the Ideas eternal wholly and solely in human (dialogical) activity--the rest is muthologia--and that the world of our experience is a product of an ongoing act of interpretation or dianoetic dialegesthai. This reinterpretation of the platonic Ideas will be especially interesting to students and scholars of classics, ancient philosophy, and continental philosophy.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.