Is poetry a visual art? Why do the pages of nineteenth-century poetry look so different to those of twentieth-century verse? Exploiting the expressive possibilities of print--from spacing and indentation to alignment and typeface--is one of the defining ways in which poetry was modernized in the twentieth century. While the visual experiments of European poets have been well documented, the typographical explorations of poets writing in English have been largely neglected. This volume confronts a major unanswered question: why did British and American poets, from the beginning of the twentieth century right up to the present day, choose to experiment with the design and lay-out of the printed page? This book aims to provide the first detailed account of this lineage of literary style, examining the poetry and criticism of figures such as Ezra Pound, Hope Mirrlees, William Carlos Williams, E.E. Cummings, Marianne Moore, David Jones, Denise Levertov, Charles Olson, Frances Motz Boldereff, and J.H. Prynne. It draws on unpublished archival materials to show how poets began to draft, sketch, and compose in new and eccentric ways as they annexed the roles of book designer and printer. Typography, it argues, was instrumental in debates about metre, free verse, and the nature of poetry as poems morphed into scores, slogans, maps, and signs. It investigates how the typography of poetry was animated by musicology, psychophysics, linguistics, politics, ophthalmology, cartography, and advertising.
A history of the area that would become Walnut Station, then Walnut Grove from the earliest days to the present. It covers almost every aspect of community life in this small town in Minnesota.
Weaving together the stories of activists, American Jewish leaders, and Israeli officials in the wake of the establishment of the state of Israel in 1948, Covenant Brothers portrays the dramatic rise of evangelical Christian Zionism as it gained prominence in American politics, Israeli diplomacy, and international relations after World War II. According to Daniel G. Hummel, conventional depictions of the Christian Zionist movement—the organized political and religious effort by conservative Protestants to support the state of Israel—focus too much on American evangelical apocalyptic fascination with the Jewish people. Hummel emphasizes instead the institutional, international, interreligious, and intergenerational efforts on the part of Christians and Jews to mobilize evangelical support for Israel. From missionary churches in Israel to Holy Land tourism, from the Israeli government to the American Jewish Committee, and from Billy Graham's influence on Richard Nixon to John Hagee's courting of Donald Trump, Hummel reveals modern Christian Zionism to be an evolving and deepening collaboration between Christians and the state of Israel. He shows how influential officials in the Israeli Ministry of Religious Affairs and Foreign Ministry, tasked with pursuing a religious diplomacy that would enhance Israel's standing in the Christian world, combined forces with evangelical Christians to create and organize the vast global network of Christian Zionism that exists today. He also explores evangelicalism's embrace of Jewish concepts, motifs, and practices and its profound consequences on worshippers' political priorities and their relationship to Israel. Drawing on religious and government archives in the United States and Israel, Covenant Brothers reveals how an unlikely mix of Christian and Jewish leaders, state support, and transnational networks of institutions combined religion, politics, and international relations to influence U.S. foreign policy and, eventually, global geopolitics.
A captivating biography of Ezra Pound told via the stories of his visitors at St. Elizabeths Hospital In 1945, the great American poet Ezra Pound was deemed insane. He was due to stand trial for treason for his fascist broadcasts in Italy during the war. Instead, he escaped a possible death sentence and was held at St. Elizabeths Hospital for the insane for more than a decade. While there, his visitors included the stars of modern poetry: T. S. Eliot, Elizabeth Bishop, John Berryman, Robert Lowell, Charles Olson, and William Carlos Williams, among others. They would sit with Pound on the hospital grounds, bring him news of the outside world, and discuss everything from literary gossip to past escapades. This was perhaps the world’s most unorthodox literary salon: convened by a fascist and held in a lunatic asylum. Those who came often recorded what they saw. Pound was at his most infamous, most hated, and most followed. At St. Elizabeths he was a genius and a madman, a contrarian and a poet, and impossible to ignore. In The Bughouse, Daniel Swift traces Pound and his legacy, walking the halls of St. Elizabeths and meeting modern-day neofascists in Rome. Unlike a traditional biography, The Bughouse sees Pound through the eyes of others at a critical moment both in Pound’s own life and in twentieth-century art and politics. It portrays a fascinating, multifaceted artist, and illuminates the many great poets who gravitated toward this most difficult of men.
This is an historical exploration of the US pensioner movements of the late 1920s through to the early 1950s, and the insights they offer policy analysts and researchers on how the forthcoming retirement of the Baby-Boom generation could proceed.
The People's Advocate is the autobiography of American Constitutional Trial Attorney Daniel Sheehan. Sheehan traces his personal journey from his working–class roots through Harvard Law School and his initial career in private practice. His early disenchantment led to his return for further study at Harvard Divinity School, and rethinking the nature of his career. Eventually his role as President and Chief Trial Counselor for the famous Washington, D.C.–based Christic Institute would help define his role as America's preeminent cause lawyer. In The People's Advocate, Sheehan details "the inside story" of over a dozen historically significant American legal cases of the 20th Century, all of which he litigated. The remarkable cases covered in the book include both The Pentagon Papers Case in 1971 and The Watergate Burglary Case in 1973. In addition, Sheehan served as the Chief Attorney on The Karen Silkwood Case in 1976, which additionally revealed the C.I.A.'s Israeli Desk had been smuggling 98% bomb–grade plutonium to the State of Israel and to Iran. In 1984, he was the Chief Trial Counsel on The American Sanctuary Movement Case, establishing the right of American church workers to provide assistance to Central American political refugees fleeing Guatemalan and Salvadorian "death squads." His involvement with the sanctuary movement ultimately led to Sheehan's famous Iran/Contra Federal Civil Racketeering Case against the Reagan/Bush Administration, which he investigated, initiated, filed, and then litigated. The resulting "Iran/Contra Scandal" nearly brought down that Administration, leading Congress to consider the impeachment over a dozen of the top–ranking officials of the Reagan/Bush Administration. The People's Advocate is the "real story" of these and many other historic American cases, told from the unique point of view of a central lawyer.
When Martin Luther King, Jr. was tragically killed, six people who were leaders made decisions on coping with the event. They were just like you. Their stories are your stories. Their thoughts, actions, and choices then can help make you a better leader for today and tomorrow. Relive their fateful day of April 4, 1968 to gain a unique perspective on your own.
This landmark book, together with its accompanying CD, captures the heady excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. Drawing from personal interviews with many of the participants, from unpublished letters, and from rare sound recordings, Daniel Kane brings together for the first time the people, political events, and poetic roots that coalesced into a highly influential community. From the poetry-reading venues of the early sixties, such as those at the Les Deux Mégots and Le Metro coffeehouses to The Poetry Project at St. Mark's Church, a vital forum for poets to this day, Kane traces the history of this literary renaissance, showing how it was born from a culture of publicly performed poetry. The Lower East Side in the sixties proved foundational in American verse culture, a defining era for the artistic and political avant-garde. The voices and works of John Ashbery, Amiri Baraka, Charles Bernstein, Bill Berkson, Ted Berrigan, Kenneth Koch, Bernadette Mayer, Ron Padgett, Denise Levertov, Paul Blackburn, Frank O'Hara, and many others enliven these pages, and the thirty five-track CD includes recordings of several of the poets reading from their work in the sixties and seventies. The Lower East Side's cafes, coffeehouses, and salons brought together poets of various aesthetic sensibilities, including writers associated with the so-called New York School, Beats, Black Mountain, Deep Image, San Francisco Renaissance, Umbra, and others. Kane shows that the significance for literary history of this loosely defined community of poets and artists lies in part in its reclaiming an orally centered poetic tradition, adapted specifically to open up the possibilities for an aesthetically daring, playful poetics and a politics of joy and resistance.
Written by a national expert on white supremacist and neo-Nazi groups, "The Terrorist Next Door" is the definitive history of America's far-right militia movement. 16-page photo insert.
An odyssey from pre–Civil War Charleston to post–World War II Minneapolis through Jewish immigrants' eyes The histories of US immigrants do not always begin and end in Ellis Island and northeastern cities. Many arrived earlier and some migrated south and west, fanning out into their vast new country. They sought a renewed life, fresh prospects, and a safe harbor, despite a nation that was not always welcoming and not always tolerant. How to Become an American begins with an abandoned diary—and from there author Daniel Wolff examines the sweeping history of immigration into the United States through the experiences of one unnamed, seemingly unremarkable Jewish family, and, in the process, makes their lives remarkable. It is a deeply human odyssey that journeys from pre–Civil War Charleston, South Carolina, to post–World War II Minneapolis, Minnesota. In some ways, the family's journey parallels that of the nation, as it struggled to define itself through the Industrial Age. A persistent strain of loneliness permeates this story, and Wolff holds up this theme for contemplation. In a country that prides itself on being "a nation of immigrants," where "all men are created equal," why do we end up feeling alone in the land we love?
A lively, rich natural history of Hawaiian birds that challenges existing ideas about what constitutes biocultural nativeness and belonging This natural history takes readers on a thousand-year journey as it explores the Hawaiian Islands' beautiful birds and a variety of topics including extinction, evolution, survival, conservationists and their work, and, most significantly, the concept of belonging. Author Daniel Lewis, an award-winning historian and globe-traveling amateur birder, builds this lively text around the stories of four species--the Stumbling Moa-Nalo, the Kaua'I 'O'o, the Palila, and the Japanese White-Eye. Lewis offers innovative ways to think about what it means to be native and proposes new definitions that apply to people as well as to birds. Being native, he argues, is a relative state influenced by factors including the passage of time, charisma, scarcity, utility to others, short-term evolutionary processes, and changing relationships with other organisms. This book also describes how bird conservation started in Hawai'i, and the naturalists and environmentalists who did extraordinary work.
According respect to both prevailing models of divorce-as inevitably disastrous and as potentially challenging, even growth-producing-Dr. Twaite and his colleagues undertake a systematic and critical review of the literature on the differential psychosocial adjustment of children after a divorce. They address studies in ten predictor domains, some expectable (age, gender, custody arrangements), some less conventional, before advancing a predictor of their own: the effectiveness of parenting behavior (custodial, non-custodial, and step-) as experienced by the child. Finally, they proffer correctives, substantive and procedural, for future investigations, including recognition of the dynamics among the variables and the need to control for mediating factors in analyzing results. This is a monumental collection in the best tradition of social science research-thorough, responsible, accessible, and of course timely
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