The Idea of the Cottage in English Architecture is a history of the late Georgian phenomenon of the architect-designed cottage and the architectural discourse that articulated it. It is a study of small buildings built on country estates, and not so small buildings built in picturesque rural settings, resort towns and suburban developments. At the heart of the English idea of the cottage is the Classical notion of retreat from the city to the countryside. This idea was adopted and adapted by the Augustan-infused culture of eighteenth-century England where it gained popularity with writers, artists, architects and their wealthy patrons who from the later eighteenth century commissioned retreats, gate-lodges, estate workers' housing and seaside villas designed to 'appear as cottages'. The enthusiasm for cottages within polite society did not last. By the mid-nineteenth century, cottage-related building and book publishing had slowed and the idea of the cottage itself was eventually lost beneath the Tudor barge-boards and decorative chimneystacks of the Historic Revival. And yet while both designer and consumer have changed over time, the idea of the cottage as the ideal rural retreat continues to resonate through English architecture and English culture.
Taking a multidisciplinary approach to the complex cultural exchanges that took place between Britain and America from 1750 to 1900, The Materials of Exchange examines material, visual, and print culture alongside literature within a transatlantic context. The contributors trace the evolution of Anglo-American culture from its origins as a product of the British North Atlantic Empire through to its persistence in the post-Independence world of the nineteenth and early twentieth centuries. While transatlanticism is a well-established field in history and literary studies, this volume recognizes the wider diversity and interactions of transatlantic cultural production across material and visual cultures as well as literature. As such, while encompassing a range of fields and approaches within the humanities, the ten chapters are all concerned with understanding and interpreting the same Anglo-American culture within the same social contexts. The chapters integrate the literary with the material, offering alternative and provocative perspectives on topics ranging from the child-made book to representations of domestic slaves in literature, by way of history painting, travel writing, architecture and political plays. By focusing on cultural exchanges between Britain and the north-eastern maritime United States over nearly two centuries, the collection offers an in-depth study of Britain’s relationship with a single region of North America over an extended historic period. Contributors have resisted the temptation to prioritize the relationship between New England and England in particular by placing this association within the contexts of Atlantic exchanges with other northeastern states as well as with the South, the Caribbean and Scotland. Intended for researchers in literature, visual and material culture, this collection challenges single-subject boundaries by redefining transatlantic studies as the collective examination of the complex and interrelated cultural t
What is the connection between the elite world of avant-garde architectural design and the 'ordinary' everyday buildings which most of us inhabit in our daily lives? Architecture and the Vernacular explores the troubled borders between architectural design and the everyday world. In contrast to the view widely-held in architectural circles, this book argues that there has always been a constant flow of ideas in both directions between the world of 'designed' architecture, of icons and big-name architects on the one hand, and the world of ordinary, anonymous buildings on the other. Whether rural vernacular buildings, shotgun shacks, shanty towns, suburban housing, or edge-of-town retail barns - these typologies may have been marginalized, but they have been far from mute in the formation of architectural discourse. Providing an accessible examination of the key academic questions and debates concerning the relationship between architecture, the vernacular, and the everyday, this book is also a powerful argument for a new way of thinking about the making of buildings and the practice of architecture. Many of the issues addressed go right to the heart of the identity crisis that architecture faces in the twenty-first century: What is architecture? What defines an architect? And what can architects and designers learn from the everyday world around them?
This rich and diverse collection of essays explores the literary and ideological cultural exchanges between Britain and New England from 1610 to 1910. The contributors embrace material studies of written and printed texts, performance, the novel, expository writing, and early film. Through intriguingly fresh readings of the work of writers ranging from Anne Bradstreet to Walt Whitman and from John Winthrop, Jr., to Jack London, the book examines the intellectual and aesthetic exchanges produced by transatlantic cultural traffic. The focus and detail of the essays make an important contribution to the ongoing debates about British-American transatlantic literary exchanges, highlighting the conversions, adjustments, and translations in the transnational circulation of culture. This book will appeal to a broad spectrum of scholars in American, British, and Transatlantic literary studies.
This book critically assesses arguments for the existence of the God of classical theism, develops an innovative account of objects’ persistence, and defends new arguments against classical theism. The authors engage the following classical theistic proofs: Aquinas’s First Way, Aquinas’s De Ente argument, and Feser’s Aristotelian, Neo-Platonic, Augustinian, Thomistic, and Rationalist proofs. The authors also provide the first systematic treatment of the ‘existential inertia thesis’. By connecting the thesis to relativity theory and recent developments in the philosophy of physics, and by developing a variety of novel existential-inertia-friendly explanations of persistence, they mount a formidable new case against classical theistic proofs. Finally, they defend new arguments against classical theism based on abstract objects and changing divine knowledge. The text appeals to students, researchers, and others interested in classical theistic proofs, the existence and nature of God, and the ultimate explanations of persistence, change, and contingency.
In this powerful memoir, the bestselling author of Big Fish tries to come to terms with the life and death of his multi-talented longtime friend and brother-in-law, who had been his biggest hero and inspiration, in a poignant, lyrical, and moving memoir. If we’re lucky, we all encounter at least one person whose life elevates and inspires our own. For acclaimed novelist Daniel Wallace, he had one hero and inspiration for so much of what followed: his longtime friend and brother-in-law William Nealy. Seemingly perfect, impossibly cool, William was James Dean, Clint Eastwood, and MacGyver all rolled into one, an acclaimed outdoorsman, a famous cartoonist, an accomplished author, a master of all he undertook, William was the ideal that Daniel sought to emulate. But when William took his own life at age 48, Daniel was left first grieving, and then furious with the man who broke his and his sister’s hearts. That anger led him to commit a grievous act of his own, a betrayal that took him down a dark path into the tortured recesses of William’s past. Eventually, a new picture of William emerged, of a man with too many secrets and too much shame to bear. This Isn’t Going to End Well is Daniel Wallace’s first foray into nonfiction. Part love story, part true crime, part a desperate search for the self and how little we really can know another, This Isn’t Going to End Well tells an intimate and moving story of what happens when we realize our heroes are human.
Thus the virtues of absolute idealism are re-examined, as are the wider consequences of adopting its understanding of truth within the philosophy of science."--BOOK JACKET.
This book presents a novel metaphysics of concrete entities. The author uses the theory developed to address three major topics in the metaphysics of concreta: fundamentality, persistence over time, and phenomenal consciousness. The book provides a new theory of what “bundles” particular property instances, or tropes, into material property bearers. The theory is based on two new ideas. The first is that the primitive nature of one sui generis monadic property called markedness bears on the bundling of other properties’ tropes. The second idea is that the geometric and topological features of a given markedness trope help to determine which tropes it bundles. The author argues that this new markedness bundle theory determines all property co-instantiation at the levels of both type and token, positioning markedness tropes as the fundamental concreta. The theory also explains bundling across time, yielding an advantageous account of material persistence. Finally, markedness tropes operate as de facto panprotopsychist property instances: fundamental non-consciousness tropes that uniquely explain where and why consciousness properties are exemplified. The book solidifies the case for markedness through sustained critical analysis of competing theories of fundamentality and persistence, focusing in part on their inability to account for unending mereological and plural structures. Concrete Particulars will appeal to scholars and advanced students working in metaphysics and philosophy of mind.
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