As people line up for a taste of therapeutic water from a spring found miles beneath the Antarctic ice, cases of mad cow disease break out across France, and Dr. Noah Haldane uncovers a conspiracy in which the ancient lake from Antarctica could hold the key.
This is the most complete and topical guide to the region, with detailed accounts of all the historic monuments and the Jewish, Islamic and Christian holy sites.
Fifteen years ago, Oscar-winning actress Anna Mayhew had the world at her feet. Now she's pushing forty, her younger lover has left her and the parts are drying up. Seriously depressed, Anna spends much of her time thinking up clever ways to kill herself. But when she discovers she has a crazed stalker, Anna decides she might as well let the stalker do it instead - and create enough headlines to propel her name into film immortality? What better way for a star to exit the stage? Enter David Spandau, who's hired by Anna's sister to protect her. But how do you keep alive a woman who'd prefer to be dead? Despite himself, Spandau finds himself falling for Anna when he accompanies her to the Cannes Film Festival. But Vincent the stalker is also in Cannes, intent on a bloody consummation of their relationship. And Vincent in turn is followed by Special, an opera-loving LA pimp who's trying to recover the $80,000 of mob-owned money Vincent stole from him. So begins a deadly cat-and-mouse game. . .
Amélie is an extraordinary young woman who lives quietly in the world but loudly in her mind. She covertly improvises small but surprising acts of kindness that bring joy and mayhem. But when a chance at love comes her way, Amélie realizes that to find happiness she’ll have to risk everything and say what’s in her heart. Be inspired by this imaginative dreamer who finds her voice, discovers the power of connection, and sees possibility around every corner.
Winner of the 2005 Klinger Book Award Presented by The Society for Economic Botany. Florida Ethnobotany provides a cross-cultural examination of how the states native plants have been used by its various peoples. This compilation includes common names of plants in their historical sequence, weaving together what was formerly esoteri
Curzon searches for love in California during the gay liberation movement of 1975 and struggles to complete a novel of the three great loves of his life
A story about friendship, love, and sex — one shaped by family grief and later by war. It opens in July 1960, as Portugal faces a bloody independence war in its Angola colony. Nearly eighteen, Daniel Vargas struggles with temptation, not only of the flesh (excruciating for all) but also of shirking the country’s universal conscription (easy for the affluent).
This sensitive and compelling biography sheds new light on John Singer Sargent’s art through an intimate history of his family. Karen Corsano and Daniel Williman focus especially on his niece and muse, Rose-Marie Ormond, telling her story for the first time. In a score of paintings created between 1906 and 1912, John Singer Sargent documented the idyllic teenage summers of Rose-Marie and his own deepening affection for her serene beauty and good-hearted, candid charm. Rose-Marie married Robert, the only son of André Michel, the foremost art historian of his day, who had known Sargent and reviewed his paintings in the Paris Salons of the 1880s. Robert was a promising historian as well, until the Great War claimed him first as an infantry sergeant, then a victim, in 1914. His widow Rose-Marie served as a nurse in a rehabilitation hospital for blinded French soldiers until she too was killed, crushed under a bombed church vault, in 1918. Sargent expressed his grief, as he expressed all his emotions, on canvas: He painted ruined French churches and, in Gassed, blinded soldiers; he made his last murals for the Boston Public Library a cryptic memorial to Rose-Marie and her beloved Robert. Braiding together the lives and families of Rose-Marie, Robert, and John Sargent, the book spans their many worlds—Paris, the Alps, London, the Soissons front, and Boston. Drawing on a rich trove of letters, diaries, and journals, this beautifully illustrated history brings Sargent and his times to vivid life.
Amid the whirl of Mardi Gras, musical agent Charli Stewart plunges into the turbulent Mississippi and is borne against time to old New Orleans. Wealthy gambler Trey Lavande is intrigued by the strong-willed woman he rescues from the river. Unsure if she'll ever return to her own era, they risk a love that could end at any moment.
An exploration of the modern European novel from a renowned English literature scholar Reading the Modern European Novel since 1900 is an engaging, in-depth examination of the evolution of the modern European novel. Written in Daniel R. Schwarz's precise and highly readable style, this critical study offers compelling discussions on a wide range of major works since 1900 and examines recurring themes within the context of significant historical events, including both World Wars and the Holocaust. The author cites important developments in the evolution of the modern novel and explores how these paradigmatic works of fiction reflect intellectual and cultural history, including developments in painting and cinema. Schwarz focuses on narrative complexity, thematic subtlety, and formal originality as well as how novels render historical events and cultural developments Discussing major works by Proust, Camus, Mann, Kafka, Grass, di Lampedusa, Bassani, Kertesz, Pamuk, Kundera, Saramago, Muller and Ferrante, Schwarz explores how these often experimental masterworks pay homage to the their major predecessors—discussed in Schwarz's ground-breaking Reading the European Novel to 1900—even while proposing radical departures from realism in their approach to time and space, their testing the limits of language, and their innovative ways of rendering the human psyche. Written for teachers and students by a highly-acclaimed scholar and including valuable study questions, Reading the Modern European Novel since 1900 offers a guide for a deeper understanding of how these original modern masters respond to both the past and present.
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