This book is an analysis of the most significant elements that compose the "Bond formula," such as names, binary oppositions and narrative patterns. It tackles Ian Fleming's novels as well as the 22 films of the Eon Productions series and follows the evolution of certain determining features (paradigms) from the text to the screen, to determine their function within the narration. This study reveals how the James Bond universe goes well beyond mere spy adventures to become a genre in itself as well as, now, a standard cultural reference. The book also shows that the underlying ideology of the James Bond narration is not as conservative as it might appear, for it promotes ideals of the Enlightenment period such as secularity, pragmatism and the common good.
Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic manifesto, Hannah's study examines James's responses to painterly impressionism and to aestheticism, and offers original readings of What Maisie Knew, The Wings of the Dove, and The American Scene that treat James's articulation of impressionism in relation to the child, the future of the novel, and shifts in the American national imaginary. Hannah's study persuasively argues that throughout his career James returns to impressionability not only as a site of immense vulnerability in an age of rapid change but also as a crucible for reshaping, challenging, and adapting to the public sphere’s shifting forms.
A deep investigation into historical documents that prove the notorious outlaw Jesse James faked his own death • Presents the legend of Jesse James and counters it with the real story, based on family records • Provides photographic evidence, a journal of Jesse James’s, and historical records that prove James faked his death, verified by experts and civic authorities • Debunks the 1995 DNA test results of James’s supposed remains The story of the notorious outlaw Jesse James’s assassination at the hands of Robert Ford has been clouded with mystery ever since its inception. Now, James’s great-great-grandchildren Daniel and Teresa Duke present the results of more than 20 years of exhaustive research into state and federal records, photographs, newspaper reports, diaries, and a 1995 DNA test in search of the truth behind Jesse James’s demise. Explaining how the accepted version of the history of Jesse James is wrong, the authors confirm their family’s oral tradition that James faked his own death in 1882 and lived out his remaining days in Texas. They methodically unravel the legend surrounding his death, with evidence vetted by qualified experts and civic authorities. They share the journal of their great-great-grandfather, kept from 1871 to 1876 and verified to be written in James’s handwriting. They reveal forensically confirmed photographs of James before and after his supposed killing, including one of James attending his own funeral. Examining James’s life both before and after his faked death, they provide an account of where he lived and who he associated with, including his interactions with secret societies. They compare the contradictory newspaper reports of James’s death with accounts by his family and associates, which support that the man buried as James was actually his cousin, and reveal how James tricked authorities into believing he had been killed. Further supporting their claim, the authors debunk the DNA test results of the exhumation of James’s body in 1995. The Dukes detail the ways in which the test was fraudulent, an assertion supported by the deputy counselor for Clay County at the time of the testing. Backed by a wealth of evidence, the descendants of Jesse James conclusively prove what really happened to America’s Robin Hood.
In this addition to the successful Catholic Commentary on Sacred Scripture, two respected scholars and Bible teachers interpret James and First, Second, and Third John from within the living tradition of the Church. The commentary provides crisp explanations of the text with helpful sidebars and ideas for application to enrich preaching, group Bible study, and personal reflection. This volume presents excellent biblical scholarship in a format accessible to laypeople with no special training in biblical studies.
James K. McGuire is often overlooked as a key figure of Irish nationalist politics, yet the issue defined his life for over three decades. As the title implies, he had multiple careers, each overlapping the others.
An investigation into the lost treasures of Jesse James and the Freemasons and their connections to the Templars, Rosicrucians, and the Founding Fathers • Explains how Jesse James used techniques involving sacred geometry, gematria, and esoteric symbols to hide his treasures and encode maps • Provides instructions for using the encoding template employed by Jesse James and the Freemasons to hide and recover treasure and sacred relics • Shows how the encoding template confirms the existence of treasures on Oak Island and Victorio Peak and can be traced to a 16th-century book containing a secret map of the New World and the “hooked X” of the Knights Templar Jesse James left behind secret diaries and coded treasure maps. Working to decrypt these maps, Daniel J. Duke--the great-great-grandson of Jesse James--reveals hidden treasures yet to be recovered as well as connections between the infamous train robber and Freemasonry, the Knights Templar, the Founding Fathers, and Jewish mysticism. The author explains how Jesse James faked his death and lived out his final years under the name James L. Courtney. He uncovers James’ affiliation with the Knights of the Golden Circle, a secret society that buried Confederate gold across the United States, and shows how the hidden treasures coded into James’ maps were not affiliated with the KGC but with the Freemasons, the Knights Templar, and the treasure of the Temple Mount. Using sacred geometry, gematria, and the Kabbalistic Tree of Life symbol, the author explains the encoded map technique used by the Freemasons to hide and later recover treasures, an esoteric template known as the “Veil”. He shows how the Veil template confirms the locations of Jesse James’ recovered treasures in Texas as well as other suspected treasure locations, such as the Oak Island Money Pit and Victorio Peak in New Mexico. Tracing knowledge of the Veil template back through the centuries, the author reveals the Veil hidden on the cover of a 16th-century book that contains a secret map of the New World and the “hooked X” symbol of the Knights Templar. He shows how the template was used not only to hide treasures but also sacred knowledge and relics, such as within the Bruton Vault, which originally contained secrets tied to Francis Bacon, the Freemasons, the Rosicrucians, and the founding of the United States. Applying the Veil template alongside the esoteric secrets of Poussin’s famous painting, Et In Arcadia Ego, and Cassini’s Celestial Globe, Duke shows how the template reveals other Templar and Freemason treasure sites scattered throughout America and around the world.
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