Daniel Callahan's life time work in bioethics has again and again returned to the root problems of health, progress, technology, and death. How we think about each of them individually and in relation to each other will shape the way we approach and deal with the most common dilemmas of modern medicine. They are at the roots of the field.
A patient walks through the dark halls of the psychiatric ward, no memory of his past, but suddenly unbelievable visions and dreams start to torment him. The doctor urges him to write them down as they both believe that the dreams could be related to his memories somehow trying to resurface. Once the dream world starts to become linear and a story begins to take shape, the patient begins to believe that they are more than just illusions. Unsure of this, he starts to take to heart the story of his dreams . . . and ask questions. At night, while sleeping, he returns as Zack to Teuran. All the dreams, so far, take place in this Silver City. Working together in a secure community, there is little room for dishonor for the son of a rumored drunken old veteran. After a day of school like any other, he is forced to confront the world outside the walls and encounters people with mysterious powers. As the dreams become clearer and clearer, so too do they become more and more unbelievable. The patient constantly thinks he is losing his mind until he finally begins to suspect that the good doctor may know more than he lets on . . .
Beginning in the nineteenth century, law as practice, discourse, and ideology became a powerful means of reordering gender relations in modern nation-states and their colonies around the world. This volume puts developments in Japan and its empire in dialogue with this global phenomenon. Arguing against the popular stereotype of Japan as a non-litigious society, an international group of contributors from Japan, Taiwan, Germany, and the U.S., explores how in Japan and its colonies, as elsewhere in the modern world, law became a fundamental means of creating and regulating gendered subjects and social norms in the period from the 1870s to the 1950s. Rather than viewing legal discourse and the courts merely as technologies of state control, the authors suggest that they were subject to negotiation, interpretation, and contestation at every level of their formulation and deployment. With this as a shared starting point, they explore key issues such reproductive and human rights, sexuality, prostitution, gender and criminality, and the formation of the modern conceptions of family and conjugality, and use these issues to complicate our understanding of the impact of civil, criminal, and administrative laws upon the lives of both Japanese citizens and colonial subjects. The result is a powerful rethinking of not only gender and law, but also the relationships between the state and civil society, the metropole and the colonies, and Japan and the West. Collectively, the essays offer a new framework for the history of gender in modern Japan and revise our understanding of both law and gender in an era shaped by modernization, nation and empire-building, war, occupation, and decolonization. With its broad chronological time span and compelling and yet accessible writing, Gender and Law in the Japanese Imperium will be a powerful addition to any course on modern Japanese history and of interest to readers concerned with gender, society, and law in other parts of the world. Contributors: Barbara J. Brooks, Daniel Botsman, Susan L. Burns, Chen Chao-Ju, Darryl Flaherty, Harald Fuess, Sally A. Hastings, Douglas Howland, Matsutani Motokazu.
Two great tastes that taste great together! As Spidey and Deadpool fast-talk their way into an ongoing buddy book at last, grab the full story of their unlikely bromance. Through the magic of comics, Wade Wilson steps into the swinging shoes of a young Peter Parker! Then, the friendly neighborhood wall-crawler and the anti-social there-goes-the-neighborhood merc trade blows and "yo mama" quips. If friendship blossoms during encounters with Hit-Monkey and the Hypno-Hustler, will that jerk Otto Octavius ruin everything by being all Superior? COLLECTING: DEADPOOL (1997) 11, CABLE & DEADPOOL 24, AMAZING SPIDER-MAN (1963) 611, DEADPOOL (2008) 19-21, AVENGING SPIDER-MAN 12-13, DEADPOOL (2012) 10, DEADPOOL ANNUAL 2.
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