Scientists offer personal accounts of the challenges, struggles, successes, U-turns, and satisfactions encountered in their careers in industry, academia, and government. This insightful book offers essential life and career lessons for newly minted STEM graduates and those seeking a career change. Thirty-six leading scientists and engineers (including two Nobel Prize winners) describe the challenges, struggles, successes, satisfactions, and U-turns encountered as they established their careers. Readers learn that there are professional possibilities beyond academia, as contributors describe the paths that took them into private industry and government as well as to college and university campuses. They discuss their varying preferences for solitary research or collaborative teamwork; their attempts to achieve work-life balance; and unplanned changes in direction that resulted in a more satisfying career. Women describe confronting overt sexism and institutional gender bias; scientists of color describe the experience of being outsiders in their field. One scientist moves from startup to startup, enjoying a career of serial challenges; another spends decades at one university; another has worked in academia, industry, and government. Some followed in the footsteps of parents; others were the first in their family to go to college. Many have changed fields, switched subjects, or left established organizations for something new. Taken together, these essays make it clear that there is not one path to a profession in science, but many. Contributors Stephon Alexander, Norman Augustine, Wanda Austin, Kimberly Budil, Wendy Cieslak, Jay Davis, Tamara Doering, Stephen D. Fantone, Kathleen Fisher, David Galas, Kathy Gisser, Sandra Glucksmann, Daniel Goodman, Renee Horton, Richard Lethin, Christopher Loose, John Mather, Richard Miles, Paul Nielsen, Michael O'Hanlon, Deirdre Olynick, Jennifer Park, Ellen Pawlikowski, Ethan Perlstein, Richard Post, William Press, Beth Reid, Jennifer Roberts, Jessica Seeliger, David Spergel, Ellen Stofan, Daniel Theobald, Shirley Tilghman, Jami Valentine, Z. Jane Wang, Rainer Weiss
Who killed Jeffrey Epstein? Two journalists look for answers. A must-read for fans of the Netflix docuseries Filthy Rich. In A Convenient Death, investigative reporters Alana Goodman and Daniel Halper search for the truth of what really happened to Jeffrey Epstein. With access to Epstein's victims and lawyers, to doctors, Wall Street insiders and law enforcement officers, they reveal the dirty secrets and sinister ties that may have driven someone in Epstein’s circle to take matters into their own hands. On the morning of August 10, 2019, Epstein, friend and financier to the rich and powerful, was found unresponsive in his prison cell in lower Manhattan, where he awaited his second trial for sexual predation and other crimes. He was rushed to a local hospital and one hour later pronounced dead by suicide. Across the world, a sinister web of powerful billionaires, celebrities, and politicians, including Bill and Hillary Clinton, had reason to sigh with relief at news of Epstein’s death. Having flown on his private planes and visited his many homes—the sites of so many illicit activities—they had much to lose if their transgressions were ever exposed. And now, Epstein was silenced for good. But cracks in the official story soon emerged. And the questions kept coming: · Why did the surveillance cameras in front of Epstein’s cell stop working that night? · Why was Epstein's cellmate transferred out and never replaced? · Why was a high-profile prisoner so suddenly taken off suicide watch and left unguarded for eight hours? Was Epstein murdered to protect the powerful people who feared what he might reveal? The American public deserves to know the truth. With this book, they can finally understand the facts and decide for themselves.
Nelson Goodman's acceptance and critique of certain methods and tenets of positivism, his defence of nominalism and phenomenalism, his formulation of a new riddle of induction, his work on notational systems, and his analysis of the arts place him at the forefront of the history and development of American philosophy in the twentieth-century. However, outside of America, Goodman has been a rather neglected figure. In this first book-length introduction to his work Cohnitz and Rossberg assess Goodman's lasting contribution to philosophy and show that although some of his views may be now considered unfashionable or unorthodox, there is much in Goodman's work that is of significance today. The book begins with the "grue"-paradox, which exemplifies Goodman's way of dealing with philosophical problems. After this, the unifying features of Goodman's philosophy are presented - his constructivism, conventionalism and relativism - followed by an discussion of his central work, The Structure of Appearance and its significance in the analytic tradition. The following chapters present the technical apparatus that underlies his philosophy, his mereology and semiotics, which provides the background for discussion of Goodman's aesthetics. The final chapter examines in greater depth the presuppositions underlying his philosophy.
Why do we watch movies? If we read in search of more life, as Harold Bloom is fond of saying, then we watch movies, this book proposes, in search of wonder. We watch movies in search of awe-inspiring visions, transformative experiences, and moments of emotional transcendence and spiritual sublimity. We watch movies for many of the same reasons that we engage in religion: to fill our ordinary evenings and weekends with something of the extraordinary; to connect our isolated, individual selves to something that is greater than ourselves; and because we yearn for something that is ineffable but absolutely indispensable. This book, through an exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually—as well as cinematically—trained eyes to uncover these ever-present ocular gems. In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers.
It's savory morsels of zany banter, satirical wisdom and samples of the human experience by Daniel S. Goodman, noted for his rich resume of verbal appetizers and it's Joe Bauer-up to his usual tricks with his mastery in graphic manipulations as he neatly seasons these short and punchy personal reflections with clever illustrations.If you're into brevity and rum custard, you'll love telling your favorite enemies about SKINNY CLOWNS AND FUDGE.
A celebration of Jewish men's voices in prayer—to strengthen, to heal, to comfort, to inspire from the ancient world up to our own day. "An extraordinary gathering of men—diverse in their ages, their lives, their convictions—have convened in this collection to offer contemporary, compelling and personal prayers. The words published here are not the recitation of established liturgies, but the direct address of today's Jewish men to ha-Shomea Tefilla, the Ancient One who has always heard, and who remains eager to receive, the prayers of our hearts." —from the Foreword by Rabbi Bradley Shavit Artson, DHL This collection of prayers celebrates the variety of ways Jewish men engage in personal dialogue with God—with words of praise, petition, joy, gratitude, wonder and even anger—from the ancient world up to our own day. Drawn from mystical, traditional, biblical, Talmudic, Hasidic and modern sources, these prayers will help you deepen your relationship with God and help guide your journey of self-discovery, healing and spiritual awareness. Together they provide a powerful and creative expression of Jewish men’s inner lives, and the always revealing, sometimes painful, sometimes joyous—and often even practical—practice that prayer can be. Jewish Men Pray will challenge your preconceived ideas about prayer. It will inspire you to explore new ways of prayerful expression, new paths for finding the sacred in the ordinary and new possibilities for understanding the Jewish relationship with the Divine. This is a book to treasure and to share.
Seminar paper from the year 2007 in the subject English - Literature, Works, grade: 2,0, University of Heidelberg (Anglistisches Seminar), course: Proseminar 2 Literaturwissenschaft: "Poe and Company", language: English, abstract: The setting of a story is just as important as the characters that act within the story. No narration can stand without a setting; the setting is essential and influences every narration. Good settings can give a story its final touch and bad chosen settings can destroy a narration. In historical narrations, the setting is already given and an unchangeable part of the story line. In a fictional story, on the other hand, the setting is part of the fiction and was entirely chosen by the narrator himself. He tries to use the setting in favor of his purposes in order to make the story work. Very often, a setting is selected in order to make a story more authentic or to produce a certain feeling and mood within the reader. However, in my term paper, I will focus on the settings that appear in "Young Goodman Brown". This is a subject that has not attracted as much attention as other parts of "Young Goodman Brown" but is without any doubt a very interesting field of study. In my study I will try to identify the different settings of the story in diverse ways. Thus, it is important not only to describe the settings but also to discuss their meaning; not only for the story itself but also for the people of the time when "Young Goodman Brown" was first published. It is especially interesting to see what kind of reactions Hawthorne tried to generate with "Young Goodman Brown" among the Puritan population in New England of which he himself was a part. The setting of the forest plays a special role in this case and shows us that people of Hawthorne's time had a different connection to their environment and to nature than we do today. The early Puritans who came to New England had a very difficult relationship to their new, wild, and uncultivated enviro
New stories from Daniel Perepelica who is now joined by his former classmate Pauline Barsegyan to present a new and exciting piece of what one can definitely call a 21st century philosophical writing. The stories are based on actual experience and observations of the writers of the events around them. Welcome to the world of young New Yorkers who ask questions and look for answers.
In Dan's last book, I Like Your Shirt, we were served an elegant and healthy meal of humor, philosophical sketches, musings, and brisk reflections that adapted Old World traditions to modern tables without compromising flavor. In I'll Spring for Lunch we are led down a pathway marked by savory morsels of Haiku, oxymorons, sagacious reflections, ruminations, and samplings of the human experience. From the nearsighted executioner to the clairvoyant critic to a final serving of cheesecake, we are offered an entertaining voyage with the chap from New Bedford, Massachusetts.
World War II is primarily associated with Nazism, the Holocaust, and the suffering of the Jewish people. Less frequently told are the stories of the others living in Germany and surrounding Europe at this time, many of them ignorant to these happenings or not directly involved in its execution. From the events leading to the reign of Hitler and the repercussions that followed, each person holds a different vantage point of this historic time. These varying perspectives help to further understand the significance of the era. Such is Gerda Senner, who was raised under the thumb of the Hitler Youth, finding herself in the midst of a warzone and political shifting. Gerda's life is an exciting story that takes the reader on a journey through the eyes of a German girl before the Third Reich eventually falls, leaving her hometown of Wittenberge under Soviet occupation. Gerda's suffering begins away from concentration camps and does not end with Hitler's collapse, but continues throughout her adolescence as she aspires to escape her troubled life in Germany. When Reading All The Thoughts Are Free, the reader will see how Gerda goes on to overcome struggles and hardships in hope of one day making it to America, where she could find her place in the world away from chaos and harm.
A secret war for world domination of computer software leads to the assassination of the billionaire owner of Megasoft, a Seattle company. Employee Jonathan Goodman turns sleuth, only to find himself framed for murder.
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