This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973).
Martin Scorsese’s Cape Fear (1991) opens with a shot of water and climaxes on a raging river. Despite, or perhaps because of, the film’s great commercial success, critical analysis of the film typically does not delve beneath the surface of Scorsese’s first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal. The remake of J. Lee Thompson’s 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese’s style and preoccupations transform his version into a horror epic. The director’s love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
This book is about Saints that can be found in the Nobilities lineage. These saints have an ancestry that connects to the known Nobility and Royaltys lineage. If your ancestry contains the nobility and Royalty of Europe this book is for you. The book can be used with the available Gedcom file to find your relationship to the Saint, once the genealogist links to nobility or royalty.
Ancestry of major Saints, lineage of major saints explained, listing ancestors, descendants, and/or relationship in the tree to other Kings, Queens, and Popes. If the Ancestry of the Saint is known, the Saint is included in this book. The Saint must also be a well known Saint. Some of the included Saints: Saint Paul, Saint Louis IX, Saint Thomas Aquinas, Saint Thomas Beckett, Saint Ethelbert of Kent, Blessed Charlemegne, Saint David of Scotland, Saint Dewl, Saint Dominic, Saint Edward the Confessor, Saint Hubert, Saint Helen of the Cross, Saint Constantine, Saint Mary Magdalene, Saint Joseph, Saint Patrick, Saint Stephen of Hungary OVER 140 SAINTS Also Found in the Book Charts of Descendants of Some Major Saints ad Biblical Figures Tables of Saints Whose Ancestry is Known Offer for Research Gedcom
Architecture apprenticeships are a new route into the profession. Having gained traction since their inception in 2018, it is an attractive route for young generations of architects to obtain their professional qualifications and earn while they learn. Aimed at prospective and current Level 7: Architect Apprentices, this guide provides the knowledge to achieve the most from your apprenticeship education, empowering your exposure in the profession within academic and professional areas. Taking you on a journey through the apprenticeship, it presents key stages of the course through precedents and will let you know what to expect from this educational route, and when to expect it. Using case studies from recent graduates and current apprentices who have excelled through this route, it features information from employers and academics involved in architecture apprenticeship courses in the UK to provide tips, advice and guidance. Designed to be interactive, you will be able to populate and annotate the book at various stages to map the key stages of your journey and reflect on your professional development.
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
The twelfth-century borderlands of the duchy of Normandy formed the cockpit for dynastic rivalries between the kings of England and France. This 2004 book examines how the political divisions between Normandy and its neighbours shaped the communities of the Norman frontier. It traces the region's history from the conquest of Normandy in 1106 by Henry I of England, to the duchy's annexation in 1204 by the king of France, Philip Augustus, and its incorporation into the Capetian kingdom. It explores the impact of the frontier upon princely and ecclesiastical power structures, customary laws, and noble strategies such as marriage, patronage and suretyship. Particular attention is paid to the lesser aristocracy as well as the better known magnates, and an extended appendix reconstructs the genealogies of thirty-three prominent frontier lineages. The book sheds light upon the twelfth-century French aristocracy, and makes a significant contribution to our understanding of medieval political frontiers.
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