Teachers want more. Daniel Shindler's In Search: Reimagining What it Means to be a Teacher, is an optimistic, necessary book that invites us to identify our core values as teachers, school leaders, and policy-makers. With those values, we journey with him through a series of fundamental requisites that we can apply and nurture in our lives and places of work. Using his teaching experiences, practical examples, and storytelling, Daniel illustrates the requisites we should strive for - honing our expertise, creating powerful and memorable teaching experiences, enquiring with honesty about ourselves and those we teach, building meaningful one-to-one conversations, fostering curiosity and resilience, and building a wider school culture of community and pastoral care. By asking the biggest questions of what it means to be an educator and not seeking simple answers, the book is saying here is what is possible. For Daniel, teaching is alchemy and craft that goes beyond career, intertwining our personal and professional lives. Only a holistic approach will do, if we are to create longevity, which is why Daniel is asking us to reimagine what it means to be a teacher by placing it in the intersection of the private and public self. Why else teach, if not to live? How many of us live in our careers but not our craft? In short, it speaks to the complexity of the human condition of teaching. Our journey is enhanced by Daniel's extensive experience as a teacher of drama, wellbeing and project–based learning within inner cities and internationally, and as lead architect of School21's ground-breaking oracy curriculum. The book includes a compelling foreword by Jeffrey Boakye, teacher and bestselling author of Black, Listed and Hold Tight. In a world of constant change and shifting priorities, never has the search for craft and meaning been more necessary. 'Teaching is a search. It's the effort to walk towards, not forward, or upwards, but inwards towards the self and outwards towards others, at the same time. We've all got a search in us and trust me, In Searchis 100% a jumping off point for your own journey, whatever that may be.' Jeffrey Boakye – Bestselling author of Black, Listed and Hold Tight I loved its scope, the depth of thinking, the range of references, the way public and private, school and life, cross over. It got me thinking differently about things. It's also the perfect antidote to all the books around that reduce teaching to chunks, or a series of moves and techniques. Peter Hyman, Co-Director of Big Education, Co-founder of School 21
Winner of the STR Theatre Book Prize 2014 The National Theatre Story is filled with artistic, financial and political battles, onstage triumphs – and the occasional disaster. This definitive account takes readers from the National Theatre's 19th-century origins, through false dawns in the early 1900s, and on to its hard-fought inauguration in 1963. At the Old Vic, Laurence Olivier was for ten years the inspirational Director of the NT Company, before Peter Hall took over and, in 1976, led the move into the National's concrete home on the South Bank. Altogether, the NT has staged more than 800 productions, premiering some of the 20th and 21st centuries' most popular and controversial plays, including Amadeus, The Romans in Britain, Closer, The History Boys, War Horse and One Man, Two Guvnors. Certain to be essential reading for theatre lovers and students, The National Theatre Story is packed with photographs and draws on Daniel Rosenthal's unprecedented access to the National Theatre's own archives, unpublished correspondence and more than 100 new interviews with directors, playwrights and actors, including Olivier's successors as Director (Peter Hall, Richard Eyre, Trevor Nunn and Nicholas Hytner), and other great figures from the last 50 years of British and American drama, among them Edward Albee, Alan Bennett, Judi Dench, Michael Gambon, David Hare, Tony Kushner, Ian McKellen, Diana Rigg, Maggie Smith, Peter Shaffer, Stephen Sondheim and Tom Stoppard.
In early June 1943, James Eric Swift, a pilot with the 83rd Squadron of the Royal Air Force, boarded his Lancaster bomber for a night raid on Münster and disappeared. Widespread aerial bombardment was to the Second World War what the trenches were to the First: a shocking and new form of warfare, wretched and unexpected, and carried out at a terrible scale of loss. Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second. In researching the life of his grandfather, Daniel Swift became engrossed with the connections between air war and poetry. Ostensibly a narrative of the author's search for his lost grandfather through military and civilian archives and in interviews conducted in the Netherlands, Germany, and England, Bomber County is also an examination of the relationship between the bombing campaigns of World War II and poetry, an investigation into the experience of bombing and being bombed, and a powerful reckoning with the morals and literature of a vanished moment.
A New York Times Notable Book of the Year From the author of The Discoverers and The Creators, an incomparable history of man's essential questions: "Who are we?" and "Why are we here?" Daniel J. Boorstin, the bestselling and Pulitzer Prize-winning author of The Americans, introduces us to some of the great pioneering seekers whose faith and thought have for centuries led man's search for meaning. Moses sought truth in God above while Sophocles looked to reason. Thomas More and Machiavelli pursued truth through social change. And in the modern age, Marx and Einstein found meaning in the sciences. In this epic intellectual adventure story, Boorstin follows the great seekers from the heroic age of prophets and philosophers to the present age of skepticism as they grapple with the great questions that have always challenged man.
Here is the revised and expanded edition of Daniel S. Burt's fascinating assessment of the 100 most influential novelists, playwrights, and poets of all times and cultures now with 25 additional entries and some reassessments as well as 25 new black-and-white photographs and illustrations. From Doris Lessing and Gabriel Garc a M rquez to Homer and Marcel Proust, the entries provide a compelling, accessible introduction to significant writers of world literature. All of the writers selected have helped to redefine literature, establishing a standard with which succeeding generations of writers and readers have had to contend. The ranking attempts to discern, from the broadest possible perspective, what makes a literary artist great and how that greatness can be measured and compared. Each profile distills the essence of the writer's career and character to help prompt consideration of literary merit and relationships by the reader.
“Thought-provoking—a must read for [everyone] seeking a firm grasp of accurate American history." —Kirkus (starred review) Brilliant, readable, and raw. Maj. (ret.) Danny Sjursen, who served combat tours in Iraq and Afghanistan and later taught history at West Point, delivers a true epic and the perfect companion to Howard Zinn’s A People’s History of the United States. Sjursen shifts the lens and challenges readers to think critically and to apply common sense to their understanding of our nation's past—and present—so we can view history as never before. A True History of the United States was inspired by a course that Sjursen taught to cadets at West Point, his alma mater. With chapter titles such as "Patriots or Insurgents?" and "The Decade That Roared and Wept", A True History is accurate with respect to the facts and intellectually honest in its presentation and analysis. Essential reading for every American with a conscience. Meticulously researched, Sjursen provides a more complete sense of history and encourages readers to view our country objectively. Sjursen’s powerful storytelling reveals balanced portraits of key figures and the role they played. "Sjursen exposes the dominant historical narrative as at best myth, and at times a lie . . . He brings out from the shadows those who struggled, often at the cost of their own lives, for equality and justice. Their stories, so often ignored or trivialized, give us examples of who we should emulate and who we must become." —Chris Hedges, author of Empire of Illusion and America: The Farewell Tour
Compelling, authoritative and as readable as the best airport thriller. It fizzes with crime, fame, power and illicit sex.' Jeremy Vine 'A timely and important book. It's quite remarkable how one building has played host to such debauchery. If only the walls could talk...' Iain Dale Designed as a city dwelling for the modern age, Dolphin Square opened in London's Pimlico in 1936. Boasting 1,250 hi-tech flats, a swimming pool, restaurant, gardens and shopping arcade, the complex quickly attracted a long list of the affluent and influential. But behind its veneer of respectability, the Square has become one of the country's most notorious addresses; a place where the private lives of those from the highest of high society and the lowest depths of the underworld have collided and played out over the best part of a century. This is the story of the Square and its people, an ever-evolving cast of larger-than- life characters who have borne witness to, and played pivotal roles in, some of the most scandalous episodes of the twentieth and twenty-first centuries. From Oswald Mosley and the Carry On gang to allegations of systematic sexual abuse, it is a saga replete with mysterious deaths, exploitation, espionage, illicit love affairs and glamour, shining a light on the changing nature of British politics and society in the modern age.
Daniel Brown’s Subjects in Poetry is the first book to examine the broad and imposing topic of poetic subject matter, probing both what poems are about and how that influences the way they're made. It comprises one poet’s attempt to plumb the nature of his art, to ask how the selection of material remains a crucial yet unexplored area of poetic craft, and to suggest the vast range of possible subjects for poems. The book begins by venturing a novel definition of “subject,” derived from Robert Frost’s dictum that poetry constitutes an “art of having something to say.” Brown posits that a poem can say something by expressing, evoking, or addressing. He considers each of these ways-of-saying in turn, first defining it and then looking at poems in which it predominates. Brown next makes a wide-ranging case for the value of subjects to poems, poets, and the art of poetry, especially at a time when many poems appear subjectless. He concludes the book with practical guidance on finding subjects, improving them, and realizing their potential. Replete with thoughtful readings of poems both classic and contemporary, Subjects in Poetry should appeal to poets across all levels and readers interested in understanding the art and practice of poetry.
Bringing together translation theory and literary history, this volume conveys how Pound in his influential and controversial Homage to Sextus Propertius enriched the art of translation. The work of Louis Zukofsky, Basil Bunting, J. V. Cunningham, and Peter Porter is also discussed.
Three days of savage and bloody fighting between Confederate and Union troops at Stones River in Middle Tennessee ended with nearly 25,000 casualties but no clear victor. The staggering number of killed or wounded equaled the losses suffered in the well-known Battle of Shiloh. Using previously neglected sources, Larry J. Daniel rescues this important campaign from obscurity. The Battle of Stones River, fought between December 31, 1862, and January 2, 1863, was a tactical draw but proved to be a strategic northern victory. According to Daniel, Union defeats in late 1862—both at Chickasaw Bayou in Mississippi and at Fredericksburg, Virginia—transformed the clash in Tennessee into a much-needed morale booster for the North. Daniel's study of the battle's two antagonists, William S. Rosecrans for the Union Army of the Cumberland and Braxton Bragg for the Confederate Army of Tennessee, presents contrasts in leadership and a series of missteps. Union soldiers liked Rosecrans's personable nature, whereas Bragg acquired a reputation as antisocial and suspicious. Rosecrans had won his previous battle at Corinth, and Bragg had failed at the recent Kentucky Campaign. But despite Rosecrans's apparent advantage, both commanders made serious mistakes. With only a few hundred yards separating the lines, Rosecrans allowed Confederates to surprise and route his right ring. Eventually, Union pressure forced Bragg to launch a division-size attack, a disastrous move. Neither side could claim victory on the battlefield. In the aftermath of the bloody conflict, Union commanders and northern newspapers portrayed the stalemate as a victory, bolstering confidence in the Lincoln administration and dimming the prospects for the "peace wing" of the northern Democratic Party. In the South, the deadlock led to continued bickering in the Confederate western high command and scorn for Braxton Bragg.
In this landmark book, Daniel Crofts examines a little-known episode in the most celebrated aspect of Abraham Lincoln's life: his role as the "Great Emancipator." Lincoln always hated slavery, but he also believed it to be legal where it already existed, and he never imagined fighting a war to end it. In 1861, as part of a last-ditch effort to preserve the Union and prevent war, the new president even offered to accept a constitutional amendment that barred Congress from interfering with slavery in the slave states. Lincoln made this key overture in his first inaugural address. Crofts unearths the hidden history and political maneuvering behind the stillborn attempt to enact this amendment, the polar opposite of the actual Thirteenth Amendment of 1865 that ended slavery. This compelling book sheds light on an overlooked element of Lincoln's statecraft and presents a relentlessly honest portrayal of America's most admired president. Crofts rejects the view advanced by some Lincoln scholars that the wartime momentum toward emancipation originated well before the first shots were fired. Lincoln did indeed become the "Great Emancipator," but he had no such intention when he first took office. Only amid the crucible of combat did the war to save the Union become a war for freedom.
The extraordinary wartime incident at Fort Stevens fascinates us. Pause for a minute and just think about it. A twenty-three-year-old American soldier screams at the president of the United States in the midst of a battle, calls him a damned fool, and gets him out of harms way. And then, with bullets whizzing by, they both proceed as if nothing unusual happened. All in a days work. Nothing special. No medal, no White House ceremony, no photo op. Nothing. What a scene! It is almost too fantastic, too dramatic to be real, too amazing to be true. A movie director like Steven Spielberg could do wonders with it. Imagine the cinematic possibilities. Daniel Day-Lewis could reprise his role as Lincoln, and Jake Gyllenhaal or Ryan Gosling could play the youthful Holmes. It would be a box office hit, a patriotic classic, and what Variety would call socko boffo.
What is the secret of talent? How do we unlock it? This groundbreaking work provides readers with tools they can use to maximize potential in themselves and others. Whether you’re coaching soccer or teaching a child to play the piano, writing a novel or trying to improve your golf swing, this revolutionary book shows you how to grow talent by tapping into a newly discovered brain mechanism. Drawing on cutting-edge neurology and firsthand research gathered on journeys to nine of the world’s talent hotbeds—from the baseball fields of the Caribbean to a classical-music academy in upstate New York—Coyle identifies the three key elements that will allow you to develop your gifts and optimize your performance in sports, art, music, math, or just about anything. • Deep Practice Everyone knows that practice is a key to success. What everyone doesn’t know is that specific kinds of practice can increase skill up to ten times faster than conventional practice. • Ignition We all need a little motivation to get started. But what separates truly high achievers from the rest of the pack? A higher level of commitment—call it passion—born out of our deepest unconscious desires and triggered by certain primal cues. Understanding how these signals work can help you ignite passion and catalyze skill development. • Master Coaching What are the secrets of the world’s most effective teachers, trainers, and coaches? Discover the four virtues that enable these “talent whisperers” to fuel passion, inspire deep practice, and bring out the best in their students. These three elements work together within your brain to form myelin, a microscopic neural substance that adds vast amounts of speed and accuracy to your movements and thoughts. Scientists have discovered that myelin might just be the holy grail: the foundation of all forms of greatness, from Michelangelo’s to Michael Jordan’s. The good news about myelin is that it isn’t fixed at birth; to the contrary, it grows, and like anything that grows, it can be cultivated and nourished. Combining revelatory analysis with illuminating examples of regular people who have achieved greatness, this book will not only change the way you think about talent, but equip you to reach your own highest potential.
The secret to our destiny lies in the numbers. With more than 500 fascinating pages on the theory and practice of numerology packed into this little powerhouse, anyone can become an expert on the subject. Like astrology, numerology is based on birth date, but it uses names, too. Each letter of the alphabet has a matching number (from 1 to 9), and that s where the illumination begins. Seekers will enjoy a new understanding of their numerological fortunes, including the Soul Urge, which motivates our actions; the Quiet Self, which reveals our inner desires; and The Expression, which explains how to accomplish our goals. Like every Little Giant, this entry presents an extraordinary amount of information in a convenient format, with dozens of charts, tables, and graphs.
It has the pace and dynamism of a thriller, the metaphysical curiosity of the best science fiction and some judiciously-planted charges of wry humour' The Herald 'A dazzling novel' Edmund Gordon, award-winning author And how to tell what the best things were? Well, that was easy: the best things were the ones with the most people looking at them. Alastair Buchanan has a comfortable life. It's been a year since he received his very own junior - a clone designed to help him escape the daily grind. So why does Alastair spend his days alone, online, obsessing over his status? When his long-term girlfriend Caitlin can't take it anymore, Alastair does his best to hold it together. But then, a remnant from his past appears and he is forced to confront the level of control that technology has over his life. Elsewhere, an anti-tech terrorist cell dedicated to yanking humanity back to the 1990s is building momentum. And looming over everyone is Kim Larson, inventor of the juniors. But when Kim realises that humanity's future lies in the stars, who will be left to hold him to account? From award-winning author Daniel Shand, Model Citizens explores a surreal world peopled by humans struggling with their dehumanising present. Full of suspense, it asks us what we give up when we exist online, and who we can trust to take care of us. Model Citizens is a subversive and darkly comic story of class, technology, and responsibility, offering a vision of the future that may be closer than we realise.
Martin Scorsese's Cape Fear (1991) opens with a shot of water andclimaxes on a raging river. Despite, or perhaps because of, the film's great commercialsuccess, critical analysis of the film typically does not delve beneath the surface of Scorsese's first major box office hit. As it reaches its 30th anniversary, Cape Fear is now ripe for a full appraisal. The remake of J. Lee Thompson's 1962 Cape Fear was originally conceived as a straightforward thriller intended for Steven Spielberg. Author Rob Daniel investigates the fascinating ways Scorsese's style and preoccupations transform his version into a horror epic. The director's love of fear cinema, his Catholicism and filmmaking techniques shift Cape Fear into terrifying psychological and psychosexual waters. The analysis also examines the influence of Gothic literature and fairy tales, plus how academic approaches to genre aid an understanding of the film.
Between indecent exposure and intellectual property theft, it's tough being Lewis this year. East Coast architect Lewis Morton thought he had it all: loving wife and children, dream job, and a house that meets his exacting architectural standards. But after his beloved mentor dies unexpectedly and Lewis gets pulled into a lawsuit that threatens to destroy his career and possibly his life, the respectable identity he has carefully constructed for himself after fleeing his Jewish childhood in Montreal begins to disintegrate. In trying to build his new future he must first come to terms with his past. Who is Lewis Morton, and who will he choose to become?
Films examined include: Master and commander - the far side of the world, The Coneheads, X2, The postman, Taxi driver, Working girl, Mr. Smith goes to Washington, Robocop, Showgirls, The passion of the Christ, Last tango in Paris, Pulp fiction, Kill Bill: Vol. 2.
After the hitchhiking journeys described in the book "Lonesome Streets Blues", the author found his place on Earth in a small Portuguese town. He landed there by responding to an advertisement from an "eccentric artist seeking a partner to run an antique shop and an illegal restaurant." Ten years later, he finds himself in Portugal again, and the circumstances are even more astonishing than before. "A few months later, I called one of the protagonists of my memoirs, Joachim, whom I met on the trail to Santiago. After reading a few passages, he asked, 'Daniel, did you have some kind of recorder when you talked to me? Do you have such a good memory? After all, this is repeated word for word!'" While the majority of events that unfolded after the author's return to Portugal proved to be genuinely unconventional and unexpected, this narrative also reflects the everyday, less thrilling life in the RV, the daily job and family relations. Nevertheless, the unique ability to shape one's life into a novel without embellishment is something extraordinary in today's times, when social media often present a story completely different from the reality. This one shows exactly how it was.
Quantum Poetics examines the way modernist poets appropriated scientific metaphors as part of a general search for the pre-verbal origins of poetry. Daniel Albright traces Modernism's search for the elementary particles from which poems were constructed. The poetic possibilities offered by developments in scientific discourse intrigued Yeats, Eliot and Pound, writers intent on remapping the general theory of poetry. Using models supplied by physicists, Yeats sought for the basic units of poetic force, both through his sequence A Vision and through his belief in, and defence of, the purity of symbols. Pound's whole critical vocabulary, Albright claims, aims at drawing art and science together in a search for poetic precision, the tiniest textual particles that held poems together. Through a series of patient and original readings, Quantum Poetics demonstrates how modernists created a whole new way of thinking about poetry and science as two different aspects of the same quest.
Making extensive use of thousands of letters and diaries, renowned historian Daniel creates an epic portrayal of the Army of the Cumberland, a potent fighting force that changed the course of the Civil War.
Combining life-coaching and screen-acting tools and techniques in one accessible handbook, this guide empowers actors to overcome personal inhibitions and approach their work, characters and careers with the assuredness to produce powerful, real and believable acting on screen. Structured to build confidence and understanding of yourself before you take on the role of someone else, this book offers the tools and techniques to give you the necessary conviction and self-assurance to perform uninhibited. Dresner then examines essential elements of a screen actor's craft, such as emotions, imagination, nerves, focus, listening, improvisation and line-learning. Published in partnership with The Actor's Centre, the book includes online videos of coaching sessions with professional actors and is ideal for readers and teachers looking to replicate the method in their own training.
In retracing the steps of Lewis and Clark, Botkin reveals what this western landscape actually looked like and how much it's been changed by modern civilization and technology.
A groundbreaking exposé of how our legal system makes it nearly impossible to overturn wrongful convictions Thousands of innocent people are behind bars in the United States. But proving their innocence and winning their release is nearly impossible. In Barred, legal scholar Daniel S. Medwed argues that our justice system’s stringent procedural rules are largely to blame for the ongoing punishment of the innocent. Those rules guarantee criminal defendants just one opportunity to appeal their convictions directly to a higher court. Afterward, the wrongfully convicted can pursue only a few narrow remedies. Even when there is strong evidence of a miscarriage of justice, rigid guidelines, bias, and deference toward lower courts all too often prevent exoneration. Offering clear explanations of legal procedures alongside heart-wrenching stories of their devastating impact, Barred exposes how the system is stacked against the innocent and makes a powerful call for change.
DIVDIVAfter a tour of combat abroad, a young man determined to keep to himself is drawn into the dramas of his East Village neighbors/divDIV World War II veteran Richard Stone is attempting to transition back into normal life. An aspiring writer, he’s surviving off the GI Bill and the help of friends. Living free of attachments and responsibilities, he thinks, is the best way to defend himself from the world’s pain, like his unhappy upbringing or his best friend’s death in the war./divDIV But his neighborhood on Second Avenue won’t permit such seclusion. The characters around Richard include a lonely poet, an unhappy literary couple, and a widower who can’t stop thinking about the plight of Europe’s Jews. Gradually they pull Richard into their lives, and even introduce him to the lovely Jemmy Gordon—but life and happiness are not so simple./divDIV/div/div
Private practice opportunities for psychologists have traditionally existed in primarily large urban areas with large patient pools. Little has been written concerning the current atmosphere for psychologists working on a fee for service basis in small towns. Many psychologists are not aware of the growing need and opportunity for private practitioners in small towns in rural America. Psychological Practice in Small Towns and Rural Areas is the key sourcebook on the subject as it reviews the attitudes and needs of the people residing in these geographical areas and considers the benefits and difficulties of establishing a small town or rural practice. A variety of significant topics are covered, including the nature of small town and rural values, the psychologist's lack of anonymity in the town and adjustment and acceptance by the community, coping with the vastly different physical and social environment, ethical and personal dilemmas, ethical principles, community pressures, staff concerns, and husband and wife joint practices. Errors and stumblings to avoid, as experienced by psychologists who have entered rural private practice, are highlighted to make the transition a smooth one. Also covered are the professional and volunteer opportunities for the psychologist seeking out a small town practice and the relationships between professional and volunteer activities. Psychologists who may be considering a change of practice locale for early or after retirement, will find this an intriguing book. Newcomers to private practice, in determining the question of geographical area of practice, will find the information presented in this book helpful, as will graduate students in coursework dealing with professional activities.
Initially created to counteract broadcasts from Nazi Germany, the BBC’s Eastern Service became a cauldron of global modernism and an unlikely nexus of artistic exchange. Directed at an educated Indian audience, its programming provided remarkable moments: Listeners in India heard James Joyce reading from Finnegans Wake on the eve of independence, as well as the literary criticism of E. M. Forster and the works of Indian writers living in London. In Radio Empire, Daniel Ryan Morse demonstrates the significance of the Eastern Service for global Anglophone literature and literary broadcasting. He traces how modernist writers used radio to experiment with form and introduce postcolonial literature to global audiences. While innovative authors consciously sought to incorporate radio’s formal features into the novel, literature also exerted a reciprocal and profound influence on twentieth-century broadcasting. Reading Joyce and Forster alongside Attia Hosain, Mulk Raj Anand, and Venu Chitale, Morse demonstrates how the need to appeal to listeners at the edges of the empire pushed the boundaries of literary work in London, inspired high-cultural broadcasting in England, and formed an invisible but influential global network. Adding a transnational perspective to scholarship on radio modernism, Radio Empire demonstrates how the history of broadcasting outside of Western Europe offers a new understanding of the relationship between colonial center and periphery.
Why do we watch movies? If we read in search of more life, as Harold Bloom is fond of saying, then we watch movies, this book proposes, in search of wonder. We watch movies in search of awe-inspiring visions, transformative experiences, and moments of emotional transcendence and spiritual sublimity. We watch movies for many of the same reasons that we engage in religion: to fill our ordinary evenings and weekends with something of the extraordinary; to connect our isolated, individual selves to something that is greater than ourselves; and because we yearn for something that is ineffable but absolutely indispensable. This book, through an exploration of some of the most intriguing films of the past two decades, illustrates how movies are partners with religion in inspiring, conveying, and helping us experience what Abraham Joshua Heschel refers to as "radical amazement": the sense that our material universe and our ordinary lives are filled with more wonders than we can ever imagine, and that it takes spiritually—as well as cinematically—trained eyes to uncover these ever-present ocular gems. In addition to illustrating how films utilize religious themes and theological motifs to convey a sense of wonder, this book offers new interpretations of key films from canonical American directors such as Martin Scorsese, Terrence Malick, Richard Linklater, Wes Anderson, and the Coen brothers.
Daniel Albright investigates musical phenomena through the lens of monism, the philosophical belief that things that appear to be two are actually one. Daniel Albright was one of the preeminent scholars of musical and literary modernism, leaving behind a rich body of work before his untimely passing. In Music’s Monisms, he shows how musical and literary phenomena alike can be fruitfully investigated through the lens of monism, a philosophical conviction that does away with the binary structures we use to make sense of reality. Albright shows that despite music’s many binaries—diatonic vs. chromatic, major vs. minor, tonal vs. atonal—there is always a larger system at work that aims to reconcile tension and resolve conflict. Albright identifies a “radical monism” in the work of modernist poets such as T. S. Eliot and musical works by Wagner, Debussy, Britten, Schoenberg, and Stravinsky. Radical monism insists on the interchangeability, even the sameness, of the basic dichotomies that govern our thinking and modes of organizing the universe. Through a series of close readings of musical and literary works, Albright advances powerful philosophical arguments that not only shed light on these specific figures but also on aesthetic experience in general. Music’s Monisms is a revelatory work by one of modernist studies’ most distinguished figures.
Transformation captivates a world hungry for change. Transformation looks like hearts cracking open to God’s touch, reconciliation in relationships, and the restoration of broken character. It is powerful to heal both within the church and the community, and our need for it today is great. But transformation like this doesn’t happen casually. Christian leaders are called to lead transformation within themselves and others but often do not understand the fundamental nature of how change really happens in the heart. Like throwing good seed onto poor soil, leaders miss the groundwork needed to produce genuine change. Authors Scott Larson and Daniel L. Tocchini have spent their lives learning how to do this groundwork. Through a combination of storytelling, research, and methods garnered from years of practice, the authors share their experiences of leading transformation within ministry and business. In Groundwork they invite leaders and ministry professionals to learn from both the authors’ mistakes and achievements and to put into practice the knowledge of what works and what impedes true change. Jesus taught that the seeds of God’s transformative power are freely sown; let’s do the groundwork so God’s seeds land on good soil and bear the fruit of hope and healing. Transformation captivates a world hungry for change. Transformation looks like hearts cracking open to God’s touch, reconciliation in relationships, and the restoration of broken character. It is powerful to heal both within the church and the community, and our need for it today is great. But transformation like this doesn’t happen casually. Christian leaders are called to lead transformation within themselves and others but often do not understand the fundamental nature of how change really happens in the heart. Like throwing good seed onto poor soil, leaders miss the groundwork needed to produce genuine change. Authors Scott Larson and Daniel L. Tocchini have spent their lives learning how to do this groundwork. Through a combination of storytelling, research, and methods garnered from years of practice, the authors share their experiences of leading transformation within ministry and business. In Groundwork they invite leaders and ministry professionals to learn from both the authors’ mistakes and achievements and to put into practice the knowledge of what works and what impedes true change. Jesus taught that the seeds of God’s transformative power are freely sown; let’s do the groundwork so God’s seeds land on good soil and bear the fruit of hope and healing. Transformation captivates a world hungry for change. Transformation looks like hearts cracking open to God’s touch, reconciliation in relationships, and the restoration of broken character. It is powerful to heal both within the church and the community, and our need for it today is great. But transformation like this doesn’t happen casually. Christian leaders are called to lead transformation within themselves and others but often do not understand the fundamental nature of how change really happens in the heart. Like throwing good seed onto poor soil, leaders miss the groundwork needed to produce genuine change. Authors Scott Larson and Daniel L. Tocchini have spent their lives learning how to do this groundwork. Through a combination of storytelling, research, and methods garnered from years of practice, the authors share their experiences of leading transformation within ministry and business. In Groundwork they invite leaders and ministry professionals to learn from both the authors’ mistakes and achievements and to put into practice the knowledge of what works and what impedes true change. Jesus taught that the seeds of God’s transformative power are freely sown; let’s do the groundwork so God’s seeds land on good soil and bear the fruit of hope and healing.
Epic Negation examines the dialectical turn of modernist poetry over the interwar period, arguing that late modernism inverts the method of Ezra Pound's "poem including history" to conceive a negated mode of epic, predicated on the encryption of disarticulated historical content. Compelled to register the force of a totality it cannot represent, this negated epic reorients the function of poetic language and reference, remaking the poem, and late modernism generally, as a critical instrument of dialectical reason. Part I reads The Waste Land alongside the review it prefaced, The Criterion, arguing that the poem establishes the editorial method with which T. S. Eliot constructs the review's totalizing account of culture. Dividing the epic's critical function from its style, Eliot not only includes history differently, but also formulates an intricately dialectical account of the interwar crisis of bourgeois culture, formed in the image of a Marxian critique it opposes. Part II turns to the second war's onset, tracing the dislocated formal effects of an epic gone underground. In the elegies and pastorals of W. H. Auden and Louis MacNeice, lyric forms divulge the determining force of unmentionable but universal events, dividing experience against consciousness. With H.D.'s war trilogy, produced in a terse exchange with Freud's Moses, even the poetic image lapses, associating epic with the silent historical force of the unconscious as such"--
The lives and careers of Warner Brothers' screen legends Joan Blondell, Nancy Coleman, Bette Davis, Olivia de Havilland, Glenda Farrell, Kay Francis, Ruby Keeler, Andrea King, Priscilla Lane, Joan Leslie, Ida Lupino, Eleanor Parker, Ann Sheridan, Alexis Smith, and Jane Wyman are the topic of this book. Some achieved great success in film and other areas of show business, but others failed to get the breaks or became victims of the studio system's sometimes unpleasant brand of politics. The personal and professional obstacles that each actress encountered are here set out in detail, often with comments from the actresses who granted interviews with the author and from those people who knew them best on and off the movie set. A filmography is included for each of the fifteen.
This book examines performances in the American film industry’s highest-earning and most influential films. Countering decades of discourse and the conventional notion that special effects are the real stars of Hollywood blockbusters, this book finds that the acting performances in these big-budget action movies are actually better, and more genre-appropriate, than reputed. It argues that while blockbusters are often edited for speed, thrills, and simplicity, and performances are sometimes tailored to this style, most major productions feature more scenes of stage-like acting than hyper-kinetic action. Knowing this, producers of the world’s highest-budgeted motion pictures usually cast strong or generically appropriate actors. With chapters offering unique readings of some of cinema’s biggest hits, such as The Dark Knight, Pirates of the Caribbean, Star Wars, Iron Man and The Hunger Games, this unprecedented study sheds new light on the importance of performance in the Hollywood blockbuster.
The last thirty years have witnessed one of the most fertile periods in the history of children's books: the flowering of imaginative illustration and writing, the Harry Potter phenomenon, the rise of young adult and crossover fiction, and books that tackle extraordinarily difficult subjects. The Oxford Companion to Children's Literature provides an indispensable and fascinating reference guide to the world of children's literature. Its 3,500 entries cover every genre from fairy tales to chapbooks; school stories to science fiction; comics to children's hymns. Originally published in 1983, the Companion has been comprehensively revised and updated by Daniel Hahn. Over 900 new entries bring the book right up to date. A whole generation of new authors and illustrators are showcased, with books like Dogger, The Hunger Games, and Twilight making their first appearance. There are articles on developments such as manga, fan fiction, and non-print publishing, and there is additional information on prizes and prizewinners. This accessible A to Z is the first place to look for information about the authors, illustrators, printers, publishers, educationalists, and others who have influenced the development of children's literature, as well as the stories and characters at their centre. Written both to entertain and to instruct, the highly acclaimed Oxford Companion to Children's Literature is a reference work that no one interested in the world of children's books should be without.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Maverick Movies tells the improbable story of New Line Cinema, a company that cut a remarkable path through the American film industry and movie culture. Founded in 1967 as an art film distributor, New Line made a small fortune running John Waters's Pink Flamingos at midnight screenings in the 1970s and found reliable returns with the Nightmare on Elm Street franchise in the 1980s. By 2001, the company competed with the major Hollywood studios and reached global box office success with the Lord of the Rings franchise. Blurring boundaries between high and low culture, between independent film and Hollywood, and between the margins and the mainstream, New Line Cinema epitomizes Hollywood's shift in focus from the mass audience fostered by the classic studios to the multitude of niche audiences sought today.
Williams analyses and compares the ways in which African Americans and the Welsh have defined themselves as minorities within larger nation states (the UK and US). The study is grounded in examples of actual friendships and cultural exchanges between African Americans and the Welsh, such as Paul Robeson’s connections with the socialists of the Welsh mining communities, and novelist Ralph Ellison’s stories about his experiences as a GI stationed in wartime Swansea. This wide ranging book draws on literary, historical, visual and musical sources to open up new avenues of research in Welsh and African American studies.
“Dain’s A History of Boston helps the reader understand how land-use and environment contribute to shaping a community. Dain’s Boston is the go-to book.” - R.J. Lyman Boston is today one of the world’s greatest cities, first in higher education, hospitals, life science companies, and sports teams. It was the home of the Great Puritan Migration, the American Revolution, the Industrial Revolution, the first civil rights movement, the abolition movement, and the women’s rights movement. But the city that gave us the first use of ether as anesthesia, the telephone, technicolor film, and the mutual fund—the city where Martin Luther King Jr. and Coretta Scott founded their world-changing partnership—was also the hub of the anti-immigration movement, the divisive busing era, and decades of self-inflicted decay. Boston has the most important history of any American city. Yet its history has never been given a comprehensive treatment until now. Join Dan Dain as he acts as your tour guide from the arrival of First Peoples up to the election of Boston’s first woman and person of color as mayor. Dain’s masterful work explores the policies and practices that took Boston from its highest heights to its lowest lows and back again, and examines the central role that density, diversity, and good urban design play in the success of cities like Boston.
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