The poet's first offering in a decade, this collection is a rich exploration of loss and longing, celebrating art, culture, and two-spirited identity through poems that are rich in sound and sense.
A respected First Nations Canadian playwright and Governor General's Award finalist, Daniel David Moses is known for using storytelling and theatrical conventions to explore the consequences of the collision between Indigenous and non-Indigenous cultures. Coyote City and Big Buck City are the first two in his series of four City Plays that track the journey of one particular Native family between a world of Native spiritual traditions and the materialist urban landscape in which we all attempt to survive. Coyote City, a tragedy, begins with a phone call from a ghost that sends a young Native woman, Lena, her family in pursuit, on a search in the city for her missing lover Johnny. Big Buck City, a farce, tells the story of Lena's subsequent Christmas reunion in that city with her family just in time for the birth of her own miraculous child.
A respected First Nations Canadian playwright and Governor General's Award finalist, Daniel David Moses is known for using storytelling and theatrical conventions to explore the consequences of the collision between Indigenous and non-Indigenous cultures. Coyote City and Big Buck City are the first two in his series of four City Plays that track the journey of one particular Native family between a world of Native spiritual traditions and the materialist urban landscape in which we all attempt to survive.
Tricksters, medicine shows, and ghosts are some of the story elements discussed in this collection of essays about First Nations Canadian authors. Posing questions about how such folklore adds to the country's collective memory, the essays look at Ben Cardinal's No Name Indians and Generic Warriors; Tomson Highway's The Sage, the Dancer and the Fool; Billy Merasty's Fireweed; Beatrice Mosionier's Night of the Trickster; and Floyd Favel Starr's Lady of Silences. An eye-opening look at Native Canadians as they negotiate their way through white culture, the book also offers insights on Native Americans in similar predicaments in movie westerns and the musical Oklahoma!
In these linked plays, Daniel David Moses, the prize-winning playwright and a "registered Indian," explores the "frontier" and discovers that the human face of the old West was more than cowboys and Indians"--Page 4 of cover.
In the year 1649, the Iroquois are on the warpath, killing traitors and Christians at the mission of Sainte Marie. The shaman is worried about windigos and the Black Robe about the fires of hell. Worlds collide in a renowned First Nations playwright's epic, dark, funny, and healing vision of early Canada.
The poet's first offering in a decade, this collection is a rich exploration of loss and longing, celebrating art, culture, and two-spirited identity through poems that are rich in sound and sense.
A respected First Nations Canadian playwright and Governor General's Award finalist, Daniel David Moses is known for using storytelling and theatrical conventions to explore the consequences of the collision between Indigenous and non-Indigenous cultures. Coyote City and Big Buck City are the first two in his series of four City Plays that track the journey of one particular Native family between a world of Native spiritual traditions and the materialist urban landscape in which we all attempt to survive.
Tricksters, medicine shows, and ghosts are some of the story elements discussed in this collection of essays about First Nations Canadian authors. Posing questions about how such folklore adds to the country's collective memory, the essays look at Ben Cardinal's No Name Indians and Generic Warriors; Tomson Highway's The Sage, the Dancer and the Fool; Billy Merasty's Fireweed; Beatrice Mosionier's Night of the Trickster; and Floyd Favel Starr's Lady of Silences. An eye-opening look at Native Canadians as they negotiate their way through white culture, the book also offers insights on Native Americans in similar predicaments in movie westerns and the musical Oklahoma!
In the year 1649, the Iroquois are on the warpath, killing traitors and Christians at the mission of Sainte Marie. The shaman is worried about windigos and the Black Robe about the fires of hell. Worlds collide in a renowned First Nations playwright's epic, dark, funny, and healing vision of early Canada.
In these linked plays, Daniel David Moses, the prize-winning playwright and a "registered Indian," explores the "frontier" and discovers that the human face of the old West was more than cowboys and Indians"--Page 4 of cover.
A Proven Approach to Help You Interpret and Understand the Bible Grasping God's Word has proven itself in classrooms across the country as an invaluable help to students who want to learn how to read, interpret, and apply the Bible for themselves. This book will equip you with a five-step Interpretive Journey that will help you make sense of any passage in the Bible. It will also guide you through all the different genres found in the Bible to help you learn the specifics of how to best approach each one. Filling the gap between approaches that are too simple and others that are too technical, this book starts by equipping readers with general principles of interpretation, then moves on to apply those principles to specific genres and contexts. Features include: Proven in classrooms across the country Hands-on exercises to guide students through the interpretation process Emphasis on real-life application Supplemented by a website for professors providing extensive teaching materials Accompanying workbook, video lectures, laminated study guide (sold separately) This fourth edition includes revised chapters on word studies and Bible translations, updated illustrations, cultural references, bibliography, and assignments. This book is the ideal resource for anyone looking for a step-by-step guide that will teach them how to accurately and faithfully interpret the Bible.
Miracles are woven into the fabric of society. From Genesis to Revelation, they are threads that run throughout the entire tapestry of Scripture. It seems, however, that our society has waged an all-out assault on miracles and their relevance. Today, biblical miracles are brushed aside as mere superstition or myth, while God is dismissed as unnecessary. Is there really a wonder-working God? Prayer is a powerful thing. It is a two-way conversation between a holy God and those He has chosen to redeem. Prayer is not powerful because of the words we choose, nor based upon the amount of faith that we possess, but because we serve an awesome God, who is able to step into our natural world and work miracles on our behalf. So, the question is not whether there is a God, but rather how big is your God? Our faith is literally stitched together by God's miraculous power.
The French Jesuit Isaac-Joseph Berruyer's Histoire du peuple de Dieu was an ambitious attempt to connect the ideas of the Enlightenment with the theology of the Catholic Church. A paraphrase of the Bible written in vernacular French, the Histoire promoted progress, the pursuit of happiness, the fundamental goodness of humanity, and the capacity of nature to shape moral human beings. Berruyer aimed to update the Bible for a new age, but his work unleashed a furor that ended with the expulsion of the Jesuits from France. Berruyer's Bible offers a fresh perspective on the history of the Catholic Enlightenment. By exploring the rise and fall of Berruyer's Histoire, Daniel Watkins reveals how Catholic attempts to assimilate Enlightenment ideas caused conflicts within the church and between the church and the French state. Berruyer's Bible flips the traditional narrative of the Enlightenment on its head by showing that the secularization of French society and the political decline of the Catholic Church were due not solely to the external assaults of anti-clerical philosophes but also to the internal discord caused by Catholic theologians themselves. Built upon extensive research in archives across Western Europe and the United States, Berruyer's Bible paints a vivid picture of the tumultuous intellectual world of the Catholic Church and the power of radical ideas that shaped the church throughout the Enlightenment, the French Revolution, and beyond.
First published in 1994, Kidnappers in Philadelphia: Isaac Hopper's Tales of Oppression 1780-1843 collates Isaac Hoppers original tales. Complementing the original seventy-nine compiled narratives, this expanded edition features "The Life of Cooper" and seven newly discovered slave narratives published by Isaac Hopper in the National Anti-Slavery Standard between June and September 1840. The original index of planter's names and a new comprehensive general index will help readers locate valuable historical information.
The New Creation is a resuscitation of the basic truth of Christ in our generation, as God never fails to inspire great work in every age to heal his people. It is a transformation from darkness to his marvelous light--into the higher glory of the mystery of God whose will is to give us his kingdom. The mysteries contained therein is part of the greatest truth revealed by the eternal wisdom of God in our own time, for our completeness and a glorious covenant of life against the false teachings that has done so much harm to the mystical body of Christ. I am quite certain that heresy, indifference, schism, evil doctrines, and powers of this age cannot stop the spirituality and message of this wonderful book--for the angels of constellations are at work.
This book analyzes and describes the development and aspects of imagery techniques, a primary mode of mystical experience, in twentieth century Jewish mysticism. These techniques, in contrast to linguistic techniques in medieval Kabbalah and in contrast to early Hasidism, have all the characteristics of a full screenplay, a long and complicated plot woven together from many scenes, a kind of a feature film. Research on this development and nature of the imagery experience is carried out through comparison to similar developments in philosophy and psychology and is fruitfully contextualized within broader trends of western and eastern mysticism.
In his famous and influential book Travels, the naturalist William Bartram described the St. Johns riverfront in east Florida as an idyllic, untouched paradise. Bartram’s account was based on a journey he took down the river in 1774. Or was it? Historians have relied upon the integrity of the information in William Bartram's Travels for centuries, often concluding from it that the British (the colonial power from 1763 to 1783) had not engaged in large-scale land development in Florida. However, the well-documented truth is that the St. Johns riverfront was not in a state of unspoiled nature in 1774; it was instead the scene of drained wetlands and ambitious agricultural developments including numerous successful farms and plantations. Unsuccessful settlements could also be found, William Bartram's own foundered venture among them. Evidence for the existence of these settlements can still be found in archives in the United Kingdom and in the family papers of the descendants of British East Florida settlers and absentee landowners. So why did Bartram choose to erase them from history? Was his insistence on a pristine paradise in Travels based on an early expedition that he and his father, the botanist John Bartram, conducted in 1764–65? Was his distaste for development a result of bitterness and shame over his own failed settlement? Daniel Schafer explores all of these questions in this intriguing book, reconstructing the sights and colorful stories of the St. Johns riverfront that Bartram rejected in favor of an illusory wilderness. At last, the full story of William Bartram's famous journey and the histories of the plantations he "ghosted" are uncovered in this eminently readable, highly informative, and extremely entertaining volume.
God, Tsar, and People brings together in one volume essays written over a period of fifty years, using a wide variety of evidence—texts, icons, architecture, and ritual—to reveal how early modern Russians (1450–1700) imagined their rapidly changing political world. This volume presents a more nuanced picture of Russian political thought during the two centuries before Peter the Great came to power than is typically available. The state was expanding at a dizzying rate, and atop Russia's traditional political structure sat a ruler who supposedly reflected God's will. The problem facing Russians was that actual rulers seldom—or never—exhibited the required perfection. Daniel Rowland argues that this contradictory set of ideas was far less autocratic in both theory and practice than modern stereotypes would have us believe. In comparing and contrasting Russian history with that of Western European states, Rowland is also questioning the notion that Russia has always been, and always viewed itself as, an authoritarian country. God, Tsar, and People explores how the Russian state in this period kept its vast lands and diverse subjects united in a common view of a Christian polity, defending its long frontier against powerful enemies from the East and from the West.
Like Jesus, all the leading figures in the Bible--from Abraham and Ruth to Mary and Paul--reflect eight common attributes that inform how God followers today should lead their lives. These attributes, combined with a person's own core values, form his or her godly brand. Your Godly Brand shows how branding works to influence people, how biblical figures demonstrated their brand through their actions, and how readers can define their personal godly brand through a series of thought- and spirit-provoking exercises.
Part survey of the field of Indigenous literary studies, part cultural history, and part literary polemic, Why Indigenous Literatures Matter asserts the vital significance of literary expression to the political, creative, and intellectual efforts of Indigenous peoples today. In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.
A postal worker confronts the supernatural after he is assigned a cursed route near an abandoned tannery. An attempted robbery goes awry when dimwitted thieves decide to knock off a coffee joint ... before it opens for business. Touring musicians experience uncomfortably close encounters while on the road in Northern Ontario. Serial killers and shape shifters are the least of their problems. Bad song writing—that’s the real elephant in the room. These and other stories form a linked narrative in which the mysterious Benny Tak appears and disappears. Is he a cipher? Some insidious background performer who shows up in everyone’s personal narrative? Either way, he is ready for his close-up—with lines. Eerie and at times otherworldly, the darkly comic tales in Rerouted take unexpected detours, exploring what happens when plans change, things get weird, and fate gets rerouted.
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