Quarantines, masks, death-terms familiar to anyone who faced the so-called Spanish Flu of 1918. World-wide, it is estimated that the horrifying influenza killed more than 50 million people, significantly more than did the guns of the Great War, which was just then coming to a close. And yet no one has ever heard from Sherlock Holmes or Dr. Watson concerning their own experiences surviving the terrible virus-until now. In a recently-discovered manuscript, Dr. Watson reveals the secret which for years had kept him silent about the deadly pandemic. Only when he meets the eccentric American novelist Sinclair Lewis is the truth pried free and the story of an ingenious murder revealed.
Sherlock Holmes had never met a writer who had ridiculed him as bitterly as Samuel L. Clemens had. For that matter, Holmes had never met a writer who fancied himself a detective. Yet Sam Clemens not only unraveled Holmes' investigation into the murder of the hot-blooded woman on Thor Bridge, but also, while writing as Mark Twain, belittled Holmes' highly-touted detecting skills. In this recently discovered narrative, Doctor Watson sets the record straight. He reveals other crimes related to the original murder while relating what prompted Clemens in a 1902 short story to deride the famous detective. Spurred on by such criticism, as well as by clues discovered in a classic tale by Bret Harte, Sherlock Holmes begins a new investigation, one that leads Holmes and Watson from the gardens of Windsor Castle to the spires of Oxford University in their efforts to track down a deranged assassin bent on wreaking even more havoc.
The eleven stories gathered together in these two volumes share their own common feature. All have connections to the world of belles lettres, the world of literature - some to celebrated authors in particular, others to themes or stories associated with specific writers . . . . Let others plumb this collection for more subtle themes. From Maupassant to Stevenson to Fitzgerald, the authorial giants who populate these pages are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that in the finest tradition of all the other adventures of Sherlock Holmes, these sketches depict a series of heartless criminal acts - some more gruesome than others.
A psychological account of a crime" - that's how Fyodor Dostoyevsky described his novel Crime and Punishment, which tells of two horrific axe murders in St. Petersburg. It becomes much more than a mere "account," however, when a pair of dead bodies turn up in London's East End, their heads split open by an axe-blade. To Scotland Yard, the crimes are murders to solve. To Sherlock Holmes, they present an intriguing puzzle. But to the literary man, Dr. John H. Watson, they seem a deliberate re-staging of the brutal murders depicted in Dostoyevsky's narrative. If Watson is right, what can be the purpose behind an actual recreation of the fictional killings? Blocking the answer to that question is a mysterious assortment of English and Russian eccentrics, and one can only wonder if the startling revelation at the end will be dramatic enough to set matters straight.
A STUDY IN SYNCHRONICITY weaves an English murder mystery set in 1906 into the framework of a modern-day whodunit. The contemporary plot begins when American writer Todd Stringer wins a writing contest for his short story set in turn-of-the century London. Not only does the story feature the Sherlock Holmes-like detective Corliss Simms, but it also echoes the language of Simms's celebrated but long-dead creator, the Conan Doyle-like Sir Reginald Bertrand Dunbarton. As Todd's real life oddly begins to parallel murderous aspects of his own crime story, he becomes more intertwined in his fictional narrative than he could ever have imagined. For just after the publication of his story is halted, the executor of Dunbarton's estate turns up murdered in the same manner as the victim in Todd's fictional story, and Todd finds himself the target of an actual murder investigation. What began as an attempt to get his story published becomes, with the help of a lovely young woman he meets in England, a quest to find the real murderer, a quest which takes on added urgency as he tries to eliminate himself as the prime suspect.
Sherlock Holmes and Dr. Watson travel to New York City to investigate the assassination of true-life muckraker and author David Graham Phillips. They soon find themselves caught up in a web of deceit, violence and political intrigue, which only the great Sherlock Holmes can unravel.
The eleven stories gathered together in these two volumes share their own common feature. All have connections to the world of belles lettres, the world of literature - some to celebrated authors in particular, others to themes or stories associated with specific writers . . . . Let others plumb this collection for more subtle themes. From Maupassant to Stevenson to Fitzgerald, the authorial giants who populate these pages are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that in the finest tradition of all the other adventures of Sherlock Holmes, these sketches depict a series of heartless criminal acts - some more gruesome than others.
One moment the lovely young woman was walking through the Battle of Hastings exhibition at the British Museum; the next, she lay dead on the checkered museum floor, a Norman arrow protruding from her breast. Inspector Lestrade believed he had solved the mystery, but almost immediately recognized that Scotland Yard needed the help of Sherlock Holmes. From London to the Lake District, the master detective, along with his colleague Dr. Watson and recently-met American mystery writer, Anna Katharine Green, follows a string of clues that ultimately exposes the intricacies of a tragic love story-a woeful tale whose twists and turns reveal what Watson accurately called “the unhappiest of Holmes’s adventures.”
A young inventor - the man whose name appears in the title of Dr. Watson's narrative, "The Adventure of the Bruce-Partington Plans" - lies dead on the floor of an old house, two bullet holes in his back. To solve the gruesome murder, Sherlock Holmes enlists the aid of William Gillette, the celebrated American actor renown for his portrayal of the famous detective, and Arthur Conan Doyle, conveniently familiar with the world of spiritualism that serves as backdrop to the brutal crime. In a plot replete with foreign spies, young lovers, eerie séances, and an array of the dead inventor's strange mechanical devices, Sherlock Holmes and Dr. Watson press on to discover the identity of Bruce-Partington's cold-blooded killer.
They called her “Lady Stewart” when she was married to a British aristocrat. They called her “Miss Cora “when she ran a brothel in Florida. But she called herself “Mrs. Crane” when she asked Sherlock Holmes to locate her common-law husband, writer Stephen Crane, who'd gone missing in Cuba during the Spanish-American War. In their attempt to fulfil the lady's request, Holmes and Watson encounter a world of celebrity authors, terrorist bombings, and haunted manor houses. But it is only when Stephen Crane falls victim to a notorious blackmailer that the master detective and his partner find themselves face-to-face with cold-blooded murder. Under darkened skies, a solitary apparition stood brightly illuminated on the ship’s gloomy deck. Or so it seemed. Cloaked in a long white raincoat-the same gleaming duster he’d worn in the face of Spanish gunfire at San Juan Heights-Stephen Crane looked for all the world like the ghost so many people thought he’d already become.
When misadventure led a schoolboy in London to employment at Baker Street, few could have guessed where his introduction to Sherlock Holmes would lead. But as the lad matures and he finds himself caught in the middle of a murder investigation, his friendship with Holmes and Watson lures him into the role of detective. "Billy" documents his experiences, and soon his sleuthing skills not only bring him to another murder, but also lay the foundation for his metamorphosis into a famous mystery writer, the novelist the world now knows as Raymond Chandler.
They called her Lady Stewart when she was married to a British aristocrat. They called her Miss Cora when she ran a brothel in Florida. But she called herself Mrs. Crane when she asked Sherlock Holmes to locate her common-law husband, writer Stephen Crane, who d gone missing in Cuba during the Spanish-American War. In their attempt to fulfil the lady s request, Holmes and Watson encounter a world of celebrity authors, terrorist bombings, and haunted manor houses. But it is only when Stephen Crane falls victim to a notorious blackmailer that the master detective and his partner find themselves face-to-face with cold-blooded murder. Under darkened skies, a solitary apparition stood brightly illuminated on the ship s gloomy deck. Or so it seemed. Cloaked in a long white raincoat the same gleaming duster he d worn in the face of Spanish gunfire at San Juan Heights Stephen Crane looked for all the world like the ghost so many people thought he d already become.
The light of an open doorway beckons through the mist of a London Particular, one of those smothering fogs for which turn-of-the-century London was famous. But in reality - as Sherlock Holmes soon discovers - though the doorway does indeed offer respite from the fog, it also leads to the gruesome remains of a double-murder. Two corpses, a stolen diamond necklace, a Russian connection, and a dandified American writer who pals around with denizens of the theater - all add up to a murder investigation with international implications. Leave it to Sherlock Holmes who, in a classic assemblage of suspects in a high-tone British men’s club, employs his celebrated powers of deduction to reveal the guilty party.
Sherlock Holmes had never met a writer who had ridiculed him as bitterly as Samuel L. Clemens had. For that matter, Holmes had never met a writer who fancied himself a detective. Yet Sam Clemens not only unraveled Holmes investigation into the murder of the hot-blooded woman on Thor Bridge, but also, while writing as Mark Twain, belittled Holmes highly-touted detecting skills. In this recently discovered narrative, Doctor Watson sets the record straight. He reveals other crimes related to the original murder while relating what prompted Clemens in a 1902 short story to deride the famous detective. Spurred on by such criticism, as well as by clues discovered in a classic tale by Bret Harte, Sherlock Holmes begins a new investigation, one that leads Holmes and Watson from the gardens of Windsor Castle to the spires of Oxford University in their efforts to track down a deranged assassin bent on wreaking even more havoc.
In 1910, American author and social critic Jack London began writing The Assassination Bureau, Ltd., a work that he never completed. Now, thanks to the recently discovered manuscript of Dr. John Watson, we know why. The early part of London's book describes a secret organization - scoffed at or ignored by police officials - that conspires to murder influential political and social leaders. Not until Sherlock Holmes is provoked into action by threats close to home does anyone appear able to stop the Assassination Bureau. As Holmes and Watson proceed, they uncover devilish plots involving the deaths of some of the most prominent figures in history-from American Presidents to European heads of state, from murderous gangsters to muckraking writers like Jack London himself. With a deadly timing-device ticking, Sherlock Holmes hopes to prevent any further murders from threatening world peace. But by 1912, is he already too late?
In 1910, American author and social critic Jack London began writing The Assassination Bureau, Ltd., a work that he never completed. Now, thanks to the recently discovered manuscript of Dr. John Watson, we know why. The early part of London's book describes a secret organization-scoffed at or ignored by police officials-that conspires to murder influential political and social leaders. Not until Sherlock Holmes is provoked into action by threats close to home does anyone appear able to stop the Assassination Bureau. As Holmes and Watson proceed, they uncover devilish plots involving the deaths of some of the most prominent figures in history-from American Presidents to European heads of state, from murderous gangsters to muckraking writers like Jack London himself. With a deadly timing-device ticking, Sherlock Holmes hopes to prevent any further murders from threatening world peace. But by 1912, is he already too late?
In 1910, American author and social critic Jack London began writing The Assassination Bureau, Ltd., a work that he never completed. Now, thanks to the recently discovered manuscript of Dr. John Watson, we know why. The early part of London's book describes a secret organization-scoffed at or ignored by police officials-that conspires to murder influential political and social leaders. Not until Sherlock Holmes is provoked into action by threats close to home does anyone appear able to stop the Assassination Bureau. As Holmes and Watson proceed, they uncover devilish plots involving the deaths of some of the most prominent figures in history-from American Presidents to European heads of state, from murderous gangsters to muckraking writers like Jack London himself. With a deadly timing-device ticking, Sherlock Holmes hopes to prevent any further murders from threatening world peace. But by 1912, is he already too late?
Sherlock Holmes examines the body of a murdered scrubwoman that lies on the floor of the South Kensington Museum of Art. But it is not a real corpse he looks at, for those remains have been removed by the coroner. The body Holmes studies appears in a drawing of the murder scene precisely rendered by an American art student. The drawing leads Holmes, Dr. Watson, and the artist-a young Frank Norris before he turns his talents to writing- across the English countryside in search of the killer. From the shops in the Strand to the pier at Brighton, from the lions of Trafalgar Square to the coalfields of Lancashire, the trio, along with Inspectors Lestrade and Gregson, find themselves entangled in a tale of gold, greed, and murder.
The eleven stories gathered together in these two volumes share their own common feature. All have connections to the world of belles lettres, the world of literature--some to celebrated authors in particular, others to themes or stories associated with specific writers . . . . Let others plumb this collection for more subtle themes. From Maupassant to Stevenson to Fitzgerald, the authorial giants who populate these pages are explanation enough for its title. As interesting as such literary associations may be, of course, one can never forget that in the finest tradition of all the other adventures of Sherlock Holmes, these sketches depict a series of heartless criminal acts--some more gruesome than others.
When misadventure led a schoolboy in London to employment at Baker Street, few could have guessed where his introduction to Sherlock Holmes would lead. But as the lad matures and he finds himself caught in the middle of a murder investigation, his friendship with Holmes and Watson lures him into the role of detective. "Billy" documents his experiences, and soon his sleuthing skills not only bring him to another murder, but also lay the foundation for his metamorphosis into a famous mystery writer, the novelist the world now knows as Raymond Chander. Cover, page [4].
During his first trip to England in 1899, murder was the last thing that Hamlin Garland, the so-called "Dean of American Letters," expected to find. More predictable were his descriptions of American baseball and visits with notables like Arthur Conan Doyle and George Bernard Shaw. Yet when Garland tells Sherlock Holmes of a suspicious death that occurred at Hearthstone Hall, the detective replies, "You have described the ingredients of a classic murder mystery-a dead dowager empress and a collection of courtiers any one of whom might be the killer." From the ominous confines of a gothic manor house to the foreboding terrain of the Devil's Punchbowl, Garland, Holmes, and Dr. Watson seek to thwart a cold-blooded killer before the list of victims expands any further.
This is the 15th story from The Art of Sherlock Holmes project and first appeared in The MX Book of New Sherlock Holmes Stories, Part XII. The artist is Andy Pereira creating the art from the story. The original painting measures 30x45 and is an acrylic on canvas. You can view the original in The Art of Sherlock Holmes Virtual Gallery.
His retirement interrupted by the assassination of muckraker David Graham Phillips, Sherlock Holmes begins an investigation that leads him from England to New York's Gramercy Park to Washington, D.C.
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